Chartboxx: Movie Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
12001: Odysee Im Weltraum (Also sprach Zarathustra)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Klaus Tennstedt (conductor)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Thus Spake Zoroaster, op. 30: Introduction, Sonnenaufgang)
composer:
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
part of:
Also sprach Zarathustra (Thus Spake Zoroaster, op. 30, op 30; TrV 176)
London Philharmonic Orchestra1:45
2E.T. (Theme From Steven Spielberg’s Film E.T.)
Ron Goodwin and His Concert Orchestra3:57
3Spiel mir das Lied vom Tod (Once Upon a Time in the West)
Ennio Morricone5:07
4Miss Marple (Miss Marple’s Theme)
recording of:
Murder She Said
composer:
Ron Goodwin (composer)
Ron Goodwin and His Concert Orchestra2:05
5Manhattan (Rhapsody in Blue)
grand piano:
Wayne Marshall (British pianist, organist and conductor)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
partial recording of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
orchestrator:
Ferde Grofé (pianist, arranger, conductor and composer) (in 1924)
composer:
George Gershwin (composer) (in 1924)
was commissioned by:
Paul Whiteman (in 1924)
publisher:
Harms, Inc. (in 1924)
premiered at:
Aeolian Hall in New York, New York, United States (on 1924-02-12)
version of:
Rhapsody in Blue (original 1924 two-piano manuscript version)
Wayne Marshall / Sir Simon Rattle4:36
6Doktor Schiwago (Lara’s Theme)
Ron Goodwin and His Concert Orchestra2:38
7Rob Roy (Overture: Rob Roy/The Rieving Party)
Carter Burwell4:42
8Philadelphia (La Mamma Morta)
producer:
Walter Legge (British classical producer)
soprano vocals [Maddalena]:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18) and Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-20 until 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Maria Callas / Tullio Serafin & Philharmonia Orchestra4:51
9Schindlers Liste (Schindler’s List - Theme)
violin:
Tasmin Little (violinist) (in 1994)
orchestra:
New World Symphony and New World Philharmonic (in 1994)
conductor:
Iain Sutherland (British conductor) (in 1994)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Main Theme (Schindler’s List) (in 1994)
composer:
John Williams (American score composer) (in 1993)
publisher:
Chester Music Ltd., MCA Music Ltd. and Universal/MCA Music (music publisher; do not use as release label!)
part of:
Schindler's List
part of:
Three Pieces from Schindler’s List
Tasmin Little / New World Philharmonic5:03
10Platoon (Adagio for Strings Op.11)
The Philadelphia Orchestra6:22
11Tod in Venedig (Adagietto)
James Conlon / Gürzenich-Orchester Köln4:23
12Barry Lyndon (Sarabande)
orchestra:
Academy of St Martin in the Fields
conductor:
Alexander Briger (conductor)
recording of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande (catch-all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Suite de pièce in D minor, Vol. 2 no. 4, HWV 437: IV. Sarabande
Academy of St Martin in the Fields3:23
13Das Piano (The Heart Asks Pleasure First)
Michael Nyman1:35
14Hannibal (Aria Goldberg Variations BWV 988)
recording engineer:
Daniel Michel (recording engineer)
producer:
Alain Lanceron
piano:
Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (from 1986-06-26 until 1986-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Maria Tipo3:04
15Das Zimmer meines Sohnes (La Stanza de Figlio)
Nicola Piovani4:05
16Es war einmal in Amerika (Deborah’s Theme)
Ennio Morricone4:23
17Romeo & Julia (Balcony Scenne)
engineer:
Andy Bradfield
co-producer:
Craig Armstrong (Scottish score composer) and Marius de Vries
producer:
Craig Armstrong (Scottish score composer) and Nellee Hooper
mixer:
Craig Armstrong (Scottish score composer)
orchestra:
The London Session Orchestra
conductor:
Craig Armstrong (Scottish score composer)
arranger and orchestrator:
Craig Armstrong (Scottish score composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1997)
recording of:
William Shakespeare’s Romeo + Juliet: Balcony Scene
composer:
Craig Armstrong (Scottish score composer), Marius de Vries and Nellee Hooper
publisher:
Melankolic and Virgin (worldwide imprint of Virgin Records Ltd. and all its subsidiaries)
part of:
William Shakespeare’s Romeo + Juliet (orchestral score from the 1996 Baz Luhrmann film)
Craig Armstrong5:18
18Ocean’s Eleven (Clair de Lune)
piano:
Dame Moura Lympany (British pianist) (in 1988)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
composer:
Claude Debussy (composer) (from 1890 until 1905)
part of:
Suite bergamasque, L. 75, CD 82 (for piano)
Moura Lympany4:57
19American Beauty (Any Other Name)
recording engineer:
Dennis Sands (American sound engineer)
assistant engineer:
Tom Hardisty (film score engineer) and David Marquette
producer:
Bill Bernstein, Nikolaj Bloch, Sally Herbert (violinist, composer, and conductor) and Thomas Newman (American score composer)
mixer:
Tom Hardisty (film score engineer) and Dennis Sands (American sound engineer)
assistant editor:
Jordan Corngold
editor:
Bill Bernstein
performer:
Nikolaj Bloch and Sally Herbert (violinist, composer, and conductor)
phonographic copyright (℗) by:
SKG Music LLC (for copyrights use only, company associated with Dreamworks Records) (, in 1999, in 2000)
mixed at:
Signet Sound Studios in Los Angeles, California, United States
recording of:
Any Other Name
orchestrator:
Thomas Pasatieri
composer:
Thomas Newman (American score composer)
publisher:
Cherry Lane Music and Cherry Lane Music Publishing Company Inc.
part of:
American Beauty (1999)
Nikolaj Bloch, Sally Herbert3.44:04
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