Get Rich or Die Tryin’ (explicit)

~ Veröffentlichung von 50 Cent (alle Versionen dieser Veröffentlichung ansehen, 15 vorhanden)

Anmerkung

The last three tracks are bonus tracks listed in the booklet but not on the back cover.

matrix/runout: 0694935442 1061313350 MFG BY TECHNICOLOR UNIVERSAL MEDIA SERVICES
mastering SID: IFPI L772
mould SID: IFPI 2A47

Anmerkung zuletzt geändert am 2022-01-01 16:04 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Intro
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
50 Cent30:06
2What Up Gangsta
recording engineer:
Carlise Young, Mauricio “Veto” Iragorri und Mike Strange (engineer)
assistierende(r) Techniker(in):
Ruben Rivera (engineer)
Produzent(in):
Rob “Reef” Tewlow (producer Rob Tewlow)
Mix:
Dr. Dre (Andre Young, rap producer)
zusätzlich Keyboard:
Mike Elizondo
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
54 Sound in Ferndale, Michigan, Vereinigte Staaten, Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Lobo Studios in Deerpark, New York, Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
What Up Gangsta
Verfasser(in):
Curtis Jackson (50 Cent) und Rob “Reef” Tewlow (producer Rob Tewlow)
publisher:
High on Life Music und Terminally Ill Music
50 Cent3.42:59
3Patiently Waiting
recording engineer:
Sha Money XL
Produzent(in):
Eminem (US rapper)
Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
Keyboard:
Mike Elizondo und Luis Resto
Gast vocals:
Eminem (US rapper)
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
recording of:
Patiently Waiting
Verfasser(in):
Curtis Jackson (50 Cent), Mike Elizondo, Marshall Mathers (Eminem, US rapper) und Luis Resto
publisher:
Blotter, Eight Mile Style, Elvismambo Music, High on Life Music und Music of Windswept
50 Cent feat. Eminem3.854:49
4Many Men (Wish Death)
recording engineer:
Sha Money XL
Produzent(in):
Darrell “Digga” Branch (US hip hop producer Darrell Branch, Mase, Children of the Corn)
zusätzliche(r) Produzent(in):
Eminem (US rapper) und Luis Resto
Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
zusätzlich Keyboard:
Luis Resto
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
Samples:
Out of the Picture von Tavares (US R&B, funk and soul music)
recording of:
Many Men (Wish Death)
Verfasser(in):
Curtis Jackson (50 Cent), Darrell Branch (US hip hop producer Darrell Branch, Mase, Children of the Corn), Frederick J. Perren, Luis Resto und Keni St. Lewis
publisher:
Bull Pen Music, Inc., Eight Mile Style, Figga Six Music, High on Life Music, Perren Vibes Music, Inc. und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
50 Cent3.94:16
5In da Club
recording engineer:
Mauricio “Veto” Iragorri und Sha Money XL
assistierende(r) Techniker(in):
Francis Forde, James “Flea” McCrone und Ruben Rivera (engineer)
Koproduzent(in):
Mike Elizondo
Produzent(in) und Mix:
Dr. Dre (Andre Young, rap producer)
Bass, Gitarre und Keyboard:
Mike Elizondo
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
Sean Michaels: The Top 30 Songs of 2003 (Nummer: 9), VH1’s Big Song of 2003 (Nummer: 28), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 58), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 444)
recording of:
In da Club
Verfasser(in):
Andre R. Young (Andre Young, rap producer), Curtis Jackson (50 Cent) und Mike Elizondo
publisher:
Ain’t Nuthin’ Goin’ On but F*****’ Music (aka Ain’t Nothin’ but F****n’ and other variations), Blotter, Elvismambo Music, High on Life Music, Music of Windswept und WB Music Corp. (1929–2019)
50 Cent4.23:13
6High All the Time
recording engineer:
Sha Money XL
Koproduzent(in):
Eminem (US rapper) und Sha Money XL
Produzent(in):
DJ Rad (Conrad Almonacy)
Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
Editing:
Carlise Young
Keyboard:
Luis Resto
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
Samples:
(If Loving You Is Wrong) I Don’t Want to Be Right von Bobby “Blue” Bland
recording of:
High All the Time
Verfasser(in):
Homer Banks (Soul singer and songwriter), Conrad Almonacy (Conrad Almonacy), Curtis Jackson (50 Cent), Carl Hampton (Pianist, songwriter and producer), Raymond Jackson (songwriter, guitarist and producer), Marshall Mathers (Eminem, US rapper), Michael Clervoix und Luis Resto
publisher:
221 Publishing, Eight Mile Style, Headrush Tunes, High on Life Music und Irving Music, Inc.
50 Cent3.854:29
7Heat
recording engineer:
Mauricio “Veto” Iragorri und Sha Money XL
assistierende(r) Techniker(in):
James “Flea” McCrone, Ruben Rivera und Ruben Rivera (engineer)
Produzent(in) und Mix:
Dr. Dre (Andre Young, rap producer)
Keyboard:
Mike Elizondo und Tommy Coster
Rhodes Piano:
Ron Feemster
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Heat
Verfasser(in):
Andre R. Young (Andre Young, rap producer), Curtis Jackson (50 Cent), Mike Elizondo und Tom Coster
publisher:
Ain’t Nuthin’ Goin’ On but F*****’ Music (aka Ain’t Nothin’ but F****n’ and other variations), Blotter, Bug Music (music publishing), Elvismambo Music, High on Life Music, Music of Windswept, Strawberry Blonde Music und WB Music Corp. (1929–2019)
50 Cent4.154:15
8If I Can’t
recording engineer:
Mauricio “Veto” Iragorri
assistierende(r) Techniker(in):
Francis Forde, James “Flea” McCrone und Ruben Rivera (engineer)
Koproduzent(in):
Mike Elizondo
Produzent(in) und Mix:
Dr. Dre (Andre Young, rap producer)
Bass, Gitarre und Keyboard:
Mike Elizondo
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei und mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
If I Can't
Verfasser(in):
Andre R. Young (Andre Young, rap producer), Curtis Jackson (50 Cent) und Mike Elizondo
zusätzliche(r) Verfasser(in):
Theron Feemster
publisher:
Ain’t Nuthin’ Goin’ On but F*****’ Music (aka Ain’t Nothin’ but F****n’ and other variations), Blotter, Blotter Music, Elvis Mambo Music, Feemstro, High on Life Music, Music of Windswept, Universal Music Corp. (USA, affiliated with ASCAP), Universal Music–Z Tunes LLC und WB Music Corp. (1929–2019)
50 Cent4.353:17
9Blood Hound
recording engineer:
Sean Blaze und Sha Money XL
Produzent(in):
Sean Blaze
Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
Gast vocals:
Young Buck (American rapper)
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
recording of:
Blood Hound
Verfasser(in):
Curtis Jackson (50 Cent), David Brown (American rapper) und Sean Henderson
publisher:
High on Life Music, Mouthfullogold Music und What About Publishing
50 Cent feat. Young Buck of G Unit3.854:00
10Back Down
recording engineer:
Mauricio “Veto” Iragorri, Thomas Rounds (engineer) und Sha Money XL
assistierende(r) Techniker(in):
Kairi Cushnie, James “Flea” McCrone und Ruben Rivera (engineer)
Produzent(in) und Mix:
Dr. Dre (Andre Young, rap producer)
Bass, Gitarre und Keyboard:
Mike Elizondo
Keyboard:
Ron Feemster
vocals:
50 Cent
zusätzlich vocals:
Traci Spencer (US R&B & pop singer)
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Back Down
Verfasser(in):
Andre R. Young (Andre Young, rap producer), Curtis Jackson (50 Cent), Mike Elizondo und Theron “Neff‐U” Feemster
publisher:
Ain’t Nuthin’ Goin’ On but F*****’ Music (aka Ain’t Nothin’ but F****n’ and other variations), Blotter, Elvismambo Music, Feemstro, High on Life Music, Music of Windswept und WB Music Corp. (1929–2019)
50 Cent3.64:03
11P.I.M.P.
recording engineer:
Justin Bendo und Mauricio “Veto” Iragorri
assistierende(r) Techniker(in):
Francis Forde und Ruben Rivera (engineer)
Produzent(in):
Denaun Porter (Denaun Porter, aka Kon Artis)
Mix:
Dr. Dre (Andre Young, rap producer)
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten und The Disc Ltd. in Eastpointe, Michigan, Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Teil von:
VH1’s Big Song of 2003 (Nummer: 31)
recording of:
P.I.M.P.
Verfasser(in):
Brandon Parrot, Curtis Jackson III (50 Cent) und Denaun Porter (Denaun Porter, aka Kon Artis)
publisher:
50 Cent Music, Derty Werks, EMI April Music Inc., FBC Publishing, High on Life Music und Kobalt Music Copyrights SARL
50 Cent3.654:09
12Like My Style
recording engineer:
Sha Money XL
Produzent(in):
Rockwilder (US hip-hop producer, songwriter, engineer, multi-instrumentalist, programmer)
Mix:
Pat “Pat Em Down” Viala
Gast vocals:
Tony Yayo (American rapper)
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
Mirror Image Recorders in New York, New York, Vereinigte Staaten
recording of:
Like My Style
Verfasser(in):
Curtis Jackson (50 Cent), Dana Stinson (US hip-hop producer, songwriter, engineer, multi-instrumentalist, programmer) und Marvin Bernard (American rapper)
publisher:
Dayna’s Day Music Publishing, LLC, High on Life Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
50 Cent feat. Tony Yayo of G Unit3.63:13
13Poor Lil Rich
recording engineer:
Carlise Young
Produzent(in):
Sha Money XL
zusätzliche(r) Produzent(in):
Eminem (US rapper)
Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
zusätzlich Keyboard:
Luis Resto
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Chung King Studios in New York, New York, Vereinigte Staaten
mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
recording of:
Poor Lil Rich
Verfasser(in):
Curtis Jackson (50 Cent) und Michael Clervoix
publisher:
221 Publishing und High on Life Music
50 Cent3.93:19
1421 Questions
recording engineer:
Mauricio “Veto” Iragorri und Sha Money XL
assistierende(r) Techniker(in):
Ruben Rivera (engineer)
Produzent(in):
Dirty Swift
Mix:
Dr. Dre (Andre Young, rap producer)
Editing:
Carlise Young
Gast vocals:
Nate Dogg
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten und Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
Encore Recording Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Samples:
It’s Only Love Doing Its Thing von Barry White
recording of:
21 Questions
Verfasser(in):
Curtis Jackson (50 Cent), Jimmy Cameron, K. Risto und Vella Maria Cameron
publisher:
50 Cent Music, Break North Music, High on Life Music, Kobalt Music Copyrights SARL, Me-Benish Music LLC und Me-Benish Music, Inc.
quotes music from:
It's Only Love Doing Its Thing
50 Cent feat. Nate Dogg3.553:44
15Don’t Push Me
recording engineer:
Mike Strange (engineer)
Produzent(in) und Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
Keyboard:
Luis Resto
Gast vocals:
Lloyd Banks (US rapper) und Eminem (US rapper)
Hintergrundgesang:
Tony Yayo (American rapper)
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei und mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
recording of:
Don’t Push Me
Verfasser(in):
Christopher Lloyd (Lloyd Banks, US rapper), Curtis Jackson (50 Cent), Marshall Mathers (Eminem, US rapper) und Luis Resto
publisher:
Eight Mile Style und High on Life Music
50 Cent feat. Lloyd Banks of G Unit & Eminem3.84:09
16Gotta Make It to Heaven
recording engineer:
Sha Money XL
Produzent(in):
Megahertz (US hip-hop producer Dorsey Wesley)
Mix:
Pat “Pat Em Down” Viala
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Gotta Make It to Heaven
Verfasser(in):
Curtis Jackson (50 Cent) und Dorsey Wesley (US hip-hop producer Dorsey Wesley)
publisher:
Dors-D Music Publishing und High on Life Music
50 Cent44:01
17Wanksta
Produzent(in):
John “J‐Praize” Freeman und Sha Money XL
Mix:
Dr. Dre (Andre Young, rap producer) (in 2001)
vocals:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
produced for:
Liquid Crux Productions und Teamwork Music
recording of:
Wanksta
Verfasser(in):
Curtis Jackson (50 Cent), John Freeman und Michael Clervoix
publisher:
50 Cent Music, 221 Publishing, EMI April Music Inc., Hidden Scrolls und Universal Music Corp. (USA, affiliated with ASCAP)
50 Cent3.753:39
18U Not Like Me
recording engineer:
Sha Money XL
Produzent(in):
Red Spyda (producer Andy Thelusma, aka Rush)
Mix:
Eminem (US rapper) und Steve King (US engineer, mixer, producer, musician and songwriter from Detroit)
Sologesang und sonstiger Gesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei:
Teamwork Studios in Long Island, New York, Vereinigte Staaten
mixed at:
54 Sound in Ferndale, Michigan, Vereinigte Staaten
recording of:
U Not Like Me
Verfasser(in):
Andy Thelusma (producer Andy Thelusma, aka Rush) und Curtis Jackson (50 Cent)
publisher:
High on Life Music und Webstyle Music
50 Cent4.254:16
19Life’s on the Line
recording engineer:
Commissioner Gordon (US hip hop producer Gordon Williams) und Ted Wohlsen
Produzent(in):
Terence Dudley (hip hop producer)
Mix:
Terence Dudley (hip hop producer) und Rich Travali
Sologesang und sonstiger Gesang:
50 Cent
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1999, in 2000), Aftermath Records (US rap) (in 2003, in 2015), Interscope Records (part of UMG Recordings, Inc.) (in 2003, in 2015) und Shady Records (Eminem's US rap label) (in 2003, in 2015)
aufgenommen bei und mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
recording of:
Life’s on the Line
Verfasser(in):
Curtis Jackson (50 Cent) und Terence Dudley (hip hop producer)
publisher:
50 Cent Music und Footboogie Music
50 Cent4.43:38

Nennungen

Veröffentlichung

hergestellt in:Vereinigte Staaten
gedruckt in:Vereinigte Staaten
art direction:Slang Inc.
Design/Illustrationen:Slang Inc.
Fotografie:Sacha Waldman
legal representation:Peter Paterno
sonstige Unterstützung:Larry Chatman
Chris Clancy
Chris Lighty
Kirdis Postelle
Kelly Sato
Les Scurry
Sha Money XL
Theo Sedlmayr Esq.
leitende(r) Koproduzent(in):50 Cent
Sha Money XL
leitende(r) Produzent(in):Dr. Dre (Andre Young, rap producer)
Eminem (US rapper)
mastering:Brian “Big Bass” Gardner (mastering engineer “Big Bass Brian”)
Verwertungsgesellschaft:ASCAP (USA rights society; do not use this as a label or work publisher!)
BMI (US rights society; do not use this as a label or work publisher!)
SOCAN (Do not use this as a release label or work publisher!)
hergestellt von und vertrieben von:Universal Music & Video Distribution, Corp. (not for release label use! distributor/manufacturer fka Universal Music & Video Distribution, Inc., renamed as Universal Music Group Distribution in 2006)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Aftermath Entertainment (US rap) (in 2003)
Interscope Records (part of UMG Recordings, Inc.) (in 2003)
Shady Records (Eminem's US rap label) (in 2003)
mastered at:Bernie Grundman Mastering (Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Discogs:https://www.discogs.com/release/258882 [Info]
ASIN:US: B000084T18 [Info]

Veröffentlichungsgruppe

A&R-Management:D.J. Mormile
Marcus Heisser
Marc Labelle
Tracy McNew
Riggs Morales
künstlerische Leitung:Nicole Frantz (art direction)
ausgekoppelte Singles/EPs:21 Questions
21 Questions / Many Men (Wish Death)
If I Can’t
In da Club
P.I.M.P.
enthalten in:Get Rich or Die Tryin’ / The Massacre
Teil von:Best Albums of the Year (SPIN magazine, 2004-01) (Nummer: 4) (Reihenfolge: 4)
Billboard Music Award: Top Billboard 200 Album nominees (Nummer: 2003 winner) (Reihenfolge: 11)
Rolling Stone: 100 Best Albums of the 2000s: pub_2011-07-18 (Nummer: 37) (Reihenfolge: 37)
Grammy Award: Best Rap Album nominees (Nummer: 2004) (Reihenfolge: 44)
Rolling Stone: The 250 Greatest Albums of the 21st Century So Far (January 10, 2025) (Nummer: 203) (Reihenfolge: 66)
Apple Music: 100 Best Albums (Nummer: 82) (Reihenfolge: 82)
Rolling Stone: 500 Greatest Albums of All Time: 2020 edition (Nummer: 280) (Reihenfolge: 280)
Rolling Stone: 500 Greatest Albums of All Time: 2023 edition (Nummer: 280) (Reihenfolge: 280)
1001 Albums You Must Hear Before You Die (2005 edition) (Nummer: 972) (Reihenfolge: 972)
Discogs:https://www.discogs.com/master/34201 [Info]
Liedtextseite:https://genius.com/albums/50-cent/Get-rich-or-die-tryin [Info]
Rezensionen:https://www.bbc.co.uk/music/reviews/p9mq [Info]
andere Datenbanken:https://rateyourmusic.com/release/album/50_cent/get_rich_or_die_tryin/ [Info]
https://www.musik-sammler.de/album/77688/ [Info]
https://www.offiziellecharts.de/charts/album-details-4383 [Info]
Allmusic:https://www.allmusic.com/album/mw0000592838 [Info]
Wikidata:Q756782 [Info]