| ¡Hazo, Antón! | Charivari Agréable | | | 8:29 | instrument |
| ... Galiarda, BK52b (harpsichord RvN) | William Byrd | | | 1:47 | instrument |
| ... Galiarda, BK59b (harpsichord RvN) | William Byrd | | | 1:33 | instrument |
| ... Galiardo, BK3b (harpsichord RvN) | William Byrd | | | 2:13 | instrument |
| ... Galliard, BK33b (harpsichord HB) | William Byrd | | | 1:53 | instrument |
| ... Galliard, BK100b [EKM10b] (harpsichord RvN) | William Byrd | | | 1:02 | instrument |
| ... il neige | NYYD Ensemble, Olari Elts, Ene Nael, Kristi Mühling | | | 7:59 | instrument |
| ... Quadran Galliard, BK70b (harpsichord RvN) | William Byrd | | | 4:34 | instrument |
| ... The Galliard to it, BK72b (harpsichord HB) | William Byrd | | | 1:48 | instrument |
| ... The Galliard, BK114b (harpsichord RvN) | William Byrd | | | 1:59 | instrument |
| ... The galliarde, BK2b (harpsichord HB) | William Byrd | | | 5:19 | instrument |
| ... The galliarde, BK32b (harpsichord HB) | William Byrd | | | 1:44 | instrument |
| ... The galliarde, BK71b (harpsichord HB) | William Byrd | | | 1:45 | instrument |
| ...durch einen Spiegel... | Jukka Tiensuu, Lahti Symphony Orchestra, Ulf Söderblom | | | 19:50 | instrument |
| 'Andante' from Sonata for Viola da Gamba in G Minor, BWV 1027 | Laurence Dreyfus, Ketil Haugsand | | | 2:23 | instrument |
| 'Brandenburg' Concerto no. 3 in G major, BWV 1048 | De Nederlandse Bachvereniging, Shunske Sato | | | 11:19 | instrument |
| 'French' Suite no. 1 in D minor, BWV 812 | Francesco Corti | | | 15:21 | instrument |
| 'French' Suite no. 5 in G major, BWV 816 | Francesco Corti | | | 16:52 | instrument |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 4. Variatio 4 a 1 Clav. | Christiane Jaccottet | | | 1:47 | instrument |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 9. Variatio 9 Canone alla Terza a 1 Clav. | Christiane Jaccottet | | | 2:01 | instrument |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 12. Variatio 12 Canone alla Quarta | Christiane Jaccottet | | | 1:09 | instrument |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 13. Variatio 13 a 2 Clav. | Christiane Jaccottet | | | 1:17 | instrument |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 22. Variatio 22 Alla breve a 1 Clav. | Christiane Jaccottet | | | 1:56 | instrument |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 24. Variatio 24 Canone all' Ottava a 1 Clav. | Christiane Jaccottet | | | 1:45 | instrument |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 25. Variatio 25 a 2 Clav. | Christiane Jaccottet | | | 1:51 | instrument |
| 'Goldberg-Variationen', BWV 988, 4. Teil der 'Clavier-Übung': 27. Variatio 27 Canone alla Nona a 1 Clav. | Christiane Jaccottet | | | 2:21 | instrument |
| 'Goldberg' Variations | Alan Curtis | | | 2:05 | instrument |
| 'La Follia' in G minor op. 5. no. 12 | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | | | 9:32 | instrument |
| 'The Harmonious Blacksmith' from Harpsichord Suite #5 | Andrew Davis | | | 4:49 | instrument |
| 'Varianto 25' from the Goldberg Variations I G Major, BWV 988 | Igor Kipnis | | | 3:55 | instrument |
| "...durch einen Spiegel..." | Helsinki Chamber Orchestra, Kati Hämäläinen, Rudolf Baumgartner | | | 21:59 | instrument |
| "...durch einen Spiegel...", Metamorphosis for 12 Strings and Harpsichord | Olli Kosonen, Tommi Aalto, Ilari Angervo, Petri Kaskela, Tarja-Leena Keränen, Maija Kontunen, Petri Aarnio, Jouko Laivuori, Jukka Pohjola, Risto Poutanen, Tuija Rantamäki, Jari Valo, Juha-Pekka Vikman | | | 18:23 | instrument |
| "After Handel's Vesper" | Maggie Cole | | | 13:19 | instrument |
| "Am Abend aber desselbigen Sabbats", BWV 42: Sinfonia | Trevor Pinnock, The English Concert | | | 6:47 | instrument |
| "Ancedetemi pur" (Arcadelt) livre I | Michèle Dévérité | | | 4:38 | instrument (als “by Anselm”) |
| "Awake, ye dead", Z. 182 | Peter Harvey, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | | | 3:04 | instrument |
| "Con Dolcezza E Pietate" Canzona A Tre Voci, Alto, Tenore E Basso | Girolamo Frescobaldi | | | 1:11 | instrument |
| "Concerto comique" no. 25 in G minor "Les sauvages et La Furstemberg": I. Les Sauvages: Allegro | Musica Antiqua Köln, Hendrik Bouman, Reinhard Goebel | | | 2:59 | instrument |
| "Concerto comique" no. 25 in G minor "Les sauvages et La Furstemberg": II. Quand on scait aimer et plaire: Andante | Musica Antiqua Köln, Hendrik Bouman, Reinhard Goebel | | | 2:18 | instrument |
| "Concerto comique" no. 25 in G minor "Les sauvages et La Furstemberg": III. La Furstemberg: Allegro | Musica Antiqua Köln, Hendrik Bouman, Reinhard Goebel | | | 3:59 | instrument |
| "Concerto nach Italiaenischen Gusto" in F major, BWV 971 (from "Zweyter Theil der Clavier Übung"): I. Allegro | Richard Egarr | | | 4:24 | instrument |
| "Concerto nach Italiaenischen Gusto" in F major, BWV 971 (from "Zweyter Theil der Clavier Übung"): II. Andante | Richard Egarr | | | 4:51 | instrument |
| "Concerto nach Italiaenischen Gusto" in F major, BWV 971 (from "Zweyter Theil der Clavier Übung"): III. Presto | Richard Egarr | | | 3:50 | instrument |
| "Corilla Danzando" (Canzona A Tre Voci, Canto, Alto E Basso) | Girolamo Frescobaldi | | | 0:56 | instrument |
| "Così la ninfa...Tergei il ciglio lagrimoso" | Judith Nelson, Christopher Hogwood, Susan Sheppard | | | 3:29 | instrument |
| "Così Mi Disprezzate?" Aria Di Passacaglia (Alto Solo) | Girolamo Frescobaldi | | | 3:07 | instrument |
| "Cosi sugl' occhi miei" from La fida ninfa, RV 714 | Yo‐Yo Ma, Wouter Verschuren, Alfredo Bernardini, Margaret Faultless, Amsterdam Baroque Orchestra, Ton Koopman | | | 2:57 | instrument |
| "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar: I. Inside the Wave | Avi Avital, Yizhar Karshon, Anneleen Lenaerts, Sean Shibe, Ophira Zakai | | | 3:24 | instrument |
| "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar: II. The Death of Despair | Avi Avital, Yizhar Karshon, Anneleen Lenaerts, Sean Shibe, Ophira Zakai | | | 4:48 | instrument |
| "Death Is a Friend of Ours" for Mandolin, Harp, Harpsichord, Theorbo, Guitar: III. Death Is a Friend of Ours | Avi Avital, Yizhar Karshon, Anneleen Lenaerts, Sean Shibe, Ophira Zakai | | | 3:40 | instrument |
| "Doloroso Mio Core" Canzona A Tre Voci, Alto, Tenore E Basso | Girolamo Frescobaldi | | | 2:13 | instrument |
| "Donna, Siam Rei Di Morte" Sonetto: Basso Solo | Girolamo Frescobaldi | | | 2:59 | instrument |
| "Dunque Dovrò" Aria Di Romanesca (Soprano Solo) | Girolamo Frescobaldi | | | 3:17 | instrument |
| "Duresse de Frescobaldi" [O66a] | Bob van Asperen | | | 2:59 | instrument (als “Vaudry, 1681”) |
| "Epitaph" für Cembalo | Ruth Zechlin | | | 4:43 | instrument |
| "Eri Già Tutta Mia" Canzona A Due, Canto E Tenore | Girolamo Frescobaldi | | | 3:48 | instrument |
| "Falsche Welt, dir trau ich nicht", BWV 52: Sinfonia | Trevor Pinnock, The English Concert | | | 4:01 | instrument |
| "Fantasie duobus subjectis" in G Minor (BWV 917) | Igor Kipnis | | | 2:40 | instrument |
| "Fantasie über ein Rondo" in C Minor (BWV 918) | Igor Kipnis | | | 4:58 | instrument |
| "Fugge, anima mea", a 2 voci, basso continuo | René Jacobs, Judith Nelson, William Christie, Konrad Junghänel, Mihoko Kimura | | | 4:40 | instrument |
| "Goldberg" Variations, BWV 988: Aria | Maria Tipo | | | 3:02 | instrument |
| "Graz" Sonata no. 3 in D major, RV 11: I. Largo | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 2:40 | instrument |
| "Graz" Sonata no. 3 in D major, RV 11: II. Allegro | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 3:01 | instrument |
| "Graz" Sonata no. 3 in D major, RV 11: III. Largo | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 2:16 | instrument |
| "Graz" Sonata no. 3 in D major, RV 11: IV. Allegro | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 2:43 | instrument |
| "Graz" Sonata no. 4 in C minor, RV 7: I. Preludio. Largo | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 3:34 | instrument |
| "Graz" Sonata no. 4 in C minor, RV 7: II. Allemanda. Allegro | Lina Tur Bonet, Musica Alchemica | | | 3:15 | instrument |
| "Graz" Sonata no. 4 in C minor, RV 7: III. Aria | Lina Tur Bonet, Musica Alchemica | | | 1:48 | instrument |
| "Graz" Sonata no. 4 in C minor, RV 7: IV. Vivace | Lina Tur Bonet, Sebastian Hess, Jesús Fernández Baena, Vega Montero, Kenneth Weiss | | | 2:27 | instrument |
| "Halt im Gedächtnis Jesum Christ", BWV 67: 1. [Chorus:] "Halt im Gedächhtnis Jesum Christ" | Hans Lissmann, Dorothea Schröder, Thomanerchor Leipzig, Günther Ramin, Friedbert Sammler, Gewandhausorchester Leipzig, Karl Straube | | | 3:56 | instrument |
| "Halt im Gedächtnis Jesum Christ", BWV 67: 2. Aria: "Mein Jesus ist erstanden" | Hans Lissmann, Dorothea Schröder, Thomanerchor Leipzig, Günther Ramin, Friedbert Sammler, Gewandhausorchester Leipzig, Karl Straube | | | 3:10 | instrument |
| "Halt im Gedächtnis Jesum Christ", BWV 67: 3. Recitative: "Mein Jesu, heißest du des Todes Gift" | Hans Lissmann, Dorothea Schröder, Thomanerchor Leipzig, Günther Ramin, Friedbert Sammler, Gewandhausorchester Leipzig, Karl Straube | | | 0:37 | instrument |
| "Halt im Gedächtnis Jesum Christ", BWV 67: 4. Chorale: "Erschienen ist der herrlich Tag" | Hans Lissmann, Dorothea Schröder, Thomanerchor Leipzig, Günther Ramin, Friedbert Sammler, Gewandhausorchester Leipzig, Karl Straube | | | 0:47 | instrument |
| "Halt im Gedächtnis Jesum Christ", BWV 67: 5. Recitative: "Doch scheinet fast" | Hans Lissmann, Dorothea Schröder, Thomanerchor Leipzig, Günther Ramin, Friedbert Sammler, Gewandhausorchester Leipzig, Karl Straube | | | 1:06 | instrument |
| "Halt im Gedächtnis Jesum Christ", BWV 67: 6. Aria: "Friede sei mit euch" | Hans Lissmann, Dorothea Schröder, Thomanerchor Leipzig, Günther Ramin, Friedbert Sammler, Gewandhausorchester Leipzig, Karl Straube | | | 6:50 | instrument |
| "Halt im Gedächtnis Jesum Christ", BWV 67: 7. Chorale: "Du Friedefürst, Herr Jesu Christ" | Hans Lissmann, Dorothea Schröder, Thomanerchor Leipzig, Günther Ramin, Friedbert Sammler, Gewandhausorchester Leipzig, Karl Straube | | | 1:08 | instrument |
| "Hobo Solo" in G minor, H 549: I. Adagio | Geoffrey Burgess, Ann Murphy | | | 1:43 | instrument |
| "Hobo Solo" in G minor, H 549: II. Allegro | Geoffrey Burgess, Ann Murphy | | | 3:36 | instrument |
| "Hobo Solo" in G minor, H 549: III. Vivace | Geoffrey Burgess, Ann Murphy | | | 5:08 | instrument |
| "Holländische Nachtigahl" | Christian Brembeck | | | 3:30 | instrument |
| "Ich gieng einmal spatieren. 31mal verendert durch Herrn J.L.H." | Hans Leo Hassler | | | 33:23 | instrument |
| "Ich habe genug", BWV 82: 3. Aria: Schlummert ein, ihr matten Augen | Margot Guilleaume, Fritz Neumeyer | | | 7:01 | instrument |
| "Ich liebe den höchsten von ganzem Gemüte", BWV 174: Sinfonia | Trevor Pinnock, The English Concert | | | 5:46 | instrument |
| "In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, I. In furore giustissimae irae | Verena Schweizer, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz | | | 5:27 | instrument (als “Dobson harpsichord”) |
| "In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, II. Miserationum Pater piissime | Verena Schweizer, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz | | | 0:34 | instrument (als “Dobson harpsichord”) |
| "In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, III. Tinc meus fletus | Verena Schweizer, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz | | | 6:46 | instrument (als “Dobson harpsichord”) |
| "In furore giustissimae irae", Motete en Do menor para Voz solista, Cuerdas y Continuo, RV 626, IV. Alleluia | Verena Schweizer, Philippe Corboz, Christiane Jaccottet, Ensemble Instrumental de Lausanne, Orchestre de Chambre de Lausanne, Michel Corboz | | | 1:44 | instrument (als “Dobson harpsichord”) |
| "In guilty night" (Saul and the Witch of Endor), Z. 134 | Susan Hemington Jones, Charles Daniels, Christopher Purves, Paula Chateauneuf, Fred Jacobs, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | | | 8:15 | instrument |
| "Io mi son giovinetta" del Ferabosco livre II. Diminuito per sonare da Scipione Stella, Giovanni. Dom. Montella, Ascanio Maione | Michèle Dévérité | | | 4:53 | instrument (als “by Chevalier”) |
| "Israel in Egypt": Their land brought forth frogs | Russell Oberlin, Albert Fuller, The Baroque Chamber Orchestra, Thomas Dunn | | | 2:35 | instrument |
| "Israel in Egypt": Thou shalt bring them in | Russell Oberlin, Albert Fuller, The Baroque Chamber Orchestra, Thomas Dunn | | | 4:41 | instrument |
| "Jesu, Jesu, du bist mein" BWV 470 | Klaus Mertens - Ton Koopman - Jaap ter Linden | | | 2:26 | instrument |
| "Jubilet", a voce sola, basso continuo | René Jacobs, William Christie, Konrad Junghänel, Jaap ter Linden | | | 4:49 | instrument |
| "Lord, what is man, lost man?", Z. 192 | Charles Daniels, Timothy Roberts, Gabrieli Consort & Players, Paul McCreesh | | | 4:54 | instrument |
| "Ma t'inganni" | Giovanni Battista Bononcini | | | 2:22 | instrument |
| "Messiah": But who may abide the day of His coming | Russell Oberlin, Albert Fuller, The Baroque Chamber Orchestra, Thomas Dunn | | | 4:58 | instrument |
| "Messiah": How beautiful, are the feet | Russell Oberlin, Albert Fuller, The Baroque Chamber Orchestra, Thomas Dunn | | | 3:26 | instrument |
| "Mio cor, povero cor", serenata à tre for chorus & Continuo, RV 690: Part I, IX. Aria "Nò, che non è viltà" (Eurilla) | Petya Grigorova, Clemencic Consort, René Clemencic | | | 8:31 | instrument |
| "Mio cor, povero cor", serenata à tre for chorus & Continuo, RV 690: Part I, VI. Aria "Mi sento in petto" (Alcindo) | Kurt Spanier, Clemencic Consort, René Clemencic | | | 3:31 | instrument |
| "Mio Cor, Povero Cor", Serenata À Tre for Chorus & Continuo, RV 690: Part I, VII. Recitativo "Bella Ninfa" (Alcindo, Eurilla) | Petya Grigorova, Kurt Spanier, Clemencic Consort, René Clemencic | | | 3:01 | instrument |