Songs for Help

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
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#TitoloArtistaValutazioneDurata
1Spicks and Specks
produttore:
Ossie Byrne e Nat Kipner (Australian producer, songwriter, label owner & publisher)
direttore d'orchestra:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arrangiatore:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
diritti fonografici (℗) detenuti da:
Barry Gibb (nel 1966), Maurice Gibb (nel 1966) e Robin Gibb (nel 1966)
diritti fonografici (℗) detenuti da:
Festival Records Pty. Ltd. (not for release label use! for that, see "Festival Records") (nel 1968) e Robert Stigwood Organisation Ltd. (nel 1968)
registrazione di:
Spicks and Specks (nel 1966)
paroliere e compositore:
Barry Gibb
editore:
BMG Music, Carlin Music Corporation e Unichappell Music, Inc.
Bee Gees2:53
2Gypsies, Tramps and Thieves
registrazione di:
Gypsys, Tramps & Thieves
paroliere e compositore:
Bob Stone (engineer, studio technician, producer, songwriter)
autore:
Bob Stone (US lyricist, producer, arranger)
editore:
Peso Music (publisher) (nel 1971)
Cher2:35
3Song Sung Blue
registrazione di:
Song Sung Blue
paroliere e compositore:
Neil Diamond (nel 1972)
editore:
Chappell Music Ltd., EMI Music Publishing Germany GmbH (1967–2001), Prophet Music Inc. e Sony Tunes, Inc.
si basa su:
Concerto for Piano no. 21 in C major, K. 467
Neil Diamond3:16
4That's Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:07
5Black Magic Woman
registrata a:
San Francisco, California, Stati Uniti (nel 1970-06)
tecnico:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) e John Fiore (engineer)
produttore:
Fred Catero e Santana (US Latin, blues, & rock band)
batteria :
Michael Shrieve (dal 1970-06-04 al 1970-06-05)
chitarra :
Carlos Santana (dal 1970-06-04 al 1970-06-05)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (dal 1970-06-04 al 1970-06-05)
congas :
José “Chepito” Áreas (nel 1970-06) e Michael Carabello (nel 1970-06)
congas e percussione :
Michael Carabello (dal 1970-06-04 al 1970-06-05)
congas, percussione e timbales e timbales :
José “Chepito” Áreas (dal 1970-06-04 al 1970-06-05)
percussione :
Rico Reyes (dal 1970-06-04 al 1970-06-05)
tabla :
Steven Saphore (dal 1970-06-04 al 1970-06-05)
tastiera e voce principale:
Gregg Rolie (dal 1970-06-04 al 1970-06-05)
voce:
Gregg Rolie (nel 1970-06)
voce di accompagnamento:
Rico Reyes (dal 1970-06-04 al 1970-06-05) e Carlos Santana (dal 1970-06-04 al 1970-06-05)
arrangiatore:
Santana (US Latin, blues, & rock band)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1970)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (dal 1970-06-04 al 1970-06-05)
registrazione cover di:
Black Magic Woman
paroliere e compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. e Murbo Music Publishers, Inc.
registrazione cover di:
Gypsy Queen
compositore:
Gábor Szabó (nel 1966)
editore:
Gabor & Cardigan Music, PAB Music Corp. e Wixen Music Publishing, Inc.
Santana4.155:18
6Co-Co
registrazione di:
Co‐Co
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Ariola (company mostly named as distributor in Europe)
The Sweet3:11
7You're the First, the Last, My Everything
tecnico:
Frank Kejmar (engineer)
produttore:
Barry White
arrangiatore:
Gene Page e Barry White
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1974)
registrazione di:
You’re the First, the Last, My Everything
autore:
Peter Sterling Radcliffe, Tony Sepe e Barry White
editore:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby’s Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. e World Song Publishing Inc.
Barry White3.753:26
8Y.M.C.A.
produttore:
Jacques Morali
produttore esecutivo:
Henri Belolo
edit di:
Y.M.C.A. (album version) di Village People
registrazione di:
Y.M.C.A.
paroliere:
Victor Edward Willis
compositore:
Jacques Morali
editore:
Can’t Stop Music (US work publisher, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), Harlem West Music Group, Scorpio Music (work publisher of "Scorpio Music") e Zomba Music Publishing Ltd.
Village People4.153:44
9The Night They Drove Old Dixie Down
produttore:
Norbert Putnam
registrazione cover di:
The Night They Drove Old Dixie Down
paroliere e compositore:
Robbie Robertson
editore:
Canaan Music Inc, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Joan Baez53:19
10Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (Columbia Records, Inc., not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
The Byrds4.12:19
11Light My Fire
tecnico e tecnico di missaggio:
Bruce Botnick
produttore:
Paul A. Rothchild
batteria :
John Densmore (nel 1966-09)
chitarra :
Robby Krieger (American guitarist, member of The Doors) (nel 1966-09)
tastiera :
Ray Manzarek (nel 1966-09)
voce:
Jim Morrison (lead vocalist of the Doors) (nel 1966-09)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1967), Elektra Records (not for release label use! please use its imprint "Elektra" instead) (nel 1967, nel 2017), Elektra (all releases with “Elektra” or “Elektra Entertainment” logo, 1950 to present) (nel 1971) e Rhino Entertainment Company (not for release label use!) (nel 2017)
lavorazione tecnica effettuata presso:
Sunset Sound Recorders in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Light My Fire di The Doors
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 35) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 310)
registrazione di:
Light My Fire (nel 1966-09)
autore:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek e Jim Morrison (lead vocalist of the Doors)
editore:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. e 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doors4.37:07
12Joanna
registrazione di:
Joanna (Kool & the Gang)
autore:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Claydes Smith, James “J.T.” Taylor (US R&B vocalist for Kool & the Gang) e Curtis “Fitz” Williams (keyboardist/percussionist of Kool & The Gang)
editore:
Delightful Music Ltd, EMI Longitude Music, EMI Music Publishing Ltd. (PRS‐affiliated) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kool & the Gang34:24
13Monday Monday
tecnico:
Bones Howe
produttore:
Lou Adler
esecutore:
The Mamas & the Papas (American folk rock vocal group) (il 1965-12-16)
diritti fonografici (℗) detenuti da:
Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-12-16)
registrazione di:
Monday, Monday (il 1965-12-16)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:20
14The Sun Ain't Gonna Shine Anymore
diritti fonografici (℗) detenuti da:
Phonogram Ltd. (Phonogram Limited) (nel 1966) e PolyGram Records, Inc. (New York) (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1966)
registrazione cover di:
The Sun Ain’t Gonna Shine (Anymore) (nel 1966)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), Seasons Four Music e Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:06
15A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
Procol Harum4.14:00

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