Bernstein: Chichester Psalms / Copland: In the beginning and Three Motets / Barber: Agnus Dei

~ Release by Leonard Bernstein, Aaron Copland, Samuel Barber; Corydon Singers, Matthew Best (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Chichester Psalms: Psalm 108, verse 2 - Psalm 100 (Maestoso ma energico)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Rachel Masters (harp player) (from 1986-05-16 until 1986-05-20)
organ:
Thomas Trotter (organist) (from 1986-05-16 until 1986-05-20)
percussion:
Gary Kettel (percussionist) (from 1986-05-16 until 1986-05-20)
choir vocals:
Corydon Singers (from 1986-05-16 until 1986-05-20)
other vocals:
Dominic Martelli (from 1986-05-16 until 1986-05-20)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1986-05-16 until 1986-05-20)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1986-05-16 until 1986-05-20)
recording of:
Chichester Psalms: I. Psalm 108 verse 2, Psalm 100. Maestoso ma energico – Allegro molto (from 1986-05-16 until 1986-05-20)
composer:
Leonard Bernstein (in 1965)
part of:
Chichester Psalms
Leonard Bernstein3:44
2Chichester Psalms: Psalm 23, verse 1-4 - Psalm 2, verses 1-4, Psalm 23, verses 5, 6 (Andante con moto, ma tranquillo)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Rachel Masters (harp player) (from 1986-05-16 until 1986-05-20)
organ:
Thomas Trotter (organist) (from 1986-05-16 until 1986-05-20)
percussion:
Gary Kettel (percussionist) (from 1986-05-16 until 1986-05-20)
choir vocals:
Corydon Singers (from 1986-05-16 until 1986-05-20)
other vocals:
Dominic Martelli (from 1986-05-16 until 1986-05-20)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1986-05-16 until 1986-05-20)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1986-05-16 until 1986-05-20)
recording of:
Chichester Psalms: II. Psalm 23, Psalm 2 verses 1–4. Andante con moto, ma tranquillo – Allegro feroce (from 1986-05-16 until 1986-05-20)
composer:
Leonard Bernstein (in 1965)
part of:
Chichester Psalms
Leonard Bernstein5:51
3Chichester Psalms: Psalm 131 - Psalm 133, verse 1 (Prelude - Peacefully Flowing)
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
harp:
Rachel Masters (harp player) (from 1986-05-16 until 1986-05-20)
organ:
Thomas Trotter (organist) (from 1986-05-16 until 1986-05-20)
percussion:
Gary Kettel (percussionist) (from 1986-05-16 until 1986-05-20)
choir vocals:
Corydon Singers (from 1986-05-16 until 1986-05-20)
other vocals:
Dominic Martelli (from 1986-05-16 until 1986-05-20)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1986-05-16 until 1986-05-20)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1986-05-16 until 1986-05-20)
recording of:
Chichester Psalms: III. Psalm 131, Psalm 133 verse 1. Prelude. Sostenuto molto – Peacefully flowing – Lento possible (from 1986-05-16 until 1986-05-20)
composer:
Leonard Bernstein (in 1965)
part of:
Chichester Psalms
Leonard Bernstein9:24
4Agnus Dei
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1986-05-16 until 1986-05-20)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1986-05-16 until 1986-05-20)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1986-05-16 until 1986-05-20)
recording of:
Agnus Dei (arr. Samuel Barber for chorus) (from 1986-05-16 until 1986-05-20)
lyricist:
[anonymous] (special purpose artist)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
arranger:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1967)
part of:
Works of Samuel Barber by opus number (number: op. 11)
arrangement of:
Adagio for Strings
Samuel Barber10:02
5In the Beginning
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1986-05-16 until 1986-05-20)
mezzo-soprano vocals:
Catherine Denley (contralto, mezzo‐soprano) (from 1986-05-16 until 1986-05-20)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1986-05-16 until 1986-05-20)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1986-05-16 until 1986-05-20)
recording of:
In the Beginning (from 1986-05-16 until 1986-05-20)
composer:
Aaron Copland (composer) (in 1947)
premiered by:
Harvard University Collegiate Chorale (on 1947-05-02), Robert Shaw (conductor) (on 1947-05-02) and Nell Tangeman (mezzo-soprano) (on 1947-05-02)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
premiered at:
Memorial Hall (Harvard University) in Cambridge, Massachusetts, United States (on 1947-05-02)
Aaron Copland16:08
6Three Motets: Help Us, O Lord
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1986-05-16 until 1986-05-20)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1986-05-16 until 1986-05-20)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1986-05-16 until 1986-05-20)
recording of:
Four Motets: Help Us, O Lord (from 1986-05-16 until 1986-05-20)
composer:
Aaron Copland (composer) (in 1921)
part of:
Four Motets
Aaron Copland2:51
7Three Motets: Have Mercy on Us, O My Lord
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1986-05-16 until 1986-05-20)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1986-05-16 until 1986-05-20)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1986-05-16 until 1986-05-20)
recording of:
Four Motets: Have Mercy on Us, O My Lord (from 1986-05-16 until 1986-05-20)
composer:
Aaron Copland (composer) (in 1921)
part of:
Four Motets
Aaron Copland3:52
8Three Motets: Sing Ye Praises to Our King
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
Corydon Singers (from 1986-05-16 until 1986-05-20)
conductor:
Matthew Best (bass singer and conductor, founder of Corydon Singers) (from 1986-05-16 until 1986-05-20)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1986-05-16 until 1986-05-20)
recording of:
Four Motets: Sing Ye Praises to Our King (from 1986-05-16 until 1986-05-20)
composer:
Aaron Copland (composer) (in 1921)
part of:
Four Motets
Aaron Copland2:08

Credits

Release

liner notes:Peter Lamb
executive producer:Edward Perry (producer and founder of Hyperion, aka Ted Perry)
design:Terry Shannon (designer)
ASIN:US: B000002ZJB [info]