Was het nu 70 of 80?

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Zanna
recording of:
Zanna
writer:
Anna Domino (American singer) and Luc Van Acker (Belgian musician, producer & songwriter)
publisher:
Het Gerucht
Luc van Acker & Anna Domino3:09
2She Said the Same Things to Me
mixer:
Scott Hendricks (producer)
guitar family:
Mac Gayden
bass vocals:
Willie Greene, Jr.
vocals:
Frieda Woody
recording of:
She Said the Same Things to Me
lyricist and composer:
John Hiatt (guitarist, pianist and singer-songwriter)
publisher:
Universal Music Careers
John Hiatt4:00
3The Way It Is
engineer:
Elliot Scheiner
producer:
Bruce Hornsby and Elliot Scheiner
drums (drum set) and percussion:
John Molo
piano and synthesizer:
Bruce Hornsby
vocals:
Bruce Hornsby
phonographic copyright (℗) by:
BMG Entertainment (in 1986) and RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1986)
produced for:
Trackman, Inc.
recording of:
The Way It Is
lyricist and composer:
B.R. Hornsby
publisher:
BMG Music Ltd., Bob‐a‐Lew Songs (ASCAP), Universal Music Publishing (use ONLY if no country‐specific information is available), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Zappo Music (from 1986 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bruce Hornsby3.954:57
4Torch
producer:
Mike Thorne (UK producer & keyboardist)
recording of:
Torch
lyricist:
Marc Almond (English pop singer and songwriter)
composer:
Dave Ball (UK electronic musician, part of Soft Cell)
Soft Cell4:07
5Be My Number Two
engineer:
Rik Pekkonen
bass guitar:
Graham Maby (in 1984)
drums (drum set):
Gary Burke (in 1984)
grand piano and lead vocals:
Joe Jackson (English musician) (in 1984)
guitar:
Vinnie Zummo (in 1984)
saxophone:
Tony Aiello (in 1984)
arranger:
Joe Jackson (English musician)
recorded at:
Vanguard Studios (23rd Street, New York) in New York, New York, United States (in 1984)
recording of:
Be My Number Two (in 1984)
lyricist and composer:
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) and Pokazuka Limited
Joe Jackson34:22
6I Love the Sound of Breaking Glass
recording engineer:
Barry Farmer
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
mixer:
Roger Bechirian
bass guitar:
Andrew Bodnar (bass player)
drums (drum set):
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
guitar:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
piano:
Bob Andrews (keyboardist and producer)
tambourine:
Roger Bechirian
background vocals:
Roger Bechirian and Nick Lowe (UK singer/songwriter/instrumentalist/producer)
recording of:
I Love the Sound of Breaking Glass
lyricist:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
composer:
Andrew Bodnar (bass player), Steve Goulding (English drummer for the Rumour, Mekons, etc.) and Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Nick Lowe43:12
7Suspicious Minds
cover recording of:
Suspicious Minds
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
recording of:
Suspicious Minds
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
publisher:
Laetrec Music, Press Music Co., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd. and Sony/ATV Songs LLC
Fine Young Cannibals3.153:57
8Virginia Plain
engineer:
Andy Hendriksen (in 1972-03)
producer:
Peter Sinfield
bass:
Rik Kenton (production music composer) (in 1972-03)
arranger:
Roxy Music
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1972), Virgin EG Records Ltd. (in 1972), Virgin EMI Records (division of Universal Music UK, 2013–2020) (in 1999) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Command Studios in London (Greater London), England, United Kingdom (in 1972-03)
part of:
TV Cream: Real 100 Best Singles Ever (number: 3) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 348)
recording of:
Virginia Plain (in 1972-03)
lyricist and composer:
Bryan Ferry
arranger:
Roxy Music
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., Careers‐BMG Music Publishing, E.G. Music Inc., E.G. Music Ltd. (publisher), TRO-Total Music, Inc. and Buggane Music, Ltd. (in 1972)
Roxy Music3.652:58
9You Get to Me
recording of:
You Get to Me
lyricist and composer:
Jan Leyers (Belgian singer & songwriter)
Soulsister3:45
10Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar [guitars]:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and Rhino Entertainment Company (not for release label use!) (from 2007 to present)
recorded at:
The Sound Factory in Tucson, Arizona, United States (in 2007)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music Inc. (BMI)
Warren Zevon4.93:24
11I Scare Myself
cover recording of:
I Scare Myself
lyricist and composer:
Dan Hicks
publisher:
Oh Boy Music Company
Thomas Dolby5:28
12The Future Is So Bright
Timbuk 33:22
13Nescio
phonographic copyright (℗) by:
Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983)
recording of:
Nescio
lyricist and composer:
Henk Hofstede
publisher:
Nitsongs
Nits4:46
14Echo Beach
assistant engineer:
Laurence Diana
engineer:
Richard Manwaring (Producer)
producer:
Mike Howlett
phonographic copyright (℗) by:
Dindisc Ltd (in 1980) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
recorded at:
The Manor in Oxfordshire, England, United Kingdom (in 1979-08)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 87)
recording of:
Echo Beach
lyricist and composer:
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:37
15Town Called Malice
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1982)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (in 1981-12)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 151)
recording of:
Town Called Malice
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd., Stylist Music Ltd. and Universal Music Publishing MGB Australia
The Jam4.82:52
16Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
Blondie4.32:21
17Putain Putain
T.C. Matic5:54

Credits

Release group

part of:Was het nu 70 of 80? (number: 1) (order: 1)