My Way: The Best of Frank Sinatra (Manufactured and Distributed by Warner Music Australia)

~ Veröffentlichung von Frank Sinatra (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

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Nr.TitelKünstlerBewertungLänge
1My Way
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1968-12-30)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Don Costa (US pop music arranger & producer)
Instrumente:
Buddy Saltzman
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1968-12-30)
conductor:
Don Costa (US pop music arranger & producer) (am 1968-12-30)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 79)
cover recording of:
My Way (Frank Sinatra song) (am 1968-12-30)
Texter:
Paul Anka
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
Frank Sinatra4.054:36
2Strangers in the Night
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-04-11)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) (am 1966-04-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-04-11)
arranger:
Ernie Freeman (am 1966-04-11)
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
recording of:
Strangers in the Night (am 1966-04-11)
Texter:
Charles Singleton (composer/lyricist) und Eddie Snyder
Komponist(in):
Bert Kaempfert (Berthold Heinrich Kämpfert, German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.12:36
3Theme From New York, New York
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-09-19)
Bratsche / Viola:
Pamela Goldsmith (American violist) (am 1979-09-19), Allan Harshman (violist) (am 1979-09-19), Archie Levin (am 1979-09-19) und Barbara Simons (am 1979-09-19)
Cello:
Ronald Cooper (am 1979-09-19), Douglas Davis (cellist) (am 1979-09-19), Raymond Kelley (cellist) (am 1979-09-19) und Mary Lane (cellist) (am 1979-09-19)
Geige / Violine:
Rochelle Abramson (am 1979-09-19), Judith Aller (am 1979-09-19), Israel Baker (violinist) (am 1979-09-19), Harry Bluestone (am 1979-09-19), David Frisina (am 1979-09-19), Harris Goldman (am 1979-09-19), Marvin Limonick (am 1979-09-19), Sheldon Sanov (violinist) (am 1979-09-19), Daniel Shindaryov (Session Musician) (am 1979-09-19), Jennifer Small (am 1979-09-19), Marshall Sosson (am 1979-09-19) und Joseph Stepansky (am 1979-09-19)
Gitarre:
Al Viola (am 1979-09-19)
Holzblasinstrumente:
Gene Cipriano (am 1979-09-19), Jules Jacob (US jazz woodwind player) (am 1979-09-19), John Lowe (woodwind) (am 1979-09-19), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1979-09-19) und Wilbur Schwartz (am 1979-09-19)
Klavier:
Pete Jolly (American jazz pianist, accordionist, and composer) (am 1979-09-19)
Kontrabass:
Gene Cherico (am 1979-09-19) und Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1979-09-19)
Perkussion:
Dale Anderson (percussionist) (am 1979-09-19)
Posaune:
Charles Loper (American trombonist) (am 1979-09-19), Dick Nash (am 1979-09-19) und Lloyd Ulyate (am 1979-09-19)
Schlagzeug:
Irv Cottler (am 1979-09-19)
Trompete:
John Audino (am 1979-09-19), Johnny Best (jazz trumpeter) (am 1979-09-19), Chuck Findley (trumpet, trombone, horn player) (am 1979-09-19) und Charles Turner (US jazz trumpeter) (am 1979-09-19)
Tuba:
Tommy Johnson (session tuba player) (am 1979-09-19)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1979-09-19)
Orchester:
Vincent Falcone, Jr. & His Orchestra (am 1979-09-19)
conductor:
Vincent Falcone, Jr. (am 1979-09-19)
arranger:
Don Costa (US pop music arranger & producer) (am 1979-09-19)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-09-19)
cover recording of:
Theme from “New York, New York” (usually just titled “New York, New York”) (am 1979-09-19)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb
Komponist(in):
John Kander
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
recording of:
Theme from “New York, New York” (usually just titled “New York, New York”)
gewidmet:
New York, New York, Vereinigte Staaten
Texter:
Fred Ebb
Komponist(in):
John Kander
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (beendet), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
Teil von:
New York, New York (1977 musical film soundtrack)
Frank Sinatra3.953:26
4I Get a Kick Out of You
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-04-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1963-04-10)
arranger:
Neal Hefti
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1962)
cover recording of:
I Get a Kick Out of You (am 1962-04-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Frank Sinatra43:14
5Somethin’ Stupid
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-02-01)
Techniker(in):
Eddie Brackett und Phil Ramone
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter) und Lee Hazlewood
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-02-01) und Nancy Sinatra (am 1967-02-01)
conductor:
Billy Strange (am 1967-02-01)
arranger:
Billy Strange (am 1967-02-01)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1967)
cover recording of:
Somethin’ Stupid (am 1967-02-01)
Texter und Komponist(in):
Carson Parks
publisher:
Greenwood Music, Montclare Music und Montclare Music Co Ltd.
übersetzte Version von:
Forelsket
Frank & Nancy Sinatra42:39
6Moon River
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-01-28)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-01-28)
conductor:
Nelson Riddle (am 1964-01-28)
arranger:
Nelson Riddle
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1964)
cover recording of:
Moon River (am 1964-01-28)
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 34)
recording of:
Moon River
Texter:
Johnny Mercer
Komponist(in):
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Teil von:
The 34th Academy Award for Best Original Song (Nummer: 1), Grammy Award: Song of the Year nominees (Nummer: 1962 winner) und Academy Award for Best Original Song (Nummer: 34)
Frank Sinatra3:19
7What Now My Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-11-17)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-11-17)
conductor:
Ernie Freeman (am 1966-11-17)
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
What Now My Love (am 1966-11-17)
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. und Warner Chappell Music, Inc.
übersetzte Version von:
Et maintenant
Frank Sinatra2:30
8Summer Wind
recorded in und engineered in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-05-16)
Techniker(in):
Eddie Brackett (am 1966-05-16) und Lee Herschberg (am 1966-05-16)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1966-05-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-05-16)
conductor:
Nelson Riddle (am 1966-05-16)
arranger:
Nelson Riddle (am 1966-05-16)
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
Summer Wind (am 1966-05-16)
Texter:
Johnny Mercer
Komponist(in):
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
übersetzte Version von:
Sommerwind
recording of:
Summer Wind
Texter:
Johnny Mercer
Komponist(in):
Henry Mayer
publisher:
Edition Primus Rolf Budde KG, M. Witmark & Sons, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und フジパシフィックミュージック (Fujipacific Music, Inc.)
übersetzte Version von:
Sommerwind
Frank Sinatra2:55
9For Once in My Life
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-02-24)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1969-02-24)
conductor:
Don Costa (US pop music arranger & producer) (am 1969-02-24)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
cover recording of:
For Once in My Life (am 1969-02-24)
Texter:
Ronald Miller (Motown songwriter Ronald Norman Miller)
Komponist(in):
Orlando Murden
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music Co., Inc., Jobette Music (UK) Ltd., Stein & Van Stock, Inc., Stone Diamond Music Corporation und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Frank Sinatra32:51
10Love and Marriage
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-10-21)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-10-21)
Bearbeitung von:
Love and Marriage (1965 original studio master) von Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
recording of:
Love and Marriage (am 1965-10-21)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corp. und WB Music Corp. (1929–2019)
Frank Sinatra4.51:30
11They Can’t Take That Away From Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-04-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-04-10)
arranger:
Neal Hefti
cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (am 1962-04-10)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (bis 2019-05-28) und Gershwin Publishing Corp (in 1937)
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Shall We Dance (1937 film soundtrack)
Frank Sinatra42:41
12My Kind of Town
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-04-08)
Orchester:
Nelson Riddle and His Orchestra (am 1964-04-08)
conductor:
Nelson Riddle (am 1964-04-08)
arranger:
Nelson Riddle
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-04-08)
recording of:
My Kind of Town (am 1964-04-08)
gewidmet:
Chicago, Illinois, Vereinigte Staaten
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, PW Arrangements, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), The Songwriters Guild, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Glorste, Inc. (in 1964), Sergeant Music Co. (in 1964) und Van Heusen Music Corp. (in 1964)
Teil von:
The 37th Academy Award for Best Original Song (Nummer: 2)
Frank Sinatra3:08
13Fly Me to the Moon
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Cello:
Edgar Lustgarten (am 1964-06-09)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Posaune:
Henry Coker (am 1964-06-09), Bill Hughes (trombone) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
conductor:
Quincy Jones (am 1964-06-09)
arranger:
Quincy Jones
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 75)
recording of:
Fly Me to the Moon (Quincy Jones arr.) (am 1964-06-09)
Texter und Komponist(in):
Bart Howard
arranger:
Quincy Jones
publisher:
Almanac Music Inc. und Hampshire House Publishing Corp.
Arrangement von:
Fly Me to the Moon
recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Frank Sinatra4.22:29
14I’ve Got You Under My Skin
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-04-30)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1963-04-30)
arranger:
Nelson Riddle
cover recording of:
I’ve Got You Under My Skin (am 1963-04-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2)
Teil von:
Born to Dance
Frank Sinatra4.53:31
15The Best Is Yet to Come
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-06-09)
Techniker(in):
Lowell Frank (engineer) (am 1964-06-09)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1964-06-09)
Cello:
Edgar Lustgarten (am 1964-06-09)
Gitarre:
Freddie Green (am 1964-06-09)
Klavier:
Count Basie (pianist) (am 1964-06-09)
Posaune:
Henry Coker (am 1964-06-09), Bill Hughes (trombone) (am 1964-06-09), Grover Mitchell (trombone) (am 1964-06-09) und Ken Shroyer (trombonist) (am 1964-06-09)
Rohrblattinstrumente:
Eric Dixon (woodwind) (am 1964-06-09), Frank Foster (saxophonist) (am 1964-06-09), Charlie Fowlkes (am 1964-06-09) und Frank Wess (am 1964-06-09)
Schlagzeug:
Sonny Payne (am 1964-06-09)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1964-06-09), Wallace Davenport (am 1964-06-09), Harry “Sweets” Edison (am 1964-06-09) und Al Porcino (am 1964-06-09)
Vibraphon:
Emil Richards (am 1964-06-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-06-09)
Orchester:
Count Basie and His Orchestra (am 1964-06-09)
arranger:
Quincy Jones (am 1964-06-09)
cover recording of:
The Best Is Yet to Come (am 1964-06-09)
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
recording of:
The Best Is Yet to Come (am 1964-06-09)
Texter:
Carolyn Leigh (in 1959)
Komponist(in):
Cy Coleman (in 1959)
publisher:
Carwin Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Notable Music, Notable Music Co., Inc. und WB Music Corp. (1929–2019)
Frank Sinatra4.52:53
16It Was a Very Good Year
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-04-22)
recording engineer:
Lowell Frank (engineer) (am 1965-04-22)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-04-22)
conductor:
Gordon Jenkins (am 1965-04-22)
arranger:
Gordon Jenkins (in 1965)
cover recording of:
It Was a Very Good Year (am 1965-04-22)
Texter und Komponist(in):
Ervin Drake (Songwriter)
publisher:
Memory Lane Music (publishing company), Reedlands Music Corp. und The Songwriters Guild
Frank Sinatra54:27
17Come Fly With Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-10-11)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-10-11)
arranger:
Billy May
recording of:
Come Fly With Me (am 1965-10-11)
Texter:
Sammy Cahn (in 1957)
Komponist(in):
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. und WB Music Corp. (1929–2019) (bis 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) und フジパシフィックミュージック (Fujipacific Music, Inc.)
Frank Sinatra53:10
18That’s Life
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-10-18)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-10-18)
conductor:
Ernie Freeman (am 1966-10-18)
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1966)
cover recording of:
That’s Life (am 1966-10-18)
Texter:
Kelly Gordon und Dean Kay
Komponist(in):
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
recording of:
That’s Life
Texter:
Kelly Gordon und Dean Kay
Komponist(in):
Dean Kay
publisher:
Four Star Television Music Co., Lichelle Music Company, PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Frank Sinatra4.53:07
19The Girl From Ipanema
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
Techniker(in):
Lee Herschberg
Koproduzent(in):
Ray Gilbert
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Akustikgitarre und Hintergrundgesang:
Antônio Carlos Jobim (am 1967-01-31)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1967-01-31)
conductor:
Claus Ogerman (am 1967-01-31)
arranger:
Claus Ogerman
aufgenommen bei:
United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1967-01-31)
cover recording of:
The Girl From Ipanema (am 1967-01-31)
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, Volume I)
recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Frank Sinatra & Antônio Carlos Jobim53:14
20The Lady Is a Tramp
recorded in:
New York, New York, Vereinigte Staaten (am 1974-10-13)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1974-10-13)
aufgenommen bei:
Madison Square Garden in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1974-10-13)
live recording of:
The Lady Is a Tramp (from “Babes in Arms”) (am 1974-10-13)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
recording of:
The Lady Is a Tramp (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Babes in Arms (full musical)
Teil von:
Pal Joey
Frank Sinatra3:04
21Bad, Bad Leroy Brown
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1973-12-10)
recording engineer:
Lee Herschberg
Produzent(in):
Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1973-12-10)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten (am 1973-12-10)
cover recording of:
Bad, Bad Leroy Brown (am 1973-12-10)
Texter und Komponist(in):
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Frank Sinatra52:50
22Mack the Knife
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1986-10-30)
recording engineer und Mix:
Phil Ramone
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1986-10-30)
Solo-Posaune:
Urbie Green (am 1986-10-30)
Solo-Trompete [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (am 1986-10-30)
Vibraphon [vibes]:
Lionel Hampton (am 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1986-10-30)
Orchester und Interpret(in):
Quincy Jones and His Orchestra (am 1986-10-30)
conductor:
Quincy Jones (am 1986-10-30)
arranger:
Frank Foster (saxophonist)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (am 1986-10-30)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Frank Sinatra4:52
23Love’s Been Good to Me
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-03-20)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1969-03-20)
conductor:
Don Costa (US pop music arranger & producer) (am 1969-03-20)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Love’s Been Good to Me (am 1969-03-20)
Verfasser(in):
Rod McKuen
publisher:
Almo Music Corp. (USA, affiliated with ASCAP)
Frank Sinatra43:24
24L.A. Is My Lady
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-13)
recording engineer:
Phil Ramone (am 1984-04-13)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Perkussion:
Ralph MacDonald (am 1984-04-13)
Solo-Gitarre:
George Benson (jazz guitarist/singer) (am 1984-04-13)
Solo-Hybrid-Piano:
Bob James (US jazz keyboardist, arranger and producer) (am 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-13)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-13)
conductor:
Quincy Jones (am 1984-04-13)
arranger:
Jerry Hey, Quincy Jones, Dave Matthews (of Dave Matthews Band) und Torrie Zito
recording of:
L.A. Is My Lady (am 1984-04-13)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Quincy Jones und Peggy Lipton
publisher:
Rashida Music, Threesome Music Company und Yellowbrick Road Music
Frank Sinatra53:13
2▼CD
Nr.TitelBewertungLänge
1Let’s Face the Music & Dance
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
Techniker(in):
Bill Putnam (am 1960-12-20)
flute:
Bud Shank (am 1960-12-20)
Klavier:
Bill Miller (pianist) (am 1960-12-20)
Posaune:
Frank Rosolino (am 1960-12-20)
Trompete:
John Anderson (US jazz trumpeter) (am 1960-12-20) und Don Fagerquist (am 1960-12-20)
Vibraphon:
Emil Richards (am 1960-12-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1960-12-20)
conductor:
Johnny Mandel (American composer and arranger) (am 1960-12-20)
arranger:
Johnny Mandel (American composer and arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-12-20)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”) (am 1960-12-20)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
52:58
2Come Rain or Come Shine
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-22)
arranger:
Don Costa (US pop music arranger & producer)
cover recording of:
Come Rain or Come Shine (am 1961-11-22)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
4:06
3Night and Day
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-11-22)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1947-10-22)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1961-11-22)
conductor:
Axel Stordahl (am 1947-10-22)
arranger:
Don Costa (US pop music arranger & producer) und Axel Stordahl
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1947-10-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1961-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
53:38
4The Very Thought of You
recorded in:
London (Greater London), England, Vereinigtes Königreich (am 1962-06-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-06-12)
conductor:
Robert Farnon (composer, conductor, trumpet player) (am 1962-06-12)
arranger:
Robert Farnon (composer, conductor, trumpet player)
cover recording of:
The Very Thought of You (am 1962-06-12)
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
recording of:
The Very Thought of You
Texter und Komponist(in):
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) und Warner Bros. Music (publisher; do NOT use as release label)
3:32
5Pennies From Heaven
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1962-10-03)
Bass:
Buddy Catlett (am 1962-10-03)
Gitarre:
Freddie Green (am 1962-10-03)
Klavier:
Count Basie (pianist) (am 1962-10-03)
Posaune:
Henry Coker (am 1962-10-03) und Benny Powell (am 1962-10-03)
Saxophon:
Eric Dixon (woodwind) (am 1962-10-03), Frank Foster (saxophonist) (am 1962-10-03), Charlie Fowlkes (am 1962-10-03), Marshall Royal (am 1962-10-03) und Frank Wess (am 1962-10-03)
Schlagzeug:
Sonny Payne (am 1962-10-03)
Trompete:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (am 1962-10-03), Sonny Cohn (am 1962-10-03), Thad Jones (am 1962-10-03) und Al Porcino (am 1962-10-03)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1962-10-03)
Orchester:
Count Basie and His Orchestra (am 1962-10-03)
arranger:
Neal Hefti
cover recording of:
Pennies From Heaven (am 1962-10-03)
Texter:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2)
recording of:
Pennies From Heaven
Texter:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
Komponist(in):
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) und Joy Music Inc.
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2)
3:29
6Bewitched
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-02-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1963-02-20)
arranger:
Nelson Riddle
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey) (am 1963-02-20)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
3:00
7America the Beautiful
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-02-20)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1963-02-20)
arranger:
Nelson Riddle
recording of:
America the Beautiful (am 1963-02-20)
Texter:
Katharine Lee Bates
Komponist(in):
Samuel Augustus Ward
2:21
8All the Way
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-04-29)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1963-04-29)
conductor:
Nelson Riddle (am 1963-04-29)
arranger:
Nelson Riddle
cover recording of:
All the Way (from “The Joker Is Wild”) (am 1963-04-29)
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Barton Music Corporation OBO Maraville Music Corp, Maraville Music Corp., The International Music Network und Universal Music Corp. OBO Van Heusen Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Teil von:
The 30th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 30)
33:29
9In the Wee Small Hours of the Morning
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-04-29)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1963-04-29)
arranger:
Nelson Riddle
recording of:
In the Wee Small Hours of the Morning (am 1963-04-29)
Texter:
Bob Hilliard
Komponist(in):
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company und Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
2:43
10The Way You Look Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-01-27)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-01-27)
conductor:
Nelson Riddle (am 1964-01-27)
arranger:
Nelson Riddle
cover recording of:
The Way You Look Tonight (from “Swing Time”) (am 1964-01-27)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 9)
Teil von:
Swing Time (film)
recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 9)
Teil von:
Swing Time (film)
3.153:23
11Three Coins in the Fountain
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-01-27)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-01-27)
conductor:
Nelson Riddle (am 1964-01-27)
arranger:
Nelson Riddle
recording of:
Three Coins in the Fountain (am 1964-01-27)
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 27)
3:46
12Softly, as I Leave You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-07-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1964-07-17)
arranger:
Ernie Freeman
cover recording of:
Softly, as I Leave You (am 1964-07-17)
Texter:
Giorgio Calabrese
Komponist(in):
Antonio DeVita
Übersetzer:
Hal Shaper
publisher:
Curci USA Corp., EMI Miller Catalog, Inc. und Miller Music (publisher)
übersetzte Version von:
Piano
2:52
13All or Nothing at All
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-05-16)
Techniker(in):
Eddie Brackett (am 1966-05-16) und Lee Herschberg (am 1966-05-16)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (am 1966-05-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-05-16)
conductor:
Nelson Riddle (am 1966-05-16)
arranger:
Nelson Riddle (am 1966-05-16)
phonographisches Urheberrecht (℗) von:
Frank Sinatra Enterprises, LLC (in 1966, in 2009)
cover recording of:
All or Nothing at All (am 1966-05-16)
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
53:59
14Yesterday
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-02-20)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1969-02-20)
conductor:
Don Costa (US pop music arranger & producer) (am 1969-02-20)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
cover recording of:
Yesterday (am 1969-02-20)
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (vom 1965 bis heute)
33:57
15Moonlight Serenade
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1965-11-29)
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1965-11-29)
conductor:
Nelson Riddle (am 1965-11-29)
arranger:
Nelson Riddle
cover recording of:
Moonlight Serenade (sung version with lyrics by Mitchell Parish) (am 1965-11-29)
Texter:
Mitchell Parish
Komponist(in):
Glenn Miller (jazz band leader)
publisher:
EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Moonlight Serenade (original instrumental version)
recording of:
Moonlight Serenade (sung version with lyrics by Mitchell Parish)
Texter:
Mitchell Parish
Komponist(in):
Glenn Miller (jazz band leader)
publisher:
EMI Robbins Catalog Inc. (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Moonlight Serenade (original instrumental version)
3:28
16Somewhere My Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1966-11-17)
Produzent(in):
Jimmy Bowen (producer, rockabilly musician and songwriter)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1966-11-17)
conductor:
Ernie Freeman (am 1966-11-17)
arranger:
Ernie Freeman
cover recording of:
Somewhere My Love (am 1966-11-17)
Texter:
Paul Francis Webster
Komponist(in):
Maurice Jarre
publisher:
EMI Robbins Catalog Inc. (ASCAP), Rondor Music (Australia) Pty Ltd und Webster Music Co.
Version von:
Lara’s Theme (original without lyrics)
2:17
17Mrs. Robinson
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1969-02-24)
Techniker(in):
Lee Herschberg
Produzent(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) und Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1969-02-24)
conductor:
Don Costa (US pop music arranger & producer) (am 1969-02-24)
arranger:
Don Costa (US pop music arranger & producer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1969)
cover recording of:
Mrs. Robinson (am 1969-02-24)
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music und Universal/MCA Music Ltd. (not for release label use!)
3.52:54
18Something
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-10-28)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1970-10-28)
arranger:
Lennie Hayton
cover recording of:
Something (am 1970-10-28)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. und Nichion Synch Division (NICHION, INC. Synch Division)
3:32
19You Are the Sunshine of My Life
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1974-05-24)
recording engineer:
Lee Herschberg
Produzent(in):
Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1974-05-24)
arranger:
Don Costa (US pop music arranger & producer)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten (am 1974-05-24)
cover recording of:
You Are the Sunshine of My Life (am 1974-05-24)
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) und Stein & Van Stock, Inc. (in 1972)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
2:35
20Send in the Clowns
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1973-06-22)
Produzent(in):
Don Costa (US pop music arranger & producer)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1973-06-22)
conductor:
Gordon Jenkins (am 1973-06-22)
arranger:
Gordon Jenkins
cover recording of:
Send In the Clowns (A Little Night Music) (am 1973-06-22)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
A Little Night Music (musical)
recording of:
Send In the Clowns (A Little Night Music)
Texter und Komponist(in):
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
A Little Night Music (musical)
4.54:12
21It Had to Be You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-07-18)
Bratsche / Viola:
Pamela Goldsmith (American violist) (am 1979-07-18), Allan Harshman (violist) (am 1979-07-18), Janet Lakatos (am 1979-07-18), Archie Levin (am 1979-07-18), David Schwartz (violist) (am 1979-07-18) und Linn Subotnick (am 1979-07-18)
Cello:
Douglas Davis (cellist) (am 1979-07-18), Marie Fera (am 1979-07-18), Raymond Kelley (cellist) (am 1979-07-18), Mary Lane (cellist) (am 1979-07-18), Frederick Seykora (am 1979-07-18) und Eleanor Slatkin (US cellist, b. Aller) (am 1979-07-18)
E-Bass:
Gene Cherico (am 1979-07-18)
Geige / Violine:
Israel Baker (violinist) (am 1979-07-18), Norman Carr (am 1979-07-18), Glenn Dicterow (violinist) (am 1979-07-18), Ronald Folsom (am 1979-07-18), David Frisina (am 1979-07-18), James Getzoff (American concertmaster and violinist) (am 1979-07-18), Harris Goldman (am 1979-07-18), Marvin Limonick (am 1979-07-18), Mary Lundquist (am 1979-07-18), Stanley Plummer (am 1979-07-18), Nathan Ross (am 1979-07-18), Sheldon Sanov (violinist) (am 1979-07-18), Paul Shure (am 1979-07-18), Marshall Sosson (am 1979-07-18), Joseph Stepansky (am 1979-07-18), Robert Sushel (am 1979-07-18), David Turner (string player) (am 1979-07-18) und Dorothy Wade (Violinist) (am 1979-07-18)
Gitarre:
Al Viola (am 1979-07-18)
Harfe:
Verlye Mills (am 1979-07-18)
Holzblasinstrumente:
Gene Cipriano (am 1979-07-18), Jules Jacob (US jazz woodwind player) (am 1979-07-18), John Lowe (woodwind) (am 1979-07-18), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1979-07-18) und Wilbur Schwartz (am 1979-07-18)
Klavier:
Vincent Falcone, Jr. (am 1979-07-18)
Kontrabass:
Peter Mercurio (am 1979-07-18) und Meyer "Mike" Rubin (US bassist 1930s - 1960s) (am 1979-07-18)
Perkussion:
Larry Bunker (am 1979-07-18)
Posaune:
Charles Loper (American trombonist) (am 1979-07-18), Dick Nash (am 1979-07-18) und Lloyd Ulyate (am 1979-07-18)
Schlagzeug:
Irv Cottler (am 1979-07-18)
Trompete:
John Audino (am 1979-07-18), Chuck Findley (trumpet, trombone, horn player) (am 1979-07-18), Uan Rasey (am 1979-07-18) und Charles Turner (US jazz trumpeter) (am 1979-07-18)
Tuba:
Tommy Johnson (session tuba player) (am 1979-07-18)
Waldhorn:
Vincent DeRosa (am 1979-07-18), Richard Perissi (am 1979-07-18) und Henry Sigismonti (am 1979-07-18)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1979-07-18)
Orchester:
Billy May & His Orchestra (am 1979-07-18)
conductor:
Billy May (am 1979-07-18)
arranger:
Billy May (am 1979-07-18)
aufgenommen bei:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1979-07-18)
cover recording of:
It Had to Be You (am 1979-07-18)
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
recording of:
It Had to Be You
Texter:
Gus Kahn (in 1924)
Komponist(in):
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) und Jerome H. Remick & Co. (am 1924-05-09)
3:56
22The Best of Everything
recorded in:
New York, New York, Vereinigte Staaten (am 1984-04-16)
recording engineer:
Phil Ramone (am 1984-04-16)
assistierende(r) Techniker(in):
Elliot Scheiner und Allen Sides
Produzent(in):
Quincy Jones
Mix:
Phil Ramone
Solo-alto saxophone:
Frank Wess (am 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1984-04-16)
Orchester:
Quincy Jones and His Orchestra (am 1984-04-16)
conductor:
Quincy Jones (am 1984-04-16)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
The Best of Everything (am 1984-04-16)
Texter:
Fred Ebb
Komponist(in):
John Kander
publisher:
Fiddleback Music Publishing Co., Inc. und Kander & Ebb, Inc.
2:48

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