The Best Rock 'n' Roll Album in the World... Ever!

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼Medium
#TitleArtistRatingLength
1Tutti Frutti
recorded in:
New Orleans, Louisiana, United States (on 1955-09-14)
producer:
Robert Blackwell
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1955-09-14)
double bass:
Frank Fields (on 1955-09-14)
drums (drum set):
Earl Palmer (on 1955-09-14)
guitar:
Justin Adams (1950s session guitarist) (on 1955-09-14)
piano:
Melvin Dowden (on 1955-09-14)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1955-09-14)
lead vocals:
Little Richard (on 1955-09-14)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1955-09-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 35) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 43)
recording of:
Tutti Frutti (on 1955-09-14)
lyricist:
Dorothy LaBostrie (American songwriter) and Richard Wayne Penniman
composer:
Dorothy LaBostrie (American songwriter), Joe Lubin and Richard Wayne Penniman
publisher:
ATV Music Ltd., Sony/ATV Songs LLC, Venice, Venice Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Phonogram GmbH (in 1983)
Little Richard4.42:24
2Chantilly Lace
recording of:
Chantilly Lace
lyricist and composer:
J.P. Richardson
publisher:
Glad Music Co.
The Big Bopper42:23
3At the Hop
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 28)
recording of:
At the Hop
writer:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Danny & the Juniors3.52:31
4The Wanderer
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 239)
cover recording of:
The Wanderer
lyricist and composer:
Ernie Maresca
publisher:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd., Warner/Chappell Music, Inc. and Warner/Chappell North America
Dion2:42
5C’mon Everybody
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 403)
recording of:
C’mon Everybody
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran31:54
6Wake Up Little Susie
phonographic copyright (℗) by:
Cadence (NYC-based label founded by Archie Bleyer) (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 21) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 311)
recording of:
Wake Up Little Susie (in 1957)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.651:59
7That’ll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
The Crickets4.62:16
8Shakin’ All Over
recording of:
Shakin’ All Over
lyricist and composer:
Johnny Kidd
publisher:
Belwin Mills Music Ltd.
Johnny Kidd and the Pirates3.52:20
9Move It
recording of:
Move It
composer:
Ian Samwell
publisher:
Multimood Music Ltd.
Cliff Richard2:21
10Lipstick on Your Collar
Connie Francis2:16
11Reet Petite
recording of:
Reet Petite (The Sweetest Girl in Town) (in 1957)
writer:
Tyran Carlo and Berry Gordy
publisher:
Burlington Music Ltd.
Jackie Wilson42:42
12Bony Moronie
baritone saxophone:
Jewell Grant (US saxophonist) (on 1957-09-11)
bass:
Ted Brinson (on 1957-09-11)
guitar:
Rene Hall (on 1957-09-11)
membranophone:
Earl Palmer (on 1957-09-11)
piano:
Larry Williams (1950s rocker) (on 1957-09-11)
saxophone:
John E. Oliveri (on 1957-09-11)
tenor saxophone:
Plas Johnson (on 1957-09-11)
vocals:
Larry Williams (1950s rocker) (on 1957-09-11)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States (on 1957-09-11)
recording of:
Boney Maroney (on 1957-09-11)
lyricist and composer:
Lawrence E. Williams (1950s rocker)
publisher:
ATV Music Ltd., EMI Music (do not use as release label! this is a music publisher), Sony/ATV Music Publishing (UK) Ltd. and Venice Music
Larry Williams3:04
13Red River Rock
cover recording of:
Red River Rock
composer:
Tom King (50s & 60s songwriter), Ira Mack and Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. and Mole Hole Music
is based on:
Red River Valley
recording of:
Red River Rock
composer:
Tom King (50s & 60s songwriter), Ira Mack and Fred Mendelsohn
publisher:
Burlington Music Co., Ltd. and Mole Hole Music
is based on:
Red River Valley
Johnny and the Hurricanes32:10
14Shake Rattle and Roll
double bass:
Marshall Lytle (on 1954-06-07)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1954-06-07)
electric guitar:
Danny Cedrone (on 1954-06-07)
guitar:
Bill Haley (on 1954-06-07)
piano:
Johnny Grande (on 1954-06-07)
steel guitar:
William F. 'Billy' Williamson (on 1954-06-07)
tenor saxophone:
Joey D'Ambrosio (on 1954-06-07)
vocals:
Bill Haley (on 1954-06-07)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-06-07)
cover recording of:
Shake, Rattle and Roll (on 1954-06-07)
additional lyricist:
Daryl Bosteels
writer:
Charles Calhoun and Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music and Unichappell Music, Inc.
Bill Haley & His Comets42:31
15Loco-Motion
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1962 (number: 1) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 351)
recording of:
The Loco‐Motion (aka Locomotion) (in 1962)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
EMI Music Publishing (do not use as a release label!), Screen Gems/EMI Music, EMI Music Publishing Japan, Fujipacific Division (until 2021-06-30), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1962 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Little Eva22:24
16Let’s Dance
lead vocals:
Chris Montez
recording of:
Let’s Dance
lyricist and composer:
Jim Lee (“Let’s Dance” writer/producer)
publisher:
Chappell Morris Ltd., DeVorzon Music, Rondell Music and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chris Montez32:26
17Why Do Fools Fall in Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:17
18Little Bitty Pretty One
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 22)
recording of:
Little Bitty Pretty One
lyricist and composer:
Bobby Day
publisher:
Ivan Mogull Music Ltd., Painted Desert Music, シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division), ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Thurston Harris2:23
19Ain’t That a Shame
producer:
Dave Bartholomew
phonographic copyright (℗) by:
F. D. & Hunter (publisher) (in 1955) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
J&M/Cosimo Recording Studios (New Orleans, circa 1945-1955) in New Orleans, Louisiana, United States
recording of:
Ain’t That a Shame (on 1955-03-15)
writer:
Antoine Domino (Fats Domino) and Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) and United Artists Music Ltd. (from 1977 to present)
Fats Domino4.52:26
20You’re Sixteen
producer:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
recorded at:
United/Western Studios in Hollywood, Los Angeles, California, United States (on 1960-09-19)
recording of:
You’re Sixteen (on 1960-09-19)
writer:
Bob Sherman (American songwriter) and Dick Sherman
publisher:
Viva Music, Inc, Warner/Chappell Music Ltd. (1996–2019) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1960)
Johnny Burnette51:56
21Rubber Ball
recording of:
Rubber Ball
lyricist and composer:
Gene Pitney and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
J. Albert & Son Pty. Ltd.
Bobby Vee32:17
22Little Darlin
The Diamonds2:07
23Tequila
recording of:
Tequila
lyricist and composer:
Daniel Flores (Daniel Flores)
The Champs4.32:10
24La Bamba
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 142) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (on 1958-11-17)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation and EMI Longitude Music
version of:
La bamba
Ritchie Valens4.652:04
25Sweet Little Sixteen
producer:
Leonard & Phil Chess (Legendary US production duo)
double bass:
Willie Dixon (from 1957-12-29 until 1957-12-30)
drums (drum set):
Jasper Thomas (from 1957-12-29 until 1957-12-30)
electric guitar and lead vocals:
Chuck Berry (from 1957-12-29 until 1957-12-30)
piano:
Johnnie Johnson (from 1957-12-29 until 1957-12-30)
phonographic copyright (℗) by:
Geffen Records Ltd. (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Sheldon Recording Studios, Inc. in Chicago, Illinois, United States (from 1957-12-29 until 1957-12-30)
recording of:
Sweet Little Sixteen (from 1957-12-09 until 1957-12-30)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Publisher. Chuck Berry's music publishing company.), Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry43:01
2▼Medium
#TitleArtistRatingLength
1Be-Bop-A-Lula
double bass [upright bass]:
Jack Neal (on 1956-05-04)
drums (drum set) [drums]:
Dickie Harrell (on 1956-05-04)
guitar [lead guitar]:
Cliff Gallup (lead guitarist for The Blue Caps) (on 1956-05-04)
guitar [rhythm guitar]:
Willie Williams (50s rock guitarist) (on 1956-05-04)
vocals:
Gene Vincent (on 1956-05-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (from 1956 to present)
recorded at:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, United States (on 1956-05-04)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 9) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 102)
recording of:
Be‐Bop‐a‐Lula (on 1956-05-04)
writer:
Bill “Tex” Davis and Gene Vincent
Gene Vincent4.352:36
2Summertime Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 73) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 432)
recording of:
Summertime Blues (in 1958-08)
writer:
Jerry Capehart and Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran3.351:57
3Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
Buddy Holly4.52:29
4Rock Around the Clock Tonight
Bill Haley & His Comets2:12
5Runaround Sue
recording of:
Runaround Sue
lyricist:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
composer:
Ernie Maresca
publisher:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. and Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion42:39
6A Teenager in Love
Marty Wilde2:20
7Do You Love Me
cover recording of:
Do You Love Me
lyricist and composer:
Berry Gordy
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
Brian Poole & The Tremeloes2:22
8Twist and Shout
cover recording of:
Twist and Shout (in 1962)
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers3.652:31
9Good Golly Miss Molly
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (on 1956-10-15)
double bass [bass]:
Frank Fields (on 1956-10-15)
drums (drum set) [drums]:
Earl Palmer (on 1956-10-15)
guitar:
Edgar Blanchard (on 1956-10-15)
tenor saxophone:
Lee Allen (US jazz tenor saxophonist) (on 1956-10-15)
vocals:
Little Richard (on 1956-10-15)
recorded at:
J&M Music Shop in New Orleans, Louisiana, United States (on 1956-10-15)
edit of:
Good Golly, Miss Molly (false start, chatter, announcement & take 9) by Little Richard
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 6), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 92) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 94)
recording of:
Good Golly Miss Molly (on 1956-10-15)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. and Robin Hood Music Co.
Little Richard3.52:09
10Get a Job
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 36)
recording of:
Get a Job (in 1957-10)
writer:
Earl T. Beal, Raymond W. Edwards (member of 1950s doowop group the Silhouettes), Richard A. Lewis (member of 1950s doowop group the Silhouettes) and William F. Horton (US R&B/northern soul)
publisher:
EMI Longitude Music, Jamie Music Publishing Co., Ken Williams Music, Dandelion Music Co. (in 1957) and Wildcat Music (US publisher) (in 1957)
The Silhouettes4.52:46
11(I Don’t Know Why) But I Do
recording of:
But I Do
writer:
Paul Gayton and Robert Guidry
publisher:
Chappell Music (UK)
Clarence “Frogman” Henry3.252:19
12Personality
recording of:
Personality (in 1959)
lyricist and composer:
Harold Logan and Lloyd Price
Lloyd Price2:36
13Oh! Carol
phonographic copyright (℗) by:
BMG Music
recording of:
Oh! Carol (in 1959)
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal Music Careers
translated version of:
Karel (Oh Carol)
Neil Sedaka32:17
14Poetry in Motion
recording of:
Poetry in Motion
writer:
Mike Anthony (US songwriter) and Paul Kaufman (songwriter)
Johnny Tillotson2:29
15Runaway
solo clavioline [musitron]:
Max Crook
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1962)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 100) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 466)
recording of:
Runaway
writer:
Max Crook and Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. and Vicki Music
Del Shannon4.42:18
16Halfway to Paradise
cover recording of:
Halfway to Paradise
writer:
Gerry Goffin and Carole King
Billy Fury2:25
17Will You Love Me Tomorrow
drums (drum set) [drums]:
Gary Chester (studio drummer and educator) (in 1960)
kettle drum:
Carole King (in 1960)
piano:
Paul Griffin (American pianist, session musician) (in 1960)
lead vocals:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) and Beverly Lee (singer for The Shirelles) (in 1960)
phonographic copyright (℗) by:
HHO Licensing Ltd.
part of:
Dave Marsh: The Best of the Top 40 Singles: 1960 (number: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 33), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 125) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Shirelles3.82:42
18Hello Mary Lou (Good Bye Heart)
producer:
Jimmie Haskell, Ozzie Nelson and Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
phonographic copyright (℗) by:
Polydor GmbH (do not use as a release label, for company-type relationships only) and Liberty (a division of UMG Recordings, Inc.) (in 1961)
cover recording of:
Hello Mary Lou
writer:
Cayet Mangiaracina and Gene Pitney
publisher:
Champion Music, Champion Music Corp., Intersong Music Ltd., January Music, January Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Unichappell Music, Unichappell Music, Inc., Universal/MCA Music Ltd. (not for release label use!), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ricky Nelson2.52:18
19Bye Bye Love
recorded in:
Nashville, Tennessee, United States (in 1957)
bass:
Floyd D. 'Lightnin'' Chance (in 1957)
drums (drum set):
Murrey Harman (Session drummer and songwriter) (in 1957)
electric guitar:
Chet Atkins (in 1957)
guitar:
Don Everly (in 1957), Phil Everly (in 1957) and Hank Garland (in 1957)
piano:
Floyd Cramer (in 1957)
vocals:
Don Everly (in 1957) and Phil Everly (in 1957)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 25), Rolling Stone: The 200 Greatest Country Songs of All Time (number: 33) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 207)
recording of:
Bye Bye Love (in 1957)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony ATV Acuff Rose Ltd., Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Music Publishing LLC (1995–2020)
The Everly Brothers4.352:20
20Sealed With a Kiss
vocals:
Brian Hyland
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
cover recording of:
Sealed With a Kiss
writer:
Gary Geld and Peter Udell
premiered by:
The Four Voices (in 1960-05)
publisher:
Chappell & Co., Inc. (USA), Suqence Music, Inc., United Artists (publisher) and Pogo Music Corp. (in 1962)
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
Brian Hyland42:41
21Blueberry Hill
producer:
Dave Bartholomew
phonographic copyright (℗) by:
Everest Records (classical), Liberty (a division of UMG Recordings, Inc.) (in 1957) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1991)
recorded at:
Master Recorders in Hollywood, Los Angeles, California, United States
edit of:
Blueberry Hill (Imperial) by Fats Domino
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 81) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 147)
cover recording of:
Blueberry Hill (on 1956-06-27)
lyricist:
Al Lewis (Tin Pan Alley era lyricist) and Larry Stock
composer:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company and Victoria Music Publishing Co. Ltd.
part of:
12 Monkeys Soundtrack
Fats Domino4.652:20
22Nutrocker
recording of:
Nut Rocker
composer:
Kim Fowley and Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
publisher:
Kim Fowley Music
is based on:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
B. Bumble & the Stingers32:00
23Happy Birthday Sweet Sixteen
recording of:
Happy Birthday Sweet Sixteen
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Universal Music Careers
Neil Sedaka2:33
24Let’s Twist Again
vocals:
Chubby Checker (in 1961-06)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 40)
recording of:
Let’s Twist Again (in 1961-06)
lyricist:
Kal Mann
composer:
Dave Appell
publisher:
Kalmann Music Inc., Warner/Chappell Music Australia Pty. Ltd. and Belinda (Scandinavia) AB (in 1974)
Chubby Checker4.652:22
25That’s All Right
recorded in:
Chicago, Illinois, United States (on 1946-09-06)
double bass:
Ransom Knowling (on 1946-09-06)
drums (drum set):
Lawrence "Judge" Riley (early blues drummer) (on 1946-09-06)
guitar:
Arthur “Big Boy” Crudup (on 1946-09-06)
vocals:
Arthur “Big Boy” Crudup (on 1946-09-06)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2020/2021)
recording of:
That’s All Right (on 1946-09-06)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
Arthur “Big Boy” Crudup52:55

Credits

Release

ASIN:UK: B0000074VU [info]