Mega Beat Box

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Individual barcodes:

CD 1: 0724382490029
CD 2: 0724382490128
CD 3: 0724382490227
CD 4: 0724382490326
CD 5: 0724382490425
CD 6: 0724382490524
CD 7: 0724382490623
CD 8: 0724382490722
CD 9: 0724382490821
CD 10: 0724382490920

Annotation last modified on 2011-07-05 03:07 UTC.

Tracklist

| |
1▼CD
#TitleArtistRatingLength
1Alley Oop
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 36)
recording of:
Alley Oop
lyricist and composer:
Dallas Frazier (American songwriter and musician)
Hollywood Argyles52:32
2I Hear You Knockin’
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier and World Music (publisher)
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:48
3Walking Back to Happiness
recording of:
Walking Back to Happiness
writer:
Mike Hawker and John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro22:31
4In the Summertime
producer:
Barry Murray (producer, associated with Mungo Jerry)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1970)
earliest release:
In the Summertime by Mungo Jerry
music videos:
In the Summertime by Mungo Jerry
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 40) and Billboard Year‐End Hot 100 singles of 1970 (number: 53)
recording of:
In the Summertime
lyricist and composer:
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3.653:32
5Freedom Come, Freedom Go
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Freedom Come, Freedom Go
writer:
Roger Cook (US‐based British singer, songwriter and producer) (in 1971), Roger Greenaway (in 1971), Albert Hammond (in 1971) and Mike Hazlewood (in 1971)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) and PolyGram Music Publishing
Fortunes3:17
6Dan the Banjoman
recording of:
Dan The Banjo Man
writer:
Phil Cordell
Dan the Banjoman3:02
7Tom Tom Turn Around
recording of:
Tom Tom Turnaround
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
Universal Music Publishing MGB Australia
New World3:17
8You’ll Never Walk Alone
performer:
Gerry and the Pacemakers
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
You’ll Never Walk Alone (Carousel)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company and Williamson Music, Inc.
part of:
Carousel (Rodgers & Hammerstein musical)
Gerry & the Pacemakers2:40
9Love Grows Where My Rosemary Goes
producer:
Tony Macaulay
vocals:
Tony Burrows (in 1970)
phonographic copyright (℗) by:
Bell (50s-70s US/UK pop, later became Arista) (in 1970) and Demon Music Group (in 1970)
music videos:
Love Grows (Where My Rosemary Goes) by Edison Lighthouse
part of:
Billboard Year‐End Hot 100 singles of 1970 (number: 40) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 416)
recording of:
Love Grows (Where My Rosemary Goes) (in 1970)
writer:
Tony Macaulay and Barry Mason (English songwriter)
publisher:
Barry Mason Music Ltd., BMG Music Publishing Ltd., Intersong Music Ltd. and Universal Music Publishing MGB Australia
Edison Lighthouse3.82:45
10Sweets for My Sweet
cover recording of:
Sweets for My Sweet
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Pomus Songs Inc. and Trio Music Company
The Searchers42:29
11Ruby Tuesday (acoustic)
cover recording of:
Ruby Tuesday
writer:
Mick Jagger and Keith Richards (Rolling Stones guitarist)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
Melanie5:17
12When Will I Be Loved
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
recording of:
When Will I Be Loved? (on 1960-02-18)
lyricist and composer:
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:02
13Diamonds Are Forever
producer:
John Barry (English score composer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Diamonds Are Forever (main title theme)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:41
14Hippy Hippy Shake
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
cover recording of:
Hippy Hippy Shake
lyricist and composer:
Chan Romero
publisher:
Ardmore & Beechwood Music Ltd., Ardmore and Beechwood Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Jonware Music Co. (US publisher) and Universal Music Careers
The Swinging Blue Jeans3.751:45
15Oh Boy
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
cover recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
Mud22:52
16Always Something There to Remind Me
cover recording of:
(There’s) Always Something There to Remind Me
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
recording of:
(There’s) Always Something There to Remind Me
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, JAC Music Co., Inc., New Hidden Valley Music Co., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (until 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (from 2015-01-01 to present)
Sandie Shaw2:39
17Spanish Eyes
producer:
Tom Morgan (producer)
conductor:
Peter de Angelis (in 1965)
arranger:
Peter de Angelis
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1965)
cover recording of:
Spanish Eyes (Moon Over Naples) (in 1965)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
version of:
Moon Over Naples
Al Martino2.52:47
18I’m Telling You Now
recording of:
I'm Telling You Now
writer:
Freddie Garrity and Mitch Murray
Freddie & the Dreamers2:08
19Proud Mary
engineer:
Brent Maher
producer:
Ike Turner
instruments:
Ike Turner & The Kings of Rhythm
background vocals:
The Ikettes
lead vocals:
Tina Turner
vocals:
Ike Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971)
part of:
New York Post: 100 Greatest Covers (2007) (number: 69) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 420)
cover recording of:
Proud Mary
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner4.654:56
20We’ve Gotta Get Out of This Place
producer:
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 233)
recording of:
We Gotta Get Out of This Place
writer:
Barry Mann and Cynthia Weil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Francis, Day & Hunter (publisher) (in 1979) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Animals3.83:13
2▼CD
#TitleArtistRatingLength
1Needles and Pins
cover recording of:
Needles and Pins
lyricist:
Sonny Bono
composer:
Sonny Bono and Jack Nitzsche (American musician and score composer)
publisher:
EMI Catalogue, EMI Catalogue Partnership, EMI Unart Catalog Inc., EMI United Partnership Ltd. and Metric Music
The Searchers42:13
2Look What They’ve Done to My Song Ma (unplugged)
recording of:
What Have They Done to My Song, Ma?
lyricist and composer:
Melanie (US singer‐songwriter Melanie Safka)
Melanie4:20
3Indian Reservation
phonographic copyright (℗) by:
Young Blood (in 1970)
cover recording of:
Indian Reservation (The Lament of the Cherokee Reservation Indian) (in 1968)
lyricist and composer:
John D. Loudermilk
Don Fardon3:25
4Anyone Who Had a Heart
cover recording of:
Anyone Who Had a Heart
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) and U.S. Songs, Inc. (in 1963)
Cilla Black2:51
5Tap Turns on the Water
producer:
Mickie Most (English record producer)
recording of:
Tap Turns on the Water
writer:
John Cameron (British composer, arranger and conductor) and Alexis Korner
CCS23:42
6I Can’t Leave You Alone
recording of:
I Can’t Leave You Alone
writer:
Harry Wayne Casey and Richard Finch
George McCrae3:08
7Have You Seen Her
phonographic copyright (℗) by:
Brunswick Records Corp. (in 1972)
recording of:
Have You Seen Her
writer:
Barbara Acklin and Eugene Record
publisher:
Intersong Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites4.55:06
8Go Now
lead vocals:
Denny Laine
phonographic copyright (℗) by:
Decca Records (in 1964)
cover recording of:
Go Now
writer:
Larry Banks and Milton Bennett
publisher:
Belinda Music and Trio Music Company
Moody Blues3:11
9Sugar Me
engineer:
Pete Coleman
producer:
Lynsey de Paul
phonographic copyright (℗) by:
MAM Records Ltd. (in 1972)
recording of:
Sugar Me
writer:
Barry Ian Green (singer, producer, and songwriter) and Lynsey de Paul
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and ATV Kirshner (publisher) (in 1972)
Lynsey de Paul3:54
10The House of the Rising Sun
producer:
Mickie Most (English record producer)
bass guitar:
Chas Chandler
drums (drum set):
John Steel (English musician)
electric guitar:
Hilton Valentine
organ:
Alan Price
lead vocals:
Eric Burdon
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1964) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964, in 2002)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 122), BILLIONS CLUB and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 471)
recording of:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Alan Price
publisher:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. and Universal/MCA Music Ltd. (not for release label use!)
arrangement of:
House of the Rising Sun
The Animals4.254:29
1110538 Overture
engineer:
Peter Olliff and Roger Wake (engineer)
producer:
Bob Irwin, Jeff Lynne and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
bass:
Jeff Lynne (from 1970-07-12 until 1971-06) and Rick Price (the Move and Electric Light Orchestra bassist) (from 1970-07-12 until 1971-06)
cello:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
drums (drum set):
Bev Bevan (English rock drummer) (from 1970-07-12 until 1971-06)
French horn:
Bill Hunt (UK keyboards, horn player) (from 1970-07-12 until 1971-06)
guitar:
Jeff Lynne (from 1970-07-12 until 1971-06) and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
violin:
Steve Woolam (from 1970-07-12 until 1971-06)
lead vocals:
Jeff Lynne (from 1970-07-12 until 1971-06)
vocals:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2001) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1971 until 1972)
recorded at:
Philips Studios in London (Greater London), England, United Kingdom (from 1970-07-12 until 1971-06)
recording of:
10538 Overture (from 1970-07-12 until 1971-06)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
E.L.O.55:30
12Darlin’
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
cover recording of:
Darlin’
lyricist and composer:
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:07
13Mad About You
recording of:
Mad About You
lyricist and composer:
Bruce Ruffin
Bruce Ruffin3:24
14Let’s All Chant
engineer:
Rick Rowe
executive producer:
Jerry Love
producer:
Michael Zager
solo clarinet:
George Marge
solo trumpet:
Raymond Crisara
vocals:
Billy Baker, Alvin Fields and Dolette McDonald
phonographic copyright (℗) by:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1977)
recording of:
Let’s All Chant
writer:
Alvin Fields and Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band4.353:03
15Brother Louie
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973)
recording of:
Brother Louie
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
EMI Music Publishing (PRS‐affiliated), Finchley Music and RAK Publishing Ltd.
Hot Chocolate54:59
16Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:49
17Sloop John B.
recording of:
Sloop John B
lyricist and composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., Irving Music, Inc. and New Executive Music
version of:
The John B. Sails
The Beach Boys2:54
18Do Wah Diddy
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 35)
cover recording of:
Do Wah Diddy Diddy
writer:
Jeff Barry and Ellie Greenwich
publisher:
EMI Music Publishing (do not use as a release label!), Intersong–Basart Publishing Group E.D., Trio Music Company, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Manfred Mann42:23
19I’m the Leader of the Gang
phonographic copyright (℗) by:
Snapper Music plc (parent company of Snapper Music) (in 1973)
recording of:
I’m the Leader of the Gang (I Am!)
composer:
Gary Glitter and Mike Leander
publisher:
Dutchess (BMI, started c. 1949), MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
Gary Glitter3.53:29
20Sexy Eyes
recording of:
Sexy Eyes
writer:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) and Chris Waters (Country music singer and songwriter)
publisher:
EMI April Music Inc., EMI Blackwood Music Inc. and EMI Songs Ltd.
Dr. Hook2:57
3▼CD
#TitleArtistRatingLength
1Where Do You Go to My Lovely
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Where Do You Go To (My Lovely)?
lyricist and composer:
Peter Sarstedt
publisher:
EMI Catalogue Partnership
Peter Sarstedt54:42
2Juanita
recording of:
Juanita
writer:
J. de Nijs (Dutch singer / songwriter) and Chiel Montagne
Nick MacKenzie3:03
3American Pie
engineer:
Tom Flye
acoustic guitar and banjo:
Don McLean (on 1971-05-26)
bass:
Bob Rothstein (on 1971-05-26)
drums (drum set) and percussion:
Roy Markowitz (on 1971-05-26)
electric guitar:
David Spinozza (on 1971-05-26)
electric piano:
Ray Colcord (on 1971-05-26)
marimba and vibraphone:
Mike Mainieri (on 1971-05-26)
piano:
Paul Griffin (American pianist, session musician) (on 1971-05-26)
choir vocals:
West 44th Street Rhythm and Noise Choir (on 1971-05-26)
vocals:
Bob Rothstein (on 1971-05-26) and Don McLean (on 1971-05-26)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, since 1972) (in 1971) and United Artists Records (for bootlegs and counterfeit) (in 1971)
partial recording of:
American Pie (on 1971-05-26)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:07
4You Won’t Find Another Fool Like Me
recording of:
You Won’t Find Another Fool Like Me
writer:
Tony Macaulay and Geoff Stephens
New Seekers3:11
5Rock & Roll (part 1)
recording of:
Rock and Roll, Part 1
writer:
Gary Glitter and Mike Leander
publisher:
MCA Music Ltd.
Gary Glitter4.152:58
6Emma
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Emma
writer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.753:50
7Good Golly Miss Molly
cover recording of:
Good Golly Miss Molly
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. and Robin Hood Music Co.
The Swinging Blue Jeans2:05
8Can the Can
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) and RAK Records (copyrights holder) (in 1975)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) and Universal Music Publishing MGB Australia
Suzi Quatro4.23:34
9She’s a Lady
phonographic copyright (℗) by:
Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
lyricist and composer:
Paul Anka
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. and Spanka Music Corp.
Tom Jones42:54
10Una Paloma Blanca
recording of:
Paloma blanca
lyricist and composer:
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) and EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection32:48
11Winchester Cathedral
producer:
Geoff Stephens
bass:
Neil Korner
guitar:
Mick Wilsher
percussion [drums, washboard, spoons]:
Henry Harrison (drums, percussion)
piano:
Stan Haywood (piano)
trombone:
"Shuggy" Watts
trumpet:
'Pops' Kerr
vocals:
Tristram, The Seventh Earl of Cricklewood
recording of:
Winchester Cathedral
lyricist and composer:
Geoff Stephens
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
New Vaudeville Band42:25
12I’ve Been Drinking
guest performer:
Rod Stewart
recording of:
I’ve Been Drinking
writer:
Johnny Mercer and Doris Tauber
arranger:
Jeff Beck (English rock guitarist) and Rod Stewart
arrangement of:
Drinking Again
Jeff Beck featuring Rod Stewart3:17
13Friday on My Mind
producer:
Shel Talmy
phonographic copyright (℗) by:
Albert Productions (in 1966, in 1967)
produced for:
Albert Productions
recording of:
Friday on My Mind
writer:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) and George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. and Unart Music Corporation (in 1973)
The Easybeats3.52:39
14Dynamite
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
Dyna-Mite
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Mud52:58
15How Do You Do It
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
How Do You Do It (in 1963-03)
lyricist and composer:
Mitch Murray
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), PolyGram Music Publishing, Songs of PolyGram International, Inc. and Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Gerry & the Pacemakers3.51:54
16Norma Jean Wants to Be a Movie Star
recording of:
Norma Jean Wants to Be a Movie Star
lyricist and composer:
J.C. Cunningham (American songwriter)
Cunningham23:38
17Catch the Wind
recording of:
Catch the Wind
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music and Peer Music UK Ltd
Donovan2:55
18Dancing on a Saturday Night
producer:
Barry Blue (singer, producer, and songwriter)
phonographic copyright (℗) by:
Crimson Copyrights Ltd. (in 1973) and Demon Music Group (in 1973)
recording of:
Dancin’ (On a Saturday Night)
writer:
Barry Blue (singer, producer, and songwriter) and Lynsey de Paul
publisher:
ATV Music Ltd., Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing Australia Pty Ltd.
Barry Blue3:07
19Dance With the Devil
producer:
Mickie Most (English record producer)
recording of:
Dance With the Devil
composer:
Phil Dennys and Michael Hayes
publisher:
RAK Publishing Ltd.
Cozy Powell23:35
20Nutbush City Limits
producer:
Ike Turner
lead vocals:
Tina Turner
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
lyricist and composer:
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music and Valley Spring Music Corp.
Ike & Tina Turner3.452:58
4▼CD
#TitleArtistRatingLength
1The Birds and the Bees
phonographic copyright (℗) by:
Era (55-90 US indie) (in 1965)
recording of:
The Birds and the Bees
lyricist and composer:
Barry Stuart
publisher:
Pattern Music Inc. (not to be confused with Pattern Music, Ltd.) and Universal Music Corporation (USA, affiliated with ASCAP)
Jewel Akens32:10
2One Way Wind
recording of:
One Way Wind
lyricist and composer:
Arnold Mühren
The Cats3:37
3Mighty Joe
recording of:
Mighty Joe
lyricist and writer:
Robbie van Leeuwen
Shocking Blue43:09
4Dear Mrs. Applebee
recording of:
Dear Mrs. Applebee
writer:
Phil Barr (songwriter) and Billy Meshel (songwriter)
David Garrick2:13
5Roll Over Beethoven
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass:
Michael d’Albuquerque (on 1972-09-08)
cello:
Mike Edwards (English Cellist that was a member of ELO) (on 1972-09-08) and Colin Walker (English Cellist that was a member of ELO) (on 1972-09-08)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (on 1972-09-08)
guitar, harmonium and Moog:
Jeff Lynne (on 1972-09-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
violin:
Wilfred Gibson (UK violinist) (on 1972-09-08)
background vocals:
Michael d’Albuquerque (on 1972-09-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
lead vocals:
Jeff Lynne (on 1972-09-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-09-08)
cover recording of:
Roll Over Beethoven (on 1972-09-08)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
E.L.O.4.354:33
6Give Up Your Guns
recording of:
Give Up Your Guns (epic narrative about escaped bank robber)
writer:
Holmes and Jordan (co-writer of Give Up Your Guns for The Buoys)
The Buoys4:17
7Sad Sweet Dreamer
recording of:
Sad Sweet Dreamer
lyricist and composer:
David Parton
publisher:
Mr. & Mrs. Music
Sweet Sensation3:25
8Barbados
recording of:
Barbados
writer:
Jeffrey Calvert and Max West
publisher:
Castle (publisher)
Typically Tropical44:08
9Show and Tell
phonographic copyright (℗) by:
Rocky Road (70s US funk/soul) (in 1973)
recording of:
Show & Tell
lyricist and composer:
Jerry Fuller
publisher:
Fullness Music Co.
Al Wilson3:28
10God Only Knows
recording of:
God Only Knows
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
The Beach Boys2:49
11Long Tall Glasses (I Can dance)
producer:
David Courtney (songwriter, singer and producer) and Adam Faith
phonographic copyright (℗) by:
Chrysalis (in 1974)
recording of:
Long Tall Glasses
lyricist:
Leo Sayer
composer:
David Courtney (songwriter, singer and producer)
Leo Sayer3:06
12Pretty Flamingo
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Pretty Flamingo
lyricist and composer:
Mark Barkan
publisher:
Campbell Connelly (Australia) P/L and Campbell Connelly & Co. Ltd.
Manfred Mann2:34
13Buddy Joe
recording engineer:
Frank Owen
producer:
Fred Haayen
drums (drum set):
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
electric bass guitar and keyboard:
Rinus Gerritsen
electric guitar:
Barry Hay and George Kooymans
vocals:
Barry Hay and George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1972) and Red Bullet (Dutch independent label) (in 1972)
produced for:
Red Bullet Productions
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom (from 1972-03-01 until 1972-03-15)
recording of:
Buddy Joe (from 1972-03-01 until 1972-03-15)
writer:
George Kooymans
publisher:
Dayglow Music, Inc.
Golden Earring43:54
14You Were Made for Me
recording of:
You Were Made for Me
lyricist and composer:
Mitch Murray
Freddie & the Dreamers2:19
15(You’re) Having My Baby
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1974)
recording of:
(You’re) Having My Baby
lyricist and composer:
Paul Anka
Paul Anka32:35
16You Were on My Mind
cover recording of:
You Were on My Mind
lyricist and composer:
Sylvia Tyson
Crispian St. Peters2:40
17I’ll Have to Say I Love You in a Song
acoustic guitar [lead acoustic guitar]:
Maury Muehleisen
bass:
Joe Macho
drums (drum set):
Gary Chester (studio drummer and educator)
electric piano:
Tommy West
guitar [rhythm guitar]:
Jim Croce
percussion:
George Devens
background vocals:
Marty Nelson and Tommy West
vocals:
Jim Croce (on 1973-06-07)
conductor:
Terence Minogue
arranger:
Terence Minogue
phonographic copyright (℗) by:
BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) (in 1973) and Lastrada Entertainment Co., Ltd. (in 1973)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (on 1973-06-07)
lyricist and composer:
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce52:32
18So You Win Again
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977) and RAK (in 1977)
recording of:
So You Win Again
lyricist and composer:
Russ Ballard
publisher:
EMI Virgin Music Publishing Australia Pty Ltd, Sony Music Publishing (worldwide except Japan, ended 1995) and Universal Music–MGB Songs
Hot Chocolate4.254:30
19The Air That I Breathe
engineer:
Mike Jarratt and Alan Parsons (of The Alan Parsons Project)
producer:
The Hollies and Ron Richards
vocals:
Allan Clarke (of The Hollies) (from 1973-11-15 until 1973-11-22), Tony Hicks (from 1973-11-15 until 1973-11-22) and Terry Sylvester (from 1973-11-15 until 1973-11-22)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974) and Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-11-15 until 1973-11-22)
cover recording of:
The Air That I Breathe (from 1973-11-15 until 1973-11-22)
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies4.54:05
20Tubular Bells
recording of:
Tubular Bells
composer:
Mike Oldfield
quotes music from:
Dies Irae (plainchant)
part of:
Tubular Bells, Part One
Mike Oldfield4.254:18
5▼CD
#TitleArtistRatingLength
1Kung Fu Fighting
arranger:
Gerry Shury
recording of:
Kung Fu Fighting
lyricist and composer:
Carl Douglas
publisher:
Carren Music (publisher) and 渡辺音楽出版株式会社 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
is based on:
[Oriental Riff]
Carl Douglas4.23:10
2Get Dancing
recording of:
Get Dancin’
writer:
Bob Crewe and Kenny Nolan
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Songs Ltd., Kenny Nolan Publishing Co., Sony/ATV Music Publishing (UK) Ltd. and Warner/Chappell Artemis Music
Disco Tex & the Sex‐O‐Lettes4:16
3I Like It
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1963)
recording of:
I Like It (in 1963)
lyricist and composer:
Mitch Murray
Gerry & the Pacemakers22:15
4Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:21
5Puppet on a String
vocals:
Sandie Shaw (in 1967)
part of:
United Kingdom in the Eurovision Song Contest (number: 1967) and Winners of the Eurovision Song Contest (number: 1967)
recording of:
Puppet on a String (in 1967)
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
Sandie Shaw2:23
6Motorcycle Mama
cover recording of:
Motorcycle Mama
lyricist and composer:
John D. Wyker III (Guitarist, producer and songwriter)
Harpo3:27
7Good Vibrations
recording engineer:
Bruce Botnick (from 1966-02 until 1966-06), Chuck Britz (from 1966-02 until 1966-06) and Larry Levine (from 1966-02 until 1966-06)
engineer:
Chuck Britz and Jim Lockert (Enginear)
producer:
The Beach Boys (American rock band) and Brian Wilson (Beach Boys co‐founder)
mixer:
Derry FitzGerald
lead vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06) and Carl Wilson (Beach Boys) (from 1966-02 until 1966-06)
vocals:
Mike Love (Beach Boys) (from 1966-02 until 1966-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1966-02 until 1966-06)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (from 1966-02 until 1966-06)
lyricist:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) and Universal Music Publishing (use ONLY if no country‐specific information is available)
version of:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:38
8Boy Oh Boy
producer:
Mickie Most (English record producer)
recording of:
Boy Oh Boy
writer:
Roger D. Ferris and Gloria Macari
Racey2:54
9Silence Is Golden
producer:
Mike Smith (60’s & 70’s UK Producer)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1967) and CBS Records (manufacturer/distributor, not for release label use!) (in 1967)
cover recording of:
Silence Is Golden
writer:
Bob Crewe and Bob Gaudio
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, since 1972), EMI Music Publishing (do not use as a release label!), Gavadima Music Inc., Mushroom Music (Mushroom label's publishing company), Saturday Music, Inc. and Windswept Pacific Music Ltd.
The Tremeloes3.653:10
10All I Have to Do Is Dream
recording of:
All I Have to Do Is Dream
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1958-04-21)
Nitty Gritty Dirt Band3:51
11Something’s Gotten Hold of My Heart
cover recording of:
Something’s Gotten Hold of My Heart
lyricist and composer:
Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
publisher:
Cookaway Music Ltd. (PRS), Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and PolyGram Music Publishing
Gene Pitney3:39
12No Milk Today
phonographic copyright (℗) by:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1966) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966)
recording of:
No Milk Today (in 1966-10)
lyricist and composer:
Graham Gouldman
publisher:
Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Hournew Music Ltd.
Herman’s Hermits4.652:58
13The Bump
recording of:
The Bump
writer:
Phil Coulter and Bill Martin (Scottish songwriter & producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kenny3.52:37
14Bombay
miscellaneous support:
Steve James (Australian, formerly UK producer/engineer) (task: tape operator)
engineer:
Robin Freeman (British recording engineer, producer and musician based in the Netherlands)
producer:
Golden Earring and John Kriek
mixer:
John Kriek, Steve Lillywhite and Damon Lyon-Shaw
drums (drum set):
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
electric bass guitar and keyboard:
Rinus Gerritsen
guitar:
Eelco Gelling and George Kooymans
guest background vocals:
Patricia Paay
vocals:
Barry Hay and George Kooymans
phonographic copyright (℗) by:
Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (in 1976) and Red Bullet Productions B.V. (in 1976)
produced for:
Red Bullet Productions
recorded at:
Artisound Studios (Since 2000: Soundwise) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands and Relight Studio in Hilvarenbeek, Noord-Brabant (North Brabant), Netherlands, Kingdom of the Netherlands
mixed at:
Chappell Studios in London (Greater London), England, United Kingdom
recording of:
Bombay
writer:
Barry Hay and George Kooymans
publisher:
Dayglow Music, Inc. and Snamyook Music (publisher associated with George Kooymans)
Golden Earring43:54
15Beach Baby
phonographic copyright (℗) by:
Peermusic Ltd. (BMI) (in 1974)
recording of:
Beach Baby
writer:
John Carter (songwriter & producer, b. 1942) and Gillian Shakespeare (songwriter)
publisher:
Image Music (Australian) and Peermusic Pty. Ltd. (Australia)
First Class4.54:51
16Silver Machine
producer:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) and Hawkwind
additional bass guitar and additional guitar:
Guy Pratt (on 1972-02-13)
bass guitar and lead vocals:
Lemmy Kilmister (“Lemmy” from Motörhead) (on 1972-02-13)
drums (drum set):
Simon King (drummer) (on 1972-02-13)
flute and saxophone:
Nik Turner (on 1972-02-13)
guitar:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13)
synthesizer:
Dik Mik Davies (on 1972-02-13) and Del Dettmar (on 1972-02-13)
vocals:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (on 1972-02-13), Robert Calvert (on 1972-02-13) and Nik Turner (on 1972-02-13)
remixer:
The Scourge of the Earth
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recorded at:
Roundhouse in Camden Town, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1972-02-13)
mixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
edit of:
Silver Machine (12″ mix) by Hawkwind infected by The Scourge of the Earth
live recording of:
Silver Machine (on 1972-02-13)
lyricist:
Robert Calvert
composer:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
publisher:
EMI United Partnership Ltd. and United Partnership Ltd.
Hawkwind3.654:40
17Big Spender
producer:
Kenneth Hume and Norman Newell
lead vocals:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Shirley Bassey4.51:50
18Bus Stop
producer:
The Hollies and Ron Richards
bass:
Bernie Calvert (on 1966-05-18)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1966, in 2003) and Parlophone (in 1966)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1966-05-18)
cover recording of:
Bus Stop (on 1966-05-18)
lyricist and composer:
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited and Music Sales Corporation (American copyright holder in both popular and classical music)
recording of:
Bus Stop
lyricist and composer:
Graham Gouldman
publisher:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited and Music Sales Corporation (American copyright holder in both popular and classical music)
The Hollies4.52:54
19I’m a Tiger
recording of:
I’m a Tiger
writer:
Ronnie Scott (a British pop music promoter, group manager and songwriter) and Marty Wilde
Lulu2:46
20Only a Fool
cover recording of:
Only a Fool Breaks His Own Heart
writer:
Norman Bergen (in 1964) and Shelly Coburn (in 1964)
Byron Lee & Mighty Sparrow2:46
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