Études symphoniques (en forme de variations), op. 13

~ Recording by Géza Anda

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
1.5Études symphoniques (en forme de variations), op. 1321:55Robert SchumannBeethoven: Piano Sonata no. 7 in D major / Schumann: Études symphoniques op. 13 / Brahms: Variations on a Theme by Paganini / Bartók: Piano Suite op. 14Beethoven, Schumann, Brahms, Bartók; Géza AndaAlbum + Live
BBC LegendsBBCL 4135-2

Relationships

piano:Géza Anda (Geza Anda, pianist) (on 1955-08-23)
recorded at:Edinburgh International Festival 1955: [concert] (1955-08-23)
recorded at:Freemasons' Hall (Edinburgh) in Edinburgh, Scotland, United Kingdom (on 1955-08-23)
recording of:Symphonic Etudes for Piano, op. 13 (first edition, 1837) (on 1955-08-23: live)

Related works

Symphonic Etudes for Piano, op. 13 (first edition, 1837)

composer:Robert Schumann (German classical composer) (from 1834 until 1835)
parts:1. Symphonic Etudes for Piano, op. 13: I. Theme - Andante
2. Symphonic Etudes for Piano, op. 13: II. Etude no. 1 (Var. I) - Un poco più vivo
3. Symphonic Etudes for Piano, op. 13: III. Etude no. 2 (Var. II) - Andante
4. Symphonic Etudes for Piano, op. 13: IV. Etude no. 3 - Vivace
5. Symphonic Etudes for Piano, op. 13: V. Etude no. 4 (Var. III) - Allegro marcato
6. Symphonic Etudes for Piano, op. 13: VI. Etude no. 5 (Var. IV) - Scherzando
7. Symphonic Etudes for Piano, op. 13: VII. Etude no. 6 (Var. V) - Agitato
8. Symphonic Etudes for Piano, op. 13: VIII. Etude no. 7 (Var. VI) - Allegro molto
9. Symphonic Etudes for Piano, op. 13: IX. Etude no. 8 (Var. VII) - Sempre marcatissimo
10. Symphonic Etudes for Piano, op. 13: X. Etude no. 9 - Presto possibile
11. Symphonic Etudes for Piano, op. 13: XI. Etude no. 10 (Var. VIII) - Allegro con energia
12. Symphonic Etudes for Piano, op. 13: XII. Etude no. 11 (Var. IX) - Andante espressivo
13. Symphonic Etudes for Piano, op. 13: XIII. Etude no. 12 (Finale) - Allegro brillante
has revision:Études en forme de variations (1852 revision, omitting études 3 and 9)