The Dark Knight

~ Release by Hans Zimmer & James Newton Howard (see all versions of this release, 14 available)

Tracklist

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1▼12" Vinyl
#	Title	Artist	Rating	Length
A1	Why So Serious? recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: Why So Serious? (The Dark Knight) composer: James Howard (American score composer) and Hans Zimmer (German score composer) part of: The Dark Knight (2008 film soundtrack)	Hans Zimmer	4	9:14
A2	I'm Not a Hero recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: I’m Not a Hero (The Dark Knight) composer: Hans Zimmer (German score composer) part of: The Dark Knight (2008 film soundtrack)	Hans Zimmer	4.35	6:35
B1	Harvey Two-Face recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: Harvey Two-Face (The Dark Knight) composer: James Newton Howard (American score composer) part of: The Dark Knight (2008 film soundtrack)	James Newton Howard	3.25	6:17
B2	Aggressive Expansion recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: Aggressive Expansion (The Dark Knight) composer: Hans Zimmer (German score composer) part of: The Dark Knight (2008 film soundtrack)	Hans Zimmer	4.1	4:36
B3	Always a Catch recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: Always a Catch (The Dark Knight) composer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) part of: The Dark Knight (2008 film soundtrack)	Hans Zimmer & James Newton Howard	3.5	1:40
B4	Blood on My Hands recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: Blood on My Hands (The Dark Knight) composer: James Newton Howard (American score composer) part of: The Dark Knight (2008 film soundtrack)	James Newton Howard	3.25	2:17
B5	A Little Push recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: A Little Push (The Dark Knight) composer: James Newton Howard (American score composer) part of: The Dark Knight (2008 film soundtrack)	James Newton Howard	2.75	2:43

2▼12" Vinyl
#	Title	Artist	Rating	Length
C1	Like a Dog Chasing Cars recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: Like a Dog Chasing Cars (The Dark Knight) composer: James Howard (American score composer) and Hans Zimmer (German score composer) part of: The Dark Knight (2008 film soundtrack)	Hans Zimmer	4	5:03
C2	I Am the Batman recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: I Am the Batman (The Dark Knight) composer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) part of: The Dark Knight (2008 film soundtrack)	Hans Zimmer & James Newton Howard	2.75	2:00
C3	And I Thought My Jokes Were Bad recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: And I Thought My Jokes Were Bad (The Dark Knight) composer: Lorne Balfe (Scottish score composer) and Hans Zimmer (German score composer) part of: The Dark Knight (2008 film soundtrack)	Hans Zimmer & Lorne Balfe	3.65	2:29
C4	Agent of Chaos recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: Agent of Chaos (The Dark Knight) composer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) part of: The Dark Knight (2008 film soundtrack)	Hans Zimmer & James Newton Howard	3.9	6:55
C5	Introduce a Little Anarchy recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: Introduce a Little Anarchy (The Dark Knight) composer: James Howard (American score composer) and Hans Zimmer (German score composer) part of: The Dark Knight (2008 film soundtrack)	Hans Zimmer & Lorne Balfe	3.9	3:43
D1	Watch the World Burn recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: Watch the World Burn (The Dark Knight) composer: James Newton Howard (American score composer) part of: The Dark Knight (2008 film soundtrack)	James Newton Howard	3.65	3:48
D2	A Dark Knight recording engineer: Geoff Foster (sound engineer) assistant engineer: Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines co-producer: Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor) producer: James Newton Howard (American score composer) and Hans Zimmer (German score composer) mixer: Alan Meyerson editor: Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin arranger: Henry Jackman (English score composer) mixed at: Remote Control Productions in Santa Monica, California, United States (ended) recording of: A Dark Knight (The Dark Knight) composer: Hans Zimmer (German score composer) part of: The Dark Knight (2008 film soundtrack)	Hans Zimmer	3.75	16:15

Credits

Release

Discogs:	https://www.discogs.com/release/1439381 [info]

Release group

part of:	Music From Christopher Nolan Films (order: 5)

Discogs:	https://www.discogs.com/master/8062 [info]
reviews:	https://www.bbc.co.uk/music/reviews/r83n [info]
other databases:	http://soundtrackcollector.com/title/82716/ [info]
IMDb:	https://www.imdb.com/title/tt0468569/ [info]
Allmusic:	https://www.allmusic.com/album/mw0000791543 [info]
Wikidata:	Q2393298 [info]

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Release information

Format:: 2×12" Vinyl
Length:: 1:13:35

Additional details

Type:: Album + Soundtrack
Packaging:: Cardboard/Paper Sleeve
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Warner Bros. Records
511101-1
Warner Sunset Records
511101-1

Release events

United States
2008-08-12

Release group rating

4.45 (see all ratings)

Release group reviews

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Last updated on 2019-06-05 10:00 UTC