I Love 80s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Ashes to Ashes
recording engineer:
David Bowie (English singer‐songwriter) (from 1980-02-15 until 1980-06) and Tony Visconti (from 1980-02-15 until 1980-06)
assistant engineer:
Larry Alexander (producer/engineer) (from 1980-02 until 1980-04) and Jeff Hendrickson (sound engineer) (from 1980-02 until 1980-04)
producer:
David Bowie (English singer‐songwriter) and Tony Visconti
drums (drum set):
Dennis Davis (drummer) (from 1980-02-15 until 1980-06)
electric bass guitar:
George Murray (American bass guitarist) (from 1980-02-15 until 1980-06)
guitar:
Carlos Alomar (from 1980-02-15 until 1980-06)
guitar synthesizer [Roland GR-500 guitar synthesizer]:
Chuck Hammer (from 1980-02-15 until 1980-06)
Minimoog and analog synthesizer [Yamaha CS-80]:
Andy Clark (UK keyboard and synthesizer player) (from 1980-02-15 until 1980-06)
percussion and shakers:
Tony Visconti (from 1980-02-15 until 1980-06)
piano [flanged piano]:
Roy Bittan (from 1980-02-15 until 1980-06)
background vocals and lead vocals:
David Bowie (English singer‐songwriter) (from 1980-04 until 1980-06)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1980), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1992) and Tintoretto Music (in 1992)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1980-02-15 until 1980-06) and Good Earth Studios in Soho, Westminster, London (Greater London), England, United Kingdom (from 1980-04 until 1980-06)
recording of:
Ashes to Ashes (from 1980-02-15 until 1980-06)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
David Bowie4.34:24
2Chant No. 1 (Don’t Need This Pressure on)
producer:
Richard James Burgess
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
recording of:
Chant No. 1 (I Don't Need This Pressure On)
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet44:07
3Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:29
4Love Action (I Believe in Love)
producer:
The Human League and Martin Rushent
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1981)
music videos:
Love Action (I Believe In Love) by The Human League
recording of:
Love Action (I Believe in Love)
lyricist and composer:
Ian Burden and Philip Oakey
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!), April Musikverlag GmbH (publisher) (in 1981), Dinsong Ltd. (in 1981), Sound Diagrams (publisher) (in 1981) and Virgin Music (Publishers) Ltd. (in 1981)
The Human League33:51
5Enola Gay
engineer:
Laurence Diana and Max Norman
producer:
Mike Howlett and Orchestral Manoeuvres in the Dark
bass and synthesizer:
Andy McCluskey
drums (drum set) and percussion:
Malcolm Holmes (drummer)
keyboard and synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) and Andy McCluskey
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
recorded at:
Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Enola Gay
lyricist and composer:
Andy McCluskey
publisher:
Dinsong Music and Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:30
6Call Me
engineer:
Harold Faltermeyer
producer:
Giorgio Moroder
additional synthesizer:
Giorgio Moroder (in 1980-01)
bass guitar [bass]:
Nigel Harrison (in 1980-01)
drums (drum set) [drums]:
Clem Burke (in 1980-01)
electric piano:
Jimmy Destri (in 1980-01)
guitar:
Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
lead vocals:
Debbie Harry (in 1980-01)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979) and The Power Station (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 78) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 157)
recording of:
Call Me (in 1980-01)
lyricist:
Deborah Harry
composer:
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.23:26
7Happy Birthday
producer:
Martin Rushent
recording of:
Happy Birthday
writer:
Tich Anderson, Clare Grogan, Tony McDaid and Johnny McElhone
publisher:
Beam Down Ltd. (publisher) and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Altered Images32:58
8Stand and Deliver
engineer:
Alan Douglas (Scottish born engineer)
producer:
Chris Hughes (Producer. aka Merrick)
bass guitar and lead vocals:
Adam Ant (English new wave singer and actor)
drums (drum set):
Chris Hughes (Producer. aka Merrick) and Terry Lee Miall
guitar:
Marco Pirroni (British musician and producer)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1981) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1981)
part of:
The Downloader’s Music Source Book (number: 145)
recording of:
Stand and Deliver
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Adam and the Ants43:04
9It Ain’t What You Do, It’s the Way That You Do ItFun Boy Three & Bananarama2:42
10Oops, Upside Your Head
recording of:
I Don’t Believe You Want to Get Up and Dance (Oops!)
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer), Robert Wilson (US vocalist/bassist, member of Gap Band) and Ronnie Wilson (Gap Band member)
publisher:
Minder Music Ltd., Total Experience Music Publ. Co., Leosong (publisher) (in 1979) and Total Experience Music (publisher) (in 1979)
The Gap Band3:27
11Body Talk
executive producer:
Eliot M. Cohen
phonographic copyright (℗) by:
R&B Division Ltd (in 1981)
recording of:
Body Talk
writer:
Ashley Ingram, Leee John, Steve Jolley and Tony Swain (songwriter, producer)
publisher:
Associated Music International Ltd., Sony Music Publishing (UK) Ltd. (2003–2008, 2021–present), Sony/ATV Music Publishing LLC (1995–2020), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Imagination43:35
12Do You Really Want to Hurt Me
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L and Virgin Music (Publishers) Ltd.
Culture Club3.954:24
13Kids in America
recording engineer:
Jeo (from 1980 until 1981)
programming:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
engineer:
Steve Stewart (engineer, guitarist of The Enid)
producer:
Jörn‐Uwe Fahrenkrog‐Petersen and Ricky Wilde
additional keyboard:
Nick Priessnitz (from 1980 until 1981)
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981) and Derek von Krogh (from 1980 until 1981)
drums (drum set):
Bernhard Hahn (from 1980 until 1981), Chris North (UK drummer of The Enid) (from 1980 until 1981) and Tobias Wörner (from 1980 until 1981)
guitar:
Thomas Hahn (from 1980 until 1981), Charlotte Hatherley (from 1980 until 1981), Francis Lickerish (from 1980 until 1981), Steve Stewart (engineer, guitarist of The Enid) (from 1980 until 1981), James Stevenson (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (from 1980 until 1981), Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981), Derek von Krogh (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
D. Janz (from 1980 until 1981), M. Janz (from 1980 until 1981), N. Janz (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
lead vocals:
Charlotte Hatherley (from 1980 until 1981) and Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde (from 1980 until 1981)
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) and EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
recorded at:
Amira Studio (from 1980 until 1981), RAK Studios in London (Greater London), England, United Kingdom (from 1980 until 1981), Soundmastaz Studios (from 1980 until 1981), Studio 77 in Stuttgart, Baden-Württemberg, Germany (from 1980 until 1981) and The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen (Lower Saxony), Germany, RAK Studios in London (Greater London), England, United Kingdom and Studio 77 in Stuttgart, Baden-Württemberg, Germany
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. and Rickim Music Ltd.
Kim Wilde4.353:26
14Mickey
cover recording of:
Kitty (more well known as "Mickey")
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
translated version of:
Mickey
Toni Basil4:01
15Our HouseMadness3.93:23
16Bad Boys
engineer:
Tony Taverner
co-producer:
George Michael
producer:
Steve Brown (engineer/music producer) and George Michael
music videos:
Bad Boys by Wham! (British pop-duo)
recording of:
Bad Boys
lyricist and composer:
George Michael
Wham!3:21
17Two Tribes
producer:
Trevor Horn
phonographic copyright (℗) by:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recording of:
Two Tribes
written in:
Liverpool, Merseyside, England, United Kingdom (from 1982 until 1983)
lyricist and composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Mark William O'Toole (former bassist of Frankie Goes to Hollywood) and William Johnson
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood3.653:56
18The Riddle
assistant engineer:
Dave Meegan (producer)
engineer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Peter Collins (producer)
lead vocals:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1984) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
music videos:
The Riddle by Nik Kershaw
recording of:
The Riddle
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music UK, Imagem Songs Ltd., Rondor Music (London) Ltd. and Rondor Musikverlag GmbH
Nik Kershaw3.253:53
19Wishing (If I Had a Photograph of You)
recording of:
Wishing (If I Had a Photograph of You)
writer:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score and Mike Score
publisher:
Zomba Enterprises, Inc.
A Flock of Seagulls4:11
20You’re the Best Thing
recording of:
You’re the Best Thing
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
BMG Music Publishing Ltd. and EMI Music Publishing (do not use as a release label!)
The Style Council34:21
21True
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis (in 1983) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:39
2CD
#TitleArtistRatingLength
1Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), BILLIONS CLUB and The Downloader’s Music Source Book (number: 284)
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.453:49
2You Spin Me Round (Like a Record)Dead or Alive4.153:14
3Nineteen
producer:
Paul Hardcastle
music videos:
19 (music video) by Paul Hardcastle
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 73)
recording of:
19
lyricist:
Bill Couturié, Paul Hardcastle and Jonas McCord
composer:
Paul Hardcastle
Paul Hardcastle3.63:32
4Miami Vice Theme
recording of:
Miami Vice Theme
composer:
Jan Hammer
Jan Hammer3.52:28
5The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim “Watts” Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985) and Chrysalis (in 1985)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981–2008) in Sausalito, California, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
music videos:
The Power of Love (full length) by Huey Lewis and the News (American pop rock band)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 108)
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label's publishing company) and WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
The 58th Academy Award for Best Original Song (number: 2)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:54
6Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and MCA Music Ltd.
Simple Minds4.254:20
7Walk This Way
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records) and Russell Simmons
guest guitar:
Joe Perry (guitarist for Aerosmith)
guest vocals:
Steven Tyler
phonographic copyright (℗) by:
Profile Records, Inc. (distributor / holding / manufacturer) (in 1986)
recording of:
Walk This Way
writer:
Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd. and Vindaloo Productions, Inc.
Run‐D.M.C. feat. Aerosmith3.653:34
8(You Gotta) Fight for Your Right (To Party)
engineer:
Steve Ett
co-producer:
Beastie Boys
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
electric guitar:
Kerry King (co‐founder of Slayer)
phonographic copyright (℗) by:
Def Jam Recordings (US) (in 1986)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 49) and Indie 88: Top 500 Indie Rock Songs (number: 269)
recording of:
Fight for Your Right (to Party)
lyricist:
Adam Horovitz, Rick Rubin (US record producer, former co‐president of Columbia Records) and Adam Yauch
composer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
publisher:
Brooklyn Dust Music and Def Jam Music
Beastie Boys4.153:27
9If You Let Me Stay
recording engineer and mixer:
Phil Legg
additional engineer:
Michael Brauer (engineer)
producer:
Howard Gray (UK producer, engineer, and electronic musician)
bass:
Sean Oliver
drums (drum set):
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Pete Glenister
keyboard:
Nick Plytas
percussion:
Terence Trent D’Arby (now known as Sananda Maitreya) and Frank Ricotti (percussionist)
background vocals:
Lance Ellington (Strictly Come Dancing) and Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
background vocals and lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
recording of:
If You Let Me Stay
lyricist and composer:
Terence Trent D’Arby (now known as Sananda Maitreya)
publisher:
Virgin Music (Publishers) Ltd. and Young Terence Music (Publisher)
Terence Trent D’Arby3.53:11
10Kiss
recording engineer:
Coke Johnson, David Leonard (US producer and engineer), Peggy McCreary, Susan Rogers (US sound engineer), David Tickle and David Z. (producer/engineer David Rivkin)
producer:
Prince (“The Artist Formerly Known as…”) and The Revolution (founded by Prince)
acoustic guitar, drum machine [Linn 9000], drum machine [Linn LM-1] and synthesizer [Yamaha DX7]:
David Z. (producer/engineer David Rivkin)
electric guitar and lead vocals:
Prince (“The Artist Formerly Known as…”)
background vocals:
Bruce DeShazer, Prince (“The Artist Formerly Known as…”) and Marr Starr
arranger:
David Z. (producer/engineer David Rivkin)
recorded at:
Paisley Park Studios in Chanhassen, Minnesota, United States and Sunset Sound in Hollywood, Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 11), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 85) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 461)
recording of:
Kiss (from 1985-04-27 until 1986-02-10)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince & The Revolution3.43:46
11Fools Gold
producer and mixer:
John Leckie
phonographic copyright (℗) by:
Silvertone Records Ltd. (company credits only; file NO releases here!) (in 1989, in 1990)
music videos:
Fools Gold (Music video) by The Stone Roses
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 32) and Indie 88: Top 500 Indie Rock Songs (number: 145)
recording of:
Fools Gold
writer:
Ian Brown (UK singer, member of Stone Roses) and John Squire
publisher:
Universal Music Publishers MGB Australia Pty Ltd
The Stone Roses4.44:15
12Back to Life (However Do You Want Me)
producer:
Nellee Hooper and Jazzie B
guest lead vocals:
Caron Wheeler (English singer, songwriter, and record producer)
recording of:
Back to Life
writer:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo and Caron Wheeler (English singer, songwriter, and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Law Music, Virgin Music (Publishers) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Soul II Soul feat. Caron Wheeler43:46
13I Heard It Through the Grapevine
producer:
Norman Whitfield
bass [1962 Fender Precision Bass]:
James Jamerson (from 1967-02-03 until 1967-04-10)
congas and tambourine:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (from 1967-02-03 until 1967-04-10)
drums (drum set):
Uriel Jones (from 1967-02-03 until 1967-04-10)
French horn:
Don Ozga (from 1967-02-03 until 1967-04-10) and Edwin Jones (from 1967-02-03 until 1967-04-10)
guitar [1964 Gibson Firebird III]:
Eddie Willis (from 1967-02-03 until 1967-04-10)
guitar [Fender Telecaster with Jazzmaster Neck]:
Joe Messina (from 1967-02-03 until 1967-04-10)
Hammond organ [B-3]:
Earl Van Dyke (from 1967-02-03 until 1967-04-10)
instruments:
The Funk Brothers (from 1967-02-03 until 1967-04-10)
tom-tom:
Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10)
Wurlitzer electric piano:
Johnny Griffith (from 1967-02-03 until 1967-04-10)
background vocals:
The Andantes (from 1967-02-03 until 1967-04-10), Marlene Barrow (from 1967-02-03 until 1967-04-10), Louvain Demps (from 1967-02-03 until 1967-04-10) and Jackie Hicks (from 1967-02-03 until 1967-04-10)
lead vocals:
Marvin Gaye (from 1967-02-03 until 1967-04-10)
orchestra:
Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
strings arranger:
Paul Riser (from 1967-02-03 until 1967-04-10)
orchestrator:
Paul Riser (from 1967-02-03 until 1967-04-10)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1968)
recorded at and mixed at:
Hitsville (Motown Records) in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 307)
recording of:
I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
writer:
Barrett Strong and Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.053:09
14Absolute Beginners
co-producer:
Clive Langer and Alan Winstanley (English record producer)
producer:
David Bowie (English singer‐songwriter), Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1986)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1986)
recording of:
Absolute Beginners
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, RZO Music Ltd and Jones Music (publishers associated with David Bowie) (in 1986)
David Bowie3.95:35
15All Around the World
producer and mixer:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
vocals:
Lisa Stansfield
arranger:
Ian Devaney and Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield)
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1989)
recording of:
All Around the World
writer:
Ian Devaney, Andy Morris (former member of Blue Zone (UK), worked with Lisa Stansfield) and Lisa Stansfield
publisher:
Block & Gilbert, Block & Gilbert Music Ltd. (UK based music publishing company, now dissolved) and BMG Music Publishing Ltd.
Lisa Stansfield3.754:21
16Never Gonna Give You Up
keyboard [Fairlight] programming:
Ian Curnow (in 1986-10)
additional engineer:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) and Karen Hewitt
assistant engineer:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King and Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
engineer:
Mark McGuire (UK producer/engineer)
producer:
Aitken, Stock (of Stock Aitken Waterman) and Waterman
mixer:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (on 1987-01-01)
drums (drum set) [drums]:
A Linn (Linn 9000) (in 1986-10)
guitar [guitars]:
Matt Aitken (in 1986-10)
keyboard [keyboards]:
Matt Aitken (in 1986-10) and Mike Stock (of Stock Aitken Waterman) (in 1986-10)
background vocals [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) and Suzanne Rhatigan (in 1986-10)
lead vocals:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographic copyright (℗) by:
Pete Waterman Ltd. (copyrights holder) (in 1987) and PWL (in 1987)
miscellaneous support:
PWL (task: original sound recordings made by)
recorded at:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) and PWL Studios (London) in London (Greater London), England, United Kingdom (in 1986-10)
mixed at:
PWL Studio 1 (on 1987-01-01) and PWL Studio 2 (on 1987-01-01)
music videos:
Never Gonna Give You Up by Rick Astley (English singer, songwriter and radio personality)
part of:
Cachitos Nochevieja 2022 (number: 48) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Careers, Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and Terrace Music (in 1987)
Rick Astley4.43:33
17I Think We’re Alone Now
additional recording engineer:
John Kerns (US engineer)
drum machine [drum] programming:
John Duarte
engineer:
Bill Smith (US recording engineer)
producer:
George E. Tobin
guitar:
Chuck Yamek
synthesizer:
John Duarte
background vocals and lead vocals:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin and Bill Smith (US recording engineer)
arranger:
John Duarte
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 7)
cover recording of:
I Think We’re Alone Now
lyricist and composer:
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:45
18Heaven Is a Place on Earth
recording engineer:
Steve McMillan
drums (drum set) [drum] programming:
Charles Judge (American guitarist, pianist, arranger and songwriter) and Rick Nowels
additional engineer:
Stacy Baird and Robert Feist
assistant engineer:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble and Joe Schiff
additional producer:
Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
producer:
Rick Nowels
mixer:
Shelly Yakus
acoustic guitar [acoustic guitars]:
Rick Nowels
additional guitar:
Tim Pierce (US session guitarist)
additional guitar [guitars]:
Michael Landau
additional keyboard [keyboards]:
Thomas Dolby
additional percussion:
Jimmy Bralower and Paulinho da Costa (Brazilian percussionist)
bass:
John Pierce (US session bassist)
drums (drum set) [drums]:
Kenny Aronoff and Curly Smith (Jo Jo Gunne musician)
electric guitar [electric guitars]:
Dan Huff, John McCurry and Rick Nowels
guitar [air guitar] and lead vocals:
Belinda Carlisle
keyboard [keyboards]:
Charles Judge (American guitarist, pianist, arranger and songwriter) and Rick Nowels
other instruments [fairlight]:
Rhett Lawrence
piano [acoustic piano]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
vocals:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
arranger:
Rick Nowels
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987) and Virgin Records Ltd (not for release label use! for company relationships only) (in 1987)
additionally recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
recorded at:
American Recording and Ocean Way Studio
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 400)
recording of:
Heaven Is a Place on Earth
writer:
Rick Nowels and Ellen Shipley
publisher:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Virgin Songs, Inc., Future Furniture Music (in 1987) and Shipwreck Music (publisher) (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4.054:03
19Theme From S’Express
producer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
samples:
Stacey’s Dream (a cappella) by Stacey Q and The Bottle by Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
lyricist and composer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
writer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory and Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) and Rhythm King Music (Publishing arm of Rhythm King Records)
is based on:
Is It Love You’re After
S’Express43:55
20Good Life
engineer:
Ben Grosse (American producer and engineer)
producer:
Kevin Saunderson
mixer:
Ben Grosse (American producer and engineer) and Kevin "Master Reese" Saunderson
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1989)
recording of:
Good Life
writer:
Paris Grey, Roy Holmon, Jackson, Ann Saunderson and Kevin Saunderson
publisher:
Drive On Music and Virgin Songs
Inner City34:06
21Lambada
cover recording of:
Chorando se foi (The Lambada)
lyricist and composer:
Gonzalo Hermosa and Ulises Hermosa
translator:
José Ari, Márcia Ferreira and Alberto Maravi
translated version of:
Llorando se fue
Kaoma4.653:20