The Very Best of Astrud Gilberto

~ Release by Astrud Gilberto (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1The Girl From Ipanema (original 45rpm single version)
2:49
2Crickets Sing for Anamaria
recorded in:
New York, New York, United States (on 1968-05-14)
producer:
Pete Spargo
mixer:
David Greene (engineer recording, mixing)
vocals:
Astrud Gilberto (on 1968-05-14)
conductor:
Eumir Deodato (on 1968-05-14)
arranger:
Eumir Deodato
cover recording of:
Crickets Sing for Anamaria (on 1968-05-14)
lyricist:
Ray Gilbert and Paulo Sérgio Valle
composer:
Marcos Valle
version of:
Os grilos
1:34
3Call Me
recording engineer and engineer:
Rudy van Gelder
producer:
Creed Taylor
vocals:
Astrud Gilberto
3:22
4(Take Me to) Aruanda
recording of:
(Take Me to) Aruanda
lyricist:
Norman Gimbel
writer:
Geraldo Vandré and Carlos Lyra
version of:
Aruanda
2:30
5Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:20
6Come Softly to Me / Hushbye
2:52
7Agua de Beber
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Água de beber (Portuguese original) (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
2:19
8It Might as Well Be Spring
double bass [bass]:
Gene Cherico (on 1964-10-06)
drums (drum set) [drums]:
Helcio Milito (on 1964-10-06)
guitar:
Kenny Burrell (on 1964-10-06)
tenor saxophone:
Stan Getz (on 1964-10-06)
vibraphone:
Gary Burton (jazz vibraphonist and composer) (on 1964-10-06)
vocals:
Astrud Gilberto (on 1964-10-06)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-10-06)
live recording of:
It Might as Well Be Spring (State Fair) (on 1964-10-06)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 18)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
24:25
9Canoeiro
recording engineer:
Brooks Arthur
conductor:
Eumir Deodato
arranger:
Eumir Deodato
1:34
10Canto de Ossanha (Let Go)
double bass [bass]:
Joseph Macho (on 1969-12-17) and Julio Ruggiero (on 1969-12-17)
drums (drum set) [drums]:
Bill LaVorgna (on 1969-12-17) and Al Rogers (drummer) (on 1969-12-17)
flugelhorn:
Burt Collins (on 1969-12-17) and Joe Shepley (on 1969-12-17)
guitar:
Sal DiTroia (on 1969-12-17)
keyboard:
Benny Aranov (on 1969-12-17), Stan Free (on 1969-12-17), Paul Griffin (American pianist, session musician) (on 1969-12-17) and Frank Owens (American pianist) (on 1969-12-17)
percussion:
Robert Gregg (on 1969-12-17) and Airto Moreira (percussionist) (on 1969-12-17)
saxophone:
Joseph Ferrantello (on 1969-12-17), Leon S. Cohen (woodwind player) (on 1969-12-17) and Seldon Powell (on 1969-12-17)
trombone:
Mickey Gravine (on 1969-12-17)
vocals:
Astrud Gilberto (on 1969-12-17)
arranger:
Albert Gorgoni
vocals arranger:
Brooks Arthur
recorded at:
Century Sound Recording Studio in New York, New York, United States (on 1969-12-17)
recording of:
Let Go (Canto de Ossanha) (on 1969-12-17)
lyricist:
Norman Gimbel
composer:
Baden Powell
version of:
Canto de Ossanha
3:05
11Berimbau
recording of:
Berimbau (Portuguese original)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Baden Powell
2:24
12A Felicidade
recording engineer:
Val Valentin (on 1965-12-06)
producer:
Creed Taylor
double bass:
Ron Carter (US jazz double-bassist) (on 1965-12-06)
percussion:
Dom Um Romão (on 1965-12-06)
trombone:
Bob Brookmeyer (on 1965-12-06)
trumpet:
Johnny Coles (US jazz trumpeter) (on 1965-12-06)
vocals:
Astrud Gilberto (on 1965-12-06)
orchestra:
Al Cohn and His Orchestra
arranger:
Gil Evans
cover recording of:
A felicidade (on 1965-12-06)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim and Vinicius de Moraes (O poetinha)
publisher:
Ross-Jungnickel, Inc.
2:48
13Beach Samba
2:50
14So Nice (Summer Samba)
2:39
15Dindi
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (in 1965-01, from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (in 1965-01, from 1965-01-27 until 1965-01-28) and Antônio Carlos Jobim (in 1965-01)
orchestra:
Marty Paich Orchestra (in 1965-01)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Dindi (from 1965-01-27 until 1965-01-28)
lyricist:
Aloysio de Oliveira
composer:
Antônio Carlos Jobim
2:42
16The Face I Love
recorded in:
New York, New York, United States (in 1967-06)
recording engineer:
Brooks Arthur
double bass [bass]:
Ron Carter (US jazz double-bassist) (in 1967-06) and Julio Ruggiero (in 1967-06)
drums (drum set) [drums]:
Bobby Rosengarden (in 1967-06), Claudio Slon (in 1967-06) and Grady Tate (in 1967-06)
French horn:
Ray Alonge (french horn) (in 1967-06), Earl Chapin (in 1967-06), Jimmy Buffington (US jazz, studio and classical hornist) (in 1967-06) and Tony Miranda (US French hornist) (in 1967-06)
guitar:
Barry Galbraith (in 1967-06), Toots Thielemans (in 1967-06) and Marcos Valle (in 1967-06)
percussion:
Alan Douglas (American record producer) (in 1967-06), Jack Jennings (in 1967-06) and Dom Um Romão (in 1967-06)
piano:
Ben Aronov (in 1967-06) and Warren Bernhardt (in 1967-06)
strings:
Eumir Deodato (in 1967-06)
trombone:
Wayne Andre (in 1967-06), Warren Covington (in 1967-06), Urbie Green (in 1967-06) and Tony Studd (in 1967-06)
trumpet:
Bernie Glow (in 1967-06), Jimmy Nottingham (in 1967-06), Ernie Royal (in 1967-06) and Marvin Stamm (in 1967-06)
tuba:
John Barber (Jazz tuba player) (in 1967-06)
vibraphone:
George Devens (in 1967-06)
woodwind:
Phil Bodner (Woodwind player) (in 1967-06), Bill Hammond (flautist) (in 1967-06), Hubert Laws (in 1967-06), Seldon Powell (in 1967-06) and Stan Webb (US jazz saxophone, flute) (in 1967-06)
vocals:
Astrud Gilberto (in 1967-06)
conductor:
Eumir Deodato (in 1967-06)
arranger:
Eumir Deodato
recording of:
The Face I Love (in 1967-06)
lyricist:
Carlos Pingarhilo, Ray Gilbert and Paulo Sérgio Valle
composer:
Ray Gilbert, Carlos Pingarilho and Marcos Valle
2:08
17Bim Bom
recording engineer:
Val Valentin (from 1965-11-22 until 1966-02-04)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (from 1965-11-22 until 1966-02-04)
percussion:
Dom Um Romão (from 1965-11-22 until 1966-02-04)
trombone:
Bob Brookmeyer (from 1965-11-22 until 1966-02-04)
trumpet:
Johnny Coles (US jazz trumpeter) (from 1965-11-22 until 1966-02-04)
vocals:
Astrud Gilberto (from 1965-11-22 until 1966-02-04)
conductor:
Gil Evans (from 1965-11-22 until 1966-02-04)
arranger:
Gil Evans
recording of:
Bim bom
lyricist and composer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer)
1:52
18Windy
producer:
Pete Spargo
mixer:
David Greene (engineer recording, mixing)
vocals:
Astrud Gilberto
conductor:
Eumir Deodato
arranger:
Eumir Deodato
cover recording of:
Windy
lyricist and composer:
Ruthann Friedman
publisher:
Irving Music (BMI), Welbeck Music Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:47
19How Insensitive
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
double bass [bass]:
Joe Mondragon (in 1965-01)
flute:
Bud Shank (in 1965-01, from 1965-01-27 until 1965-01-28)
guitar:
Antonio Carlos Jobim (in 1965-01), João Donato (in 1965-01) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (in 1965-01, from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (in 1965-01, from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (in 1965-01, from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (in 1965-01, from 1965-01-27 until 1965-01-28)
cover recording of:
How Insensitive (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (BMI)
translated version of:
Insensatez
recording of:
Insensatez
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
2:48
20The Shadow of Your Smile
recorded in:
Los Angeles, California, United States (on 1965-06-03)
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04, on 1965-06-03)
conductor:
Don Sebesky (from 1964-10-21 until 1965-02-04, on 1965-06-03)
arranger:
Don Sebesky
cover recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (from 1964-10-21 until 1965-02-04)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 38)
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1965-06-03)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 38)
32:31
21Trains and Boats and Planes
conductor:
Albert Gorgoni (on 1968-12-12)
arranger:
Albert Gorgoni
recorded at:
Century Sound Recording Studio in New York, New York, United States (on 1968-12-12)
cover recording of:
Trains and Boats and Planes (on 1968-12-12)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Warner/Chappell Music Ltd. (1996–2019)
2:49
22The Girl From Ipanema (original album version)
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
double bass [bass]:
Tommy Williams (jazz bassist) (in 1963-03)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
drums (drum set) [drums]:
Milton Banana (in 1963-03)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
performer:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) and Antônio Carlos Jobim
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 461)
recording of:
The Girl From Ipanema (from 1963-03-18 until 1963-03-19)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. and Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
translated version of:
Garota de Ipanema
part of:
The Real Book (compilation of jazz standards, Volume I)
3.655:25
23Corcovado (Quiet Nights of Quiet Stars)
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
guest piano and piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
Astrud Gilberto (from 1963-03-18 until 1963-03-19) and João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
performer:
Astrud Gilberto (from 1963-03-18 until 1963-03-19), João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19) and Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
recording of:
Corcovado (from 1963-03-18 until 1963-03-19)
lyricist:
Antônio Carlos Jobim and Gene Lees
composer:
Antônio Carlos Jobim
4:16
24Who Needs Forever (Thievery Corporation remix)
remixer:
Thievery Corporation
4:13
25The Gentle Rain (RJD2 remix)
remixer:
R. Krohn and RJD2
cover recording of:
The Gentle Rain
lyricist:
Matt Dubey
composer:
Luiz Bonfá
publisher:
EMI Unart Catalog Inc.
46:04