Insula feminarum : Résonances médiévales de la féminité celte

~ Release by La Reverdie (see all versions of this release, 3 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Wyth right al my hert
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
Anonyme anglais1:19
2Tir na mBan
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Tir na mBan (from 1997-03-01 until 1997-03-05)
composer:
Elisabetta de Mircovich
Elisabetta de Mircovich3:07
3Se Geneive, Tristan
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vocals:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Se Geneive, Tristan (from 1997-03-01 until 1997-03-05)
writer:
Johannes Cuvelier (14th century composer (fl. 1372 – after 1387))
Anonyme francais7:22
4Lamento di Tristano & Rotta
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp [gothic harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
recorder:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Lamento di Tristano / La Rotta (From a document in the British Library in London (Ms.29987)) (from 1997-03-01 until 1997-03-05)
composer:
[anonymous] (special purpose artist)
Anonyme italien6:59
5Tre fontane
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp [gothic harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
recorder:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Tre fontane (From a document in the British Library in London (Ms.29987)) (from 1997-03-01 until 1997-03-05)
composer:
[anonymous] (special purpose artist)
Doron Sherwin8:23
6Deus tuotorum militum / De flore martyrum / Ave Rex
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
Anonyme anglais1:32
7Ave miles celestis curie / Ave Rex patrone patrie / Ave Rex
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
rebec:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
Anonyme anglais2:08
8Nobilis humilis Magne martir
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 1997-03-01 until 1997-03-05), Livia Caffagni (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Hymn to St Magnus “Nobilis humilis” (from 1997-03-01 until 1997-03-05)
composer:
[anonymous] (special purpose artist)
part of:
Codex Upsalensis C233
Anonyme des Orkneys3:21
9Quene Note
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp [gothic harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
rebec:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
recorder:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
arranger:
Doron Sherwin (US classical vocalist & cornet player) (in 1997)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Quene Note (Bodleian MS. Digby 167) (from 1997-03-01 until 1997-03-05)
composer:
Frankes (ca. 1470) ([anonymous], special purpose artist)
Frankes arr. Doron Sherwin5:03
10Di novo è giunto un chavalier
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vocals:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
Jacopo da Bologna2:26
11S’on me regarde / Prenés i garde / Hé mi enfant
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 1997-03-01 until 1997-03-05), Livia Caffagni (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
S'on me regarde/Prennés i garde/Hé, mi enfant (Mo 256) (from 1997-03-01 until 1997-03-05)
part of:
Montpellier Codex (number: 256)
Anonyme francais1:49
12Seguendo ’l canto
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
harp [gothic harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Seguendo 'l canto d'un uccel selvaggio (from 1997-03-01 until 1997-03-05)
composer:
Donato da Cascia (also "Donato da Firenze" ; benedictan monk and composer.)
Donato da Firenze3:12
13Nel boscho senza foglie
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
Giovanni da Firenze2:28
14Ave Maris Stella
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
vocals:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Ave maris stella (from 1997-03-01 until 1997-03-05)
lyricist:
[anonymous] (special purpose artist)
composer:
Sir James MacMillan (composer and conductor) (in 2011)
Anonyme italien1:27
15Crist & Sainte Marie
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
bell:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
harp [gothic harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
other instruments [symphonia]:
Livia Caffagni (from 1997-03-01 until 1997-03-05)
vielle:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
vocals:
Claudia Caffagni (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Sainte Marië Viërgenë / Crist & St. Marië / St. Nicholas (from 1997-03-01 until 1997-03-05)
composer:
St. Godrich
San Godric di Finchale5:30
16Sainte Marie Viergene
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
harp [romanesque harp]:
Ella de Mircovich (from 1997-03-01 until 1997-03-05)
vocals:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
partial recording of:
Sainte Marië Viërgenë / Crist & St. Marië / St. Nicholas (from 1997-03-01 until 1997-03-05)
composer:
St. Godrich
San Godric di Finchale3:13
17Prima cedit femina / Mulierum hodie / Mulierum
recording engineer:
Klaus L. Neumann
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
vocals:
Claudia Caffagni (from 1997-03-01 until 1997-03-05), Livia Caffagni (from 1997-03-01 until 1997-03-05) and Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
Anonyme rhénan1:22
18Ave mutter kuniginne / Ave mater
recording engineer:
Klaus L. Neumann and Charlotte Gilart de Kéranflec'h (Sound engineer) (from 1997-03-01 until 1997-03-05)
producer:
Michel Bernstein and Klaus L. Neumann
editor:
Charlotte Gilart de Kéranflec'h (Sound engineer)
cornett and percussion:
Doron Sherwin (US classical vocalist & cornet player) (from 1997-03-01 until 1997-03-05)
lute:
Claudia Caffagni (from 1997-03-01 until 1997-03-05)
other instruments [symphonia]:
Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05)
vielle:
Livia Caffagni (from 1997-03-01 until 1997-03-05) and Claudia Pasetto (violist) (from 1997-03-01 until 1997-03-05)
vocals:
Claudia Caffagni (from 1997-03-01 until 1997-03-05), Elisabetta de Mircovich (from 1997-03-01 until 1997-03-05) and Ella de Mircovich (from 1997-03-01 until 1997-03-05)
performer:
La Reverdie (Italian polyphonic medieval / Renaissance music group) (from 1997-03-01 until 1997-03-05)
recorded at:
Abbazia di Rosazzo (Rosazzo Abbey) in Manzano, Friuli, Udine, Friuli-Venezia Giulia, Italy (from 1997-03-01 until 1997-03-05)
recording of:
Ave mütter künniginne (Ave mater o Maria) (from 1997-03-01 until 1997-03-05)
writer:
Oswald von Wolkenstein (German composer & poet, c. 1377-1445)
Oswald von Wolkenstein3:53