| 4. Ballade : “Nes que on porroit les estoiles nombrer” | Ensemble Guillaume de Machaut de Paris | | | 5:15 | strumento |
| 5. Double ballade : “Quant Theseus – Ne quier veoir” | Ensemble Guillaume de Machaut de Paris | | | 4:20 | strumento |
| 7. Rondeau : Dix et sept, cinc" | Ensemble Guillaume de Machaut de Paris | | | 4:00 | strumento |
| A bruxa | Milladoiro | | 5 | 3:12 | strumento (come “cromorno”) |
| A la una yo naci | La Rondinella | | | 2:22 | strumento |
| A'har noghenim | La Rondinella | | | 1:48 | strumento |
| Adio, querida | La Rondinella | | | 3:01 | strumento |
| Agora | Aman | | | 4:04 | strumento |
| Aidû | Eluveitie | | 3.35 | 3:10 | strumento |
| Aimez-moi, ma mignonne | Michel Hindenoch | | | 2:08 | strumento (come “cromorne”) |
| Allemandes (arr. Piffaro) | Piffaro, The Renaissance Band | | | 3:17 | strumento (come “bass crumhorn”), strumento (come “tenor crumhorn”), arrangiatore strumentale, strumento (come “alto crumhorn”) |
| Amande "Et Dóu Venez Vous Madame Lucette" | István Nyerges, László Barsvári, Zsolt Kovács & Dénes Magyar | | | 1:12 | strumento |
| Anchor che col partire (Cipriano di Rore) | Elsa Frank, Jérémie Papasergio, Bernhard Stilz, Johanne Maitre & Stéphane Tamby | | | 3:30 | strumento |
| AnDro | Eluveitie | | 4.65 | 3:41 | strumento |
| Antidotum Tarantulae | Atrium Musicæ de Madrid | | | 4:10 | strumento (come “cromorne basse”), strumento (come “cromorne alto”) |
| Armes, Amours | Syntagma Musicum, Kees Otten | | | 6:34 | strumento |
| At the Bridge | Peter McConnell | | | 1:09 | strumento |
| Aus tiefer Not schrei ich zu dir | Sixt Dietrich | | | 2:22 | strumento (come “discant crumhorn”) |
| Ave Virgo | Syntagma Musicum, Kees Otten | | | 4:01 | strumento |
| Avre tu puerta cerrada | La Rondinella | | | 1:40 | strumento |
| Axéitame a polainiña | Milladoiro | | | 4:16 | strumento (come “cromorno”) |
| Ballade: Phyton, le mervilleus serpent | Early Music Consort of London, David Munrow | | | 4:32 | strumento |
| Ballet des sorciers | Atrium Musicæ de Madrid | | | 1:34 | strumento (come “cromorne basse”), strumento (come “cromorne soprano”), strumento (come “cromorne alto”) |
| Banchetto Musicale: Paduana | Johann Hermann Schein | | | 2:17 | strumento |
| Basse Dance 'la Brosse' | [unknown] | | | 5:54 | strumento |
| Basse Dance "Content desir" | Scottish Early Music Consort | | | 1:18 | strumento (come “alto crumhorn”), strumento (come “treble crumhorn”) |
| Beata mater | Syntagma Musicum, Kees Otten | | | 2:33 | strumento |
| Beati immaticuli | Johann Walter | | | 2:49 | strumento (come “discant crumhorn”) |
| Biance flour | Early Music Consort of London | | | 1:57 | strumento |
| Bien veignes vous | Syntagma Musicum, Kees Otten | | | 1:19 | strumento |
| Bleakwood Hollow | Les Penning with Robert Reed | | | 3:05 | strumento |
| Bon jour, bon mois | Syntagma Musicum, Kees Otten | | | 1:59 | strumento |
| Bonté biauté | Syntagma Musicum, Kees Otten | | | 1:55 | strumento |
| C'bien raison | Syntagma Musicum, Kees Otten | | | 5:03 | strumento |
| Canario | Capella Antiqua Bambergensis | | | 1:09 | strumento |
| Canción sefardí | Radio Tarifa | | | 4:23 | strumento |
| Cara mie donna | Early Music Consort of London | | | 3:57 | strumento |
| Chon brachi assai | Early Music Consort of London | | | 3:25 | strumento |
| Con dolce brama | Early Music Consort of London | | | 1:53 | strumento |
| Country Dance: Running Footman | Atrium Musicæ de Madrid | | | 0:43 | strumento (come “cromorne ténor”), strumento (come “cromorne basse”) |
| Credo | Syntagma Musicum, Kees Otten | | | 4:03 | strumento |
| Cuando el rey Nimrod | La Rondinella | | | 3:59 | strumento |
| Cursed, Coined and Crucified | Gorky’s Zygotic Mynci | | | 2:27 | strumento |
| D. Martini Lutheri Symbolum | Musica Antiqua Wien | | | 2:23 | strumento (come “discant crumhorn”) |
| Dà, dà, a chi avaregia | Early Music Consort of London | | | 3:46 | strumento |
| Das erst Kapitel des hohenliedes Salomonis | Leonhard Lechner | | | 1:56 | strumento (come “discant crumhorn”) |
| De pastoribus / Mathematica dies irae / Crepuscularis / Sine nomine / Tristis est anima mea / Equites fortis armaturae / Audaces fortuna juvat / Sine praeputium / Ecclesiastica | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 5:15 | strumento (come “cromorno”), strumento (come “cromorne”) |
| De tolerentia aetherea / Fuga ficta et carrus triumphalis | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 4:34 | strumento (come “cromorno”), strumento (come “cromorne”) |
| De! Dinmi tu | Early Music Consort of London | | | 2:49 | strumento |
| Der Herr kennt die Tage der Frommen a 3 | Thomas Stoltzer | | | 3:12 | strumento (come “tenor crumhorn”), strumento (come “treble crumhorn”), strumento, strumento (come “bass crumhorn”), strumento (come “Exilent-Krummhorn”) |
| Die Megdlein sind von Flandern | Convivium Musicum | | | 1:01 | strumento (come “4 crumhorns”) |
| Dona i ardenti ray | Syntagma Musicum, Kees Otten | | | 1:26 | strumento |
| Donna'l tuo partimento | Early Music Consort of London | | | 1:40 | strumento |
| Dort oben auf dem Berge | Convivium Musicum | | | 2:17 | strumento (come “2 crumhorns”) |
| Dos amantes tengo la mi mama | La Rondinella | | | 2:26 | strumento |
| Double ballade d’Andrieu: Déploration sur la mort de Machaut | Ensemble Guillaume de Machaut de Paris | | | 6:25 | strumento |
| Dropping In | Peter McConnell | | | 1:43 | strumento |
| Due saltarelli | Early Music Consort of London | | | 3:04 | strumento |
| Dueil angoisseus | Syntagma Musicum, Kees Otten | | | 1:53 | strumento |
| Durme, durme, hermozo hijico | La Rondinella | | | 2:29 | strumento |
| Ecclesiae militantis | Syntagma Musicum, Kees Otten | | | 3:59 | strumento |
| Ecco la primavera | Early Music Consort of London | | | 1:16 | strumento |
| Ein feste Burg ist unser Gott | Johann Walter, Caspar Othmayr, Lucas Osiander | | | 5:36 | strumento (come “discant crumhorn”) |
| Ein meidlein tet mir klagen | [anonymous] | | | 1:52 | strumento |
| El son del repique | Eliseo Parra | | | 7:00 | strumento |
| En la mar hay una torre | La Rondinella | | | 1:42 | strumento |
| Era escuro | La Rondinella | | | 2:19 | strumento |
| Es hett ein biderman ein weib | Ludwig Senfl | | | 2:10 | strumento |
| Es wolt ein meydlin wasser holn | [anonymous] | | | 2:14 | strumento |
| Esta montana d'enfrente | La Rondinella | | | 3:20 | strumento |
| Esta Rachel la estimoza | La Rondinella | | | 1:11 | strumento |
| Extravagans / Laurea minima / In vitro | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 2:08 | strumento (come “cromorne”), strumento (come “cromorno”) |
| Fenice fu' e vissi | Early Music Consort of London | | | 2:46 | strumento |
| Finally Cracked It | Jah Wobble & Evan Parker | | | 13:39 | strumento (come “bass crumhornh”) |
| Fons vitae / Dementia praecox angelorum / Supra solfamirevt | Atrium Musicæ de Madrid, Gregorio Paniagua | | | 5:56 | strumento (come “cromorne”), strumento (come “cromorno”) |
| Fuga septimi toni | Johann Walter | | | 1:38 | strumento (come “discant crumhorn”) |
| Fumeux fume | Syntagma Musicum, Kees Otten | | | 5:40 | strumento |
| Galliarde II. a 4 | Musicalische Compagney | | | 1:03 | strumento (come “treble crumhorn”), strumento (come “Exilent-Krummhorn”), strumento, strumento (come “tenor crumhorn”), strumento (come “bass crumhorn”) |
| Galliarde IX a 4 (gedruckt von Pierre Attaingnant) | Musicalische Compagney | | | 1:15 | strumento, strumento (come “treble crumhorn”), strumento (come “Exilent-Krummhorn”), strumento (come “tenor crumhorn”), strumento (come “bass crumhorn”) |
| Giunta vaga bitta | James Bowman, Early Music Consort of London, David Munrow | | | 3:24 | strumento |
| Gloria | Syntagma Musicum, Kees Otten | | | 5:16 | strumento |
| Gloria | Syntagma Musicum, Kees Otten | | | 2:34 | strumento |
| Gloria, laus et honor | Syntagma Musicum, Kees Otten | | | 1:10 | strumento |
| God Rest Ye Merry Gentlemen | Les Penning with Robert Reed | | | 3:01 | strumento |
| Gratias agimus tibi a 4 | Hans Leo Hassler | | | 1:26 | strumento, strumento (come “treble crumhorn”), strumento (come “Exilent-Krummhorn”), strumento (come “tenor crumhorn”), strumento (come “bass crumhorn”) |
| Grew the Oak Tall | Les Penning with Robert Reed | | | 3:18 | strumento |
| Guardane almo pastore | Francesco Corteccia, Elsa Frank, Patrick Denecker, Jérôme Lejeune, Bernhard Stilz, Dani Pelagatti & Jérémie Papasergio | | | 2:47 | strumento |
| Helas mon dueil | Syntagma Musicum, Kees Otten | | | 3:47 | strumento |
| Herr, lass meine Klage für dich kommen | Johann Hermann Schein | | | 3:11 | strumento (come “discant crumhorn”) |
| Herzsprung | Ougenweide | | | 4:38 | strumento |
| Hija mia | La Rondinella | | | 2:52 | strumento |
| Hiru Piztiak: Piztiak, Bernard Xirolarru Egilea / Anbar Eta Beltza | Alboka | | | 5:46 | strumento |
| Hoquet David | Ensemble Guillaume de Machaut de Paris | | | 2:40 | strumento |
| Hunting the Hare / The Clog | Oyster Ceilidh Band | | | 3:22 | strumento |
| Il rock di Capitan Uncino | Edoardo Bennato | | | 5:38 | strumento (come “cromormo”) |
| In the Bleak Mid Winter | Les Penning with Robert Reed | | | 2:38 | strumento |
| In the Situation Room | Peter McConnell | | | 3:03 | strumento |
| Ir me quero | La Rondinella | | | 3:31 | strumento |
| Istampita ghaetta | Early Music Consort of London | | | 3:58 | strumento |
| J'ay mis mon cuer et ma pensée | Syntagma Musicum, Kees Otten | | | 1:08 | strumento |