Classics for Lovers

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Imported from http://www.freedb.org/freedb/classical/cf0f710e:
EXTT0=Pachelbel; Collegium Aureum
EXTT1=Grieg; Slovak Philharmonic, Libor Pesek
EXTT2=Borodin; Ljubljana Radio Symphony, Laurenc Siegel
EXTT3=Bach; Royal Philharmonic, Frank Shipway
EXTT4=Tchaikovsky; London Festival Orchestra, Alfred Scholz
EXTT5=Bach; St. Louis Brass Quintet
EXTT6=Mozart; Academic Salzburg, B. Baumgartner; Martha Bergerich - piano
EXTT7=Tchaikovsky; Philharmonia Orchestra London, Laurenc Siegel
EXTT8=Beethoven; Dubravka Tomsic - piano
EXTT9=Dvorak; Slovak Philharmonic, Alfred Scholz
EXTT10=Offenbach; Royal Philharmonic, Frank Shipway
EXTT11=Rimsky-Korsakov; Slovak Philharmonic, Bystrik Rezucha
EXTT12=Grieg; Slovak Philharmonic, Libor Pesek
EXTT13=Ravel; London Festival Orchestra, Laurenc Siegel

Annotation last modified on 2016-11-27 15:08 UTC.

Tracklist

1▼Medium
#TitleArtistRatingLength
1Kanon in D
orchestra:
Collegium Aureum, The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998) and London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, P. 37, T. 337
Johann Pachelbel4:49
2Solveig's Song
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), Slowakische Staatsphilharmonie (Slovak Philharmonic) and Slowakisches Philharmonisches Orchester (Alfred Scholz pseudonym)
conductor:
Sven Bengtson (conductor, an Alfred Scholz pseudonym) and Libor Pesek (conductor)
recording of:
Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) (in 1984)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1891)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
part of:
Peer Gynt Suite no. 2, op. 55
Edvard Grieg55:21
3Polovtsian Dance No. 17 "Stranger in Paradise"
orchestra:
Ljubljana Radio Symphony (RTV Slovenia Symphony Orchestra)
conductor:
Laurenc Siegel (fictitious conductor, Alfred Scholz pseudonym)
Александр Порфирьевич Бородин3:56
4Air on a G String
orchestra:
The English Philharmonic Orchestra (an Alfred Scholz pseudonym assocated with Simon Addison, not the orchestra founded in 1998), London Festival Orchestra (Alfred Scholz pseudonym) and Philharmonic Orchestra London (Alfred Scholz pseudonym)
conductor:
Simon Addison (probably an Alfred Scholz pseudonym)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:19
5Serenade for Strings: Elegie
orchestra:
Kammerorchester Pro Arte München, Orchestre de Festival Belgique (Belgian Festival Orchestra, fake name - probably invented by the trickster Alfred Scholz), Philharmonia Slavonica (Alfred Scholz pseudonym) and Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor), Pierre Narrato (fake name - probably invented by the trickster Alfred Scholz), Kurt Redel (German flautist and conductor) and Alfred Scholz
recording of:
Serenade for Strings in C major, op. 48: III. Élégie. Larghetto elegiaco
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
Serenade for Strings in C major, op. 48
Пётр Ильич Чайковский6:41
6Jesu, Joy of Man's Desiring
brass:
St. Louis Brass Quintet
orchestra:
St. Louis Brass Quintet
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:55
7Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": Andante
piano:
Martha Bergerich (pseudonym used on budget recordings – not Martha Argerich)
orchestra:
Academica Salzburg (Austrian chamber orchestra)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:52
8Romeo & Juliet Fantasy Overture
orchestra:
Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Laurenc Siegel (fictitious conductor, Alfred Scholz pseudonym)
partial recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Пётр Ильич Чайковский3:01
9Piano Sonata No. 14, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto
piano:
Silvia Čápová (pianist), Debra Ruth Zobel and Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27 No. 2 "Moonlight": I. Adagio sostenuto) (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
part of:
Sonata for Piano no. 14 in C-sharp minor, op. 27 no. 2 “Moonlight” (Piano Sonata No. 14 in C-sharp minor "Quasi una fantasia", Op. 27 No. 2 "Moonlight")
Ludwig van Beethoven6:04
10Slovonic Dance No. 2, Op. 46
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
conductor:
Vladimir Petroschoff (conductor, an Alfred Scholz pseudonym), Alfred Scholz, Thomas Waldham and George Ralph Warren
phonographic copyright (℗) by:
Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1984)
recording of:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:36
11Barcarole
orchestra:
Royal Philharmonic Orchestra London (Royal Philharmonic Orchestra)
conductor:
Frank Shipway (British conductor)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:20
12Sheherazade: The Young Prince and the Young Princess
orchestra:
Slovak Philharmonic
conductor:
Bystrík Režucha (conductor)
partial recording of:
Scheherazade, op. 35: III. The Young Prince and the Young Princess (Andantino quasi allegretto)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky-Korsakov, Russian composer) (in 1888)
part of:
Scheherazade, op. 35
Николай Андреевич Римский‐Корсаков3:36
13Holberg Suite: Sarabande
orchestra:
Philharmonisches Festspielorchester (an Alfred Scholz pseudonym) and Slovenská filharmónia (Slovak Philharmonic)
conductor:
Istvan Cohen (probably another Alfred Scholz) and Libor Pešek (conductor)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for piano)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, original for piano)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg4:11
14Boléro (conclusion)
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Laurenc Siegel (fictitious conductor, Alfred Scholz pseudonym)
partial recording of:
Boléro
composer:
Maurice Ravel (classical composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel5:12