The Columbia Studio Albums Collection 1955-1966

~ Release by The Dave Brubeck Quartet (see all versions of this release, 2 available)

Tracklist

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1▼CD: Brubeck Time
#TitleRatingLength
1-1Audrey
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-12)
double bass [bass]:
Bob Bates (on 1954-10-12)
drums (drum set):
Joe Dodge (on 1954-10-12)
piano:
Dave Brubeck (on 1954-10-12)
recorded at:
Basin Street East in New York, New York, United States (on 1954-10-12)
recording of:
Audrey (on 1954-10-12)
composer:
Dave Brubeck and Paul Desmond
3:34
1-2Jeepers Creepers
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-12)
double bass:
Bob Bates (on 1954-10-12)
drums (drum set):
Joe Dodge (on 1954-10-12)
piano:
Dave Brubeck (on 1954-10-12)
recorded at:
Basin Street East in New York, New York, United States (on 1954-10-12)
cover recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
4:57
1-3Pennies From Heaven
recorded in:
New York, New York, United States (on 1954-10-14)
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-14)
double bass:
Bob Bates (on 1954-10-14)
drums (drum set):
Joe Dodge (on 1954-10-14)
piano:
Dave Brubeck (on 1954-10-14)
recording of:
Pennies From Heaven (on 1954-10-14)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2)
6:28
1-4Why Do I Love You
recorded in:
New York, New York, United States (on 1954-10-14)
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-14)
double bass:
Bob Bates (on 1954-10-14)
drums (drum set):
Joe Dodge (on 1954-10-14)
piano:
Dave Brubeck (on 1954-10-14)
instrumental recording of:
Why Do I Love You? (Show Boat) (on 1954-10-14)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
T.B. Harms Co. (in 1927)
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act II
5:42
1-5Stompin' for Mili
recorded in:
New York, New York, United States (on 1954-10-13)
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-13)
double bass:
Bob Bates (on 1954-10-13)
drums (drum set):
Joe Dodge (on 1954-10-13)
piano:
Dave Brubeck (on 1954-10-13)
recording of:
Stompin’ for Mili
composer:
Dave Brubeck and Paul Desmond
5:27
1-6Keepin' Out of Mischief Now
recorded in:
Los Angeles, California, United States (on 1954-11-10)
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (on 1954-11-10)
double bass:
Bob Bates (on 1954-11-10)
drums (drum set):
Joe Dodge (on 1954-11-10)
piano:
Dave Brubeck (on 1954-11-10)
recording of:
Keepin’ Out of Mischief Now
lyricist:
Andy Razaf
composer:
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) and Razaf Music
5:06
1-7A Fine Romance
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-12)
double bass:
Bob Bates (on 1954-10-12)
drums (drum set):
Joe Dodge (on 1954-10-12)
piano:
Dave Brubeck (on 1954-10-12)
recorded at:
Basin Street East in New York, New York, United States (on 1954-10-12)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
3:50
1-8Brother, Can You Spare a Dime
recorded in:
New York, New York, United States (on 1954-10-14)
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (on 1954-10-14)
double bass:
Bob Bates (on 1954-10-14)
drums (drum set):
Joe Dodge (on 1954-10-14)
piano:
Dave Brubeck (on 1954-10-14)
recording of:
Brother Can You Spare a Dime
lyricist:
Yip Harburg
composer:
Jay Gorney
5:17
2▼CD: Jazz Impressions of the U.S.A.
#TitleRatingLength
2-1Ode to a Cowboy
5:06
2-2Summer Song
6:11
2-3Yonder for Two
5:04
2-4History of a Boy Scout
4:37
2-5Plain Song
4:08
2-6Curtain Time
4:50
2-7Sounds of the Loop
7:34
2-8Home at Last
3:52
3▼CD: Dave Digs Disney
#TitleRatingLength
3-1Alice in Wonderland
recorded in:
New York, New York, United States (on 1957-06-29)
producer:
George Avakian (US 1940-90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-06-29)
bass:
Norm Bates (jazz double-bass player) (on 1957-06-29)
drums (drum set):
Joe Morello (on 1957-06-29)
piano:
Dave Brubeck (on 1957-06-29)
recording of:
Alice in Wonderland (main theme of Alice in Wonderland, 1951 film) (on 1957-06-29)
lyricist:
Bob Hilliard
composer:
Sammy Fain
part of:
Alice in Wonderland (1951 Disney animated film)
9:30
3-2Give a Little Whistle
recorded in:
New York, New York, United States (on 1957-06-29)
producer:
George Avakian (US 1940-90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-06-29)
bass:
Norm Bates (jazz double-bass player) (on 1957-06-29)
drums (drum set):
Joe Morello (on 1957-06-29)
piano:
Dave Brubeck (on 1957-06-29)
recording of:
Give a Little Whistle (Pinocchio, 1940 film) (on 1957-06-29)
lyricist:
Ned Washington
composer:
Leigh Harline
part of:
Pinocchio (1940 Disney film soundtrack)
7:38
3-3Heigh-Ho (The Dwarfs' Marching Song)
recorded in:
Los Angeles, California, United States (on 1957-10-24)
producer:
George Avakian (US 1940-90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-10-24)
bass:
Norm Bates (jazz double-bass player) (on 1957-10-24)
drums (drum set):
Joe Morello (on 1957-10-24)
piano:
Dave Brubeck (on 1957-10-24)
instrumental recording of:
Heigh‐Ho (The Dwarfs’ Marching Song) (on 1957-10-24)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher)
part of:
On est toutes Blanche-Neige
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
4:00
3-4When You Wish Upon a Star
recorded in:
Los Angeles, California, United States (on 1957-10-24)
producer:
George Avakian (US 1940-90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-10-24)
bass:
Norm Bates (jazz double-bass player) (on 1957-10-24)
drums (drum set):
Joe Morello (on 1957-10-24)
piano:
Dave Brubeck (on 1957-10-24)
phonographic copyright (℗) by:
Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1957)
instrumental recording of:
When You Wish Upon a Star (Pinocchio, 1940 film) (on 1957-10-24)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 13)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
4:54
3-5Some Day My Prince Will Come
recorded in:
New York, New York, United States (on 1957-06-30)
producer:
George Avakian (US 1940-90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-06-30)
bass:
Norm Bates (jazz double-bass player) (on 1957-06-30)
drums (drum set):
Joe Morello (on 1957-06-30)
piano:
Dave Brubeck (on 1957-06-30)
instrumental cover recording of:
Someday My Prince Will Come (on 1957-06-30)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
8:21
3-6One Song
recorded in:
Los Angeles, California, United States (on 1957-10-24)
producer:
George Avakian (US 1940-90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (on 1957-10-24)
bass:
Norm Bates (jazz double-bass player) (on 1957-10-24)
drums (drum set):
Joe Morello (on 1957-10-24)
piano:
Dave Brubeck (on 1957-10-24)
instrumental recording of:
One Song (on 1957-10-24)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne, Inc.
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
5:05
3-7Very Good Advice
producer:
George Avakian (US 1940-90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (in 1957)
double bass [bass]:
Norm Bates (jazz double-bass player) (in 1957)
drums (drum set):
Joe Morello (in 1957)
piano:
Dave Brubeck (in 1957)
instrumental recording of:
Very Good Advice (Alice in Wonderland, 1951 film) (in 1957)
lyricist:
Bob Hilliard
composer:
Sammy Fain
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
part of:
Alice in Wonderland (1951 Disney animated film)
5:35
3-8So This Is Love
producer:
George Avakian (US 1940-90s record producer) and Nedra Olds‐Neal
alto saxophone:
Paul Desmond (in 1957)
double bass [bass]:
Norm Bates (jazz double-bass player) (in 1957)
drums (drum set):
Joe Morello (in 1957)
piano:
Dave Brubeck (in 1957)
instrumental recording of:
So This Is Love (Cinderella, 1950 animated film) (in 1957)
writer:
Mack David (American lyricist and songwriter), Al Hoffman and Jerry Livingston (songwriter)
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
part of:
Cinderella (1950 Disney animated film)
5:54
4▼CD: Jazz Impressions of Eurasia
#TitleRatingLength
4-1Nomad
recorded in:
New York, New York, United States (on 1958-07-25)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-07-25)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-07-25)
drums (drum set):
Joe Morello (on 1958-07-25)
piano:
Dave Brubeck (on 1958-07-25)
instrumental recording of:
Nomad (original instrumental Brubeck song) (on 1958-07-25)
composer:
Dave Brubeck
7:22
4-2Brandenburg Gate
recorded in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1958-08-23)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-08-23)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-08-23)
drums (drum set):
Joe Morello (on 1958-08-23)
piano:
Dave Brubeck (on 1958-08-23)
instrumental recording of:
Brandenburg Gate (on 1958-08-23)
composer:
Dave Brubeck
recording of:
Brandenburg Gate
composer:
Dave Brubeck
6:56
4-3The Golden Horn
recorded in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1958-08-23)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-08-23)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-08-23)
drums (drum set):
Joe Morello (on 1958-08-23)
piano:
Dave Brubeck (on 1958-08-23)
instrumental recording of:
The Golden Horn (on 1958-08-23)
composer:
Dave Brubeck
5:01
4-4Thank You (Dziekuje)
recorded in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1958-08-23)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-08-23)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-08-23)
drums (drum set):
Joe Morello (on 1958-08-23)
piano:
Dave Brubeck (on 1958-08-23)
instrumental recording of:
Thank You (on 1958-08-23)
composer:
Dave Brubeck
3:36
4-5Marble Arch
recorded in:
New York, New York, United States (on 1958-07-25)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-07-25)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-07-25)
drums (drum set):
Joe Morello (on 1958-07-25)
piano:
Dave Brubeck (on 1958-07-25)
instrumental recording of:
Marble Arch (on 1958-07-25)
composer:
Dave Brubeck
7:02
4-6Calcutta Blues
recorded in:
Warsaw, Mazowieckie (Masovian Voivodeship), Poland (on 1958-08-23)
engineer:
Mark Wilder (US recording/mastering engineer)
producer:
Cal Lampley
alto saxophone:
Paul Desmond (on 1958-08-23)
double bass:
Joe Benjamin (US jazz bassist) (on 1958-08-23)
drums (drum set):
Joe Morello (on 1958-08-23)
piano:
Dave Brubeck (on 1958-08-23)
instrumental recording of:
Calcutta Blues (on 1958-08-23)
composer:
Dave Brubeck
9:55
5▼CD: Gone With the Wind
#TitleRatingLength
5-1Swanee River
recorded in:
Los Angeles, California, United States (on 1959-04-22)
alto saxophone:
Paul Desmond (on 1959-04-22)
bass:
Gene Wright (bass) (on 1959-04-22)
drums (drum set):
Joe Morello (on 1959-04-22)
piano:
Dave Brubeck (on 1959-04-22)
phonographic copyright (℗) by:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
instrumental cover recording of:
Old Folks at Home (Swanee River)
anthem of:
Florida, United States (from 1935 to present)
lyricist and composer:
Stephen Foster (composer) (in 1851)
publisher:
Carlin Music Group
5:59
5-2The Lonesome Road
recorded in:
Los Angeles, California, United States (on 1959-04-22)
alto saxophone:
Paul Desmond (on 1959-04-22)
bass:
Gene Wright (bass) (on 1959-04-22)
drums (drum set):
Joe Morello (on 1959-04-22)
piano:
Dave Brubeck (on 1959-04-22)
phonographic copyright (℗) by:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
instrumental cover recording of:
Lonesome Road
lyricist:
Gene Austin
composer:
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation and Spier & Coslow Inc.
7:44
5-3Georgia on My Mind
recorded in:
Los Angeles, California, United States (on 1959-04-22)
alto saxophone:
Paul Desmond (on 1959-04-22)
bass:
Gene Wright (bass) (on 1959-04-22)
drums (drum set):
Joe Morello (on 1959-04-22)
piano:
Dave Brubeck (on 1959-04-22)
phonographic copyright (℗) by:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
instrumental recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
6:42
5-4Camptown Races
recorded in:
Los Angeles, California, United States (on 1959-04-23)
alto saxophone:
Paul Desmond (on 1959-04-23)
bass:
Gene Wright (bass) (on 1959-04-23)
drums (drum set):
Joe Morello (on 1959-04-23)
piano:
Dave Brubeck (on 1959-04-23)
phonographic copyright (℗) by:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
instrumental cover recording of:
Camptown Races
lyricist and composer:
Stephen Foster (composer)
2:01
5-5Camptown Races
recorded in:
Los Angeles, California, United States (on 1959-04-23)
alto saxophone:
Paul Desmond (on 1959-04-23)
bass:
Gene Wright (bass) (on 1959-04-23)
drums (drum set):
Joe Morello (on 1959-04-23)
piano:
Dave Brubeck (on 1959-04-23)
phonographic copyright (℗) by:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
instrumental cover recording of:
Camptown Races
lyricist and composer:
Stephen Foster (composer)
2:11
5-6Short'Nin' Bread
recorded in:
Los Angeles, California, United States (on 1959-04-23)
alto saxophone:
Paul Desmond (on 1959-04-23)
bass:
Gene Wright (bass) (on 1959-04-23)
drums (drum set):
Joe Morello (on 1959-04-23)
piano:
Dave Brubeck (on 1959-04-23)
phonographic copyright (℗) by:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
instrumental recording of:
Short’nin’ Bread (traditional song)
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 4209)
2:33
5-7Basin Street Blues
recorded in:
Los Angeles, California, United States (on 1959-04-22)
alto saxophone:
Paul Desmond (on 1959-04-22)
bass:
Gene Wright (bass) (on 1959-04-22)
drums (drum set):
Joe Morello (on 1959-04-22)
piano:
Dave Brubeck (on 1959-04-22)
phonographic copyright (℗) by:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
instrumental cover recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
54:35
5-8Ol' Man River
recorded in:
Los Angeles, California, United States (on 1959-04-23)
alto saxophone:
Paul Desmond (on 1959-04-23)
bass:
Gene Wright (bass) (on 1959-04-23)
double bass:
Eugene Wright (bass)
drums (drum set):
Joe Morello (, on 1959-04-23)
piano:
Dave Brubeck (on 1959-04-23)
phonographic copyright (℗) by:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
instrumental cover recording of:
Ol’ Man River (Show Boat)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30)
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
2:31
5-9Gone With the Wind
recorded in:
Los Angeles, California, United States (on 1959-04-22)
alto saxophone:
Paul Desmond (on 1959-04-22)
bass:
Gene Wright (bass) (on 1959-04-22)
double bass:
Eugene Wright (bass)
drums (drum set):
Joe Morello (, on 1959-04-22)
piano:
Dave Brubeck (on 1959-04-22)
phonographic copyright (℗) by:
CBS Records Inc. (CBS Records Incorporated, for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.)
instrumental cover recording of:
Gone With the Wind
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
6:26
6▼CD: Time Out
#TitleRatingLength
6-1Blue Rondo a La Turk
recorded in:
New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording of:
Blue Rondo à la Turk (from 1959-08-18 until 1959-08-19)
composer:
Dave Brubeck
publisher:
Budde Music France, Derry Music Company, Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
36:46
6-2Strange Meadow Lark
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Strange Meadow Lark (on 1959-07-01)
composer:
Dave Brubeck and Iola Brubeck
publisher:
Derry Music Company
37:24
6-3Take Five
recorded in:
New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-07-01, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-07-01, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-07-01, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-07-01, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-07-01, from 1959-08-18 until 1959-08-19)
recording of:
Take Five (original instrumental version) (on 1959-07-01)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
4.355:27
6-4Three to Get Ready
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Three to Get Ready (on 1959-06-25)
composer:
Dave Brubeck
35:25
6-5Kathy's Waltz
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Kathy's Waltz (on 1959-06-25)
composer:
Dave Brubeck
34:51
6-6Everybody's Jumpin'
recorded in:
New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1959-06-25, from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (on 1959-06-25, from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (on 1959-06-25, from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (on 1959-06-25, from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1959-06-25, from 1959-08-18 until 1959-08-19)
recording of:
Everybody's Jumpin' (on 1959-06-25)
composer:
Dave Brubeck
34:24
6-7Pick Up Sticks
recorded in:
New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording engineer:
Fred Plaut
producer:
Teo Macero
alto saxophone:
Paul Desmond (from 1959-08-18 until 1959-08-19)
double bass:
Eugene Wright (bass) (from 1959-08-18 until 1959-08-19)
drums (drum set):
Joe Morello (from 1959-08-18 until 1959-08-19)
piano:
Dave Brubeck (from 1959-08-18 until 1959-08-19)
phonographic copyright (℗) by:
Compulsion (Part of Chrysalis Records), Milestones Records, Unknown Pleasures Sound, Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1959), Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1959), BNF Collection 2013 (Bibliothèque nationale de France) (in 1960), Avid Entertainment (in 2010), Supreme Media (in 2013) and TP4 Music (in 2017)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (from 1959-08-18 until 1959-08-19)
recording of:
Pick Up Sticks (from 1959-08-18 until 1959-08-19)
composer:
Dave Brubeck
34:16
7▼CD: Southern Scene
#TitleRatingLength
7-1Oh Susanna
recorded in:
Los Angeles, California, United States (on 1959-10-29)
double bass:
Eugene Wright (bass) (on 1959-10-29)
drums (drum set):
Joe Morello (on 1959-10-29)
piano:
Dave Brubeck (on 1959-10-29)
arranger:
Dave Brubeck
instrumental cover recording of:
Oh! Susanna (on 1959-10-29)
lyricist and composer:
Stephen Foster (composer)
part of:
Roud Folk Song Index (number: 11745)
2:43
7-2When It Is Sleepy Time Down South
recorded in:
New York, New York, United States (on 1959-09-10)
alto saxophone:
Paul Desmond (on 1959-09-10)
double bass:
Eugene Wright (bass) (on 1959-09-10)
drums (drum set):
Joe Morello (on 1959-09-10)
piano:
Dave Brubeck (on 1959-09-10)
instrumental cover recording of:
When It’s Sleepy Time Down South (on 1959-09-10)
lyricist:
Leon René and Otis René
composer:
Clarence Muse
publisher:
Leon Rene Publication, Mills Music, Inc., Otis Rene Publication and Sherwin Music (publisher)
5:56
7-3Little Rock Get Away
recorded in:
New York, New York, United States (on 1959-09-11)
alto saxophone:
Paul Desmond (on 1959-09-11)
double bass:
Eugene Wright (bass) (on 1959-09-11)
drums (drum set):
Joe Morello (on 1959-09-11)
piano:
Dave Brubeck (on 1959-09-11)
instrumental cover recording of:
Little Rock Getaway (on 1959-09-11)
composer:
Joe Sullivan (piano, USA)
publisher:
Leo Feist, Inc.
arrangement of:
Piano Improvisations
3:23
7-4Jeannie With the Light Brown Hair
double bass:
Eugene Wright (bass)
drums (drum set):
Joe Morello
piano:
Dave Brubeck
arranger:
Dave Brubeck
instrumental cover recording of:
Jeanie With the Light Brown Hair
lyricist:
Stephen Foster (composer)
composer:
Stephen Foster (composer) (in 1854)
2:28
7-5Deep in the Heart of Texas
recorded in:
Los Angeles, California, United States (on 1959-10-29)
double bass:
Eugene Wright (bass) (on 1959-10-29)
drums (drum set):
Joe Morello (on 1959-10-29)
piano:
Dave Brubeck (on 1959-10-29)
instrumental cover recording of:
Deep in the Heart of Texas (on 1959-10-29)
lyricist and composer:
June Hershey (in 1941) and Don Swander (in 1941)
3:21
7-6Darktown Strutters' Ball
recorded in:
New York, New York, United States (on 1959-09-10)
double bass:
Eugene Wright (bass) (on 1959-09-10)
piano:
Dave Brubeck (on 1959-09-10)
instrumental cover recording of:
Darktown Strutters’ Ball (on 1959-09-10)
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
part of:
For Me and My Gal (1942 movie)
1:42
7-7Nobody Knows the Trouble I've Seen
recorded in:
New York, New York, United States (on 1959-09-10)
alto saxophone:
Paul Desmond (on 1959-09-10)
double bass:
Eugene Wright (bass) (on 1959-09-10)
drums (drum set):
Joe Morello (on 1959-09-10)
piano:
Dave Brubeck (on 1959-09-10)
arranger:
Dave Brubeck
instrumental cover recording of:
Nobody Knows the Trouble I’ve Seen (on 1959-09-10)
lyricist and composer:
[traditional] (special purpose artist)
publisher:
C. Mose Music
5:58
7-8Happy Times
recorded in:
Los Angeles, California, United States (on 1959-10-29)
double bass:
Eugene Wright (bass) (on 1959-10-29)
drums (drum set):
Joe Morello (on 1959-10-29)
piano:
Dave Brubeck (on 1959-10-29)
recording of:
Happy Times (on 1959-10-29)
composer:
Eugene Wright (bass)
2:41
7-9Darling Nellie Gray
recorded in:
New York, New York, United States (on 1959-09-11)
alto saxophone:
Paul Desmond (on 1959-09-11)
double bass:
Eugene Wright (bass) (on 1959-09-11)
drums (drum set):
Joe Morello (on 1959-09-11)
piano:
Dave Brubeck (on 1959-09-11)
arranger:
Dave Brubeck
instrumental cover recording of:
Darling Nellie Gray (on 1959-09-11)
composer:
Benjamin R. Hanby
5:19
7-10Southern Scene
recorded in:
New York, New York, United States (on 1959-09-11)
alto saxophone:
Paul Desmond (on 1959-09-11)
double bass:
Eugene Wright (bass) (on 1959-09-11)
drums (drum set):
Joe Morello (on 1959-09-11)
piano:
Dave Brubeck (on 1959-09-11)
recording of:
Southern Scene (on 1959-09-11)
composer:
Dave Brubeck
5:42
8▼CD: Bernstein Plays Brubeck Plays Bernstein
#TitleRatingLength
8-1Dialogues for Jazz Combo and Orchestra
alto saxophone:
Paul Desmond (on 1960-01-30)
double bass:
Eugene Wright (bass) (on 1960-01-30)
drums (drum set):
Joe Morello (on 1960-01-30)
piano:
Dave Brubeck (on 1960-01-30)
orchestra:
New York Philharmonic (on 1960-01-30)
conductor:
Leonard Bernstein (on 1960-01-30)
performer:
The Dave Brubeck Quartet (on 1960-01-30)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1960-01-30)
recording of:
Dialogues for Jazz Combo and Orchestra: I. Allegro (on 1960-01-30)
composer:
Howard Brubeck
part of:
Dialogues for Jazz Combo and Orchestra
5:58
8-2Dialogues for Jazz Combo and Orchestra
alto saxophone:
Paul Desmond (on 1960-01-30)
double bass:
Eugene Wright (bass) (on 1960-01-30)
drums (drum set):
Joe Morello (on 1960-01-30)
piano:
Dave Brubeck (on 1960-01-30)
orchestra:
New York Philharmonic (on 1960-01-30)
conductor:
Leonard Bernstein (on 1960-01-30)
performer:
The Dave Brubeck Quartet (on 1960-01-30)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1960-01-30)
recording of:
Dialogues for Jazz Combo and Orchestra: II. Andante-Ballad (on 1960-01-30)
composer:
Howard Brubeck
part of:
Dialogues for Jazz Combo and Orchestra
5:19
8-3Dialogues for Jazz Combo and Orchestra
alto saxophone:
Paul Desmond (on 1960-01-30)
double bass:
Eugene Wright (bass) (on 1960-01-30)
drums (drum set):
Joe Morello (on 1960-01-30)
piano:
Dave Brubeck (on 1960-01-30)
orchestra:
New York Philharmonic (on 1960-01-30)
conductor:
Leonard Bernstein (on 1960-01-30)
performer:
The Dave Brubeck Quartet (on 1960-01-30)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1960-01-30)
recording of:
Dialogues for Jazz Combo and Orchestra: III. Adagio-Ballad (on 1960-01-30)
composer:
Howard Brubeck
part of:
Dialogues for Jazz Combo and Orchestra
4:51
8-4Dialogues for Jazz Combo and Orchestra
engineer:
Russ Payne (on 1960-01-30)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1960-01-30)
double bass:
Eugene Wright (bass) (on 1960-01-30)
drums (drum set):
Joe Morello (on 1960-01-30)
piano:
Dave Brubeck (on 1960-01-30)
orchestra:
New York Philharmonic (on 1960-01-30)
conductor:
Leonard Bernstein (on 1960-01-30)
performer:
The Dave Brubeck Quartet (on 1960-01-30)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1960-01-30)
recording of:
Dialogues for Jazz Combo and Orchestra: IV. Allegro-Blues (on 1960-01-30)
composer:
Howard Brubeck
part of:
Dialogues for Jazz Combo and Orchestra
5:41
8-5Maria
alto saxophone:
Paul Desmond (in 1960)
double bass:
Eugene Wright (bass) (in 1960)
drums (drum set):
Joe Morello (in 1960)
piano:
Dave Brubeck (in 1960)
instrumental recording of:
West Side Story: Maria (Tony) (in 1960)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
recording of:
West Side Story: Maria (Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story
3:21
8-6I Feel Pretty
alto saxophone:
Paul Desmond (in 1960)
double bass:
Eugene Wright (bass) (in 1960)
drums (drum set):
Joe Morello (in 1960)
piano:
Dave Brubeck (in 1960)
instrumental recording of:
West Side Story: I Feel Pretty (in 1960)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
55:14
8-7Somewhere
alto saxophone:
Paul Desmond (on 1960-02-14)
double bass:
Eugene Wright (bass) (on 1960-02-14)
drums (drum set):
Joe Morello (on 1960-02-14)
piano:
Dave Brubeck (on 1960-02-14)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-02-14)
instrumental cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (on 1960-02-14)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
4:20
8-8A Quiet Girl
alto saxophone:
Paul Desmond (in 1960)
double bass:
Eugene Wright (bass) (in 1960)
drums (drum set):
Joe Morello (in 1960)
piano:
Dave Brubeck (in 1960)
instrumental recording of:
Wonderful Town: Act I. A Quiet Girl (in 1960)
lyricist:
Betty Comden (in 1953) and Adolph Green (in 1953)
composer:
Leonard Bernstein
part of:
Wonderful Town
2:28
8-9Tonight
recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
3:49
9▼CD: Time Further Out
#TitleRatingLength
9-1It's a Raggy Waltz
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
It’s a Raggy Waltz (on 1961-05-03)
lyricist and composer:
Dave Brubeck
5:14
9-2Bluette
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Bluette (on 1961-05-03)
composer:
Dave Brubeck
5:23
9-3Charles Matthew Hallelujah
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Charles Matthew Hallelujah (on 1961-05-03)
composer:
Dave Brubeck
2:53
9-4Far More Blue
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Far More Blue (on 1961-05-03)
composer:
Dave Brubeck
4:39
9-5Far More Drums
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Far More Drums (on 1961-05-03)
composer:
Dave Brubeck
4:01
9-6Maori Blues
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Maori Blues (on 1961-05-03)
composer:
Dave Brubeck
3:55
9-7Unsquare Dance
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Unsquare Dance (on 1961-05-03)
composer:
Dave Brubeck
publisher:
Derry Music Company and Valentine Music Verlag
4.52:02
9-8Bru's Boogie Woogie
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Bru's Boogie Woogie (on 1961-05-03)
composer:
Dave Brubeck
2:30
9-9Blue Shadows in the Street
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass [bass]:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Blue Shadows in the Street (on 1961-05-03)
composer:
Dave Brubeck
6:36
9-10Slow and Easy (a.k.a. Lawless Mike)
producer:
Teo Macero
alto saxophone:
Paul Desmond
double bass:
Eugene Wright (bass)
drums (drum set):
Joe Morello
piano:
Dave Brubeck
recording of:
Slow and Easy (a.k.a. Lawless Mike)
composer:
Dave Brubeck
3:30
9-11It's a Raggy Waltz (live)
producer:
Teo Macero
alto saxophone:
Paul Desmond (on 1963-02-21)
double bass:
Eugene Wright (bass) (on 1963-02-21)
drums (drum set):
Joe Morello (on 1963-02-21)
piano:
Dave Brubeck (on 1963-02-21)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1963-02-21)
live instrumental recording of:
It’s a Raggy Waltz (on 1963-02-21)
lyricist and composer:
Dave Brubeck
6:37
10▼CD: Countdown - Time in Outer Space
#TitleRatingLength
10-1Countdown
alto saxophone:
Paul Desmond (on 1962-02-12)
double bass:
Eugene Wright (bass) (on 1962-02-12)
drums (drum set):
Joe Morello (on 1962-02-12)
piano:
Dave Brubeck (on 1962-02-12)
recording of:
Countdown (on 1962-02-12)
composer:
Dave Brubeck
2:25
10-2Eleven Four
alto saxophone:
Paul Desmond (on 1961-05-25)
double bass:
Eugene Wright (bass) (on 1961-05-25, on 1962-05-25)
drums (drum set):
Joe Morello (on 1961-05-25, on 1962-05-25)
piano:
Dave Brubeck (on 1961-05-25, on 1962-05-25)
recording of:
Eleven Four (on 1961-05-25)
composer:
Paul Desmond
2:53
10-3Why Phillis
alto saxophone:
Paul Desmond (on 1961-06-28)
double bass:
Eugene Wright (bass) (on 1961-06-28)
drums (drum set):
Joe Morello (on 1961-06-28)
piano:
Dave Brubeck (on 1961-06-28)
recording of:
Why Phillis Waltz (on 1961-06-28)
composer:
Eugene Wright (bass)
2:18
10-4Someday My Prince Will Come
alto saxophone:
Paul Desmond (on 1962-01-12, on 1962-02-12)
double bass:
Eugene Wright (bass) (on 1962-01-12, on 1962-02-12)
drums (drum set):
Joe Morello (on 1962-01-12, on 1962-02-12)
piano:
Dave Brubeck (on 1962-01-12, on 1962-02-12)
instrumental recording of:
Someday My Prince Will Come (on 1962-01-12)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
6:20
10-5Castilian Blues
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Castilian Blues (on 1961-05-03)
composer:
Dave Brubeck
2:32
10-6Castilian Drums
alto saxophone:
Paul Desmond (on 1961-03-05, on 1961-05-03)
double bass:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
recording of:
Castillan Drums (on 1961-05-03)
composer:
Dave Brubeck
5:20
10-7Fast Life
alto saxophone:
Paul Desmond (on 1961-06-28)
double bass:
Eugene Wright (bass) (on 1961-06-28)
drums (drum set):
Joe Morello (on 1961-06-28)
piano:
Dave Brubeck (on 1961-06-28)
recording of:
Fast Life (on 1961-06-28)
composer:
Dave Brubeck
2:59
10-8Waltz Limp
alto saxophone:
Paul Desmond (on 1961-05-03)
double bass:
Eugene Wright (bass) (on 1961-05-03)
drums (drum set):
Joe Morello (on 1961-05-03)
piano:
Dave Brubeck (on 1961-05-03)
performer:
Dave Brubeck
recording of:
Waltz Limp (on 1961-05-03)
composer:
Dave Brubeck
4:16
10-9Three's a Crowd
alto saxophone:
Paul Desmond (on 1961-06-02)
double bass:
Eugene Wright (bass) (on 1961-06-02)
drums (drum set):
Joe Morello (on 1961-06-02)
piano:
Dave Brubeck (on 1961-06-02)
recording of:
Three's a Crowd (on 1961-06-02)
composer:
Dave Brubeck
2:44
10-10Danse Duet
alto saxophone:
Paul Desmond (on 1961-06-28)
double bass:
Eugene Wright (bass) (on 1961-06-28)
drums (drum set):
Joe Morello (on 1961-06-28)
piano:
Dave Brubeck (on 1961-06-28)
recording of:
Danse Duet (on 1961-06-28)
composer:
Dave Brubeck
3:47
10-11Back to Earth
alto saxophone:
Paul Desmond (on 1961-12-16)
double bass:
Eugene Wright (bass) (on 1961-12-16)
drums (drum set):
Joe Morello (on 1961-12-16)
piano:
Dave Brubeck (on 1961-12-16)
recording of:
Back to Earth (on 1961-12-16)
composer:
Dave Brubeck
3:20
10-12Fatha
alto saxophone:
Paul Desmond
double bass:
Eugene Wright (bass)
drums (drum set):
Joe Morello
piano:
Dave Brubeck
recording of:
Fatha
composer:
Dave Brubeck
3:47
11▶CD: Bossa Nova U.S.A.
12▶CD: Brandenburg Gate - Revisited
13▶CD: Time Changes
14▶CD: Jazz Impressions of Japan
15▶CD: Jazz Impressions of New York
16▶CD: Angel Eyes
17▶CD: My Favorite Things
18▶CD: Time In
19▶CD: Anything Goes!