Arte Summer of Girls

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Material Girl
vocals:
Eliza Doolittle
recording of:
Material Girl
writer:
Peter Brown (70s/80s Miami disco artist/songwriter, "Do Ya Wanna Get Funky With Me") and Robert Rans
publisher:
Candy Castle Music, Minong Publishing Company and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Eliza Doolittle2:59
2Poker Face
recording engineer, programming and producer:
RedOne
engineer:
Dave Russell (British engineer and mixer)
mixer:
Robert Orton
background vocals:
RedOne
background vocals and lead vocals:
Lady Gaga
performer:
RedOne
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 2008, in 2009)
music videos:
Poker Face by Lady Gaga
part of:
Grammy Award: Best Dance/Electronic Recording nominees (number: 2010 winner) and BILLIONS CLUB
recording of:
Poker Face
writer:
Nadir Khayat and Stefani Germanotta
publisher:
GloJoe Music Inc., House of Gaga Publishing Inc., RedOne Productions LLC, Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Lady Gaga4.23:57
3I Kissed a Girl
recording engineer:
Mike Caffrey (drum machine [drum])
miscellaneous support:
Gary "G" Silver (task: production coordinated)
programming:
benny blanco (producer Benjamin Levin) and Dr. Luke
engineer:
Nick Banns, Mike Caffrey, Aniela Gottwald, John Hanes (audio engineer, mixer), Sam Holland (sound engineer), Tina Kennedy and Emily Wright
additional producer:
benny blanco (producer Benjamin Levin) and Mike Caffrey (drum machine [drum])
producer:
Dr. Luke
assistant mixer:
Tim Roberts (engineer)
mixer:
Serban Ghenea
bass guitar [bass] and guitar [guitars]:
Dr. Luke
drums (drum set) [drums]:
benny blanco (producer Benjamin Levin) and Dr. Luke
drums (drum set) [live drums]:
Steven Wolf (drummer from USA)
background vocals:
Cathy Dennis
lead vocals:
Katy Perry
phonographic copyright (℗) by:
Capitol Music Group (label group, not normally a release label) (in 2008)
produced for:
Kasz Money Productions, Inc.
recorded at:
Conway Recording Studio in Hollywood, Los Angeles, California, United States, Dr. Luke's in New York, New York, United States, Legacy Recording Studios (not to be confused with Legacy Studios, Canada) in Manhattan, New York, New York, United States and Monster Island in New York, New York, United States (drum machine [drum])
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
BILLIONS CLUB
recording of:
I Kissed a Girl
writer:
Cathy Dennis, Lukasz Gottwald, Max Martin (Swedish record producer) and Katy Perry
publisher:
EMI April Music Inc., EMI Music Publishing UK, Kasz Money Publishing (ASCAP affiliated), Maratone, MXM Music AB, Prescription Songs, Toxic Songs Ltd., WB Music Corp. (1929–2019) and When I’m Rich You’ll Be My Bitch
Katy Perry3.953:00
4Whenever, Wherever (album version)
recording engineer:
Gustavo Celis, Alfred Figueroa, Javier Garza and Terry Manning (US recording engineer)
programming:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
additional engineer:
Freddy Piñero, Jr.
assistant engineer:
Oswald Bowe, Chris Carroll (US engineer, Mantra Recording Studio), Alex Dixon, Jorge Gonzalez (engineer), Roger Gonzalez, Tony Mardini, Nicholas Marshall, Ken Theis and Christine Tramontano
co-producer:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
producer:
Shakira (Colombian singer)
mixer:
Javier Garza
bass:
Paul Bushnell (session bassist, producer and music director)
charango, quena and rondador:
Gustavo Patiño
guitar family:
Tim Pierce (US session guitarist) and Brian Ray
guitar family and mandolin:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios))
membranophone:
Brendan Buckley
percussion:
Miriam Eli, Emilio Estefan, Jr. and Archie Peña
background vocals:
Rita Quintero
background vocals and lead vocals:
Shakira (Colombian singer)
arranger:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) and Shakira (Colombian singer)
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 2001)
part of:
Billboard Year-End Hot 100 2002 (number: 28)
recording of:
Whenever, Wherever
lyricist:
Gloria Estefan and Shakira (Colombian singer)
composer:
Tim Mitchell (US producer/songwriter/guitarist (Clinton Studios)) and Shakira (Colombian singer)
publisher:
Aniwi Music, LLC, F.I.P.P. International and Sony/ATV Latin Music Publishing
translated version of:
Suerte
Shakira3.753:17
5Love at First Sight
recording engineer and programming:
Martin Harrington, Ash Howes (British mixer, writer and musician) and Alvin Sweeney
producer:
Julian Gallagher (songwriter, producer) and Richard “Biff” Stannard
mixer:
Ash Howes (British mixer, writer and musician)
guitar:
Martin Harrington
keyboard:
Martin Harrington and Ash Howes (British mixer, writer and musician)
Rhodes piano:
Julian Gallagher (songwriter, producer)
background vocals:
Kylie Minogue and Richard “Biff” Stannard
lead vocals:
Kylie Minogue
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
mixed at:
Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Ireland
recording of:
Love at First Sight
writer:
Julian Gallagher (songwriter, producer), Martin Harrington, Ash Howes (British mixer, writer and musician), Kylie Minogue and Richard “Biff” Stannard
publisher:
Biffco Music, EMI Music Publishing (do not use as a release label!), Mushroom Music International and Sony Music Publishing (1995–2020)
Kylie Minogue3.73:58
6Don’t Stop the Music (album version)
assistant recording engineer:
Phillip Ramos and Tim Sturges
recording engineer:
Mikkel Storleer Eriksen and Al Hemberger
producer:
StarGate (Norwegian production/songwriting team)
assistant mixer:
Josh Houghkirk
mixer:
Phil Tan (Malaysian-American audio engineer)
instruments:
Mikkel Storleer Eriksen and Tor Erik Hermansen
mixed for:
RiotProof Productions, inc
produced for:
Delirious Blacksmith Management, Ltd.
recorded at:
Battery Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, United States and Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
Soapbox Studios in Atlanta, Georgia, United States
samples:
Wanna Be Startin’ Somethin’ by Michael Jackson (“King of Pop”)
music videos:
Don’t Stop the Music by Rihanna (Barbadian R&B/pop singer)
part of:
Pitchfork Presents: The 100 Best Tracks of 2008 (number: 70)
recording of:
Don’t Stop the Music
writer:
Mikkel Storleer Eriksen, Tor Erik Hermansen, Michael Jackson (“King of Pop”) and Tawanna Dabney
Rihanna3.954:28
7No OneAlicia Keys3.854:14
8Got ’Till It’s Gone
assistant recording engineer:
Michael McCoy, Xavier Smith and Brad Yost
recording engineer and engineer:
Steve Hodge (engineer and producer)
drum machine programming:
Alex Richbourg
producer:
Janet Jackson, Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
mixer:
Steve Hodge (engineer and producer) and Steve Mac (British pop producer/songwriter Steve McCutcheon)
background vocals and lead vocals:
Janet Jackson
guest other vocals [rap] and other vocals [rap]:
Q‐Tip (American rapper)
guest vocals:
Joni Mitchell
instruments arranger and vocals arranger:
Janet Jackson, Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
phonographic copyright (℗) by:
Virgin Records America, Inc. (Virgin Records America, Incorporated, for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1997)
mixed for:
Rokstone Productions
produced for:
Flyte Tyme Productions
samples:
Big Yellow Taxi by Joni Mitchell
recording of:
Got 'Til It's Gone
writer:
René Elizondo Jr., Janet Jackson, James Harris III (James Harris of Jam & Lewis), Kamaal Ibn John Fareed (American rapper), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) and Joni Mitchell
publisher:
Black Ice Publishing, EMI April Music Inc., Flyte Tyme Tunes and Siquomb Pub. Corp.
Janet Jackson feat. Q‐Tip & Joni Mitchell3.54:03
9Get Your Freak On
recording of:
Get Ur Freak On
writer:
Missy Elliott (American rapper, singer, dancer & record producer) and Timothy Mosley
Missy Elliott3:56
10Caught Out There (edited)
engineer:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Dave Hummel
producer:
Pharrell Williams and Chad Hugo (Neptunes) (US producer duo Chad Hugo & Pharrell Williams)
mixer:
Serban Ghenea
instruments:
Pharrell Williams and Chad Hugo (Neptunes) (US producer duo Chad Hugo & Pharrell Williams)
arranger:
Pharrell Williams and Chad Hugo (Neptunes) (US producer duo Chad Hugo & Pharrell Williams)
phonographic copyright (℗) by:
Virgin Records America, Inc. (Virgin Records America, Incorporated, for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1999)
recorded at:
Mastersound Recording Studios (Virginia) in Virginia Beach, Virginia, United States
mixed at:
Right Track Studio in Midtown Manhattan, New York, New York, United States
recording of:
Caught Out There
writer:
Chad Hugo and Pharrell Williams
publisher:
Chase Chad Music (BMI), EMI April Music, EMI Blackwood Music Inc. and Waters of Nazareth Publishing
Kelis4.24:52
11Get the Party Started
additional recording engineer:
Bernd Burgdorf
recording engineer and producer:
Linda Perry (rock singer‐songwriter & producer)
drums (drum set) programming:
Linda Perry (rock singer‐songwriter & producer)
programming:
Bernd Burgdorf
assistant mixer:
Dave Guerrero
mixer:
Dave "Hard Drive" Pensado (mixer)
background vocals:
P!nk (American singer/songwriter)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2001)
recorded at:
LP Studios (California, USA) in Sherman Oaks, Los Angeles, California, United States
mixed at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States
music videos:
Get the Party Started by P!nk (American singer/songwriter)
part of:
Billboard Year-End Hot 100 2002 (number: 24)
recording of:
Get the Party Started (in 2001)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Stuck in the Throat
P!nk4.453:12
12Baby One More Time (2009 remaster)
recording engineer, producer and mixer:
Max Martin (Swedish record producer) and Rami (Swedish record producer and songwriter)
bass guitar:
Tomas Lindberg (Swedish bass player)
guitar:
Johan Carlberg
background vocals:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) and Britney Spears
lead vocals:
Britney Spears
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1998) and Zomba Recording LLC (in 1999)
mixed for and produced for:
Cheiron Productions
recorded at and mixed at:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Sweden
music videos:
…Baby One More Time by Britney Spears, …Baby One More Time (official music video) by Britney Spears, …Baby One More Time (Angle 1) by Britney Spears and …Baby One More Time (Angle 2) by Britney Spears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 205) and BILLIONS CLUB
recording of:
…Baby One More Time
lyricist and composer:
Max Martin (Swedish record producer)
publisher:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Freaky Friday (2003)
Britney Spears4.053:31
13Beautiful
additional assistant engineer:
Andrew Chavez (engineer)
additional engineer:
David Guerrero
assistant engineer:
Rafael Serrano and Davy Vain
engineer:
Linda Perry (rock singer‐songwriter & producer) and Davy Vain (task: Pro Tools)
producer:
Linda Perry (rock singer‐songwriter & producer)
assistant mixer:
Ethan Willoughby
mixer:
Dave "Hard Drive" Pensado (mixer)
additional strings, bass guitar [bass], guitar [guitars] and piano:
Linda Perry (rock singer‐songwriter & producer)
cello:
Richard Dodd (cellist)
drums (drum set) [drums]:
Brian MacLeod (American drummer)
keyboard [keyboards]:
Damon Fox
strings:
The Section
viola:
Shanti Randall
violin:
Eric Gorfain
additional arranger:
Linda Perry (rock singer‐songwriter & producer)
mixed for:
Essential Arts Management, LTD
additionally recorded at:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
mixed at:
The Enterprise Studios (aka Enterprise Studios) in Burbank, California, United States
engineered at:
Mad Dog Studios (Burbank, 1996–unknown) in Burbank, California, United States
music videos:
Beautiful by Christina Aguilera
part of:
CBC Music: 12 Songs About Bullying, VH1’s Big Song of 2003 (number: 17) and The Downloader’s Music Source Book (number: 260)
recording of:
Beautiful
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Stuck in the Throat
Christina Aguilera4.24:00
14Buffalo Stance
programming and engineer:
Mark Saunders (UK record producer)
producer and mixer:
Tim Simenon
lead vocals:
Neneh Cherry
arranger:
Booga Bear, Neneh Cherry, Mark Saunders (UK record producer) and Tim Simenon
phonographic copyright (℗) by:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (in 1988)
recorded at:
Hot nights Ltd in London (Greater London), England, United Kingdom
mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 14), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 238) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 412)
recording of:
Buffalo Stance
writer:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) and Phil Ramacon (soul/R&B/reggae songwriter)
is based on:
Looking Good Diving With The Wild Bunch
Neneh Cherry4.55:42
15Straight Up (single version)
co-producer:
Keith Cohen
producer:
Elliot Wolff
arranger:
Elliot Wolff
part of:
RuPaul’s Drag Race Lip Sync Performances (season 3) (number: 11), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 64), The Downloader’s Music Source Book (number: 90) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 361)
recording of:
Straight Up
lyricist and composer:
Elliot Wolff
publisher:
Elliot Wolff Music and Virgin Music, Inc. (the American arm of Virgin’s publishing company)
Paula Abdul3.554:10
16Wannabe
assistant recording engineer:
Patrick McGovern
recording engineer:
Adrian Bushby
programming and producer:
Richard Stannard and Matt Rowe
mixer:
Mark “Spike” Stent (producer, engineer)
keyboard:
Richard Stannard and Matt Rowe
publisher:
SSO
music videos:
Wannabe (video) by Spice Girls
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 36)
recording of:
Wannabe
writer:
Melanie Brown (Mel B), Emma Bunton, Geri Halliwell, Melanie Chisholm, Richard Stannard, Matt Rowe and Victoria Beckham (née Adams)
publisher:
PolyGram Music Publishing Ltd. and Windswept Pacific Music Ltd.
translated parody version of:
I Wanna Pfefferkuchen
Spice Girls3.852:52
17En rouge et noir
vocals:
Jeanne Mas
recording of:
En rouge et noir
lyricist:
Jeanne Mas
composer:
Massimo Calabrese, Piero Calabrese, Lorenzo Meinardi (Italian songwriter, aka Lawrence Meinardi) and Romano Musumarra
publisher:
Warner Chappell (Warner/Chappell Music, Inc.)
Jeanne Mas4:02
18Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
producer:
Val Garay
electric guitar:
Waddy Wachtel (in 1981-01)
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1981), EMI America Records, Inc. (holding - file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:42
19Love Is a Battlefield
producer:
Neil Geraldo, Peter Coleman and Peter Coleman (British engineer & producer)
mixer:
Neil Giraldo and Peter Coleman (British engineer & producer)
bass guitar:
Roger Capps
drums (drum set):
Myron Grombacher
electric guitar:
Neil Giraldo
keyboard:
Charles Giordano (American keyboardist and accordionist)
lead vocals:
Pat Benatar
vocals:
Pat Benatar
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
recorded at:
MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar3.954:09
2CD
#TitleArtistRatingLength
1Upside Down
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1980)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 89)
recording of:
Upside Down
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:03
2Hot Stuff
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
phonographic copyright (℗) by:
UMG Recordings Inc. (UMG Recordings, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (in 2003, in 2013) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2003)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 103)
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer4.655:15
3The Best
cover recording of:
The Best
writer:
Holly Knight and Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tina Turner4:09
4The Rose
additional producer:
Bill Gazecki
producer:
Paul A. Rothchild
lead vocals:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Paul A. Rothchild
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recording of:
The Rose (in 1979)
lyricist and composer:
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.53:32
5Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland
mixer:
Arif Mardin and Jay Newland
acoustic guitar and electric guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why (in 2000-10)
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Norah Jones3.453:04
6Woman of the Ghetto (live)
engineer:
Chris "Snoopy" Penycate (Swiss engineer)
producer:
George Butler
bass:
Ed Boyer (bass guitarist) (on 1973-07-05)
drums (drum set):
Harold Jones (jazz drummer) (on 1973-07-05)
piano:
George Gaffney (on 1973-07-05)
vocals:
Marlena Shaw (on 1973-07-05)
recorded at:
Auditorium Stravinski in Montreux, Vaud (Canton of Vaud), Switzerland (on 1973-07-05)
live recording of:
Woman of the Ghetto (on 1973-07-05)
writer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer), Bobby Miller (US songwriter & record producer) and Marlena Shaw
Marlena Shaw9:54
7Son of a Preacher Man
engineer:
Ed Kollis
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass guitar:
Tommy Cogbill (in 1968-09)
drums (drum set):
Gene Chrisman (in 1968-09)
electric piano and organ:
Bobby Emmons (in 1968-09)
guitar and sitar:
Reggie Young (Guitarist and songwriter) (in 1968-09)
background vocals:
The Sweet Inspirations (in 1968-09)
vocals:
Dusty Springfield (in 1968-09)
conductor:
Gene Orloff (in 1968-09)
brass and strings arranger:
Arif Mardin
brass arranger:
Tom Dowd
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1968)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 168) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 240)
recording of:
Son of a Preacher Man (in 1968-09)
writer:
John Hurley and Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Sony/ATV Songs LLC
Dusty Springfield4.452:27
8Step Inside Love
recording of:
Step Inside Love
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Harrisongs Ltd., Northern Songs and Startling Music Ltd.
Cilla Black2:19
9Inside My Love
recording of:
Inside My Love
writer:
Minnie Riperton, Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer) and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Dickiebird Music Publising Co
Minnie Riperton3:57
10Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:49
11La vie en rose
producer:
Tom Moulton
cover recording of:
La Vie en rose (English translation)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
translated version of:
La Vie en rose (French original)
cover recording of:
La Vie en rose (French original)
lyricist:
Édith Piaf
composer:
Louiguy (French composer Louis Guglielmi) and Édith Piaf
publisher:
Éditions Beuscher Arpège and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Grace Jones37:25
12Comment te dire adieu (It Hurts to Say Goodbye)
vocals:
Françoise Hardy
conductor:
Jean-Pierre Sabar
phonographic copyright (℗) by:
Asparagus (Françoise Hardy) (in 1967, in 1968) and Warner Music France (in 2014)
recording of:
Comment te dire adieu ? (in 1968)
lyricist:
Serge Gainsbourg
composer:
Arnold Goland and Jack Gold
publisher:
CBS U Catalog Inc. and EMI United Partnership Ltd. (from 1968 to present)
translated version of:
It Hurts to Say Goodbye
Françoise Hardy4.52:24
13Harley Davidson
vocals:
Brigitte Bardot
conductor:
Michel Colombier (French score composer)
arranger:
Michel Colombier (French score composer)
recorded at:
Studio Hoche (Barclay) in Paris, Île-de-France, France (on 1967-10-19)
music videos:
Harley Davidson by Brigitte Bardot
recording of:
Harley Davidson (on 1967-10-19)
lyricist and composer:
Serge Gainsbourg
Brigitte Bardot52:29
14Jane B. (d’après un prélude de Chopin)
producer:
Jean-Claude Desmarty
vocals:
Jane Birkin (in 1968-11)
orchestra:
Arthur Greenslade & His Orchestra (in 1968-11)
conductor:
Arthur Greenslade (in 1968-11)
arranger:
Arthur Greenslade
recording of:
Jane B. (in 1968-11)
lyricist:
Serge Gainsbourg
composer:
Fryderyk Chopin (Frédéric Chopin, composer) and Serge Gainsbourg
version of:
Prélude no. 4 in E minor, op. 28: Largo
Jane Birkin43:06
15As Tears Go By (1987 version)
Marianne Faithfull2:36
16These Days
Nico3:31
17Ode to Billy JoeBobbie Gentry4:13
18Poupée de cire, poupée de son
vocals:
France Gall (in 1965)
orchestra:
Alain Goraguer et son orchestre (in 1965)
part of:
Luxembourg in the Eurovision Song Contest (number: 1965) and Winners of the Eurovision Song Contest (number: 1965)
recording of:
Poupée de cire, poupée de son (in 1965)
lyricist and composer:
Serge Gainsbourg
publisher:
Bagatelle SA, Sidonie, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
France Gall2:31
19Come prima
vocals:
Dalida (Egyptian-Italian singer and actress) (in 1958)
orchestra:
Raymond Lefèvre et son grand orchestre (in 1958)
recording of:
Come prima (Tu me donnes) (in 1958)
lyricist:
Mario Panzeri (Italian lyricist and composer)
composer:
Agostino Di Paola and Alessandro Taccani
translator:
Jacques Larue (French lyricist)
translated version of:
Come prima
Dalida2:38
3CD
#TitleArtistRatingLength
1Girls Just Wanna Have Fun
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
bass:
Eric Bazilian
electric guitar:
Rick DiFonzo
electronic drum set:
Anton Fig
keyboard [keyboards] and synthesizer [synthesizers]:
Rob Hyman
background vocals:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart and Diane Wilson (vocals)
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
music videos:
Girls Just Want to Have Fun by Cyndi Lauper
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 63)
recording of:
Girls Just Want to Have Fun
lyricist and composer:
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.053:48
2Sweet Dreams (Are Made of This)
engineer:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) and R. Crash
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
performer:
Eurythmics
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1983) and RCA Ltd. (UK arm of RCA) (in 1983)
music videos:
Sweet Dreams by Eurythmics
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 353) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 357)
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Eurythmics4.153:36
3Fuck You
recording engineer, programming, producer and mixer:
Greg Kurstin
bass, guitar and keyboard:
Greg Kurstin
lead vocals:
Lily Allen
recorded at:
Kingsize Soundlabs in Eagle Rock, Los Angeles, California, United States, Lypiatt Park in Gloucestershire, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Premises Studios in Hoxton, Hackney, London (Greater London), England, United Kingdom
mixed at:
Echo Studio in Los Feliz, Los Angeles, California, United States
music videos:
Fuck You (promo video) by Lily Allen
recording of:
Fuck You
lyricist and composer:
Lily Allen and Greg Kurstin
publisher:
EMI April Music Inc., Kurstin Music and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lily Allen3.753:39
4Mercy (acoustic version)
Duffy3:40
5Standing in the Way of Control
producer and mixer:
Ryan Hadlock (engineer, producer and clapper) and Guy Picciotto
performer:
Gossip (USA alt rock band)
mixed at:
Bear Creek Studios in Woodinville, Washington, United States
produced at:
Bear Creek Studios in Woodinville, Washington, United States
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 23)
recording of:
Standing in the Way of Control
lyricist and composer:
Hannah Blilie, Beth Ditto and Nathan Howdeshell
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Gossip4.34:17
6Desire
recording engineer:
Rob Ellis (British producer, known for work with PJ Harvey)
assistant engineer:
David Odlum
engineer:
Peter Deimel and Jimmy Robertson (sound engineer)
producer:
Anna Calvi and Rob Ellis (British producer, known for work with PJ Harvey)
mixer:
Craig Silvey and Pritpal Soor
drums (drum set):
Daniel Maiden-Wood
piano and background vocals:
Brian Eno
strings and lead vocals:
Anna Calvi
strings arranger:
Anna Calvi
phonographic copyright (℗) by:
Domino Recording Co. Ltd. (not for release label use!)
recorded at:
Vale Studios in Worcestershire, England, United Kingdom
engineered at:
Studio Black Box (French recording studio) in Segré-en-Anjou Bleu, Maine-et-Loire, Pays-de-la-Loire, France
recording of:
Desire
lyricist and composer:
Anna Calvi
publisher:
Domino Publishing Co. Ltd. and DOUBLE SIX PROPERTIES LIMITED
Anna Calvi43:52
7The Greatest
recording engineer:
Stuart Sikes
mixer:
Chan Marshall and Stuart Sikes
bass guitar [bass]:
Leroy Hodges
cello:
Jonathan Kirkscey
drums (drum set) and membranophone:
Steve Potts (Drummer)
guitar:
Doug Easley (Easley McCain Recording) and Mabon "Teenie" Hodges (“Teenie”, soul guitarist)
guitar and piano and lead vocals:
Chan Marshall
keyboard and organ:
Rick Steff
pedal steel guitar [petal steel]:
Doug Easley (Easley McCain Recording)
piano:
Chan Marshall and Rick Steff
saxophone:
Jim Spake (saxophonist)
trumpet:
Scott Thompson (Trumpet player)
viola:
Beth Luscone
violin:
Roy Brewer
vocals:
Chan Marshall
strings [string] arranger and strings arranger:
Chan Marshall, Harlan T. Bobo (US singer-songwriter) and Jonathan Kirkscey
recorded at:
Ardent Studios in Memphis, Tennessee, United States
part of:
Q50 – December 2005 (number: 32)
recording of:
The Greatest
lyricist and composer:
Chan Marshall
Cat Power53:22
8Talk to Me
additional vocals:
Cornelius Rapp
lead vocals:
Peaches (Merrill Nisker, Canada‐born electronic artist)
recording of:
Talk to Me
writer:
Chilly Gonzales (Canadian musician Jason Charles Beck) and Peaches (Merrill Nisker, Canada‐born electronic artist)
Peaches43:05
9Heart of Glass
assistant engineer:
Grey Russell
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
lead vocals:
Deborah Harry
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1978-06)
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
version of:
Once I Had a Love
Blondie44:08
10Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.353:25
11Can the Can
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973) and RAK Records (copyrights holder) (in 1975)
recorded at:
Audio International Studios in London (Greater London), England, United Kingdom
recording of:
Can the Can
lyricist:
Nicky Chinn
composer:
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) and Universal Music Publishing MGB Australia
Suzi Quatro4.23:34
1299 Luftballons
engineer:
Imre Sereg (in 1982)
producer:
Reinhold Heil (in 1982) and Manfred Praeker (in 1982)
mixer:
Udo Arndt (in 1982)
drums (drum set):
Rolf Brendel (in 1982)
electric bass guitar:
Jürgen Dehmel (in 1982)
electric guitar:
Carlo Karges (in 1982)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (in 1982)
lead vocals:
Nena Kerner (the person, performing solo since 1987) (in 1982)
phonographic copyright (℗) by:
CBS Schallplatten GmbH (in 1983) and Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1983)
recorded at:
Spliff in Berlin, Germany (in 1982)
mixed at:
Audio-Studio in Berlin, Germany (in 1982)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 16), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 73) and Cachitos Nochevieja 2022 (number: 105)
recording of:
99 Luftballons (in 1982)
lyricist:
Carlo Karges (in 1982)
writer:
Fahrenkrog-Petersen and Karges
composer:
Uwe Fahrenkrog-Petersen (in 1982)
publisher:
Edition Hate Music (publisher) and EMI Songs Musikverlag GmbH
sub-publisher:
EMI Songs France (27, rue de Berri)
Nena4.43:51
13TV Glotzer (White Punks on Dope)
producer:
Bernhard Potschka (in 1978), Reinhold Heil (in 1978), Herwig Mitteregger (in 1978), Tom Müller (engineer) (in 1978), Ralf Nowy (in 1978) and Manfred Praeker (in 1978)
bass:
Manfred Praeker (in 1978)
drums (drum set):
Herwig Mitteregger (in 1978)
guitar:
B. Potschka (in 1978)
keyboard:
Reinhold Heil (in 1978)
lead vocals:
Nina Hagen (in 1978)
arranger:
Bernhard Potschka (in 1978), Reinhold Heil (in 1978), Herwig Mitteregger (in 1978) and Manfred Praeker (in 1978)
recording of:
TV-Glotzer (White Punks on Dope) (in 1978)
lyricist:
Nina Hagen
writer:
Michael Evans (songwriter), Bill Spooner and Roger Steen
version of:
White Punks on Dope
Nina Hagen Band4.755:13
14Wuthering Heights
engineer:
Jon Kelly (engineer at Air London Studios)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel) (from 1977-07 until 1977-08)
piano, background vocals and lead vocals:
Kate Bush (from 1977-07 until 1977-08)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978), EMI America Records, Inc. (holding - file NO releases here!) (in 1982) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 18)
recording of:
Wuthering Heights (from 1977-07 until 1977-08)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated) (from 1978 to present)
Kate Bush44:28
15Torn
cover recording of:
Torn
lyricist:
Anne Preven
composer:
Scott Cutler, Anne Preven and Phil Thornalley
publisher:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia3:47
16Nothing Compares 2U
vocals:
Sinéad O’Connor (Irish singer-songwriter)
phonographic copyright (℗) by:
Chrysalis Records Limited (not for release label use! company behind the Chrysalis imprint) (in 1990)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor3.54:39
17The Look
programming:
Anders Herrlin (in 1988-08) and Clarence Öfwerman (in 1988-08)
engineer:
Anders Herrlin and Alar Suurna
producer:
Clarence Öfwerman
mixer:
Marie Fredriksson, Per Gessle (Swedish singer and guitarist), Clarence Öfwerman and Alar Suurna
bass guitar:
Anders Herrlin (in 1988-08)
classical guitar:
Erik Borelius (in 1988-08)
drums (drum set) and hi-hat:
Pelle Alsing (in 1988-08)
electric guitar:
Jonas Isacsson (in 1988-08)
keyboard:
Clarence Öfwerman (in 1988-08)
saxophone:
Erik Häusler (in 1988-08)
slide guitar:
Janne Oldaeus (in 1988-08)
background vocals:
Marie Fredriksson (in 1988-08), Per Gessle (Swedish singer and guitarist) (in 1988-08) and Clarence Öfwerman (in 1988-08)
lead vocals:
Marie Fredriksson (in 1988-08) and Per Gessle (Swedish singer and guitarist) (in 1988-08)
phonographic copyright (℗) by:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) and EMI Svenska AB (not for release label use!)
recorded at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden (in 1988-08)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Sweden
recording of:
The Look (in 1988-08)
lyricist and composer:
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
parody version of:
He’s Got the Look
Roxette3.63:55
18Bitch
engineer and producer:
Geza X
mixer:
Jim Ebert
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
Bitch
writer:
Meredith Brooks (US singer/songwriter and guitarist) and Shelly Peiken
publisher:
Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
Meredith Brooks43:58
19Je veux
music videos:
Je veux (music video) by Zaz (French singer-songwriter)
recording of:
Je veux
lyricist:
Kerredine Soltani
composer:
Kerredine Soltani and Tryss (Zouk artist)
part of:
Prix Rolf Marbot de la chanson de l’année (number: 2011) and Victoire de la chanson originale de l’année (number: 2011)
Zaz4.753:36