The Singles

~ Release by Phil Collins (see all versions of this release, 8 available)

Tracklist

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1▼CD
#TitleRatingLength
1In the Air Tonight
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
John Giblin (in 1980)
guitar:
Daryl Stuermer (in 1980)
Rhodes piano, drum machine, drums (drum set), synthesizer and vocoder and lead vocals:
Phil Collins (of Genesis) (in 1980)
violin:
Sharokav (in 1980)
arranger:
Phil Collins (of Genesis)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 35) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 291)
recording of:
In the Air Tonight (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
part of:
Risky Business (film soundtrack)
4.355:36
2I Missed Again
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
bass:
Alphonso Johnson
drums (drum set), piano and synthesizer:
Phil Collins (of Genesis)
guitar:
Daryl Stuermer
solo tenor saxophone:
Ronnie Scott (English jazz tenor saxophonist and jazz club owner)
tenor saxophone:
Don Myrick
trombone:
Louis Satterfield
trumpet:
Rahmlee Michael Davis and Michael Harris (trumpeter, member of The Phenix Horns)
violin:
Shankar (L. Shankar)
vocals:
Phil Collins (of Genesis)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
I Missed Again (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music, Effectsound Ltd. (publisher) (in 1981) and Pun Music, Inc. (in 1981)
4.253:44
3If Leaving Me Is Easy
assistant engineer:
Nick Launay and Karen Segal (engineer)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
alto saxophone:
Don Myrick
bass:
Alphonso Johnson
flugelhorn:
Rahmlee Michael Davis and Michael Harris (trumpeter, member of The Phenix Horns)
guitar:
Eric Clapton and Daryl Stuermer
Rhodes piano, drums (drum set) and synthesizer and lead vocals:
Phil Collins (of Genesis)
vocals:
Phil Collins (of Genesis)
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
recording of:
If Leaving Me Is Easy (in 1980)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music, Effectsound Ltd. (publisher) (in 1981) and Pun Music, Inc. (in 1981)
4.54:56
4Thru These Walls
assistant engineer:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
bass guitar [bass]:
Mo
drums (drum set) [drums], keyboard [keys] and marimba:
Phil (of Genesis)
guitar [guitars]:
Daryl
vocals:
Phil (of Genesis)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (from 1982 to present)
recording of:
Thru These Walls
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Pun Music, Inc.
35:05
5You Can’t Hurry Love
assistant engineer:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
engineer:
Paul Gomersall and Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Robert Colby (live sound engineer & producer, notably for Phil Collins) and Phil Collins (of Genesis)
mixer:
Robert Colby (live sound engineer & producer, notably for Phil Collins) and Paul Gomersall
bass guitar [bass]:
John
drums (drum set) [drums], tambourine and lead vocals:
Phil Collins (of Genesis)
glockenspiel [glock], piano and vibraphone:
Peter (Scene) Robinson (English score composer)
guitar [guitars]:
Daryl
strings arranger:
Martyn (Norrie) Ford (conductor)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (from 1982 to present)
cover recording of:
You Can’t Hurry Love
lyricist:
Lamont Dozier, Brian Holland (Motown producer & songwriter) and Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music (UK) Ltd. (in 1965) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
42:54
6I Don’t Care Anymore
assistant engineer:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
bass pedals, drums (drum set) [drums] and keyboard [keyboards]:
Phil (of Genesis)
guitar [guitars]:
Daryl Steurmor
vocals:
Phil (of Genesis)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (from 1982 to present)
recording of:
I Don’t Care Anymore
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd and Pun Music, Inc.
3.755:04
7Don’t Let Him Steal Your Heart Away
assistant engineer:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
bass guitar [bass]:
John
drums (drum set) [drums] and piano:
Phil (of Genesis)
guitar [guitars]:
Daryl
lead vocals:
Phil Collins (of Genesis)
vocals:
Phil (of Genesis)
orchestra:
The Martyn Ford Orchestra
strings arranger:
Martyn (Kickers) Ford (conductor)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (from 1982 to present)
recording of:
Don’t Let Him Steal Your Heart Away
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Philip Collins Ltd. and Pun Music, Inc.
44:45
8Why Can’t It Wait ’til Morning
assistant engineer:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
piano:
Phil (of Genesis)
vocals:
Phil (of Genesis)
strings arranger:
Martyn (Doris) Ford (conductor)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (from 1982 to present)
recording of:
Why Can’t It Wait ’Til Morning
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Pun Music, Inc.
33:10
9I Cannot Believe It’s True
assistant engineer:
Howard (Double Plug) Gray (UK producer, engineer, and electronic musician)
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
bass guitar [bass]:
John Giblin
drums (drum set) [drums], keyboard [keys] and percussion:
Phil (of Genesis)
guitar [guitars]:
Daryl
solo alto saxophone [alto sax]:
Don Myrick
trombone:
Louis
trumpet:
Michael (trumpeter, member of The Phenix Horns) and Rhamlee
vocals:
Phenix Choir and Phil (of Genesis)
performer:
Phenix Horns
instruments arranger:
Tom-Tom 84
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (from 1982 to present)
recording of:
I Cannot Believe It’s True
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Pun Music, Inc.
3.55:15
10Against All Odds
engineer:
Jeremy Smith (producer/engineer) and Lewis Hahn
producer:
Arif Mardin
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
keyboard:
Rob Mounsey
conductor:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1999)
recording of:
Against All Odds (Take a Look at Me Now)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, EMI April Music Inc., EMI Entertainment World Inc US, EMI Golden Torch Music Corp., EMI Music Publishing (do not use as a release label!), EMI Worldtrax Music Inc., Filmtrax Copyright Holdings Inc, Imagem CV, Imagem Sounds Collins, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1984), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1984), Golden Torch Music Corp. (in 1984) and Hit & Run Music (Publishing) Ltd (in 1984)
sub-publisher:
EMI Music Publishing Germany GmbH (2008–today), Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 57th Academy Award for Best Original Song (number: 2)
3.83:26
11Easy Lover
producer:
Phil Collins (of Genesis)
bass:
Nathan East
drums (drum set):
Phil Collins (of Genesis)
guitar:
Daryl Stuermer
keyboard:
Lesette Wilson
lead vocals:
Philip Bailey and Phil Collins (of Genesis)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 20), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 49) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 203)
recording of:
Easy Lover
writer:
Philip Bailey, Phil Collins (of Genesis) and Nathan East
publisher:
Concord Music GmbH, Concord Sounds, Musik-Edition Discoton, Pun Music Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing International Ltd., Universal Music Publishing International MGB Ltd., Hit & Run Music (Publishing) Ltd (in 1984), New East Music (in 1984), Philip Collins Ltd. (in 1984), Sir & Trini Music (in 1984) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1984)
45:04
12Sussudio
assistant engineer:
Steve Chase
engineer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass synthesizer [Mini Moog Bass], drum machine [DMX] and keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
drum machine [Roland 909] and lead vocals [vocals]:
Phil Collins (of Genesis)
guitar [guitars]:
Daryl Stuermer
horn [horns]:
The Phenix Horns
horn arranger:
Tom Tom 84
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) and Philip Collins Ltd. (in 2016)
recorded at:
Old Croft in Surrey, England, United Kingdom and The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 88)
recording of:
Sussudio
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) and Philip Collins Ltd. (in 1984)
4.34:23
13One More Night
assistant engineer:
Steve Chase
engineer:
John Jacobs (UK producer/engineer) and Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar [bass]:
Lee Sklar (bassist, session musician)
drum machine [Roland 808], keyboard [keyboards], background vocals [backing vocals] and lead vocals [vocals]:
Phil Collins (of Genesis)
guitar [guitars]:
Daryl Stuermer
solo saxophone [sax]:
Don Myrick
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), Warner Music International Inc. (Warner Music International Incorporated, not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) and Philip Collins Ltd. (in 2016)
recorded at:
Air Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Old Croft in Surrey, England, United Kingdom and The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
One More Night by Phil Collins (of Genesis)
recording of:
One More Night
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd, Imagem Music, Imagem Music NL and Philip Collins Ltd.
3.94:49
14Don’t Lose My Number
assistant engineer:
Steve Chase
engineer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
additional keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
bass guitar [bass]:
Lee Sklar (bassist, session musician)
drum machine [Linn], drums (drum set), keyboard [keyboards] and lead vocals [vocals]:
Phil Collins (of Genesis)
guitar [guitars]:
Daryl Stuermer
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) and Philip Collins Ltd. (in 2016)
recorded at:
Old Croft in Surrey, England, United Kingdom and The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Don’t Lose My Number
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) and Philip Collins Ltd. (in 1984)
44:49
15Take Me Home
assistant engineer:
Steve Chase
engineer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar [bass] and violoncello piccolo [piccolo bass]:
Lee Sklar (bassist, session musician)
drum machine [Roland 909], drums (drum set), keyboard [keyboards] and lead vocals [vocals]:
Phil Collins (of Genesis)
guitar [guitars]:
Daryl Stuermer
background vocals [backing vocals]:
Phil Collins (of Genesis), Peter Gabriel (formerly of Genesis), Sting (singer, songwriter & member of The Police) and Helen Terry (UK singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) and Philip Collins Ltd. (in 2016)
recorded at:
Old Croft in Surrey, England, United Kingdom and The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Take Me Home
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music, Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) and Philip Collins Ltd. (in 1984)
4.255:54
2▼CD
#TitleRatingLength
1Separate Lives
producer:
Arif Mardin
drums (drum set):
Phil Collins (of Genesis)
guitar:
Daryl Stuermer
keyboard:
Nick Glennie‐Smith
lead vocals:
Phil Collins (of Genesis) and Marilyn Martin
cover recording of:
Separate Lives (White Nights)
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
part of:
The 58th Academy Award for Best Original Song (number: 2)
recording of:
Separate Lives (White Nights)
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Kingstreet Media Publishing Limited, エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1985), Gold Horizon Music Corp. (in 1985), Hit & Run Music (Publishing) Ltd (in 1985), Intersong Music Ltd. (in 1985), Stephen Bishop Music Publishing (in 1985) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1985)
part of:
The 58th Academy Award for Best Original Song (number: 2)
3.54:09
2A Groovy Kind of Love
engineer:
Steve Chase
producer:
Phil Collins (of Genesis) and Anne Dudley (English score composer)
drums (drum set), keyboard and lead vocals:
Phil Collins (of Genesis)
conductor:
Anne Dudley (English score composer)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
cover recording of:
A Groovy Kind of Love
writer:
Carole Bayer Sager and Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. and Screen Gems-EMI Music (in 1966)
is based on:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
recording of:
A Groovy Kind of Love
writer:
Carole Bayer Sager and Toni Wine
publisher:
EMI Music Publishing Germany GmbH (2008–today), Screen Gems-EMI (USA, affiliated with BMI), Screen Gems–Columbia Music, Inc. and Screen Gems-EMI Music (in 1966)
is based on:
Sonatina in G major, op. 36 no. 5: III. Rondo. Allegro di molto
43:30
3Two Hearts
producer:
Phil Collins (of Genesis), Lamont Dozier and Hugh Padgham
bass:
Freddie Washington (US session bassist)
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
guitar:
Michael Landau
percussion:
Paulinho da Costa (Brazilian percussionist)
recording of:
Two Hearts
writer:
Phil Collins (of Genesis) and Lamont Dozier
publisher:
Beau‐Di‐O‐Do Music (in 1988), Hit & Run Music (Publishing) Ltd (in 1988), Philip Collins Ltd. (in 1988) and Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1988)
part of:
The 61st Academy Award for Best Original Song (number: 2)
33:24
4Another Day in Paradise
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
Leland Sklar (bassist, session musician)
drums (drum set) and keyboard and lead vocals:
Phil Collins (of Genesis)
guitar:
Dominic Miller (guitarist)
vocals:
David Crosby
phonographic copyright (℗) by:
Philip Collins Ltd. (in 2016)
recording of:
Another Day in Paradise
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Hit & Run Music (in 1989) and Philip Collins Ltd. (in 1989)
4.255:23
5I Wish It Would Rain Down
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
Pino Palladino
drums (drum set), keyboard and tambourine, keyboard and lead vocals:
Phil Collins (of Genesis)
guitar:
Eric Clapton
phonographic copyright (℗) by:
Warner Music International Inc. (Warner Music International Incorporated, not for release label use! Warner Music Group's global recorded music division managing over 50 countries) (in 1989) and Philip Collins Ltd. (in 2016)
recording of:
I Wish It Would Rain Down
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Hit & Run Music (Publishing) Ltd, Imagem Music and Philip Collins Ltd.
3.855:29
6Something Happened on the Way to Heaven
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
Nathan East
drums (drum set) and keyboard, keyboard and lead vocals:
Phil Collins (of Genesis)
guitar:
Dominic Miller (guitarist) and Daryl Stuermer
background vocals:
Alex Brown (US soul vocalist, member of Raelets), Lynne Fiddmont and Marva King
performer:
The Phenix Horns
phonographic copyright (℗) by:
Philip Collins Ltd. (in 2016)
recording of:
Something Happened on the Way to Heaven
writer:
Phil Collins (of Genesis) and Daryl Stuermer
publisher:
Bug Music Ltd., Imagem Music, Hit & Run Music (Publishing) Ltd (in 1989) and Philip Collins Ltd. (in 1989)
4.354:52
7That’s Just the Way It Is
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar:
Leland Sklar (bassist, session musician)
guitar:
Daryl Stuermer
keyboard and percussion and lead vocals:
Phil Collins (of Genesis)
vocals:
David Crosby
phonographic copyright (℗) by:
Philip Collins Ltd. (in 2016)
recording of:
That’s Just the Way It Is
lyricist and composer:
Phil Collins (of Genesis)
3.755:20
8Hang in Long Enough
engineer:
Hugh Padgham
producer and mixer:
Phil Collins (of Genesis) and Hugh Padgham
assistant mixer:
Simon Osborne (engineer/producer)
bass guitar:
Nathan East
drums (drum set) and keyboard and lead vocals:
Phil Collins (of Genesis)
guitar:
Dominic Miller (guitarist) and Daryl Stuermer
background vocals:
Alex Brown (US soul vocalist, member of Raelets), Lynne Fiddmont and Marva King
performer:
The Phenix Horns
phonographic copyright (℗) by:
Philip Collins Ltd. (in 2016)
recording of:
Hang In Long Enough
lyricist and composer:
Phil Collins (of Genesis)
44:45
9Do You Remember?
bass guitar:
Pino Palladino
guitar:
Daryl Stuermer
keyboard and percussion and lead vocals:
Phil Collins (of Genesis)
vocals:
Stephen Bishop (American singer-songwriter)
phonographic copyright (℗) by:
Philip Collins Ltd. (in 2016)
recording of:
Do You Remember?
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds, Imagem Music, Hit & Run Music (Publishing) Ltd (in 1989) and Philip Collins Ltd. (in 1989)
3.84:36
10Who Said I Would
assistant engineer:
Steve Chase
engineer:
Hugh Padgham
producer:
Phil Collins (of Genesis) and Hugh Padgham
bass synthesizer [Mini Moog Bass] and keyboard [keyboards]:
David Frank (American keyboardist, producer, writer; The System)
electronic drum set [Simmons], keyboard [The Odd Keyboard], mbira [kalimba], vocoder and lead vocals [vocals]:
Phil Collins (of Genesis)
guitar [guitars]:
Daryl Stuermer
horn [horns]:
The Phenix Horns
solo saxophone [sax]:
Gary Barnacle
horn arranger:
Tom Tom 84
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1985), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985) and Philip Collins Ltd. (in 2016)
recorded at:
Old Croft in Surrey, England, United Kingdom and The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Who Said I Would
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Imagem Music NL, Hit & Run Music (Publishing) Ltd (in 1984) and Philip Collins Ltd. (in 1984)
3.84:02
11Both Sides of the Story
producer:
Phil Collins (of Genesis)
bass, drum machine, drums (drum set), guitar, keyboard, background vocals and lead vocals:
Phil Collins (of Genesis)
recording of:
Both Sides of the Story
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds and Philip Collins Ltd.
46:43
12Everyday
bass, drums (drum set), guitar, keyboard, percussion and background vocals and lead vocals:
Phil Collins (of Genesis)
recording of:
Everyday
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds and Philip Collins Ltd.
45:43
13We Wait and We Wonder
producer:
Phil Collins (of Genesis)
bagpipe, bass, drums (drum set), guitar, keyboard, percussion and lead vocals:
Phil Collins (of Genesis)
recording of:
We Wait and We Wonder
lyricist and composer:
Phil Collins (of Genesis)
37:00
14Dance Into the Light
assistant engineer:
Simon Osborne (engineer/producer)
engineer:
Hugh Padgham
producer and mixer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar [bass]:
Nathan East
drums (drum set) [drums] and mbira [kalimba] and lead vocals:
Phil Collins (of Genesis)
guitar [lead guitar]:
Daryl Stuermer
guitar [rhythm guitar]:
Ronnie Caryl (ex‐Flaming Youth, worked with Phil Collins)
keyboard [keyboards]:
Brad Cole (US keyboardist/woodwind player)
saxophone [saxophones]:
Andrew Woolfolk
trombone:
Arturo Velasco
trumpet:
Harry Kim
vocals:
Amy Keys and Arnold McCuller
performer:
Vine St Horns
recording of:
Dance Into the Light
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Concord Music GmbH, Concord Sounds and Philip Collins Ltd.
44:24
15It’s in Your Eyes
assistant engineer:
Simon Osborne (engineer/producer)
engineer:
Hugh Padgham
producer and mixer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar [bass]:
Nathan
drums (drum set) [drums], keyboard [keyboards] and lead vocals:
P.C. (of Genesis)
guitar [lead guitar]:
Daryl
guitar [rhythm guitar]:
Ronnie (ex‐Flaming Youth, worked with Phil Collins)
vocals:
Amy and Arnold
performer:
Vine St Horns
recording of:
It’s in Your Eyes
lyricist and composer:
Phil Collins (of Genesis)
3.53:05
3▼CD
#TitleRatingLength
1No Matter Who
assistant engineer:
Simon Osborne (engineer/producer)
engineer:
Hugh Padgham
producer and mixer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar [bass]:
Nathan
drums (drum set) [drums], keyboard [keyboards] and slide guitar:
P.C. (of Genesis)
guitar [rhythm guitar]:
P.C. (of Genesis) and Ronnie (ex‐Flaming Youth, worked with Phil Collins)
solo guitar [lead guitar]:
Ronnie (ex‐Flaming Youth, worked with Phil Collins)
vocals:
P.C. (of Genesis)
recording of:
No Matter Who
lyricist and composer:
Phil Collins (of Genesis)
34:42
2Wear My Hat
assistant engineer:
Simon Osborne (engineer/producer)
engineer:
Hugh Padgham
producer and mixer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar [bass]:
Nathan
drums (drum set) [drums]:
P.C. (of Genesis)
guitar [lead & rhythm guitar]:
Daryl
guitar [rhythm guitar]:
Ronnie (ex‐Flaming Youth, worked with Phil Collins)
keyboard [keyboards]:
Brad (US keyboardist/woodwind player)
vocals:
Amy, Arnold and P.C. (of Genesis)
performer:
Vine St Horns
recording of:
Wear My Hat
lyricist and composer:
Phil Collins (of Genesis)
3.654:43
3The Same Moon
assistant engineer:
Simon Osborne (engineer/producer)
engineer:
Hugh Padgham
producer and mixer:
Phil Collins (of Genesis) and Hugh Padgham
bass guitar [bass]:
Nathan
bass guitar [rhythm guitar]:
Daryl
drums (drum set) [drums], guitar [lead guitar] and keyboard [keyboards]:
P.C. (of Genesis)
guitar [rhythm guitar]:
Ronnie (ex‐Flaming Youth, worked with Phil Collins)
organ:
Brad (US keyboardist/woodwind player)
vocals:
Amy, Arnold and P.C. (of Genesis)
recording of:
The Same Moon
lyricist and composer:
Phil Collins (of Genesis)
2.54:07
4True Colors
producer:
Babyface (R&B musician Kenny Edmonds)
bagpipe:
Eric Rigler
bass:
Cornelius Mims
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
electric piano and piano:
Greg Phillinganes
guitar:
Michael Thompson (session guitarist)
keyboard and background vocals:
Babyface (R&B musician Kenny Edmonds)
percussion:
Sheila E.
cover recording of:
True Colors
writer:
Billy Steinberg and Tom Kelly (songwriter)
publisher:
Sony Tunes, Inc. (ended), Brain Drain Music (work publisher), Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) and Tennman Tunes
54:34
5You’ll Be in My Heart
recording engineer:
Elliot Scheiner
programming:
Kim Bullard and Carmen Rizzo
producer:
Rob Cavallo and Phil Collins (of Genesis)
mixer:
Chris Lord‐Alge
acoustic guitar:
Rob Cavallo
additional percussion:
Will Donovan
electric bass guitar:
John Pierce (US session bassist)
guitar:
Mark Goldenberg, Tim Pierce (US session guitarist) and Michael Thompson (session guitarist)
keyboard and piano:
Jamie Mohuberac
percussion:
Luis Conte (percussionist)
lead vocals:
Phil Collins (of Genesis)
vocals:
Phil Collins (of Genesis)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recording of:
You’ll Be in My Heart
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
part of:
The 72nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 72)
3.154:18
6Strangers Like Me
producer:
Phil Collins (of Genesis)
electric bass guitar:
Nathan East
guitar:
Michael Landau
vocals:
Phil Collins (of Genesis)
arranger:
Phil Collins (of Genesis) and Mark Mancina (American score composer)
recording of:
Strangers Like Me (musical; from “Tarzan”)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
33:02
7Son of Man
additional engineer:
Allen Sides
additional producer:
Rob Cavallo
producer:
Phil Collins (of Genesis)
mixer:
Chris Lord‐Alge
drums (drum set) and lead vocals:
Phil Collins (of Genesis)
electric bass guitar:
Nathan East
instruments and vocals:
Phil Collins (of Genesis)
arranger:
Phil Collins (of Genesis)
recording of:
Son of Man
lyricist and composer:
Phil Collins (of Genesis)
4.52:44
8Two Worlds
producer:
Phil Collins (of Genesis)
lead vocals:
Phil Collins (of Genesis)
recording of:
Two Worlds
lyricist and composer:
Phil Collins (of Genesis)
12:42
9Can’t Stop Loving You
assistant engineer:
René Weis (sound engineer)
engineer:
Doug McKean and Allen Sides
producer:
Rob Cavallo
mixer:
Tom Lord‐Alge
bass:
Paul Bushnell (session bassist, producer and music director)
guitar:
Tim Pierce (US session guitarist) and Daryl Stuermer
keyboard:
Jamie Muhoberac
lead vocals:
Phil Collins (of Genesis)
vocals and performer:
Phil Collins (of Genesis)
arranger:
Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
phonographic copyright (℗) by:
Philip Collins Ltd. (in 2002)
cover recording of:
I Can’t Stop Loving You (Though I Try)
lyricist and composer:
Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
publisher:
G.H. Music Ltd, PRS (rights society; do not use as a release label or work publisher!) and Warner/Chappell Music Scandinavia AB
44:17
10The Least You Can Do
assistant engineer:
René Weis (sound engineer)
engineer:
Doug McKean and Allen Sides
producer:
Rob Cavallo
mixer:
Allen Sides
bass:
Paul Bushnell (session bassist, producer and music director)
guitar:
Tim Pierce (US session guitarist)
vocals and performer:
Phil Collins (of Genesis)
arranger:
Phil Collins (of Genesis) and Daryl Stuermer
phonographic copyright (℗) by:
Philip Collins Ltd. (in 2002)
recording of:
The Least You Can Do
lyricist:
Phil Collins (of Genesis)
composer:
Daryl Stuermer
34:23
11Wake Up Call
assistant engineer:
René Weis (sound engineer)
engineer:
Doug McKean and Allen Sides
producer:
Rob Cavallo
mixer:
Allen Sides
guitar:
Tim Pierce (US session guitarist)
vocals and performer:
Phil Collins (of Genesis)
arranger:
Phil Collins (of Genesis)
phonographic copyright (℗) by:
Philip Collins Ltd. (in 2002)
recording of:
Wake Up Call
lyricist and composer:
Phil Collins (of Genesis)
35:14
12Look Through My Eyes
assistant recording engineer:
Keith Armstrong (US engineer), Jimmy Hoyson, John Morrical and Tom Sweeney (US engineer)
recording engineer:
Allen Sides
programming:
Dan Chase (engineer) and Carmen Rizzo
engineer:
Tal Herzberg and Doug McKean
producer:
Rob Cavallo
mixer:
Chris Lord‐Alge
bass guitar [bass]:
Paul Bushnell (session bassist, producer and music director)
drums (drum set) [drums]:
Phil Collins (of Genesis)
guitar [guitars]:
Tim Pierce (US session guitarist)
keyboard [keyboards]:
Jamie Muhoberac
vocals:
Phil Collins (of Genesis)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Rob Cavallo and Phil Collins (of Genesis)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
Image Recording Studios in Los Angeles, California, United States
recording of:
Look Through My Eyes (From “Brother Bear”)
lyricist and composer:
Phil Collins (of Genesis)
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
4:00
13No Way Out
producer:
Phil Collins (of Genesis) and Chris Montan
mixer:
Chris Lord‐Alge
vocals:
Phil Collins (of Genesis)
arranger:
Phil Collins (of Genesis) and Chris Montan
recording of:
No Way Out
lyricist and composer:
Phil Collins (of Genesis)
4:17
14(Love Is Like a) Heatwave
assistant engineer:
Thoraya Binzagr and Thierry Chaunay
engineer:
Yvan Bing (engineer)
producer:
Phil Collins (of Genesis)
mixer:
Yvan Bing (engineer) and Phil Collins (of Genesis)
drums (drum set), keyboard and percussion:
Phil Collins (of Genesis)
electric bass guitar:
Bob Babbitt
guitar:
Raymond Monette and Eddie Willis
solo baritone saxophone:
Phil Todd (UK flautist/saxophonist)
tenor saxophone:
Graeme Blevins
trombone:
John Aram
trumpet:
Guy Barker and Tom Rees-Roberts
background vocals:
Lynne Fiddmont and Connie Jackson
vocals:
Phil Collins (of Genesis) (from 2009 until 2010)
mixed at:
Dinemec Studio in Gland, Vaud (Canton of Vaud), Switzerland
cover recording of:
(Love Is Like a) Heat Wave
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music and Stone Agate Music Division
32:53
15Going Back
assistant engineer:
Thoraya Binzagr and Thierry Chaunay
engineer:
Yvan Bing (engineer)
producer:
Phil Collins (of Genesis)
mixer:
Yvan Bing (engineer) and Phil Collins (of Genesis)
drums (drum set), keyboard and percussion:
Phil Collins (of Genesis)
electric bass guitar:
Bob Babbitt
finger snaps:
John Aram, Nicholas Collins (Phil Collins’ son) and Phil Collins (of Genesis)
guitar:
Eddie Willis
vocals:
Phil Collins (of Genesis) (from 2009 until 2010)
mixed at:
Dinemec Studio in Gland, Vaud (Canton of Vaud), Switzerland
cover recording of:
Goin’ Back
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
cover recording of:
Going Back
34:39