Gosford Park

~ Release by Patrick Doyle (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Waltz of My Heart
piano:
Christopher Northam (pianist)
conductor:
James Shearman (conductor, orchestrator, composer)
Novello and Hassall2:06
2Mr. Parks
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Mr. Parks
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:49
3Gosford Park
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Gosford Park
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:22
4Bored to Sobs
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Bored to Sobs
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:31
5The Shirt
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Shirt
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:41
6And Her Mother Came Too
piano:
Christopher Northam (pianist)
vocals:
Jeremy Northam
Novello and Titheradge1:55
7Walking to Shoot
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Walking to Shoot
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:20
8No Smoke Without Fire
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
No Smoke Without Fire
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:35
9Scherzo in G
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Scherzo in G
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:30
10I Can Give You the Starlight
piano:
Christopher Northam (pianist)
vocals:
Jeremy Northam
Novello and Hassall2:36
11What a Duke Should Be
piano:
Christopher Northam (pianist)
vocals:
Jeremy Northam
Novello and Grey1:56
12Inspector Thompson
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Inspector Thompson
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle3:09
13Pull Yourself Together
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Pull Yourself Together
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:48
14Life Goes On
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Life Goes On
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:29
15Secrets to Hide
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Secrets to Hide
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:05
16Only for a While
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
vocals:
Abigail Doyle
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Only for a While
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Doyle and Altman3:17
17Rather a Pasting
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Rather a Pasting
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:34
18Love Jam
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Love Jam
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle3:08
19Why Isn't It You?
piano:
Christopher Northam (pianist)
vocals:
Jeremy Northam
Novello and Hassall2:14
20The Way It's Meant to Be
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
vocals:
Abigail Doyle
conductor:
James Shearman (conductor, orchestrator, composer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
The Way It's Meant to Be
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Doyle and Altman2:10
21Carpe Diem
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Carpe Diem
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:04
22Good Luck
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Good Luck
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle1:30
23Your Boy's Alive
recording engineer and mixer:
Nick Wollage
assistant engineer:
Yann McCullough (engineer, composer) and Ion Metsovitis
producer:
Patrick Doyle (Scottish score composer) and Maggie Rodford
assistant editor:
Abigail Doyle
editor:
Graham Sutton
conductor:
James Shearman (conductor, orchestrator, composer) (from 2001-10-01 until 2001-10-06)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only)
recorded at and mixed at:
Air-Edel Recording Studios in London (Greater London), England, United Kingdom
recording of:
Your Boy's Alive
orchestrator:
Lawrence Ashmore (composer, arranger and orchestrator), Patrick Doyle (Scottish score composer) and James Shearman (conductor, orchestrator, composer)
composer:
Patrick Doyle (Scottish score composer)
Patrick Doyle2:00
24The Land of Might-Have-Been
piano:
Christopher Northam (pianist)
vocals:
Jeremy Northam
Novello and Moore4:18