The Songs Carmen Sang

~ Release by Carol Sloane (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1I'm Gonna Lock My Heart (And Throw Away the Key)
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
reeds:
Phil Woods (US jazz woodwind player) (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
I’m Gonna Lock My Heart (and Throw Away the Key) (from 1995-03-21 until 1995-03-22)
composer:
Jimmy Eaton (songwriter) and Terry Shand (jazz pianist/composer)
3:03
2What Can I Say (After I Say I'm Sorry?)
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
What Can I Say After I Say I’m Sorry? (from 1995-03-21 until 1995-03-22)
lyricist and composer:
Walter Donaldson (in 1926) and Abe Lyman (in 1926)
4:03
3If the Moon Turns Green
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
4:05
4Sunday
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
Sunday (famously sung by Frank Sinatra & others) (from 1995-03-21 until 1995-03-22)
writer:
Chester Conn (until 1926), Benny Krueger (jazz saxophonist) (until 1926), Ned Miller (Nathan "Ned" Miller) (until 1926) and Jule Styne (until 1926)
publisher:
EMI United Partnership Ltd. and Leo Feist, Inc.
6:16
5Suppertime
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
Suppertime (from 1995-03-21 until 1995-03-22)
lyricist and composer:
Irving Berlin (in 1933)
publisher:
Irving Berlin Music Corp.
3:18
6Just You, Just Me
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
reeds:
Phil Woods (US jazz woodwind player) (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
Just You, Just Me (from 1995-03-21 until 1995-03-22)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (1977 musical film soundtrack)
3:47
7It's Like Reaching for the Moon
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
reeds:
Phil Woods (US jazz woodwind player) (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
It’s Like Reaching for the Moon (from 1995-03-21 until 1995-03-22)
lyricist:
Al Lewis (Tin Pan Alley era lyricist)
composer:
Gerald Marqusee and Al Sherman (Tin Pan Alley songwriter)
5:37
8What a Little Moonlight Can Do
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
reeds:
Phil Woods (US jazz woodwind player) (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
What a Little Moonlight Can Do (from 1995-03-21 until 1995-03-22)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
4:15
9Cloudy Morning
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
Cloudy Morning (from 1995-03-21 until 1995-03-22)
writer:
Marvin Fisher and Joseph McCarthy, Jr. (Joseph Allen McCarthy, 1922–1975)
5:14
10Autumn Nocturne
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
reeds:
Phil Woods (US jazz woodwind player) (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
Autumn Nocturne (from 1995-03-21 until 1995-03-22)
lyricist:
Kim Gannon
composer:
Josef Myrow
6:02
11That Old Black Magic
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
That Old Black Magic (from 1995-03-21 until 1995-03-22)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:56
12The Folks Who Live on the Hill
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
reeds:
Phil Woods (US jazz woodwind player) (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
The Folks Who Live on the Hill (from 1995-03-21 until 1995-03-22)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
High, Wide and Handsome (1937 film)
7:57
13I'm an Errand Girl for Rhythm
assistant engineer:
Devin Emke
engineer and mixer:
Alan Varner
producer:
Allen Farnham and Carol Sloane (US jazz vocalist)
bass:
Michael Moore (Bass player) (from 1995-03-21 until 1995-03-22)
drums (drum set):
Ron Vincent (drummer) (from 1995-03-21 until 1995-03-22)
piano:
Bill Charlap (from 1995-03-21 until 1995-03-22)
reeds:
Phil Woods (US jazz woodwind player) (from 1995-03-21 until 1995-03-22)
vocals:
Carol Sloane (US jazz vocalist) (from 1995-03-21 until 1995-03-22)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1995-03-21 until 1995-03-22)
recording of:
I'm an Errand Boy for Rhythm (from 1995-03-21 until 1995-03-22)
lyricist and composer:
Nat King Cole
5:40