Musical Highlights on Broadway 3

~ Release by The New York Theater Orchestra with The Broadway Choir (see all versions of this release, 5 available)

Tracklist

1CD
#TitleRatingLength
1New York, New York
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Theme from “New York, New York” (usually just titled “New York, New York”)
dedicated to:
New York, New York, United States
lyricist:
Fred Ebb
composer:
John Kander
publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.) (ended), EMI Unart Catalog Inc., EMI United Partnership Ltd., Unart Music Corporation, United Artists, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch)
part of:
New York, New York (1977 musical film soundtrack)
3:20
2Money, Money
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Money, Money (Cabaret, 1972 film version)
lyricist:
Fred Ebb
composer:
John Kander
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
3:00
3I Could Have Danced All Night
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
I Could Have Danced All Night (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
3:48
4I've Got You Under My Skin
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2)
part of:
Born to Dance
3:35
5People
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
People (Funny Girl)
lyricist:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (in 1963)
composer:
Jule Styne (in 1963)
publisher:
Broadway Tunes LLC dba Songs of Funny Girl, Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Funny Girl (Broadway musical)
2:47
6There's No Business Like Show Business
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
There’s No Business Like Show Business (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Ltd., Irving Berlin Music Company and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Annie Get Your Gun
2:28
7Smoke Gets in Your Eyes
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Smoke Gets in Your Eyes
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
2:38
8Maria
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
West Side Story: Maria (Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
2:30
9Over the Rainbow
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
Over the Rainbow (The Wizard of Oz)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S E Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
2:52
10Night and Day
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:57
11She's So Beautiful
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
She’s So Beautiful (from the Dave Clark musical "Time")
lyricist:
David Soames
writer and composer:
Hans Poulsen
publisher:
Spurs Music Publishing Ltd.
3:44
12Out Here on My Own
recording engineer:
Bob Wright (recording engineer)
producer:
Joost De Smedt and Paul Whitehead (producer of specialty music programs for television and records since 1971) (task: recordings supervised by)
vocals:
The Broadway Choir
orchestra:
The New York Theater Orchestra
phonographic copyright (℗) by:
Impuls International N.V. (for copyrights use, parent of Impuls International) (in 1994)
recorded at:
Iliad Studios in Nashville, Tennessee, United States
recording of:
Out Here on My Own
lyricist:
Lesley Gore
composer:
Michael Gore
part of:
The 53rd Academy Award for Best Original Song (number: 2)
3:11