The Rock ’n’ Roll Era: Elvis, The King: 1954–1965

~ Release by Elvis Presley (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Good Rockin’ Tonight
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1954, from 1954-09-12 until 1954-09-16)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (from 1954-09-12 until 1954-09-16)
guitar:
Scotty Moore (American guitarist and recording engineer) (in 1954) and Elvis Presley (“The King of Rock and Roll”) (in 1954, from 1954-09-12 until 1954-09-16)
vocals:
Elvis Presley (“The King of Rock and Roll”) (from 1954-09-12 until 1954-09-16)
phonographic copyright (℗) by:
BMG Music (in 1954) and BMG Entertainment (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1954, from 1954-09-12 until 1954-09-16)
cover recording of:
Good Rockin’ Tonight (on 1954-09-10)
lyricist and composer:
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. and Wixen Music UK Ltd.
52:14
2My Baby Left Me
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-01-30, from 1956-01-30 until 1956-02-03)
guitar:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10, from 1956-01-30 until 1956-02-03) and Scotty Moore (American guitarist and recording engineer) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-01-30, from 1956-01-30 until 1956-02-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and BMG Music (in 1956)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30, from 1956-01-30 until 1956-01-31, on 1956-02-03)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 29)
cover recording of:
My Baby Left Me (from 1956-01-30 until 1956-02-03)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. and Williamson Music Company
3.652:10
3Anyway You Want Me (That’s How I Will Be)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-07-02)
drums (drum set):
D.J. Fontana (on 1956-07-02)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-07-02) and Elvis Presley (“The King of Rock and Roll”) (on 1956-07-02)
additional vocals:
The Jordanaires (on 1956-07-02)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
recording of:
Any Way You Want Me (on 1956-07-02)
writer:
Cliff Owens and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music and Ross Jungnickel, Inc.
42:14
4Blue Suede Shoes
assistant engineer:
Dror Mohar
mixer:
Ray Bardani
double bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-30)
drums (drum set):
D.J. Fontana (on 1956-01-30)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-01-30) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-01-30)
phonographic copyright (℗) by:
BMG Entertainment (in 1956), BMG Music (in 1956) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 423)
cover recording of:
Blue Suede Shoes (on 1956-01-30)
lyricist and composer:
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (Publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. and Wren Music Co.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
4.452:00
5Lawdy, Miss Clawdy
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-02-03)
drums (drum set):
D.J. Fontana (on 1956-02-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-02-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-02-03)
piano:
Shorty Long (1950s country/rockabilly artist) (on 1956-02-03)
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-02-03)
cover recording of:
Lawdy Miss Clawdy (on 1956-02-03)
lyricist and composer:
Lloyd Price (in 1952-03)
publisher:
ATV Music, Carlin Music Corporation, Sony/ATV Songs LLC and Venice Music
3.852:09
6That’s When Your Heartaches Begin
cover recording of:
That’s When Your Heartaches Begin
writer:
Fred Fisher, Billy Hill (US songwriter) and William Raskin
publisher:
Fred Fisher Music Co., Inc. and Sony/ATV Tunes LLC (ASCAP)
53:23
7Mystery Train
engineer and producer:
Sam Phillips (founder of Sun Records)
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (in 1955-07)
electric guitar:
Scotty Moore (American guitarist and recording engineer) (in 1955-07)
guitar:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
vocals:
Elvis Presley (“The King of Rock and Roll”) (in 1955-07)
phonographic copyright (℗) by:
BMG Music (in 1955)
recorded at:
Sun Studio in Memphis, Tennessee, United States (in 1955-07)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 77)
cover recording of:
Mystery Train (on 1955-07-11)
writer:
Junior Parker and Sam Phillips (founder of Sun Records)
publisher:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Hilo Music Inc. (in 1953)
3.42:24
8Treat Me Nice
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-09-05)
additional performer:
The Jordanaires (on 1957-09-05)
phonographic copyright (℗) by:
BMG Music (in 1957) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
recording of:
Treat Me Nice (on 1957-09-05)
writer:
Jerry Leiber and Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
42:14
9Money Honey
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-01-10)
drums (drum set):
D.J. Fontana (on 1956-01-10)
guitar:
Chet Atkins (on 1956-01-10), Scotty Moore (American guitarist and recording engineer) (on 1956-01-10) and Elvis Presley (“The King of Rock and Roll”) (on 1956-01-10)
piano:
Floyd Cramer (on 1956-01-10)
recorded at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1956-01-10)
cover recording of:
Money Honey (on 1956-01-10)
lyricist and composer:
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) and ZFC Music
42:34
10(You’re So Square) Baby I Don’t Care
cover recording of:
(You’re So Square) Baby I Don’t Care
lyricist:
Jerry Leiber (in 1957)
composer:
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC and WB Music Corp. (1929–2019)
1:54
11Loving You
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-02-23 until 1957-02-24)
drums (drum set):
D.J. Fontana (from 1957-02-23 until 1957-02-24)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-02-23 until 1957-02-24) and Elvis Presley (“The King of Rock and Roll”) (from 1957-02-23 until 1957-02-24)
piano:
Dudley Brooks (from 1957-02-23 until 1957-02-24)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1957-02-24)
vocals:
The Jordanaires (from 1957-02-23 until 1957-02-24)
additional performer:
The Jordanaires (on 1957-02-24)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1957-02-23 until 1957-02-24)
recording of:
Loving You (from 1957-02-23 until 1957-02-24)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
cover recording of:
Loving You
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Jerry Leiber Music, Mike Stoller Music (ASCAP) and Sony/ATV Songs LLC
42:16
12Party
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1957-01-15 until 1957-01-18)
drums (drum set):
D.J. Fontana (from 1957-01-15 until 1957-01-18)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1957-01-15 until 1957-01-18) and Tiny Timbrell (from 1957-01-15 until 1957-01-18)
piano:
Dudley Brooks (from 1957-01-15 until 1957-01-18)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
The Jordanaires (from 1957-01-15 until 1957-01-18)
phonographic copyright (℗) by:
BMG Music (in 1957) and RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1957)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (from 1957-01-15 until 1957-01-18)
cover recording of:
Let’s Have a Party (from 1957-01-15 until 1957-01-18)
lyricist and composer:
Jessie Mae Robinson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gladys Music Inc., IQ Music Ltd., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Universal/MCA Music Ltd. (not for release label use!) and Universal/MCA Music Publishing Pty Ltd
2.951:29
13I Feel So Bad
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1961-03-12)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
cover recording of:
I Feel So Bad (on 1961-03-12)
lyricist and composer:
Chuck Willis
publisher:
Berkshire Music Inc., Cecil Lennox Ltd, Chuck Willis Music Co., Elvis Presley Music Inc. and Tideland Music Publishing Corporation
2:53
14Return to Sender
producer:
Hugo & Luigi (US producers Hugo Peretti & Luigi Creatore)
bass:
Ray Siegel (on 1962-03-27)
clarinet and saxophone:
Boots Randolph (on 1962-03-27)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1962-03-27), D.J. Fontana (on 1962-03-27) and Bernie Mattinson (on 1962-03-27)
guitar:
Barney Kessel (on 1962-03-27), Scotty Moore (American guitarist and recording engineer) (on 1962-03-27) and Tiny Timbrell (on 1962-03-27)
piano:
Dudley Brooks (on 1962-03-27)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1962-03-27)
vocals:
The Jordanaires (on 1962-03-27)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Music (in 1962) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1962-03-27)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 21)
recording of:
Return to Sender (on 1962-03-27)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., The Manor Music Co. Ltd. and Carlin Music Corp. (in 1981)
version of:
Verkeerd verbonden
cover recording of:
Return to Sender
writer:
Otis Blackwell (American pianist, singer and songwriter) and Winfield Scott
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Elvis Presley Music Inc., The Manor Music Co. Ltd. and Carlin Music Corp. (in 1981)
version of:
Verkeerd verbonden
42:09
15(You’re the) Devil in Disguise
bass:
Bob Moore (U.S. bassist and bandleader) (from 1963-05-26 until 1963-05-27)
drums (drum set):
D.J. Fontana (from 1963-05-26 until 1963-05-27) and Buddy Harman (Session drummer and songwriter) (from 1963-05-26 until 1963-05-27)
guitar:
Harold Bradley (from 1963-05-26 until 1963-05-27), Jerry Kennedy (from 1963-05-26 until 1963-05-27), Grady Martin (country/rockabilly guitarist) (from 1963-05-26 until 1963-05-27) and Scotty Moore (American guitarist and recording engineer) (from 1963-05-26 until 1963-05-27)
piano:
Floyd Cramer (from 1963-05-26 until 1963-05-27)
saxophone, shakers and vibraphone [vibes]:
Boots Randolph (from 1963-05-26 until 1963-05-27)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1963-05-26)
vocals:
The Jordanaires (from 1963-05-26 until 1963-05-27) and Millie Kirkham (from 1963-05-26 until 1963-05-27)
phonographic copyright (℗) by:
BMG Entertainment (in 1963), BMG Music (in 1963) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (from 1963-05-26 until 1963-05-27)
cover recording of:
(You’re the) Devil in Disguise (from 1963-05-26 until 1963-05-27)
writer:
Bernie Baum, Bill Giant (Bill (Harvey) Zimmerman) and Florence Kaye
publisher:
Carlin Music Corporation and R&H Music
2.652:18
16I Got Stung
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1958-06-10)
additional performer:
The Jordanaires (on 1958-06-10)
phonographic copyright (℗) by:
BMG Music (in 1958) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
recording of:
I Got Stung (on 1958-06-10)
writer:
David Hill (US songwriter) and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
cover recording of:
I Got Stung (on 1958-06-11)
writer:
David Hill (US songwriter) and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. and Rachel’s Own Music
1:51
17I Need Your Love Tonight
bass:
Bob Moore (U.S. bassist and bandleader) (on 1958-06-10)
drums (drum set):
D.J. Fontana (on 1958-06-10) and Buddy Harman (Session drummer and songwriter) (on 1958-06-10)
guitar:
Chet Atkins (on 1958-06-10), Hank Garland (on 1958-06-10) and Elvis Presley (“The King of Rock and Roll”) (on 1958-06-10)
piano:
Floyd Cramer (on 1958-06-10)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1958-06-10)
vocals:
The Jordanaires (on 1958-06-10)
additional performer:
The Jordanaires (on 1958-06-10)
phonographic copyright (℗) by:
BMG Music and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1958-06-10) and Bloch Arena in Honolulu, Hawaii, United States (on 1961-03-25)
live cover recording of:
I Need Your Love Tonight (on 1958-06-10)
writer:
Bickley Reichner and Sid Wayne
publisher:
Carlin Music Corporation, Chrysalis Music (music publisher, ASCAP-affiliated), Holly-Hill Music Publishing Co., Malvern Music Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
4.22:04
18(Marie’s the Name) His Latest Flame
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-06-25)
claves:
Boots Randolph (on 1961-06-25)
drums (drum set):
D.J. Fontana (on 1961-06-25) and Buddy Harman (Session drummer and songwriter) (on 1961-06-25)
guitar:
Hank Garland (on 1961-06-25), Neal Matthews (on 1961-06-25) and Scotty Moore (American guitarist and recording engineer) (on 1961-06-25)
organ:
Floyd Cramer (on 1961-06-25) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1961-06-25)
piano:
Floyd Cramer (on 1961-06-25)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1961-06-25)
vocals:
The Jordanaires (on 1961-06-25) and Millie Kirkham (on 1961-06-25)
phonographic copyright (℗) by:
BMG Entertainment (in 1961), BMG Music (in 1961) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1961-06-25)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 31)
cover recording of:
(Marie’s the Name) His Latest Flame (on 1961-06-25)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music and R&H Music
12:06
19Such a Night
recording engineer:
Bill Porter (engineer) (on 1960-04-03)
producer:
Chet Atkins and Steve Sholes
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-04-03)
drums (drum set):
D.J. Fontana (on 1960-04-03) and Buddy Harman (Session drummer and songwriter) (on 1960-04-03)
guitar:
Hank Garland (on 1960-04-03), Scotty Moore (American guitarist and recording engineer) (on 1960-04-03) and Elvis Presley (“The King of Rock and Roll”) (on 1960-04-03)
piano:
Floyd Cramer (on 1960-04-03)
saxophone:
Boots Randolph (on 1960-04-03)
vocals:
The Jordanaires (on 1960-04-03)
phonographic copyright (℗) by:
BMG Music and BMG Entertainment (in 1960)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-04-03) and RCA Victor Studios (Nashville) in Nashville, Tennessee, United States (on 1960-04-03)
mixed at:
RCA Victor Studios (Nashville) in Nashville, Tennessee, United States
cover recording of:
Such a Night (on 1960-04-03)
lyricist and composer:
Lincoln Chase
publisher:
Chappell Music Ltd., Elvis Presley Music, Embassy Music Corporation and Raleigh Music, Inc.
33:00
20Good Luck Charm
accordion:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1961-10-15)
bass:
Bob Moore (U.S. bassist and bandleader) (on 1961-10-15)
clarinet and saxophone:
Boots Randolph (on 1961-10-15)
drums (drum set):
D.J. Fontana (on 1961-10-15) and Buddy Harman (Session drummer and songwriter) (on 1961-10-15)
guitar:
Jerry Kennedy (on 1961-10-15) and Scotty Moore (American guitarist and recording engineer) (on 1961-10-15)
organ and piano:
Floyd Cramer (on 1961-10-15)
lead vocals:
Elvis Presley (“The King of Rock and Roll”)
vocals:
Elvis Presley (“The King of Rock and Roll”), The Jordanaires (on 1961-10-15) and Millie Kirkham (on 1961-10-15)
additional performer:
The Jordanaires
phonographic copyright (℗) by:
BMG Entertainment (in 1961), BMG Music (in 1961, in 1962) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1961-10-15)
cover recording of:
Good Luck Charm (on 1961-10-15)
writer:
Wally Gold and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Rachel’s Own Music and Williamson Music Company
2.352:24
21A Mess of Blues
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-03-20)
drums (drum set):
D.J. Fontana (on 1960-03-20) and Buddy Harman (Session drummer and songwriter) (on 1960-03-20)
electric bass guitar:
Hank Garland (on 1960-03-20)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1960-03-20) and Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
piano:
Floyd Cramer (on 1960-03-20)
choir vocals and additional performer:
The Jordanaires (on 1960-03-20)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-03-20)
vocals:
The Jordanaires (on 1960-03-20)
phonographic copyright (℗) by:
BMG Music (in 1960) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-03-20)
cover recording of:
A Mess of Blues (on 1960-03-20)
writer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Carlin Music Corporation, Cherry River Music, Chrysalis Songs, Elvis Presley Music, Elvis Presley Music Inc. and R&H Music
2:41
22Crying in the Chapel
producer:
Steve Sholes
bass:
Bob Moore (U.S. bassist and bandleader) (on 1960-10-30)
double bass:
Bob Moore (U.S. bassist and bandleader)
drums (drum set):
D.J. Fontana (on 1960-10-30) and Buddy Harman (Session drummer and songwriter) (on 1960-10-30)
guitar:
Hank Garland (on 1960-10-30) and Scotty Moore (American guitarist and recording engineer) (on 1960-10-30)
instruments:
Elvis Presley (“The King of Rock and Roll”) (on 1960-10-30)
piano:
Floyd Cramer (on 1960-10-30)
saxophone:
Boots Randolph (on 1960-10-30)
background vocals:
The Jordanaires
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1960-10-31)
vocals:
Charlie Hodge (on 1960-10-30), The Jordanaires (on 1960-10-30) and Millie Kirkham (on 1960-10-30)
additional performer:
The Jordanaires (on 1960-10-31)
phonographic copyright (℗) by:
BMG Music (in 1965), RCA Corporation (formerly Radio Corporation of America till late 1960s, became BMG Music in 1986) (in 1965) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
recorded at:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, United States (on 1960-10-30)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 26)
cover recording of:
Crying in the Chapel (from 1960-10-30 until 1960-10-31)
lyricist and composer:
Artie Glenn (in 1953)
publisher:
Chappell & Co., Inc. (USA), Chappell Morris Ltd., Hill & Range Songs, Inc. (publisher) and Mijac Music
2.752:26

Credits

Release

manufactured in:United States
phonographic copyright (℗) by:BMG Music (in 1990)
ASIN:US: B000K5051Y [info]

Release group

part of:The Rock 'n' Roll Era (Time-Life Music) (number: 26) (order: 26)