Josquin & the Franco-Flemish School

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

A 34-CD collection highlighting the composers of the Franco-Flemish School of the 15th and 16th centuries. Each disc is contained in a cardboard sleeve with a complete list of the performers. The performers are credited by CD and not by track, so the the relationships only list the ensemble, not individual performers.

Annotation last modified on 2021-10-31 09:19 UTC.

Tracklist

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1▼CD: Binchois: Chansons
#TitleArtistRatingLength
1Triste plaisir et douleureuse joie (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Triste plaisir (from 1996-10-03 until 1996-10-06)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois4:39
2Amours mercy de trespout non pooir (ballade)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Amours merchi (from 1996-10-03 until 1996-10-06)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois3:55
3Je me recommande humblement (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Je me recommande
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois1:54
4En regardent vostre tres doulx maintiens (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
En regardant
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois3:34
5Se la belle n'a le voloir (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Se la belle n'a le voloir (R. 41) (from 1996-10-03 until 1996-10-06)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460) (in 1445)
Gilles Binchois3:26
6Je vous salue (ballade)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Je vous salue
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois4:13
7Adieu mes tres belles amours (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Buxheimer Orgelbuch, No. 143: Adyen matres belle (Adieu mes tres belles amours) (from 1996-10-03 until 1996-10-06)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois1:30
8De plus en plus se renouvelle (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
De plus en plus (chanson a 3 (rondeau cinquain)) (from 1996-10-03 until 1996-10-06)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois3:52
9Lune tres belle (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Lune tres belle clere lune (From MS. of San Lorenzo de El Escorial) (from 1996-10-03 until 1996-10-06)
previously attributed to:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois4:02
10Les tres doulx yeux du viaire ma dame (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Les tres doulx yeux
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois5:27
11Amoreux suy et me vient toute joye (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Amoreux suy
lyricist:
[anonymous] (special purpose artist)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois1:45
12Adieu, adieu mon joieulx souvenir (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Adieu, adieu, mon joieulx souvenir (from 1996-10-03 until 1996-10-06)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460) (in 1420)
Gilles Binchois6:08
13Jamais tant que je vous revoye (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Jamais tant
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois2:23
14Adieu m'amour et ma maistresse (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (on 1997-05-21)
vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Adieu m'amour et ma maistresse (from 1996-10-03 until 1996-10-06)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois3:31
15Dueil angoisseus rage demeseurée (ballade)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Dueil angoisseux, rage demesuree (from 1996-10-03 until 1996-10-06)
lyricist:
Christine de Pizan (Italian/French poet & court writer, c. 1364-1430) (in 1390)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois4:12
16Pour prison ne pour maladie (rondeau)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Pour prison (from 1996-10-03 until 1996-10-06)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois4:31
17Filles a marier (combinative chanson)
recorded in:
Grancey-le-Château-Neuvelle, Côte-d'Or, Bourgogne-Franche-Comté, France (from 1996-10-03 until 1996-10-06, on 1997-05-21)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
conductor:
Dominique Vellard (tenor) (from 1996-10-03 until 1996-10-06, on 1997-05-21)
recording of:
Filles a marier ne vous mariez (from 1996-10-03 until 1996-10-06)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois1:23
2▼CD: Dufay, Vide, Binchois…: Le Banquet du vœu 1454, Music at the Court of Burgundy
#TitleArtistRatingLength
1Et c'est assez (instrumental duet)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
Jacques Vide1:35
2Adieu ma très belle maistresse (vocal with instrumental accompaniment)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
[anonymous]4:05
3Une foys avant que morir (4-part instrumental)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
[anonymous]2:39
4Wilhelmus Legrant (organ solo)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
Guillaume Legrant1:26
5Ave regina celorum (3-part vocal)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
Guillaume Dufay1:48
6Au chant de l'alowette (cornemuse solo)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
[anonymous]1:22
7Je ne vis onques la pareille (vocal duet)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
recording of:
Je ne vis onques
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois4:40
8Ave regina celorum (3 flutes)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
Walter Frye2:20
9Vostre très doulx regart
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
recording of:
Vostre trés doulx regart, R. 47
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois4:04
10Gloria, laus et honor (4-part vocal)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
recording of:
Gloria, laus et honor
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois6:14
11Je ne requier de ma dame (2 flutes)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
Nicolas Grenon2:36
12Je me complains pitieusement (3-part vocal)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
Guillaume Dufay2:04
13Ellend du hast (organ solo)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
[anonymous]1:53
14Chanson (3 vielles)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
Gilles Binchois2:25
15Pour vous tenir (vocal duet with instrumental accompaniment)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
Pierre Fontaine3:02
16Du cuer je soupire (2 flutes)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
[anonymous]1:52
17Seule esgaree (vocal duet with instrumental accompaniment)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
recording of:
Seule esgaree, R. 42
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois5:22
18Venise (flute, harp)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
[anonymous]2:45
19Il m'est si grief (vocal duet with instrumental accompaniment)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments and vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
Jacques Vide5:03
20Preambulum super re (organ solo)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
instruments:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
[anonymous]1:41
21Deo gracias (4-part vocal)
recorded in:
Amsoldingen, Bern (Canton of Bern), Switzerland (in 1989-12)
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1989-12)
conductor:
Dominique Vellard (tenor) (in 1989-12)
recording of:
Deo gracias, K. 35
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois0:35
3▼CD: Dufay & Binchois: The Art of Courtly Love, the Court of Burgundy
#TitleArtistRatingLength
1Ce moys de may (rondeau)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Ce moys de may (from 1972-11 until 1973-01)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay2:37
2La belle se siet (ballade)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
La belle se siet (from 1972-11 until 1973-01)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay2:28
3Je ne fai tousjours que penser (rondeau)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Je ne fai tousjours que penser
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois2:03
4Files a marier (chanson)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Filles a marier ne vous mariez (from 1972-11 until 1973-01)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois1:35
5Amoreux suy et me vient toute joye (rondeau)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Amoreux suy
lyricist:
[anonymous] (special purpose artist)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois6:24
6Je loe Amours et ma dame mercye (ballade)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Je loe Amours et ma dame mercye (from 1972-11 until 1973-01)
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois1:56
7Navré je sui d'un dart penetraitif (rondeau)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1972-12)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1972-12)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1972-12, from 1972-11 until 1973-01)
recording of:
Navré je sui d'un dart penetratif (rondeau) (from 1972-11 until 1972-12)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay2:54
8Lamentatio Sanctae Matris Ecclesiae Constantinopolitanae: O tres piteulx – Omnes amici (motet)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
Guillaume Dufay3:12
9La Spagna (basse danse I)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
[anonymous]2:16
10Par droit je puis bien complaindre (rondeau)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Par droit je puis bien complaindre (from 1972-11 until 1973-01)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay4:59
11Donnés l'assault (rondeau)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Donnés l'assault a la fortresse (from 1972-11 until 1973-01)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay4:07
12Vostre trés doulx regart (rondeau)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Vostre trés doulx regart, R. 47
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois2:39
13Helas, mon dueil (virelai)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Hélas mon dueil, a ce cop sui je mort (from 1972-11 until 1973-01)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:30
14Bien puist (rondeau)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Bien puist, R. 10
composer:
Gilles Binchois (Franco-Flemish early Renaissance composer, 1400-1460)
Gilles Binchois1:37
15Vergine bella (stropha)
producer:
Christopher Bishop (conductor/producer)
vocals and orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
recording of:
Vergene bella (from 1972-11 until 1973-01)
lyricist:
Francesco Petrarca
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay5:03
16La Spagna (basse danse II)
producer:
Christopher Bishop (conductor/producer)
orchestra:
Early Music Consort of London (from 1972-11 until 1973-01)
conductor:
David Munrow (UK early music historian & musician) (from 1972-11 until 1973-01)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1972-11 until 1973-01)
[anonymous]2:52
4▼CD: Dufay: Missa “Se la face ay pale” / Chanson “Se la face ay pale” / Gloria ad modum tobae
#TitleArtistRatingLength
1Gloria ad modum tubae
producer:
J.A. Willan (producer)
instruments and vocals:
Early Music Consort of London (on 1973-09-05, from 1973-09-10 until 1973-09-11)
conductor:
David Munrow (UK early music historian & musician) (on 1973-09-05, from 1973-09-10 until 1973-09-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1996)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-09-05, from 1973-09-10 until 1973-09-11)
recording of:
Gloria ad modum tubae (from 1973-09-05 until 1973-09-11)
composer:
Guillaume Dufay (French 15th century composer) (until 1474)
Guillaume Dufay2:37
2Chanson “Se la face ay pale”
producer:
J.A. Willan (producer)
instruments and vocals:
Early Music Consort of London (on 1973-09-05, from 1973-09-10 until 1973-09-11)
conductor:
David Munrow (UK early music historian & musician) (on 1973-09-05, from 1973-09-10 until 1973-09-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1996)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-09-05, from 1973-09-10 until 1973-09-11)
medley including a recording of:
Se la face ay pale (a 3 original) (from 1973-09-05 until 1973-09-11)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay7:25
3Missa “Se la face ay pale”: Kyrie
producer:
J.A. Willan (producer)
instruments and vocals:
Early Music Consort of London (on 1973-09-05, from 1973-09-10 until 1973-09-11)
conductor:
David Munrow (UK early music historian & musician) (on 1973-09-05, from 1973-09-10 until 1973-09-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1996)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-09-05, from 1973-09-10 until 1973-09-11)
recording of:
Missa "Se la face ay pale": I. Kyrie (from 1973-09-05 until 1973-09-11)
composer:
Guillaume Dufay (French 15th century composer)
part of:
Missa "Se la face ay pale"
Guillaume Dufay5:02
4Missa “Se la face ay pale”: Gloria
producer:
J.A. Willan (producer)
instruments and vocals:
Early Music Consort of London (on 1973-09-05, from 1973-09-10 until 1973-09-11)
conductor:
David Munrow (UK early music historian & musician) (on 1973-09-05, from 1973-09-10 until 1973-09-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1996)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-09-05, from 1973-09-10 until 1973-09-11)
recording of:
Missa "Se la face ay pale": II. Gloria (from 1973-09-05 until 1973-09-11)
composer:
Guillaume Dufay (French 15th century composer)
part of:
Missa "Se la face ay pale"
Guillaume Dufay8:31
5Missa “Se la face ay pale”: Credo
producer:
J.A. Willan (producer)
instruments and vocals:
Early Music Consort of London (on 1973-09-05, from 1973-09-10 until 1973-09-11)
conductor:
David Munrow (UK early music historian & musician) (on 1973-09-05, from 1973-09-10 until 1973-09-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1996)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-09-05, from 1973-09-10 until 1973-09-11)
recording of:
Missa "Se la face ay pale": III. Credo (from 1973-09-05 until 1973-09-11)
composer:
Guillaume Dufay (French 15th century composer)
part of:
Missa "Se la face ay pale"
Guillaume Dufay7:51
6Missa “Se la face ay pale”: Sanctus
producer:
J.A. Willan (producer)
instruments and vocals:
Early Music Consort of London (on 1973-09-05, from 1973-09-10 until 1973-09-11)
conductor:
David Munrow (UK early music historian & musician) (on 1973-09-05, from 1973-09-10 until 1973-09-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1996)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-09-05, from 1973-09-10 until 1973-09-11)
recording of:
Missa "Se la face ay pale": IV. Sanctus (from 1973-09-05 until 1973-09-11)
composer:
Guillaume Dufay (French 15th century composer)
part of:
Missa "Se la face ay pale"
recording of:
Missa "Se la face ay pale": V. Benedictus (from 1973-09-05 until 1973-09-11)
composer:
Guillaume Dufay (French 15th century composer)
part of:
Missa "Se la face ay pale"
Guillaume Dufay7:32
7Missa “Se la face ay pale”: Agnus Dei
producer:
J.A. Willan (producer)
instruments and vocals:
Early Music Consort of London (on 1973-09-05, from 1973-09-10 until 1973-09-11)
conductor:
David Munrow (UK early music historian & musician) (on 1973-09-05, from 1973-09-10 until 1973-09-11)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 1996)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1973-09-05, from 1973-09-10 until 1973-09-11)
recording of:
Missa "Se la face ay pale": VI. Agnus Dei (from 1973-09-05 until 1973-09-11)
composer:
Guillaume Dufay (French 15th century composer)
part of:
Missa "Se la face ay pale"
Guillaume Dufay6:07
5▼CD: Dufay: Motets & Chansons
#TitleArtistRatingLength
1Bon jour, bon moys
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Bon jour, bon mois, bon an (rondeau for 3 voices)
lyricist:
[anonymous] (special purpose artist)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:07
2Helas mon dueil
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Hélas mon dueil, a ce cop sui je mort
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:04
3Pour l'amour de ma doulce amye
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Pour l'amour de ma doulce amye
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:42
4Ce moys de may
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Ce moys de may
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay2:23
5Se la face ay pale
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Se la face ay pale (a 3 original)
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:26
6J'atendray tant
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
J'atendray
writer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay1:52
7Craindre vous vueil
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Craindres vous vueil, doulce dame
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay4:39
8Ce jour de l'an
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Ce jour de l'an
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay1:45
9Adieu m'amour
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Adieu M'amour
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay6:05
10Vergene belle
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Vergene bella
lyricist:
Francesco Petrarca
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:51
11Quel fronte, signorille in paradiso
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Quel fronte signorille in paradiso
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay2:49
12Mirandas parit haec urbs florentina puellas
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Mirandas parit haec urbs Florentina puellas
composer:
Guillaume Dufay (French 15th century composer) (in 1435)
Guillaume Dufay3:41
13Magnanimae gentis
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Magnanimae
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay4:06
14O gemma, lux et speculum
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
O Gemma, Lux Et Speculum
composer:
Guillaume Dufay (French 15th century composer)
Guillaume Dufay3:16
15Christe, redemptor omnium
producer:
Gerd Berg (producer)
citole and dulcian:
Thomas Binkley (American lutenist and early music scholar) and Sterling Jones (classical strings player)
cittern, flute and lute:
Thomas Binkley (American lutenist and early music scholar)
fiddle, rebec and regal:
Sterling Jones (classical strings player)
German harp, portative and mezzo-soprano vocals:
Andrea von Ramm (mezzo-soprano)
tenor vocals:
Richard Levitt (tenor)
conductor:
David Kehoe (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
performer:
Studio der frühen Musik (German early music ensemble) (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
balance engineer:
Johann-Nikolaus Matthes (sound engineer)
recorded at:
Bürgerbraü in München (Munich), Bayern (Bavaria), Germany (from 1973-05-01 until 1973-05-03, from 1974-07-14 until 1974-07-17)
recording of:
Christe Redemptor Omnium
composer:
Guillaume Dufay (French 15th century composer)
part of:
Hymns
Guillaume Dufay4:28
6▼CD: Dufay: Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”
#TitleArtistRatingLength
1Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: I. Introitus
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay5:58
2Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: II. Kyrie
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay6:38
3Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: III. Gloria
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay6:48
4Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: IV. Collecta
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay0:56
5Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: V. Epistola
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay1:27
6Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: VI. Graduale
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay6:15
7Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: VII. Alleluia
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay4:16
8Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: VIII. Evangelium
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay1:34
9Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: IX. Credo
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay10:47
10Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: X. Offertorium
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay4:23
11Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: XI. Sanctus
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay7:41
12Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: XII. Agnus Dei
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay5:29
13Missa “Ecce ancilla Domini” - Proprium “De angelis Dei officium”: XIII. Communio
producer and balance engineer:
Pere Casulleras (Catalan sound engineer, photographer and producer)
choir vocals:
Ensemble Gilles Binchois (French early music ensemble) (in 1992-09)
conductor:
Dominique Vellard (tenor) (in 1992-09)
recorded at:
Abbaye de Vaucelles (in 1992-09)
Guillaume Dufay1:51
7▼CD: Dufay: Missa “L'Homme armé” / Motets
#TitleArtistRatingLength
1Missa “L'Homme armé”: I. Kyrie
producer:
David Groves (classical music producer at EMI)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1986-01-07 until 1986-01-09)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1986-01-07 until 1986-01-09)
Guillaume Dufay4:06
2Missa “L'Homme armé”: II. Gloria
producer:
David Groves (classical music producer at EMI)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1986-01-07 until 1986-01-09)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1986-01-07 until 1986-01-09)
Guillaume Dufay8:01
3Missa “L'Homme armé”: III. Credo
producer:
David Groves (classical music producer at EMI)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1986-01-07 until 1986-01-09)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1986-01-07 until 1986-01-09)
Guillaume Dufay11:35
4Missa “L'Homme armé”: IV. Sanctus
producer:
David Groves (classical music producer at EMI)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1986-01-07 until 1986-01-09)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1986-01-07 until 1986-01-09)
Guillaume Dufay8:06
5Missa “L'Homme armé”: V. Agnus Dei
producer:
David Groves (classical music producer at EMI)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1986-01-07 until 1986-01-09)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1986-01-07 until 1986-01-09)
Guillaume Dufay6:52
6Nuper rosarum flores (4-part isorhythmic motet)
producer:
David Groves (classical music producer at EMI)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1986-01-07 until 1986-01-09)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1986-01-07 until 1986-01-09)
Guillaume Dufay6:51
7Ecclesiae militantis (5-part isorhythmic motet)
producer:
David Groves (classical music producer at EMI)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1986-01-07 until 1986-01-09)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1986-01-07 until 1986-01-09)
Guillaume Dufay5:10
8Alma redemptoris mater (3-part Marian antiphon)
producer:
David Groves (classical music producer at EMI)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1986-01-07 until 1986-01-09)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1986-01-07 until 1986-01-09)
Guillaume Dufay3:57
9O sancte Sebastiane (4-part isorhythmic motet)
producer:
David Groves (classical music producer at EMI)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1986-01-07 until 1986-01-09)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1986-01-07 until 1986-01-09)
Guillaume Dufay4:21
10Salve flos Tuscae gentis (4-part isorhythmic motet)
producer:
David Groves (classical music producer at EMI)
vocals:
The Hilliard Ensemble (British male vocal quartet) (from 1986-01-07 until 1986-01-09)
balance engineer:
Neville Boyling (engineer)
recorded at:
Temple Church in London (Greater London), England, United Kingdom (from 1986-01-07 until 1986-01-09)
Guillaume Dufay6:43
8▶CD: Dufay, Binchois…: Dufay and His Time (1)
9▶CD: Dufay, Binchois…: Dufay and His Time (2)
10▶CD: Ockeghem: Missa pro defunctis / Missa “Mi-mi”
11▶CD: Ockeghem: Missa prolationum / Motets
12▶CD: Josquin des Prez: Motets
13▶CD: Josquin des Prez: Missa “Pange lingua” / Miserere mei Deus
14▶CD: Josquin des Prez: Motets & Chansons
15▶CD: Josquin des Prez: Missa “Ave Maris Stella” / Chansons / Motets
16▶CD: Josquin des Prez: Missa “Hercules Dux Ferrariae” / Miserere mei Deus / Motets
17▶CD: Josquin des Prez, Cléreau, Chardavoine, Le Jeune, Sermisy…: French Chansons from the Renaissance
18▶CD: Josquin des Prez, Isaac, Agricola, Ghizeghem, Ockeghem, Brumel…: The Art of the Netherlands
19▶CD: Josquin des Prez, Isaac, Obrecht, Ockeghem, Brumel…: The Art of the Netherlands
20▶CD: Isaac: Missa super “O praeclara” / Chansons
21▶CD: Isaac: Missa Paschale / Chansons / Motets
22▶CD: de Monte: Missa 8 vocum “La dolce vista” / Chansons / Motets / Madrigals
23▶CD: de la Rue: Missa pro defunctis / Motets
24▶CD: de la Rue: Missa “Cum iocunditate” / Motets
25▶CD: Crecquillon: Chansons & Motets
26▶CD: Lassus: Psalmi Davidis poenitentiales (beginning)
27▶CD: Lassus: Psalmi Davidis poenitentiales (conclusion)
28▶CD: Lassus: Motets & Chansons
29▶CD: Lassus: Chansons
30▶CD: Lassus: Sacred Music
31▶CD: Lassus: Madrigals & Motets
32▶CD: de Wert: Madrigals
33▶CD: Willaert: Sacred & Secular Works
34▶CD: Dufay, Ockeghem, Obrecht, Josquin des Prez…: Recorder Music from The Renaissance in Netherlands / Susato: Dances