| ¿Por qué llorax blanca niña? | Montserrat Figueras, Jordi Savall, Hespèrion XXI | | | 7:27 | strumento |
| 'Andante' from Sonata for Viola da Gamba in G Minor, BWV 1027 | Laurence Dreyfus, Ketil Haugsand | | | 2:23 | strumento |
| 'O let me weep | Emma Kirkby, Richard Campbell, Catherine Mackintosh, Anthony Rooley | | | 6:38 | strumento |
| 'Susana un jur' (Glosa) | Laurence Bonnal, Eunice Brandão, Sergi Casademunt, Lorenz Duftschmid, Jordi Savall, Hespèrion XXI | | | 4:28 | strumento |
| ’Tis Nature’s Voice | Nicolas Achten, Scherzi Musicali | | | 3:53 | strumento (come “viole de gambe”) |
| "Attendite, populus meus" | Prof. Jakob Stämpfli, Jörg Ewald Dähler, Hannelore Müller, August Wenzinger | | | 9:13 | strumento |
| "Con le luci d'un bel ciglio", 1614 | Montserrat Figueras | | | 1:54 | strumento |
| "Dear Pretty Youth" | Emma Kirkby, Richard Campbell, Christopher Hogwood | | | 1:56 | strumento |
| "Fili mi, Absalom" | Prof. Jakob Stämpfli, Jörg Ewald Dähler, Hannelore Müller, August Wenzinger | | | 6:06 | strumento |
| "Gelobet seist Du, Jesu Christ" | Samuel Scheidt | | | 5:14 | strumento |
| "Hark! How All Things" | Emma Kirkby, Richard Campbell, Christopher Hogwood | | | 1:46 | strumento |
| "I Attempt From Love's Sickness To Fly" | Emma Kirkby, Richard Campbell, Christopher Hogwood | | | 1:25 | strumento |
| "If Music Be The Food Of Love", Z.379 | Emma Kirkby, Richard Campbell, Christopher Hogwood | | | 3:27 | strumento |
| "Lovely, Lovely Albina's Come Ashore", Z.394 | Emma Kirkby, Richard Campbell, Christopher Hogwood | | | 2:13 | strumento |
| "O Let Me Weep, For Ever Weep" | Emma Kirkby, Richard Campbell, Catherine Mackintosh, Anthony Rooley | | | 6:36 | strumento |
| "Pariser Quartette" Nr. 6 E-Moll - 6. Satz; Modéré | Masahiro Arita, Christophe Rousset, Ryo Terakado, Kaori Uemura | | | 4:55 | strumento |
| "Pièces De Clavecin En Concerts", Nr. 3 A-Dur - 3. Satz, Tambourin | Chiyoko Arita, Masahiro Arita, Wieland Kuijken, Natsumi Wakamatsu | | | 2:32 | strumento |
| "Sentirete una canzonetta" | Montserrat Figueras, Pedro Estevan, Arianna Savall, Ferran Savall, Jordi Savall | | | 3:04 | strumento |
| "Sonate en Quatuor" in A minor, op. 17, no. 6: I. without tempo indication | Wilbert Hazelzet, Jaap ter Linden, Musica Antiqua Köln, Reinhard Goebel | | | 4:02 | strumento |
| "Sonate en Quatuor" in A minor, op. 17, no. 6: II. Aria Grazioso | Wilbert Hazelzet, Jaap ter Linden, Musica Antiqua Köln, Reinhard Goebel | | | 6:49 | strumento |
| "Sonate en Quatuor" in A minor, op. 17, no. 6: III. Presto | Wilbert Hazelzet, Jaap ter Linden, Musica Antiqua Köln, Reinhard Goebel | | | 3:36 | strumento |
| "Wachet auf, ruft uns die Stimme" in E-flat major, BWV 645 (transcribed for recorder, viola da gamba and lute) | Stefan Temmingh, Domen Marincič, Axel Wolf | | | 4:13 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Aria (soprano): “Ich bin vergnügt in meinem Leiden” | Christiane Baumann, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 4:55 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Aria & Chorale (soprano, bass): “Ich hab' vor mir ein' schwere Reis” | Christiane Baumann, Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 2:29 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Choral & Aria (soprano, bass): “Ach Gott, wie manches Herzeleid” | Christiane Baumann, Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 4:15 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (bass): “Verfolgt dich gleich die arge Welt” | Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:39 | strumento |
| “Ach Gott, wie manches Herzeleid”, BWV 58: Recitative (soprano): “Kann es die Welt nicht lassen” | Christiane Baumann, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:17 | strumento |
| “Alle stamenge”, canto carnascialesco, CM 133 | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Jordi Savall, Sophie Watillon | | | 3:13 | strumento |
| “Amor tu non me gabasti”, barzelletta, CM 23 | Lambert Climent, Carlos Mena, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Jordi Savall, Sophie Watillon | | | 3:39 | strumento |
| “Collinetto”, ballo, CM 22 | Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Richard Cheetham, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Rolf Lislevand, Jordi Savall, Sophie Watillon | | | 2:58 | strumento |
| “Correno multi cani”, strambotto-caccia, CM 140 | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Richard Cheetham, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Jordi Savall, Sophie Watillon | | | 2:35 | strumento |
| “Das Blut Jesu Christi” | Collegium Vocale Gent, Philippe Herreweghe | | | 3:19 | strumento |
| “De tous biens plaine”, chanson, CM 85 | Eunice Brandão, Sergi Casademunt, Jordi Savall | | | 4:16 | strumento |
| “Der Gerechte” | Collegium Vocale Gent, Philippe Herreweghe | | | 4:36 | strumento |
| “Dindirindin”, canzon alla villota, CM 127 | Daniele Carnovich, Lambert Climent, Montserrat Figueras, Francesc Garrigosa, Carlos Mena, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Béatrice Delpierre, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Rolf Lislevand, Jordi Savall | | | 2:05 | strumento |
| “Je vos pri mon tres”, triple chanson, CM 109 | Lambert Climent, Montserrat Figueras, Francesc Garrigosa, Carlos Mena, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Jordi Savall, Sophie Watillon | | | 5:19 | strumento |
| “Jesu, der du meine Seele”, BWV 78: I. Chorus: “Jesu, der du meine Seele” | Ensemble Vocal de Lausanne, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 6:28 | strumento |
| “Jesu, der du meine Seele”, BWV 78: II. Aria duetto (soprano, alto): “Wir eilen mit schwachen, doch emsigen Schritten” | Christiane Baumann, Naoko Ihara, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 5:22 | strumento |
| “Jesu, der du meine Seele”, BWV 78: III. Recitative (tenor): “Ach! Ich bin eine Kind der Sünden” | Vincent Girod, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 2:24 | strumento |
| “Jesu, der du meine Seele”, BWV 78: IV. Aria (tenor): “Das Blut, so meine Schuld durchstreicht” | Vincent Girod, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 3:30 | strumento |
| “Jesu, der du meine Seele”, BWV 78: V. Recitative (bass): “Die Wunden, Nägen, Kron und Grab” | Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 3:42 | strumento |
| “Jesu, der du meine Seele”, BWV 78: VI. Aria (bass): “Nun du wirst mein Gewissen stillen” | Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 3:19 | strumento |
| “Jesu, der du meine Seele”, BWV 78: VII. Chorale: “Herr, ich glaube, hilf mir Schwachen” | Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:20 | strumento |
| “La fille guillemin”, ballo, CM 6 | Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Béatrice Delpierre, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Jordi Savall, Sophie Watillon | | | 2:04 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. I. Chorus: “Lass, Fürstin, lass noch einen Strahl” | Ensemble Vocal de Lausanne, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 8:09 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. II. Recitative (soprano): “Dein Sachsen, dein bestürzes Meissen” | Uta Spreckelsen, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:52 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. III. Aria (soprano): “Verstummt, verstummt, ihr holden Saiten!” | Uta Spreckelsen, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 5:57 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. IV. Recitative (alto): “Der Glocken bebendes Getön” | Naoko Ihara, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:02 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. V. Aria (alto): “Wie starb die Heldin so vergnügt!” | Naoko Ihara, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 6:18 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VI. Recitative (tenor): “Ihr Leben liess die Kunst zu Sterben” | John Elwes, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:12 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part I. VII. Chorus: “An Dir, du Fürbild grosser Frauen” | Ensemble Vocal de Lausanne, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 2:21 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. IX. Recitative - Arioso - Recitative (bass): “Was Wunder ist's?” | Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 2:41 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. VIII. Aria (tenor): “Der Ewigkeit saphirnes Haus” | John Elwes, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 3:12 | strumento |
| “Lass, Fürstin, lass noch einen Strahl” (Trauerode), BWV 198: Part II. X. Chorus: “Doch, Königin! du stirbest nicht” | Ensemble Vocal de Lausanne, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 6:26 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. I. Chorus: “Lobet Gott in seinen Reichen” | Ensemble Vocal de Lausanne, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 4:56 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. II. Recitative (tenor): “Der Herr Jesus hub seine Hände auf” | Vincent Girod, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 0:36 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. III. Recitative (bass): “Ach, Jesu, ist dein Abschied schon so nah?” | Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:01 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. IV. Aria (alto): “Ach, bleibe doch, Mein liebstes Leben” | Naoko Ihara, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 7:18 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. V. Recitative (tenor): “Und ward aufgehoben zusehends” | Vincent Girod, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 0:30 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part I. VI. Chorale: “Nun lieget alles unter dir” | Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:23 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. IX. Chorale: “Wenn soll es doch geschehen” | Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 4:37 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIa. Recitative (tenor, bass): “Und da sie ihm nachsahen gen Himmel fahren” | Vincent Girod, Philippe Huttenlocher, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:12 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIb. Recitative (alto): “Ach ja! So komme bald zurück” | Naoko Ihara, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 0:35 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIIc. Recitative (tenor): “Sie aber beteten ihn an” | Vincent Girod, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 0:47 | strumento |
| “Lobet Gott in seinen Reichen” (Ascension Oratoria), BWV 11: Part II. VIII. Aria (soprano): “Jesu, deine Gnadenblicke” | Christiane Baumann, Marianne Clement, Philippe Corboz, François Delor, Maria José Falção, Jean-Paul Goy, Philippe Mermoud, Jean Piguet, Matthias Spaeter, Jean-Paul Visard, Pierre Wavre, Françoise Winzap, Orchestre de Chambre de Lausanne, Michel Corboz | | | 6:25 | strumento |
| “Mein Jesu! was vor Seelenweh”, BWV 487: vv. 1 & 3 | Sabine Devieilhe, Pygmalion, Raphaël Pichon | | | 3:11 | strumento |
| “Merce te chiamo”, ballata, CM 89 | Montserrat Figueras, Sergi Casademunt, Xavier Díaz-Latorre, Pedro Estevan, Philippe Pierlot, Arianna Savall, Jordi Savall | | | 7:06 | strumento |
| “Mort tu as navré” / “Miserere pie Jhesu”, Planctus pour la mort de Binchois, CM 107: I. Miserere pie Jesu | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Jordi Ricart, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Jordi Savall, Sophie Watillon | | | 3:41 | strumento |
| “Mort tu as navré” / “Miserere pie Jhesu”, Planctus pour la mort de Binchois, CM 107: II. Mort tu as navré de ton dart | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Jordi Ricart, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Jordi Savall, Sophie Watillon | | | 3:20 | strumento |
| “Mort tu as navré” / “Miserere pie Jhesu”, Planctus pour la mort de Binchois, CM 107: III. Retoricque, se Dieu me gard | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Jordi Ricart, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Jordi Savall, Sophie Watillon | | | 3:31 | strumento |
| “Mort tu as navré” / “Miserere pie Jhesu”, Planctus pour la mort de Binchois, CM 107: IV. En sa jonesse fut soudart | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Jordi Ricart, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Jordi Savall, Sophie Watillon | | | 3:46 | strumento |
| “O tempo bono”, strambotto, CM 132 | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Richard Cheetham, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Rolf Lislevand, Jordi Savall, Sophie Watillon | | | 4:30 | strumento |
| “Paingendo chiamo”, disperata, CM 24 | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Michael Behringer, Sergi Casademunt, Lorenz Duftschmid, Xavier Díaz-Latorre, Jordi Savall, Sophie Watillon | | | 6:14 | strumento |
| “Puisque vos me lasses seulete” / “Je ne vous amare Marioneta”, double chanson, CM 86 | Lambert Climent, Montserrat Figueras, Francesc Garrigosa, Sergi Casademunt, Xavier Díaz-Latorre, Pedro Estevan, Jordi Savall, Sophie Watillon | | | 3:08 | strumento |
| “Qu’es mi vida preguntais”, canción, CM 10 | Montserrat Figueras, Sergi Casademunt, Philippe Pierlot, Jordi Savall | | | 5:23 | strumento |
| “Sey nun wieder zufrieden” | Collegium Vocale Gent, Philippe Herreweghe | | | 3:15 | strumento |
| “Tritt auf die Glaubensbahn”, BWV 152: Concerto / Aria (B): “Tritt auf die Glaubensbahn” / Recitativo (B): “Der Heiland ist gesetzt” / Aria (S): “Stein der über alle Schätze” / Recitativo (B): “Es ärg’re sich die klage Welt” / Duo (SB): “Wie soll ich dich” | Greta de Reyghere, Max van Egmond, Ricercar Consort | | | 18:41 | strumento |
| “Unser Leben ist ein Schatten” | Collegium Vocale Gent, Philippe Herreweghe | | | 7:23 | strumento |
| “Unsers Herzens Freude” | Collegium Vocale Gent, Philippe Herreweghe | | | 7:32 | strumento |
| “Viva viva Rey Ferrando”, canción, CM 111 | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Richard Cheetham, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Rolf Lislevand, Jordi Savall | | | 3:36 | strumento |
| „Warum betrübst du dich“, BWV 516 | Capella Fidicinia Leipzig | | | 1:39 | strumento |
| (Adagio) in D major, WK 187 | Ibrahim Aziz | | | 4:39 | strumento |
| (Allegro) in D minor, WK 208 | Ibrahim Aziz | | | 5:56 | strumento |
| (Arpeggio) in D minor, WK 205 | Ibrahim Aziz | | | 1:37 | strumento |
| (Première) suite en Ré mineur: I. Prelude | Jordi Savall | | | 2:36 | strumento |
| (Première) suite en Ré mineur: II. Allemande | Jordi Savall | | | 4:00 | strumento |
| (Première) suite en Ré mineur: III. Courante | Jordi Savall | | | 2:34 | strumento |
| (Première) suite en Ré mineur: IV. Sarabande | Jordi Savall | | | 2:57 | strumento |
| (Première) suite en Ré mineur: V. Gigue | Jordi Savall | | | 3:11 | strumento |
| (Première) suite en Ré mineur: VI. Gauotte | Jordi Savall | | | 1:17 | strumento |
| (Première) suite en Ré mineur: VII. Menuet | Jordi Savall | | | 1:02 | strumento |
| (Quatrième) suite en Sol majeur: I. Prelude | Jordi Savall | | | 0:47 | strumento |
| (Quatrième) suite en Sol majeur: II. Allemande | Jordi Savall | | | 2:58 | strumento |
| (Quatrième) suite en Sol majeur: III. Courante | Jordi Savall | | | 2:08 | strumento |
| (Quatrième) suite en Sol majeur: IV. Sarabande | Jordi Savall | | | 2:38 | strumento |
| (Quatrième) suite en Sol majeur: V. Gigue | Jordi Savall | | | 1:53 | strumento |
| (Quatrième) suite en Sol majeur: VI. Chaconne | Le Sieur de Machy | | | 4:41 | strumento |
| (Seconde) suite en Ré majeur: Gauotte | Jordi Savall | | | 1:01 | strumento |
| (Seconde) suite en Ré majeur: Menuet | Jordi Savall | | | 0:53 | strumento |
| (Troisième) suite en Sol mineur: I. Allemande | Jordi Savall | | | 2:59 | strumento |
