25th Anniversary Collection

~ Veröffentlichung von Public Enemy (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

This is for the iTunes Digital Media Version which has 4 additional songs

Anmerkung zuletzt geändert am 2017-05-06 15:52 UTC.

Titelliste

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1▼Digitales Medium
Nr.TitelBewertungLänge
1You're Gonna Get Yours
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
recording of:
You’re Gonna Get Yours
Verfasser(in):
Carlton Ridenhour und Hank Shocklee
34:04
2Sophisticated Bitch
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Rick Rubin (US record producer, former co‐president of Columbia Records)
Solo-Gitarre:
Vernon Reid (English-born US guitarist and songwriter)
recording of:
Sophisticated Bitch
Verfasser(in):
Carlton Ridenhour, Hank Shocklee und William Drayton
3.254:30
3Miuzi Weighs a Ton
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
recording of:
Miuzi Weighs a Ton
Verfasser(in):
Carlton Ridenhour und Hank Shocklee
3.55:44
4Timebomb
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
Samples:
Just Kissed My Baby von The Meters
recording of:
Timebomb
Verfasser(in):
Carlton Ridenhour und Hank Shocklee
3.352:54
5Too Much Posse
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
recording of:
Too Much Posse
Verfasser(in):
Carlton Ridenhour, Hank Shocklee und William Drayton
32:25
6Rightstarter (Message to a Black Man)
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
recording of:
Rightstarter (Message to a Black Man)
Verfasser(in):
Carlton Ridenhour und Hank Shocklee
3.353:48
7Public Enemy No.1
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
Samples:
Blow Your Head von Fred Wesley and The J.B.’s
recording of:
Public Enemy No. 1
Verfasser(in):
Carlton Ridenhour und Hank Shocklee
3.254:41
8M.P.E.
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
recording of:
M.P.E.
Verfasser(in):
Carlton Ridenhour, Hank Shocklee und William Drayton
33:44
9Yo! Bum Rush the Show
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
recording of:
Yo! Bum Rush the Show
Verfasser(in):
Carlton Ridenhour, Hank Shocklee und William Drayton
34:25
10Raise the Roof
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
recording of:
Raise the Roof
Verfasser(in):
Carlton Ridenhour, Eric Sadler und Hank Shocklee
35:18
11Megablast
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
recording of:
Megablast
Verfasser(in):
Carlton Ridenhour, Hank Shocklee und William Drayton
32:51
12Terminator X Speaks With His Hands
Techniker(in):
Steve Ett und Steven Linsley
Koproduzent(in):
Carl Ryder und Hank Shocklee
Produzent(in):
Bill Stephney
Mix:
Steve Ett, Hank Shocklee, Bill Stephney und Steven Linsley
recording of:
Terminator X Speaks With His Hands
Verfasser(in):
Carlton Ridenhour, Eric Sadler, Hank Shocklee und William Drayton
2.752:13
2▼Digitales Medium
Nr.TitelBewertungLänge
1Countdown to Armageddon
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Countdown to Armageddon
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Hank Shocklee
1.51:40
2Bring the Noise
Produzent(in):
Carl Ryder, Eric Sadler und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
Samples:
Funky Drummer, Part 1 von James Brown (The Godfather of Soul), Get Off Your Ass and Jam von Funkadelic und It's My Thing, Part 1 von Marva Whitney
Teil von:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 90), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 397)
recording of:
Bring tha Noize (Original Version) (in 1987)
Texter:
Carlton Douglas Ridenhour und Hank Shocklee
Komponist(in):
Carlton Douglas Ridenhour, George Clinton (US funk musician), Eric Sadler und Hank Shocklee
publisher:
Island Music Ltd. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
3.853:46
3Don't Believe the Hype
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
Samples:
I Got Ants in My Pants, Part 1 von James Brown (The Godfather of Soul) und Synthetic Substitution von Melvin Bliss
recording of:
Don’t Believe the Hype (in 1987)
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler, Hank Shocklee und William Jonathan Drayton
3.55:19
4Cold Lampin' With Flavor
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Cold Lampin’ With Flavor
Verfasser(in):
Eric Sadler, Hank Shocklee und William Jonathan Drayton
2.654:17
5Terminator X to the Edge of Panic
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
Samples:
Flash’s Theme von Queen (UK rock group)
Musikvideos:
Terminator X to the Edge of Panic von Public Enemy (US rap group)
recording of:
Terminator X to the Edge of Panic
Verfasser(in):
Carlton Douglas Ridenhour, Norman Lee Rogers und William Jonathan Drayton
2.654:31
6Mind Terrorist
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Mind Terrorist
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Hank Shocklee
1.651:21
7Louder Than a Bomb
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Louder Than a Bomb
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Hank Shocklee
2.753:37
8Caught, Can We Get a Witness
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Caught, Can We Get a Witness?
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Hank Shocklee
2.654:53
9Show Em Whatcha Got
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Show 'Em Whatcha Got
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Hank Shocklee
2.351:56
10She Watch Channel Zero?!
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
Samples:
Angel of Death von Slayer (US thrash metal band) und Funky Drummer von James Brown (The Godfather of Soul)
recording of:
She Watch Channel Zero?!
Verfasser(in):
Carlton Douglas Ridenhour, Richard Griffin, Eric Sadler, Hank Shocklee und William Jonathan Drayton
33:49
11Night of the Living Baseheads
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
Musikvideos:
Night of the Living Baseheads (video) von Public Enemy (US rap group)
recording of:
Night of the Living Baseheads
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Hank Shocklee
3.53:14
12Black Steel in the Hour of Chaos
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
Samples:
Hyperbolicsyllabicsesquedalymistic von Isaac Hayes
recording of:
Black Steel in the Hour of Chaos
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler, Hank Shocklee und William Jonathan Drayton
publisher:
Bring the Noize Inc. und Def American Songs, Inc.
3.56:23
13Security of the First World
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
Samples:
Ashley’s Roachclip von The Soul Searchers (70s US funk group)
recording of:
Security of the First World
Komponist(in):
Carlton Douglas Ridenhour, Eric Sadler und Hank Shocklee
21:20
14Rebel Without a Pause
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
Samples:
The Grunt von The J.B.’s
recording of:
Rebel Without a Pause (in 1987)
Verfasser(in):
Carlton Douglas Ridenhour, Norman Lee Rogers, Eric Sadler und Hank Shocklee
3.655:02
15Prophets of Rage
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Prophets of Rage
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler, Hank Shocklee und William Jonathan Drayton
3.13:18
16Party for Your Right to Fight
Produzent(in):
Carl Ryder und Hank Shocklee
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (American holding company, not normally a release label) (in 1988)
recording of:
Party for Your Right to Fight
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Hank Shocklee
2.653:25
3▼Digitales Medium
Nr.TitelBewertungLänge
1Contract on the World Love Jam
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Contract on the World Love Jam
Komponist(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.751:44
2Brothers Gonna Work It Out
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Brothers Gonna Work It Out
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
3.25:07
3911 Is a Joke
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
911 Is a Joke
Verfasser(in):
Eric Sadler, Keith Shocklee und William Jonathan Drayton
3.83:17
4Incident at 66.6 FM
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Incident at 66.6 FM
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
1.751:37
5Welcome to the Terrordome
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recording of:
Welcome to the Terrordome
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
45:25
6Meet the G That Killed Me
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Meet the G That Killed Me
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
1.750:44
7Pollywanacraka
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Pollywanacraka
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
1.353:52
8Anti-Nigger Machine
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Anti‐Nigger Machine
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
1.353:17
9Burn Hollywood Burn
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Burn Hollywood Burn
Verfasser(in):
Antonio Hardy, Carlton Douglas Ridenhour, O’Shea Jackson, Eric Sadler und Keith Shocklee
3.252:47
10Power to the People
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989)
recording of:
Power to the People
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.53:48
11Who Stole the Soul?
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Who Stole the Soul?
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.53:49
12Fear of a Black Planet
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Fear of a Black Planet
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.63:45
13Revolutionary Generation
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Revolutionary Generation
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.55:43
14Can't Do Nuttin' for Ya Man
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Can't Do Nuttin' for Ya Man
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.252:46
15Reggie Jax
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Reggie Jax
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
21:35
16Leave This Off Your Fu*kin Charts
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Leave This Off Your Fu*kin Charts
Verfasser(in):
Norman Lee Rogers
2.52:31
17B Side Wins Again
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
B Side Wins Again
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.83:45
18War at 33⅓
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
War at 33⅓
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
2.52:07
19Final Count of the Collision Between Us and the Damned
Produzent(in):
The Bomb Squad (production team)
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990)
recording of:
Final Count of the Collision Between Us and the Damned
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
1.750:48
20Fight the Power
Produzent(in):
The Bomb Squad (production team), Carl Ridenhour, Eric Sadler und Hank Shocklee
phonographisches Urheberrecht (℗) von:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1990) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1990)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 2), CBC Music: 10 Songs That Have Changed the World, Grammy Award: Best Rap Performance nominees (Nummer: 1990), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (Nummer: 68) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 322)
recording of:
Fight the Power
Verfasser(in):
Carlton Douglas Ridenhour, Eric Sadler und Keith Shocklee
publisher:
Island Music Ltd.
3.74:42
4▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Lost at Birth
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Lost at Birth
Verfasser(in):
Carlton Douglas Ridenhour, Gary Rinaldo und Hank Shocklee
Public Enemy2.53:49
2Rebirth
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Rebirth
Verfasser(in):
Carlton Douglas Ridenhour, Gary Rinaldo und Hank Shocklee
Public Enemy30:59
3Nighttrain
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Nighttrain
Verfasser(in):
James Boxley, Carlton Douglas Ridenhour, Gary Rinaldo und Hank Shocklee
Public Enemy33:27
4Can’t Truss It
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Can’t Truss It
Verfasser(in):
Carlton Douglas Ridenhour, Gary Rinaldo und Hank Shocklee
Public Enemy3.55:21
5I Don't Wanna Be Called Yo Niga
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
I Don’t Wanna Be Called Yo Niga
Verfasser(in):
James Boxley, Carlton Douglas Ridenhour, Gary Rinaldo und William Jonathan Drayton
Public Enemy3.54:23
6How to Kill a Radio Consultant
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
How to Kill a Radio Consultant
Verfasser(in):
Carlton Douglas Ridenhour, Gary Rinaldo und Hank Shocklee
Public Enemy3.53:09
7By the Time I Get to Arizona
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
Samples:
Two Sisters of Mystery von Mandrill (American funk band)
recording of:
By the Time I Get to Arizona
Verfasser(in):
Carlton Douglas Ridenhour, Gary Rinaldo, Neftali Santiago und Hank Shocklee
Public Enemy4.354:48
8Move!
Gast vocals:
Sister Souljah
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Move
Verfasser(in):
Carlton Douglas Ridenhour, Gary Rinaldo und Hank Shocklee
Public Enemy feat. Sister Souljah3.54:59
91 Million Bootlegs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
1 Million Bottlebags
Verfasser(in):
Carlton Douglas Ridenhour, George Clinton (US funk musician), Garry Marshall Shider, Gary Rinaldo, Hank Shocklee und David Spradley
Public Enemy3.54:06
10More News At 11
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
More News at 11
Verfasser(in):
James Boxley, Carlton Douglas Ridenhour, Gary Rinaldo und William Jonathan Drayton
Public Enemy3.52:39
11Shut 'Em Down
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Shut ’Em Down
Verfasser(in):
Carlton Douglas Ridenhour, Gary Rinaldo und Hank Shocklee
Public Enemy35:04
12A Letter to the New York Post
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Letter to the New York Post
Verfasser(in):
James Boxley, Carlton Douglas Ridenhour, Gary Rinaldo und William Jonathan Drayton
Public Enemy32:45
13Get the F...Outta Dodge
Mix:
Imperial Grand Ministers of Funk und Chris Shaw (US producer & engineer)
Gast vocals:
True Mathematics (Kenny Houston)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
recording of:
Get the F Outta Dodge
Verfasser(in):
Carlton Douglas Ridenhour und Kenneth Earl Houston
publisher:
Bring the Noize Inc. und Def Jam Music, Inc.
Public Enemy3.52:38
14Bring tha Noize
Interpret(in):
Anthrax (US thrash metal band)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1991)
Samples:
Welcome to the Terrordome von Public Enemy (US rap group) (Sologesang)
recording of:
Bring the Noise (Anthrax version) (in 1991)
Texter:
Chuck D und Hank Shocklee
Komponist(in):
Frank Bello (US bassist for Anthrax), Charlie Benante, Carlton Douglas Ridenhour, Joseph Bellardini, Eric Sadler, Scott Ian Rosenfeld, Hank Shocklee und Dan Spitz
publisher:
Def American Songs, Inc. und NFP Music
Revision von:
Bring tha Noize (Original Version)
Public Enemy & Anthrax4.353:47
5▼Digitales Medium
Nr.TitelBewertungLänge
1Whole Lotta Love Goin on in the Middle of Hell
recording engineer und Mix:
Nick Sansano
assistierende(r) Produzent(in):
Studdah Man (Sean de Vore)
Produzent(in):
Carl Ryder und Gary G‐Wiz
turntable [DJ work]:
Kamron und Terminator X
Hintergrundgesang:
Flavor Flav und Tet
Sologesang:
Chuck D
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Samples:
Brother's Gonna Work It Out von Willie Hutch
recording of:
Whole Lotta Love Goin on in the Middle of Hell (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour
Komponist(in):
Gary Rinaldo und Sean de Vore
43:11
2Theatrical Parts
recording engineer und Mix:
Nick Sansano
Produzent(in):
Bomb Squad Production (production team)
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
recording of:
Theatrical Parts (von 1993 bis 1994)
Komponist(in):
Carlton Douglas Ridenhour
10:28
3Give It Up
recording engineer und Mix:
Nick Sansano
assistierende(r) Produzent(in):
Studdah Man (Sean de Vore)
Produzent(in):
Carl Ryder und Gary G‐Wiz
Hintergrundgesang:
Flavor Flav
Sologesang:
Chuck D
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Samples:
I Got You (I Feel Good) von James Brown and the Famous Flames, Opus de Soul von Steve Cropper, Pops Staples & Albert King (well‐known US blues guitarist & singer) und Theme From Shaft von Isaac Hayes
Bearbeitung von:
Give It Up (main version) von Public Enemy (US rap group)
recording of:
Give It Up (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour
Komponist(in):
Alvertis Isbell, Gary Rinaldo, Sean de Vore und Marvell Thomas
54:31
4What Side You On?
recording engineer und Mix:
Gerry Comito
Koproduzent(in):
Kerwin Young AKA Sleek
Produzent(in):
Bomb Squad Production (production team)
Schlagzeug [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
Hintergrundgesang:
Flavor Flav
Sologesang:
Chuck D
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
recording of:
What Side You On? (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour und Kerwin Young
44:07
5Bedlam 13:13
recording engineer und Mix:
Gerry Comito
Koproduzent(in):
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
Produzent(in):
Bomb Squad Production (production team)
turntable [DJ work]:
Terminator X
Hintergrundgesang:
Flavor Flav
Sologesang:
Chuck D
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
recording of:
Bedlam 13:13 (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour und Lawrence Walford (US hip-hop artist, producer & songwriter)
44:06
6Stop in the Name...
recording engineer und Mix:
Jimmy O'Neil (engineer, producer)
Koproduzent(in):
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
Produzent(in):
Bomb Squad Production (production team)
Sologesang:
Chuck D
aufgenommen bei und mixed at:
KALA Recording Studios, Inc. in Atlanta, Georgia, Vereinigte Staaten
recording of:
Stop in the Name… (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour und Lawrence Walford (US hip-hop artist, producer & songwriter)
21:21
7What Kind of Power We Got?
recording engineer und Mix:
Gerry Comito
Koproduzent(in):
Kerwin Young AKA Sleek
Produzent(in):
Flavor Flav
Schlagzeug [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Kevin Boone
Hintergrundgesang:
Chuck D
Sologesang:
Flavor Flav
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
Samples:
(For God’s Sake) Give More Power to the People von The Chi‐Lites, Fight the Power (soundtrack version) (explicit) von Public Enemy (US rap group) und Soul Power, Pt. 1 (single version) von James Brown (The Godfather of Soul)
recording of:
What Kind of Power We Got? (von 1993 bis 1994)
Verfasser(in):
Kerwin Young und William Jonathan Drayton
Komponist(in):
Eugene Record
basiert auf:
(For God’s Sake) Give More Power to the People
35:30
8So Whatcha Gone Do Now?
recording engineer und Mix:
Nick Sansano
assistierende(r) Produzent(in):
Studdah Man (Sean de Vore)
Produzent(in):
Carl Ryder und Gary G‐Wiz
Sologesang:
Chuck D
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
So Whatcha Gone Do Now? (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour
Komponist(in):
Gary Rinaldo und Sean de Vore
34:41
9White Heaven/Black Hell
recording engineer und Mix:
Gerry Comito
Produzent(in):
Bomb Squad Production (production team)
Sologesang:
Chuck D
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
Samples:
(Girl) I Love You von The Temprees
recording of:
White Heaven/Black Hell (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour
Komponist(in):
Jo Bridges (Soul and R&B songwriter and producer), Carl Hampton (Pianist, songwriter and producer) und Tom Nixon (Producer at Stax in the 70’s)
basiert auf:
(Girl) I Love You
11:06
10Race Against Time
recording engineer und Mix:
Nick Sansano
assistierende(r) Produzent(in):
Studdah Man (Sean de Vore)
Produzent(in):
Carl Ryder und Gary G‐Wiz
turntable [DJ work]:
Kamron
Hintergrundgesang:
Flavor Flav
Sologesang:
Chuck D
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, Vereinigte Staaten
mixed at:
Sorcerer Sound in New York, New York, Vereinigte Staaten
Samples:
Get Up, Get Into It and Get Involved (mono) von James Brown (The Godfather of Soul) und Take My Hand, Precious Lord von Mahalia Jackson
recording of:
Race Against Time (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour
Komponist(in):
Gary Rinaldo und Sean de Vore
43:20
11They Used to Call it Dope
recording engineer und Mix:
Nick Sansano
Produzent(in):
Bomb Squad Production (production team)
Sologesang:
Chuck D
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
Samples:
Bring the Noise von Public Enemy (US rap group), Caught, Can We Get a Witness? von Public Enemy (US rap group) und Show Em Whatcha Got (explicit) von Public Enemy (US rap group)
recording of:
They Used to Call It Dope (von 1993 bis 1994)
Texter und Komponist(in):
Carlton Douglas Ridenhour
10:29
12Aintnuttin Buttersong
recording engineer und Mix:
Gerry Comito
Koproduzent(in):
Easy Mo Bee
Produzent(in):
Bomb Squad Production (production team)
Schlagzeug [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
Hintergrundgesang:
Flavor Flav
Sologesang:
Chuck D
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
Samples:
Do Your Dance von Rose Royce, Jeep Ass Niguh von Masta Ace Incorporated (the group, led by Masta Ace with rap crew) und Medley: Star Spangled Banner / Purple Haze / Instrumental Solo von Jimi Hendrix
recording of:
Aintnuttin Buttersong (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour und Osten Harvey
Komponist(in):
Spyder Turner und Norman Whitfield
basiert auf:
Do Your Dance
34:23
13Live and Undrugged, Parts 1 & 2
recording engineer und Mix:
Gerry Comito
Koproduzent(in):
Kerwin Young AKA Sleek
Produzent(in):
Bomb Squad Production (production team)
Schlagzeug [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Terminator X
Sologesang:
Chuck D
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
Samples:
Let’s Stay Together von Al Green (US soul singer, songwriter, pastor and record producer), Punks Jump Up to Get Beat Down von Brand Nubian und Revolution (original mono studio mix) von The Beatles (UK rock band, “The Fab Four”)
recording of:
Live and Undrugged, Parts 1 & 2 (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour und Kerwin Young
35:54
14Thin Line Between Law & Rape
recording engineer:
Gerry Comito
Koproduzent(in):
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
Produzent(in):
Bomb Squad Production (production team)
Mix:
Dino Zervos
turntable [DJ work]:
Kevin Boone
Hintergrundgesang:
Flavor Flav
Sologesang:
Chuck D
aufgenommen bei:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
mixed at:
Power Play Studios in New York, New York, Vereinigte Staaten
Samples:
Cinderfella Dana Dane (explicit) von Dana Dane und No Woman No Cry von Bob Marley & The Wailers
recording of:
Thin Line Between Law & Rape (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour, Collin Constantine Rochester und Lawrence Walford (US hip-hop artist, producer & songwriter)
34:45
15I Ain't Mad at All
Assistent recording engineer:
Layng Martine (bassist and engineer)
recording engineer:
Bob Musseo (musician, producer and engineer)
Programmierung und Produzent(in):
Keith Shocklee
assistierende(r) Mix:
Danny Madorski
Mix:
Rod Hui
Horn [horns]:
David Watson (multi-instrumentalist), Darryl Dixon (saxophone/flute/arranger) und Bill Mobley
Hintergrundgesang [backgrounds]:
Bemshi, Paulette McWilliams und Norma Jean Wright
Sologesang:
Flavor Flav
aufgenommen bei und mixed at:
Greene St. Recording in SoHo, New York, New York, Vereinigte Staaten
Samples:
Bustin' Loose von Chuck Brown (jazz guitarist/singer "The Godfather of Go-Go") & The Soul Searchers (70s US funk group) und Dance Across the Floor von Jimmy “Bo” Horne
recording of:
I Ain’t Mad at All (von 1993 bis 1994)
Verfasser(in):
Keith Boxley (American hip hop producer and DJ), Carl DeHaney, Jeannette Harrod, Ronald Lincoln und William Jonathan Drayton
33:24
16Death of a Carjacka
recording engineer und Mix:
Gerry Comito
Produzent(in):
Bomb Squad Production (production team)
turntable [DJ work]:
Terminator X
Sologesang:
Chuck D
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
Samples:
Hold on I’m Coming von Sam & Dave
recording of:
Death of a Carjacka (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour
Komponist(in):
Isaac Hayes und David Porter (US soul musician, producer & songwriter)
basiert auf:
Hold On, I’m Comin’
22:00
17I Stand Accused
recording engineer und Mix:
Gerry Comito
Koproduzent(in):
Easy Mo Bee
Produzent(in):
Bomb Squad Production (production team)
turntable [DJ work]:
Kevin Boone
Hintergrundgesang:
Flavor Flav
Sologesang:
Chuck D
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
Samples:
Funky Worm von Ohio Players und The Payback von James Brown (The Godfather of Soul)
recording of:
I Stand Accused (von 1993 bis 1994)
Verfasser(in):
Keith Boxley (American hip hop producer and DJ), Carlton Douglas Ridenhour und Osten Harvey
33:56
18Godd Complexx
Assistent recording engineer:
Imad Mansour
recording engineer:
Bob Musseo (musician, producer and engineer)
Programmierung und Produzent(in):
Keith Shocklee
assistierende(r) Mix:
Danny Madorski
Mix:
Rod Hui
Hintergrundgesang [backgrounds]:
Carl DeHaney, Umar Bin Hassan und Keith Shocklee
Sologesang:
Flavor Flav
aufgenommen bei und mixed at:
Greene St. Recording in SoHo, New York, New York, Vereinigte Staaten
Samples:
Back to the Grill von MC Serch (US rapper Michael Berrin) feat. Chubb Rock, Nasty Nas (US rapper) & Red Hot Lover Tone und White Man's Got a God Complex von The Last Poets
recording of:
Godd Complexx (von 1993 bis 1994)
Texter und Komponist(in):
Alafia Pudim
Arrangement von:
White Man's Got a God Complex
33:40
19Hitler Day
recording engineer und Mix:
Gerry Comito
Koproduzent(in):
Larry "Panic" Walford (US hip-hop artist, producer & songwriter)
Produzent(in):
Bomb Squad Production (production team)
Schlagzeug [drummer]:
Nathaniel Townsley III
turntable [DJ work]:
Kevin Boone
Hintergrundgesang:
Flavor Flav
Sologesang:
Chuck D
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
Samples:
Na Na Hey Hey Kiss Him Goodbye von Steam (60s US pop-rock band)
recording of:
Hitler Day (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour und Lawrence Walford (US hip-hop artist, producer & songwriter)
34:27
20Harry Allen's Interactive Super Highway Phone Call To Chuck D.
recording engineer und Mix:
Gerry Comito
Koproduzent(in):
Kerwin (Sleek) Young
Produzent(in):
Bomb Squad Production (production team)
Sprecher:
Harry Allen (hip-hop journalist/activist)
aufgenommen bei und mixed at:
Sonic Sound Studio in Freeport, Hempstead, New York, Vereinigte Staaten (von 1993 bis 1994)
recording of:
Harry Allen's Interactive Super Highway Phone Call To Chuck D. (von 1993 bis 1994)
Verfasser(in):
Harry Allen (hip-hop journalist/activist), Carlton Douglas Ridenhour und Kerwin Young
22:52
21Living In a Zoo
recording engineer und Mix:
Gary G‐Wiz
assistierende(r) Techniker(in):
J-Technique
Sologesang:
Chuck D
remixer:
Gary G‐Wiz und Studdah Man (Sean de Vore)
aufgenommen bei und mixed at:
Suburban Funk Studio in New York, New York, Vereinigte Staaten (von 1993 bis 1994)
Samples:
Caught, Can We Get a Witness? (Pre Black Steel Ballistic Felony dub) von Public Enemy (US rap group) und Spinning Wheel von Dr. Lonnie Smith
recording of:
Living In a Zoo (von 1993 bis 1994)
Verfasser(in):
Carlton Douglas Ridenhour, Carl DeHaney und Hank Shocklee
Komponist(in):
Gary Rinaldo
33:38
6▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Resurrection
recording engineer:
Rawle Gittens, Ricciano Lumpkins und Tony Prendatt
Produzent(in):
D. R. Period, Hank Shocklee und Keith Shocklee
Mix:
Ken Lewis (recording engineer and mixer), Tony Prendatt und Mario Rodriguez (mix/recording engineer)
Gast vocals:
Masta Killa
Public Enemy feat. Masta Killa4:20
2He Got Game
recording engineer:
Rob Chiarelli (US mixer), Rawle Gittens und Ricciano Lumpkins
Produzent(in):
D. R. Period, Hank Shocklee und Keith Shocklee
Mix:
Mario Rodriguez (mix/recording engineer)
Chorgesang:
Voices of Shabach Community Choir of Long Island
Gast vocals:
Stephen Stills
arranger:
House of Tre
Samples:
For What It’s Worth (stereo) von Buffalo Springfield
recording of:
He Got Game
Verfasser(in):
Carlton Douglas Ridenhour, LuQuantum Leap und Stephen Stills
basiert auf:
For What It’s Worth
Public Enemy feat. Stephen Stills54:46
3Unstoppable
recording engineer und Mix:
Paul Logus
Produzent(in):
Gary G‐Wiz
Gast vocals:
KRS‐One
Public Enemy feat. KRS‐One3:14
4Shake Your Booty
recording engineer und Mix:
Ben Garrison und Tony Prendatt
Produzent(in):
D. R. Period, Hank Shocklee und Keith Shocklee
Hintergrundgesang:
4 Kast
Samples:
Do It Any Way You Wanna von People’s Choice
Flavor Flav3:45
5Is Your God a Dog
Assistent recording engineer:
Rasheed Good Lowe und Tom Hughe
recording engineer:
Chris Champion (New York Hip Hop producer and recording engineer)
Partner-Produzent(in):
Corey Brewer
Produzent(in):
Abnes (Abnormal) Dubose
Mix:
Chris Champion (New York Hip Hop producer and recording engineer), Abnes Dubose und Johnny Juice
turntable [scratches]:
Johnny Juice
Public Enemy5:08
6House of the Rising Son
recording engineer:
Gary G‐Wiz
Partner-Produzent(in):
Gary G‐Wiz
Produzent(in):
Kerwin Young
Mix:
Paul Logus
E-Bass [electric bass], Keyboard und Saxophon:
Kerwin Young
Samples:
Won’t Get Fooled Again (original album version) von The Who
Public Enemy3:16
7Revelation 33 1/3 Revolutions
recording engineer:
Dolo (Detroit rapper), Paul Falcone und Tony Prendatt
Produzent(in):
Minnesota (US producer and member of the Money Boss Players), Hank Shocklee und Keith Shocklee
Mix:
Ken Lewis (recording engineer and mixer)
Public Enemy4:11
8Game Face
recording engineer:
Tony Prendatt und Ted Wohlsen
Produzent(in):
D. R. Period, Hank Shocklee und Keith Shocklee
Mix:
Ken Lewis (recording engineer and mixer)
Samples:
James Bond Theme (stereo) von The John Barry Orchestra
Public Enemy feat. Smoothe da Hustler3:17
9Politics of the Sneaker Pimps
recording engineer und Mix:
Paul Logus
Produzent(in):
Gary G‐Wiz
Public Enemy3:16
10What You Need Is Jesus
recording engineer und Mix:
Paul Logus
Produzent(in):
Gary G‐Wiz
Gitarre:
Paul Logus
Hintergrundgesang:
Kyle "Ice" Jason und Veda (hip-hop background vocalist active in 1990s/2000s)
Public Enemy3:29
11Super Agent
Assistent recording engineer:
Rasheed Good Lowe
recording engineer:
Chris Champion (New York Hip Hop producer and recording engineer)
Produzent(in):
Abnes (Abnormal) Dubose
Mix:
Chris Champion (New York Hip Hop producer and recording engineer) und Abnes Dubose
Gitarre:
David Phelps (iazz guitarist)
Public Enemy3:35
12Go Cat Go
recording engineer:
Chris Haynes und John Penn
Programmierung, Produzent(in) und Mix:
Jack Dangers (from Meat Beat Manifesto) und Danny Saber
guitar family:
Reeves Gabrels
Sampler [Emax] und turntable [scratching]:
Jack Dangers (from Meat Beat Manifesto)
Public Enemy23:48
13Sudden Death (Interlude)
recording engineer und Mix:
Gary G‐Wiz
Produzent(in):
Kerwin Young
Bassgitarre [bass] und Keyboard:
Kerwin Young
Public Enemy2:04

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