Future Blues

~ Release by Canned Heat (see all versions of this release, 29 available)

Tracklist

1▼CD
#TitleRatingLength
1Sugar Bee
recording engineer and mixer:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Sugar Bee
writer:
Eddie Shuler (Musician, recording engineer, record label owner and songwriter)
publisher:
Fort Knox Music Inc., Intersong Musikverlag GmbH (publisher), Kaymar Publishing, Lark Music Ltd. and Tek Publishing
2:40
2Shake It and Break It
recording engineer and mixer:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Shake It and Break It
writer:
Alan Wilson (Canned Heat member)
publisher:
EMI Unart Catalog Inc. and Unart Music Corp.
2:36
3That's All Right, Mama
recording engineer and mixer:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
That’s All Right
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music and Unichappell Music, Inc.
4:20
4My Time Ain't Long
recording engineer and mixer:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
My Time Ain’t Long
writer:
Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. and United Artists Musik GmbH
3:49
5Skat
recording engineer and mixer:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
producer:
Canned Heat and Skip Taylor
piano:
Dr. John (New Orleans blues pianist, singer and songwriter)
horn arranger:
Dr. John (New Orleans blues pianist, singer and songwriter)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Skat
writer:
Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., Unart Music Corp. and United Artists Musik GmbH
2:45
6Let's Work Together
recording engineer and mixer:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
engineer:
Joe Bellamy, Paul du Gré and Willie "Bass" Rice (engineer)
producer:
Canned Heat, Fito de la Parra and Skip Taylor
bass guitar:
Larry Taylor (US bassist) (from 2001-03 until 2002-12)
drums (drum set), percussion and timbales:
Fito de la Parra (from 2001-03 until 2002-12)
flute, harmonica and horn [horns]:
Stanley Behrens (from 2001-03 until 2002-12)
guitar [rhythm guitar]:
Harvey Mandel (American guitarist) (from 2001-03 until 2002-12)
slide guitar:
John Paulus (from 2001-03 until 2002-12)
vocals:
Dallas Hodge (from 2001-03 until 2002-12)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1970)
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Let’s Work Together (from 2001-03 until 2002-12)
lyricist:
Wilbert Harrison
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. and United Artists Musik GmbH
42:53
7London Blues
recording engineer and mixer:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
producer:
Canned Heat and Skip Taylor
piano:
Dr. John (New Orleans blues pianist, singer and songwriter)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
London Blues
writer:
Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., Unart Music Corp. and United Artists Musik GmbH
5:31
8So Sad (The World's in a Tangle)
recording engineer and mixer:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
producer:
Canned Heat and Skip Taylor
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
So Sad (The World’s in a Tangle)
writer:
Canned Heat, Fito de la Parra, Harvey Mandel (American guitarist), Robert Hite, Jr., Larry Taylor (US bassist) and Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. and United Artists Musik GmbH
7:57
9Future Blues
recording engineer and mixer:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
producer:
Canned Heat and Skip Taylor
piano:
Ernest Lane (Blues pianist)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1970)
recorded at and mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Future Blues
writer:
Canned Heat, Fito de la Parra, Harvey Mandel (American guitarist), Robert Hite, Jr., Larry Taylor (US bassist) and Alan Wilson (Canned Heat member)
publisher:
Boogie Music, EMI Unart Catalog Inc., SBK United Partnership Ltd., Unart Music Corp. and United Artists Musik GmbH
2:57

Credits

Release

manufactured in:England, United Kingdom
France
art direction:Ron Wolin
photography:Herb Green (U.S. Photographer and art director) (task: inside photography)
Herb Kravitz (photographer) (task: back cover photography)
Skip Taylor (task: album cover concept and front cover photography)
producer:Canned Heat
Skip Taylor
bass:Samuel Larry Taylor (US bassist)
drums (drum set):Adolfo "Fito" De La Parra
guitar [lead guitar]:Harvey Mandel (American guitarist)
guitar [rhythm guitar] and harmonica:Alan Wilson (Canned Heat member)
vocals:Bob Hite
Alan Wilson (Canned Heat member)
manufactured by:MPO (French pressing plant, manufacturing and distribution company)
licensed from:EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
Discogs:https://www.discogs.com/release/1897023 [info]