| # | Title | Artist | Rating | Length |
|---|
| 1 | Owner of a Lonely Heart- engineer:
- Gary Langan
- producer:
- Trevor Horn
- bass guitar:
- Chris Squire (in 1983)
- drums (drum set):
- Alan White (in 1983)
- guitar:
- Trevor Rabin (in 1983)
- keyboard:
- Tony Kaye (in 1983)
- lead vocals:
- Jon Anderson (in 1983)
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1983, in 2003) and WEA International Inc. (in 1983, in 2003)
- recorded at:
- Sarm Studios in Aldgate, Tower Hamlets, London , England, United Kingdom (in 1983)
- recording of:
- Owner of a Lonely Heart (in 1983)
- writer:
- Jon Anderson , Trevor Horn, Trevor Rabin and Chris Squire
- publisher:
- Affirmative Music , BMG Chrysalis Scandinavia AB , BMG Rights Management (UK) Ltd. , Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC , Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. , Tremander Songs, Unforgettable Songs , Unforgettable Songs Ltd., Warner Bros. Music , Warner Bros. Music Ltd. , Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. , Warner/Chappell and Warner/Chappell North America Limited
- sub-publisher:
- エイベックス・ミュージック・パブリッシング 第7出版事業部 , ワーナー・チャペル音楽出版 Synch事業部 , フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (from 2017-04-01 to present)
| Yes | 3.95 | 4:25 |
| 2 | Show Me the Way | Peter Frampton | 3.7 | 4:33 |
| 3 | Cocaïne- producer:
- Glyn Johns
- bass guitar:
- Carl Radle (on 1977-05-06)
- drums (drum set):
- Jamie Oldaker (on 1977-05-06)
- electronic organ:
- Dick Sims (on 1977-05-06)
- guitar:
- Eric Clapton (on 1977-05-06) and George Terry (on 1977-05-06)
- background vocals:
- Yvonne Elliman (on 1977-05-06) and Marcy Levy (on 1977-05-06)
- lead vocals:
- Eric Clapton (on 1977-05-06)
- phonographic copyright (℗) by:
- Universal International Music B.V. (in 1977)
- recorded at:
- Olympic Studios in Barnes, Richmond upon Thames, London , England, United Kingdom (on 1977-05-06)
- cover recording of:
- Cocaine (on 1977-05-06)
- lyricist and composer:
- J.J. Cale
- publisher:
- Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. , Warner Chappell Music and Warner Chappell Music Ltd.
| Eric Clapton | 4.1 | 3:31 |
| 4 | She’s Not There- producer:
- Tom Coster and Carlos Santana
- phonographic copyright (℗) by:
- Columbia Records (in 1977), RCA/Jive Label Group (in 1977) and Sony Music Entertainment Inc. (in 1977)
- cover recording of:
- She’s Not There
- lyricist and composer:
- Rod Argent
- publisher:
- Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Songs USA and Parker Music
- sub-publisher:
- Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ
- recording of:
- She’s Not There
- lyricist and composer:
- Rod Argent
- publisher:
- Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Songs USA and Parker Music
- sub-publisher:
- Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ
| Santana | 4 | 4:00 |
| 5 | Up Around the Bend | Creedence Clearwater Revival | 4.6 | 2:37 |
| 6 | Jukebox Babe | Alan Vega | 3 | 4:42 |
| 7 | You Really Got Me- producer:
- Shel Talmy (in 1964-07)
- additional piano:
- Perry Ford (in 1964-07)
- bass guitar:
- Pete Quaife (in 1964-07)
- drums (drum set):
- Bobby Graham (in 1964-07)
- guitar:
- Harry Fryer (in 1964-07)
- guitar [lead guitar]:
- Dave Davies (in 1964-07)
- guitar [rhythm guitar], harmonica, keyboard and lead vocals:
- Ray Davies (in 1964-07)
- phonographic copyright (℗) by:
- Sanctuary Records Group Ltd. (in 1964)
- miscellaneous support:
- PRT Records (task: Courtesy of / c/o Celebrity Licensing, Inc.)
- recorded at:
- IBC Studios in London , England, United Kingdom (in 1964-07)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 13), NME: 50 Greatest Guitar Riffs of All Time (number: 20), VH1: 100 Greatest Hard Rock Songs (number: 57), Rolling Stone: 500 Greatest Songs of All Time (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
- recording of:
- You Really Got Me (in 1964-07)
- lyricist and composer:
- Ray Davies
- publisher:
- Copyright Control , Edward Kassner Music Co. Ltd. and Jay Boy
| The Kinks | 4.25 | 2:12 |
| 8 | Get It On (Bang a Gong)- engineer:
- Roy Thomas Baker , Malcolm Cecil, Rik Pekkonen and Martin Rushent
- producer:
- Tony Visconti
- drums (drum set):
- Bill Legend (from 1971-03 until 1971-06)
- electric bass guitar:
- Steve Currie (from 1971-03 until 1971-06)
- electric guitar and lead vocals:
- Marc Bolan (from 1971-03 until 1971-06)
- keyboard:
- Rick Wakeman (from 1971-03 until 1971-06)
- percussion:
- Mickey Finn (from 1971-03 until 1971-06)
- background vocals:
- Howard Kaylan (from 1971-03 until 1971-06) and Mark Volman (from 1971-03 until 1971-06)
- phonographic copyright (℗) by:
- Essex Music International Ltd. (in 1971), Straight Ahead Productions Ltd. (in 1971, in 2001) and Tarantula Productions (in 1971)
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 22), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and NME: 50 Greatest Guitar Riffs of All Time (number: 41)
- recording of:
- Get It On (from 1971-03 until 1971-06)
- lyricist and composer:
- Marc Bolan
- publisher:
- Essex Music International, Essex Music International, Inc., Essex Musikförlaget, Essex Musikvertrieb GmbH, The Richmond Organization, TRO Essex Music International, Inc. and Westminster Music Ltd.
| T. Rex | 4.65 | 4:24 |
| 9 | Hold the Line- engineer and mixer:
- Tom Knox
- producer:
- Toto
- bass guitar:
- David Hungate (in 1978-08)
- drums (drum set):
- Jeffrey Porcaro (in 1978-08)
- electric guitar:
- Steve Lukather (in 1978-08)
- keyboard:
- David Paich (in 1978-08) and Steve Porcaro (in 1978-08)
- percussion:
- Lenny Castro (in 1978-08)
- piano:
- David Paich (in 1978-08)
- background vocals:
- Bobby Kimball (in 1978-08), Steve Lukather (in 1978-08) and David Paich (in 1978-08)
- lead vocals:
- Bobby Kimball (in 1978-08)
- phonographic copyright (℗) by:
- Sony Music Entertainment Inc. (in 1977, in 1978), CBS Records Inc. (in 1978), CBS, Inc. (in 1978), Columbia Records (in 1978), Sony BMG Music Entertainment (in 1978) and Sony Music Entertainment (in 1978)
- recorded at:
- Studio 55 in Los Angeles, California, United States (in 1978-08)
- part of:
- BILLIONS CLUB
- recording of:
- Hold the Line (in 1978-08)
- lyricist and composer:
- David Paich
- publisher:
- Hudmar Publishing Co. Inc., Sony/ATV Music Publishing Ltd. and Spirit Two Music
- sub-publisher:
- Sony/ATV Music Publishing (UK) Ltd. and ソニー・ミュージックパブリッシング A事業部
| Toto | 4.2 | 3:56 |
| 10 | We Live for Love | Pat Benatar | 3 | 3:52 |
| 11 | Sunday Girl- assistant engineer:
- Grey Russell and Peter Coleman
- engineer:
- Peter Coleman
- assistant producer:
- Peter Coleman
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1978-06 until 1978-07)
- drums (drum set):
- Clem Burke (from 1978-06 until 1978-07)
- guitar:
- Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
- keyboard:
- Jimmy Destri (from 1978-06 until 1978-07)
- lead vocals:
- Deborah Harry (from 1978-06 until 1978-07)
- phonographic copyright (℗) by:
- Capitol Records, LLC , Capitol Records, Inc. (in 1978, in 2001), Chrysalis Records (in 1978, in 1979), Chrysalis Records Ltd. (in 1978), Chrysalis Records, Inc. (in 1978, in 2001) and Capitol Records (in 2001)
- recorded at:
- The Record Plant in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
- mixed at:
- Forum Studio in Covington, Kentucky, United States
- recording of:
- Sunday Girl (from 1978-06 until 1978-07)
- lyricist and composer:
- Chris Stein
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , EMI Music Publishing Ltd. and Rare Blue Music Inc (in 1978)
| Blondie | 3.8 | 3:01 |
| 12 | 96 Tears | The Stranglers | 4 | 3:02 |
| 13 | On the Beach | Chris Rea | 4.5 | 6:48 |
| 14 | Texas Flood | Stevie Ray Vaughan and Double Trouble | 4.15 | 5:20 |
| 15 | Sweet Jane | Mott the Hoople | 3 | 4:17 |
| 16 | Rock On | David Essex | 2.5 | 3:12 |
| 17 | Who Can It Be Now | Men at Work | 4.4 | 3:20 |
| 18 | The King of Rock’n Roll | Prefab Sprout | 4 | 4:23 |
| 19 | Real Gone Kid | Deacon Blue | 4.35 | 4:04 |
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