Songs of the Sephardim, Traditional Music of the Spanish Jews

~ Release by La Rondinella (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Los gayos empesan a cantar
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
2:20
2Una hija tiene el rey
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
3:26
3La prima vez
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn:
Paul Bensel
guitar, harp and lute:
Howard Bass
kemenche [kamenj] and rebec:
Tina Chancey (Period Instruments)
percussion:
Howard Bass, Paul Bensel, Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
recorder:
Paul Bensel and Tina Chancey (Period Instruments)
treble viol and vielle:
Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
4:07
4Puncha, puncha
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn:
Paul Bensel
guitar, harp and lute:
Howard Bass
kemenche [kamenj] and rebec:
Tina Chancey (Period Instruments)
percussion:
Howard Bass, Paul Bensel, Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
recorder:
Paul Bensel and Tina Chancey (Period Instruments)
treble viol and vielle:
Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
1:49
5A'har noghenim
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
1:48
6Era escuro
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
2:19
7Seu shearim
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
1:36
8Esta montana d'enfrente
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
3:20
9Una pastora
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
2:11
10Morena me llaman
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn:
Paul Bensel
guitar, harp and lute:
Howard Bass
kemenche [kamenj] and rebec:
Tina Chancey (Period Instruments)
percussion:
Howard Bass, Paul Bensel, Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
recorder:
Paul Bensel and Tina Chancey (Period Instruments)
treble viol and vielle:
Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
1:25
11Nani, nani
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
1:41
12A la una yo naci
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
2:22
13Scalerica de oro
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
3:16
14Yo m'enamori
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
3:20
15Dos amantes tengo la mi mama
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
2:26
16Una matica de ruda
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn:
Paul Bensel
guitar, harp and lute:
Howard Bass
kemenche [kamenj] and rebec:
Tina Chancey (Period Instruments)
percussion:
Howard Bass, Paul Bensel, Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
recorder:
Paul Bensel and Tina Chancey (Period Instruments)
treble viol and vielle:
Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
2:43
17Los bilbilicos
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
3:23
18Ir me quero
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn:
Paul Bensel
guitar, harp and lute:
Howard Bass
kemenche [kamenj] and rebec:
Tina Chancey (Period Instruments)
percussion:
Howard Bass, Paul Bensel, Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
recorder:
Paul Bensel and Tina Chancey (Period Instruments)
treble viol and vielle:
Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
3:31
19Hija mia
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
2:52
20Durme, durme, hermozo hijico
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
2:29
21Avre tu puerta cerrada
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn:
Paul Bensel
guitar, harp and lute:
Howard Bass
kemenche [kamenj] and rebec:
Tina Chancey (Period Instruments)
percussion:
Howard Bass, Paul Bensel, Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
recorder:
Paul Bensel and Tina Chancey (Period Instruments)
treble viol and vielle:
Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
1:40
22Noches, noches
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn:
Paul Bensel
guitar, harp and lute:
Howard Bass
kemenche [kamenj] and rebec:
Tina Chancey (Period Instruments)
percussion:
Howard Bass, Paul Bensel, Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
recorder:
Paul Bensel and Tina Chancey (Period Instruments)
treble viol and vielle:
Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
1:46
23Partos trocados
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
2:25
24En la mar hay una torre
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
1:42
25Esta Rachel la estimoza
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
1:11
26Cuando el rey Nimrod
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn:
Paul Bensel
guitar, harp and lute:
Howard Bass
kemenche [kamenj] and rebec:
Tina Chancey (Period Instruments)
percussion:
Howard Bass, Paul Bensel, Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
recorder:
Paul Bensel and Tina Chancey (Period Instruments)
treble viol and vielle:
Tina Chancey (Period Instruments) and Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
3:59
27Adio, querida
engineer and editor:
Paul Bensel
producer:
Howard Bass, Paul Bensel and Ronn McFarlane (lutenist) (task: session producer)
crumhorn and recorder:
Paul Bensel
guitar, harp and lute:
Howard Bass
percussion:
Howard Bass, Paul Bensel and Rosalind Brooks Stowe (period instrumentalist)
treble viol and vielle:
Rosalind Brooks Stowe (period instrumentalist)
alto vocals:
Alice Kosloski
recorded at:
Bradley Hills Presbyterian Church in Bethesda, Maryland, United States (from 1990-03 until 1992-06)
3:01

Credits

Release

mastering:Brian C. Peters
ASIN:US: B000001Q6I [info]