Digital Duke

~ Release by The Duke Ellington Orchestra (see all versions of this release, 3 available)

Annotation

Label: Verve Music Group/GRP - Catalog #: GRD9548

Annotation last modified on 2006-09-20 16:20 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Satin Doll
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Kamau Adilifu, Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
recording of:
Satin Doll
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
4:28
2Cottontail
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
guest drums (drum set):
Louie Bellson
guest tenor saxophone:
Branford Marsalis (saxophonist)
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
recording of:
Cotton Tail
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
4:15
3Prelude to a Kiss
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Kamau Adilifu, Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
guest guitar:
Bucky Pizzarelli
piano:
Gerald Wiggins
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
4:26
4Perdido
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
guest drums (drum set):
Louie Bellson
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
cover recording of:
Perdido (with lyrics)
lyricist:
Ervin Drake (Songwriter) (in 1944) and Hans J. Lengsfelder (in 1944)
composer:
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
version of:
Perdido (original instrumental version)
8:30
5Mood Indigo
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
7:27
622 Cent Stomp
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
6:57
7Do Nothin' Till You Hear From Me
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3:27
8Jeep's Blues
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Kamau Adilifu, Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
recording of:
Jeep’s Blues
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Johnny Hodges
6:20
9In My Solitude
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Kamau Adilifu, Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
5:34
10In a Mellow Tone
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
guest drums (drum set):
Louie Bellson
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
recording of:
In a Mellow Tone
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
7:13
11Sophisticated Lady
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Kamau Adilifu, Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
guest guitar:
Bucky Pizzarelli
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
recording of:
Sophisticated Lady
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
4:14
12Take the "A" Train
assistant recording engineer:
Rebecca Everett
recording engineer:
Ed Rak
producer:
Michael Abene and Mercer Ellington
mixer and editor:
Josiah Gluck
bass:
J. J. Wiggins
bass trombone:
Chuck Connors (trombonist)
brass:
Barry Lee Hall (American Jazz Trumpet player), Lew Soloff and Ron Tooley (American trumpeter)
drums (drum set):
Ricky White
guest drums (drum set):
Louie Bellson
guest guitar:
Bucky Pizzarelli
guest tenor saxophone:
Branford Marsalis (saxophonist)
piano:
Gerald Wiggins
reeds:
Jerry Dodgion, Charles Owens (US jazz & session saxophonist, from Phoenix, born 193) and Herman Riley (American tenor saxophone jazz performer)
trombone:
Al Grey (trombone)
conductor:
Mercer Ellington
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
mixed at and edited at:
The Review Room in New York, New York, United States
cover recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
5:37

Credits

Release

assistant recording engineer:Rebecca Everett
recording engineer:Ed Rak
alto saxophone and clarinet:Jerry Dodgion
baritone saxophone and clarinet:Charles Owens (US jazz & session saxophonist, from Phoenix, born 193)
bass trombone:Chuck Connors (trombonist)
clarinet and tenor saxophone:Herman Riley (American tenor saxophone jazz performer)
flugelhorn and trumpet:Barry Lee Hall (American Jazz Trumpet player)
Lew Soloff
Ron Tooley (American trumpeter)
guest alto saxophone:Norris Turney
guest clarinet and tenor saxophone:Eddie Daniels
guest flugelhorn and trumpet:Clark Terry (American swing trumpeter)
guest piano:“Sir” Roland Hanna (jazz pianist)
guest trombone:Britt Woodman
guitar:Bucky Pizzarelli
piano:Gerald Wiggins
tenor saxophone:Branford Marsalis (saxophonist)
trombone:Al Grey (trombone)
conductor:Mercer Ellington
ASIN:US: B0000001Q2 [info]
discography entry:http://www.vervemusicgroup.com/artist/music/detail.aspx?pid=9341&aid=2670 [info]