The Dark Knight

~ Release by Hans Zimmer & James Newton Howard (see all versions of this release, 14 available)

Tracklist

1CD
#TitleRatingLength
1Why So Serious?
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Why So Serious? (The Dark Knight)
composer:
James Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
49:14
2I'm Not a Hero
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
I’m Not a Hero (The Dark Knight)
composer:
Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
4.356:35
3Harvey Two-Face
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Harvey Two-Face (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
3.256:17
4Aggressive Expansion
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Aggressive Expansion (The Dark Knight)
composer:
Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
4.14:36
5Always a Catch
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Always a Catch (The Dark Knight)
composer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
3.51:40
6Blood on My Hands
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Blood on My Hands (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
3.252:17
7A Little Push
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
A Little Push (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
2.752:43
8Like a Dog Chasing Cars
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Like a Dog Chasing Cars (The Dark Knight)
composer:
James Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
45:03
9I Am the Batman
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
I Am the Batman (The Dark Knight)
composer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
2.752:00
10And I Thought My Jokes Were Bad
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
And I Thought My Jokes Were Bad (The Dark Knight)
composer:
Lorne Balfe (Scottish score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
3.652:29
11Agent of Chaos
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Agent of Chaos (The Dark Knight)
composer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
3.96:55
12Introduce a Little Anarchy
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Introduce a Little Anarchy (The Dark Knight)
composer:
James Howard (American score composer) and Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
3.93:43
13Watch the World Burn
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
Watch the World Burn (The Dark Knight)
composer:
James Newton Howard (American score composer)
part of:
The Dark Knight (2008 film soundtrack)
3.653:48
14A Dark Knight
recording engineer:
Geoff Foster (sound engineer)
assistant engineer:
Chris Bacon (American score composer), Chris Barrett (engineer), Katia Lewin and Greg Vines
co-producer:
Lorne Balfe (Scottish score composer) and Alex Gibson (musician/editor)
producer:
James Newton Howard (American score composer) and Hans Zimmer (German score composer)
mixer:
Alan Meyerson
editor:
Alex Gibson (musician/editor), Daniel Pinder and Ryan Rubin
arranger:
Henry Jackman (English score composer)
mixed at:
Remote Control Productions in Santa Monica, California, United States (ended)
recording of:
A Dark Knight (The Dark Knight)
composer:
Hans Zimmer (German score composer)
part of:
The Dark Knight (2008 film soundtrack)
3.7516:15

Credits

Release

mixer:Alan Meyerson
graphic design:Steven R. Gilmore (album cover design)
additional engineer:Chris Barrett (engineer)
co-producer:Lorne Balfe (Scottish score composer)
Alex Gibson (musician/editor)
executive producer:Christopher Nolan
editor:Alex Gibson (musician/editor)
bass:Mary Scully (double bassist)
cello:Anthony Pleeth (cellist)
horn:Richard Watkins (hornist)
piano:Simon Chamberlain (pianist)
James Newton Howard (American score composer)
synthesizer:Hans Zimmer (German score composer)
trombone:Peter Davis (Trombonist)
trumpet:Maurice Murphy (trumpet player)
viola:Peter Lale (violist)
conductor:Matt Dunkley
Gavin Greenaway
composer:James Newton Howard (American score composer)
Hans Zimmer (German score composer)
Discogs:https://www.discogs.com/release/2378267 [info]
ASIN:US: B0017I1FP8 [info]