Cruella (Original Motion Picture Soundtrack)

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Call me Cruella
instrumental versions:
Call me Cruella (instrumental version) by Nicholas Britell (American score composer) & Florence + the Machine
part of:
World Soundtrack Awards: Best Original Song (number: 2021)
Florence + the Machine2:07
2Bloody Well Right
engineer:
John Jansen (US recording engineer and producer) and Ken Scott (UK record producer & engineer)
producer:
Ken Scott (UK record producer & engineer) and Supertramp
bass guitar:
Dougie Thomson
clarinet and saxophone:
John Helliwell
drums (drum set) and percussion:
Bob Siebenberg
guitar and piano:
Roger Hodgson
harmonica and keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
vocals:
Rick Davies (UK keyboardist, member of Supertramp), John Helliwell and Roger Hodgson
strings arranger:
Richard Hewson
phonographic copyright (℗) by:
A&M Records (in 2014)
recording of:
Bloody Well Right
lyricist and composer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Supertramp44:34
3Whisper Whisper
producer:
Bee Gees and Robert Stigwood
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1968-07 until 1968-12)
recording of:
Whisper Whisper (from 1968-07 until 1968-12)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Casserole Music, Inc. and Unichappell Music, Inc.
Bee Gees43:26
4Five to One
engineer and mixer:
Bruce Botnick
producer:
Paul A. Rothchild
bass guitar:
Doug Lubahn (rock bassist)
drums (drum set):
John Densmore
guitar:
Robby Krieger (American guitarist, member of The Doors)
keyboard:
Ray Manzarek
vocals:
Jim Morrison (lead vocalist of the Doors)
recording of:
Five to One
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Rondor Music (London) Ltd. and Nipper Music Co., Inc. (in 1968)
The Doors3.554:25
5Feeling Good
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1965)
cover recording of:
Feeling Good (on 1965-01-15)
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
Nina Simone4.152:54
6Fire
recording engineer:
Kevin McMahon (producer, engineer) and Barry Mraz
producer:
Kevin McMahon (producer, engineer) and Ohio Players
mixer:
Kevin McMahon (producer, engineer)
agogô, congas and timbales:
James "Diamond" Williams (US drummer for Ohio Players)
bass guitar:
Sandy Davis
drums (drum set):
Colin Brooks (US guitarist/drummer)
guitar:
Amy Klein
percussion and lead vocals:
Clarence "Satch" Satchell, Leroy "Sugarfoot" Bonner (funk guitarist, aka Sugarfoot), William "Billy" Beck and James "Diamond" Williams (US drummer for Ohio Players)
Rhodes piano [Fender Rhodes]:
William "Billy" Beck
tenor saxophone:
Clarence "Satch" Satchell
trumpet:
Ralph "Pee Wee" Middlebrooks and Marvin “Merv” Pierce
background vocals:
Clarence "Satch" Satchell, Leroy "Sugarfoot" Bonner (funk guitarist, aka Sugarfoot), Ralph "Pee Wee" Middlebrooks, Marvin “Merv” Pierce, William "Billy" Beck and James "Diamond" Williams (US drummer for Ohio Players)
vocals:
Amy Klein
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1991) and Don Giovanni Records (in 2016)
recorded at and mixed at:
Marcata Recording in New York, United States
produced at:
Marcata Recording in New York, United States
recording of:
Fire
lyricist, writer and composer:
Billy Beck, Leroy Bonner (funk guitarist, aka Sugarfoot), Marshall Jones (US bassist & songwriter, member of Ohio Players), Ralph "Pee Wee" Middlebrooks, Marvin “Merv” Pierce, Clarence Satchell and James "Diamond" Williams (US drummer for Ohio Players)
publisher:
Charlotte Phillips Publishing (BMI), Rick’s Music, Inc. (publishing company associated with Casablanca) and Segundo Sueños LLC
Ohio Players4:35
7Whole Lotta Love
cover recording of:
Whole Lotta Love
additional lyricist:
Willie Dixon
writer:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page and Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. and WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
is based on:
You Need Love
Ike & Tina Turner4:42
8Livin' Thing (2012 Version)
engineer:
Steve Jay (recording & mix engineer), Marc Mann (keyboardist, arranger, orchestrator and conductor) and Ryan Ulyate
producer:
Jeff Lynne
mixer:
Steve Jay (recording & mix engineer) and Jeff Lynne
bass, drums (drum set), guitar, keyboard, piano, vocoder and lead vocals:
Jeff Lynne (from 2001 until 2010)
shakers and tambourine:
Steve Jay (recording & mix engineer) (from 2001 until 2010)
strings:
Marc Mann (keyboardist, arranger, orchestrator and conductor) (from 2001 until 2010)
background vocals:
Laura Lynne (daughter of Jeff Lynne) (from 2001 until 2010)
recorded at:
Bungalow Palace Studio (Jeff Lynne's home studio) in Los Angeles, California, United States (from 2001 until 2010)
recording of:
Livin’ Thing (from 2001 until 2010)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Jet Music Inc., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra3:42
9Stone Cold Crazy (2011 Remaster)
Queen2:16
10One Way Or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:28
11Should I Stay Or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.43:09
12I Love Paris
Georgia Gibbs2:31
13Love Is Like A Violin
Ken Dodd2:11
14I Wanna Be Your Dog
John McCrea3:56
15Come Together
cover recording of:
Come Together
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Songs LLC and Sony/ATV Tunes LLC (ASCAP)
is based on:
You Can’t Catch Me
Ike & Tina Turner43:38

Credits

Release group

Wikidata:Q106933590 [info]
Q118780294 [info]