| # | Title | Artist | Rating | Length |
|---|
| 1 | Zombie- assistant engineer and assistant producer:
- Julie Gardiner
- engineer and producer:
- Stephen Street
- acoustic guitar and electric guitar:
- Noel Hogan and Dolores O’Riordan
- bass guitar:
- Mike Hogan
- drums (drum set) and percussion:
- Fergal Lawler
- keyboard and lead vocals:
- Dolores O’Riordan
- background vocals:
- Noel Hogan
- phonographic copyright (℗) by:
- The Island Def Jam Music Group , Island Records, Inc. (in 1994), UMG Recordings, Inc. (in 1994) and Island Records (in 2002)
- recorded at:
- The Manor in Oxfordshire, England, United Kingdom (from 1993-11 until 1994-08) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom (from 1993-11 until 1994-08)
- mixed at:
- The Manor in Oxfordshire, England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London , England, United Kingdom
- part of:
- triple j’s Hottest 100 (number: 1994) and Indie 88: Top 500 Indie Rock Songs (number: 234)
- recording of:
- Zombie
- lyricist and composer:
- Dolores O’Riordan
- publisher:
- Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG and Universal–Songs of PolyGram International, Inc.
| The Cranberries | 4.3 | 5:06 |
| 2 | MMMBop | Hanson | 3.5 | 4:28 |
| 3 | Bitch- drum machine [drum/loop] programming:
- Geza X
- assistant engineer:
- Husky Hoskulds, Cappy Japngie, Mauricio Iragorri and Charles Nasser
- engineer:
- Jim Ebert and Geza X
- producer:
- Geza X
- mixer:
- Jim Ebert
- acoustic guitar, electric guitar and background vocals:
- Meredith Brooks
- bass and fretless bass:
- Paul Bushnell
- drums (drum set):
- Josh Freese
- keyboard [keyboards]:
- David Ricketts
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1997)
- recorded at:
- City Lab Sound Design in Hollywood, Los Angeles, California, United States
- mixed at:
- Sunset Sound Factory in Hollywood, Los Angeles, California, United States
- recording of:
- Bitch
- writer:
- Meredith Brooks and Shelly Peiken
- publisher:
- Hidden Pun Music, Kissing Booth Music, Sushi Too Music and Warner–Tamerlane Music Corp.
| Meredith Brooks | 3.85 | 4:13 |
| 4 | Lifted (7″ version) | Lighthouse Family | 2 | 4:31 |
| 5 | Say What You Want | Texas | | 4:39 |
| 6 | Just a Girl | No Doubt | 4.25 | 3:26 |
| 7 | Hold On- additional recording engineer:
- Glen Ballard, Tom Biener, Julie Last, Clif Magness, Gabriel Moffat and Rail Jon Rogut
- recording engineer and mixer:
- Francis Buckley
- assistant engineer:
- Dan Bosworth , Ric Butz, Darryl Dean Dobson, Graig Johnson and Bill Malina
- producer:
- Glen Ballard
- additional guitar:
- Joe Walsh
- bass:
- Jimmy Johnson
- drums (drum set):
- John “JR” Robinson
- guitar:
- Michael Landau
- keyboard:
- Glen Ballard and Randy Kerber
- percussion:
- Paulinho da Costa
- percussion arranger:
- Glen Ballard
- vocals arranger:
- Glen Ballard and Wilson Phillips
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1990)
- part of:
- Billboard: The 500 Best Pop Songs (number: 312)
- recording of:
- Hold On
- writer:
- Glen Ballard, Chynna Phillips and Carnie Wilson
- publisher:
- Get Out Songs, Smooshie Music, Aerostation Corporation (in 1990), EMI Blackwood Music Inc. (in 1990), MCA Music (in 1990, in 2003), MCA Music Publishing (in 1990, in 2003), Wilphill Music (in 1990) and Universal Music Corp. (in 2003)
| Wilson Phillips | 4.5 | 4:23 |
| 8 | Weather With You | Crowded House | 3.8 | 3:42 |
| 9 | All Star | Smash Mouth | 4.8 | 3:20 |
| 10 | Together Again | Janet Jackson | 4.5 | 5:01 |
| 11 | Bring It All Back- additional producer:
- Andy Wright
- producer:
- Eliot Kennedy , Tim Lever and Mike Percy
- assistant mixer:
- Jan "Stan" Kybert
- mixer:
- Mark “Spike” Stent
- bass:
- Mike Percy
- drums (drum set), membranophone and tambourine:
- Geoff Holroyde
- guitar:
- Tim Lever
- keyboard:
- Eliot Kennedy and Andy Wright
- saxophone:
- Steve Beighton
- trumpet:
- Nicolas Coombs
- lead vocals and solo lead vocals:
- Jo O’Meara
- solo vocals:
- Tina Barrett, Jo O’Meara, Hannah Spearritt and Rachel Stevens
- performer:
- S Club
- phonographic copyright (℗) by:
- S Club Ltd. (in 1999)
- recorded at:
- Steelworks Studios in Sheffield, South Yorkshire, England, United Kingdom
- music videos:
- Bring It All Back by S Club 7
- recording of:
- Bring It All Back
- writer:
- Tina Barrett, Paul Cattermole, Jonathan Lee , Eliot Kennedy , Tim Lever, Bradley McIntosh, Jo O’Meara, Mike Percy, Hannah Spearritt and Rachel Stevens
- publisher:
- 19 Music Ltd., BMG Music Publishing Ltd. and Sony/ATV Music Publishing LLC
| S Club 7 | 3.85 | 3:25 |
| 12 | I Love Your Smile | Shanice | 4 | 4:19 |
| 13 | Tom’s Diner | Suzanne Vega & DNA | 3.9 | 3:47 |
| 14 | Sexbomb | Tom Jones & Mousse T. | 2.35 | 3:50 |
| 15 | All I Wanna Do- engineer:
- Blair Lamb
- producer:
- Bill Bottrell
- phonographic copyright (℗) by:
- A&M Records, Inc. (in 1993)
- part of:
- Billboard: The 500 Best Pop Songs (number: 405)
- recording of:
- All I Wanna Do
- writer:
- David Baerwald, Bill Bottrell, Wyn Cooper, Sheryl Crow and Kevin Gilbert
- publisher:
- Almo Music Corp. , Ignorant Music , Old Crow Music , Reservoir One America, Sony/ATV Tunes LLC , Warner–Tamerlane Publishing Corp. , WB Music Corp. and Zen of Iniquity
| Sheryl Crow | 3.8 | 4:32 |
| 16 | Stop- additional programming:
- Mike Higham (on 1998-06-09)
- engineer:
- Jeremy Wheatley
- producer:
- Absolute
- assistant mixer:
- Paul "P. Dub"
- mixer:
- Mark “Spike” Stent
- brass:
- Kick Horns (on 1998-06-09)
- guitar:
- Milton McDonald (on 1998-06-09)
- instruments:
- Absolute (on 1998-06-09)
- vocals:
- Victoria Beckham (on 1998-06-09), Emma Bunton (on 1998-06-09), Melanie C (on 1998-06-09), Geri Halliwell (on 1998-06-09) and Mel B (on 1998-06-09)
- recorded at:
- Parco Novi Sad in Modena, Modena, Emilia-Romagna, Italy (on 1998-06-09)
- live recording of:
- Stop (on 1998-06-09)
- writer:
- Andy Watkins , Melanie Brown , Emma Bunton, Geri Halliwell, Melanie Chisholm, Paul Wilson and Victoria Beckham
| Spice Girls | 3.85 | 3:25 |
| 17 | U Can’t Touch This | MC Hammer | 4.1 | 4:17 |
| 18 | Man! I Feel Like a Woman! | Shania Twain | 4 | 3:55 |
| 19 | Mr. Jones- recorded in:
- Los Angeles, California, United States
- recording engineer:
- Pat McCarthy
- additional engineer:
- Robert Hart , Steve Holroyd and Howard Willing
- assistant engineer:
- Mark Guilbeault and Brant Scott
- executive producer:
- Gary Gersh
- producer:
- T‐Bone Burnett
- mixer:
- Scott Litt and Pat McCarthy
- accordion, chamberlin and Hammond organ:
- Charlie Gillingham
- additional drums (drum set) and additional percussion:
- Denny Fongheiser
- additional guitar:
- T‐Bone Burnett , Bill Dillon and David Immerglück
- additional guitorgan:
- Bill Dillon
- additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
- David Immerglück
- bass guitar:
- Matt Malley
- guitar:
- David Bryson and Matt Malley
- harmonica and lead vocals:
- Adam Duritz
- piano:
- Adam Duritz and Charlie Gillingham
- additional background vocals:
- Gary Louris, Maria McKee and Mark Olson
- vocals:
- Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
- additionally recorded at:
- Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders in Los Angeles, California, United States
- mixed at:
- Ocean Way Recording in Hollywood, Los Angeles, California, United States
- music videos:
- Mr. Jones by Counting Crows
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 474)
- recording of:
- Mr. Jones
- lyricist:
- Adam Duritz
- composer:
- David Bryson and Adam Duritz
| Counting Crows | 4.15 | 4:31 |
| 20 | (I Can’t Help) Falling in Love With You- cover recording of:
- Can’t Help Falling in Love
- writer:
- Luigi Creatore, Hugo Peretti and George David Weiss
- publisher:
- ABG EPE Gladys Music, Carlin Music Corporation, Cherry Lane Music, Chrysalis Music , Gladys Music, Gladys Music (Joachim Jean Aberbach), Gladys Music Elvis Presley Enterprises LLC, Gladys Music Inc., INTERSONG International Musikverlag G.m.b.H. , Luigi Creatore Music and The Manor Music Co. Ltd.
- sub-publisher:
- 日音 (ended), フジパシフィックミュージック , ヤマハミュージックEH(CM) and 日音 Synch事業部
- is based on:
- Plaisir d’amour
| UB40 | 3.25 | 3:26 |
| 21 | How Bizarre | OMC | | 4:04 |
| 22 | Picture of You | Boyzone | 2.5 | 3:30 |
| 23 | Rotterdam (or Anywhere) | The Beautiful South | 3 | 3:36 |
| 24 | Bitter Sweet Symphony | The Verve | 4.45 | 5:58 |
| 25 | Love Is All Around (from “Four Weddings and a Funeral”) | Wet Wet Wet | 3.6 | 4:05 |
| 26 | When You’re Gone- recorded in:
- Saint Ann , Jamaica (from 1998-06 until 1998-08)
- additional recording engineer:
- Dean Maher (from 1998-06-06 until 1998-08), Phil Thornalley (from 1998-06-06 until 1998-08) and Phil Western (from 1998-06-06 until 1998-08)
- recording engineer:
- Randy Staub (from 1998-06-06 until 1998-08)
- miscellaneous support:
- Ron Vermeulen (task: technical assistance)
- engineer:
- Eliot Kennedy
- producer:
- Bryan Adams and Bob Rock
- assistant mixer:
- Dean Maher (on 1998-09-03)
- mixer:
- Bob Clearmountain (on 1998-09-03)
- bass:
- Dave Taylor (from 1998-06-06 until 1998-08)
- drums (drum set) [drums]:
- Mickey Curry (from 1998-06-06 until 1998-08)
- guitar [guitars]:
- BA (from 1998-06-06 until 1998-08) and Keith Scott (from 1998-06-06 until 1998-08)
- keyboard [keyboards]:
- Phil Western (from 1998-06-06 until 1998-08)
- guest vocals:
- Melanie C (from 1998-06-06 until 1998-08)
- vocals:
- BA (from 1998-06-06 until 1998-08)
- arranger:
- Bryan Adams
- phonographic copyright (℗) by:
- A&M Records (in 1998), A&M Records, Inc. (in 1998, in 1999), Badman Limited (in 1998) and Badman Ltd. (in 1999)
- recorded at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1998-06-06), Metropolis Studios in London , England, United Kingdom (from 1998-06 until 1998-08) and The Warehouse Studio Mobile Unit (from 1998-06 until 1998-08)
- mixed at:
- The Warehouse Studio in Vancouver, British Columbia, Canada (on 1998-09-03)
- part of:
- The Downloader’s Music Source Book (number: 185)
- recording of:
- When You’re Gone (from 1998-06-06 until 1998-08)
- writer:
- Bryan Adams and Eliot Kennedy
- publisher:
- Badams Music Limited (in 1998) and Sony Music Publishing (UK) Ltd. (in 1998)
| Bryan Adams & Melanie C | 4 | 3:26 |
| 27 | Laid | James | 4.4 | 2:37 |
| 28 | What’s Up?- recording engineer:
- David Tickle (in 1992) and Mark Hensley (in 1992)
- additional engineer:
- Jessie Kanner , Kent Mactke, Laurent Tardy and Paul Dieter
- producer and mixer:
- David Tickle
- acoustic guitar and electric guitar:
- Linda Perry (in 1992)
- bass and background vocals:
- Christa Hillhouse (in 1992)
- drums (drum set):
- Dawn Richardson (in 1992)
- guitar:
- Louis Metoyer (in 1992) and Roger Rocha (in 1992)
- piano:
- Laurent Tardy (in 1992)
- lead vocals:
- Linda Perry (in 1992)
- phonographic copyright (℗) by:
- Interscope Records (in 1992)
- recorded at:
- Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios in Sausalito, California, United States (in 1992)
- mixed at:
- The Bunker
- music videos:
- What’s Up? by 4 Non Blondes
- part of:
- Paste: The 50 Greatest One-Hit Wonders of All Time (number: 46), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 486)
- recording of:
- What’s Up? (in 1992)
- lyricist and composer:
- Linda Perry
- publisher:
- Famous Music Corporation , Famous Music Publishing Germany GmbH & Co. KG, Sony/ATV Harmony, Sony/ATV Harmony UK and Stuck in the Throat
| 4 Non Blondes | 3.75 | 4:52 |
| 29 | Breakfast at Tiffany’s | Deep Blue Something | | 4:30 |
| 30 | Dreams | Gabrielle | 2.65 | 3:42 |
| 31 | You Do Something to Me | Paul Weller | 4 | 3:40 |
| 32 | I’ll Make Love to You- drums (drum set) programming:
- Rayford Griffin
- assistant engineer:
- David Betancourt , Milton Chan , Marty Hornburg and Jamie Seyberth
- engineer:
- Brad Gilderman
- producer:
- Babyface
- mixer:
- Mick Guzauski
- bass:
- Reggie Hamilton
- synthesizer:
- Babyface
- produced for:
- ECAF Productions, Inc.
- recorded at:
- Larrabee Sound Studios in North Hollywood, Los Angeles, California, United States and The Enterprise in Burbank, California, United States
- mixed at:
- Encore Recording Studios in Burbank, California, United States
- part of:
- Billboard: The 500 Best Pop Songs (number: 185)
- recording of:
- I’ll Make Love to You
- lyricist and composer:
- Kenny Edmonds
| Boyz II Men | 4.65 | 3:54 |
| 33 | Always | Bon Jovi | 3.75 | 5:53 |
| 34 | Everybody Hurts- additional engineer:
- George Cowan , Mark Howard , John Keane , Ted Malia and Andrew Roshberg
- engineer:
- Clif Norrell
- producer:
- Scott Litt and R.E.M.
- additional mixer:
- Ed Brooks
- assistant mixer:
- Tod Lemkuhl
- mixer:
- Scott Litt and Clif Norrell
- guest cello:
- Kathleen Kee, Daniel Laufer and Elizabeth Proctor Murphy
- guest oboe:
- Deborah Workman
- guest viola:
- Reid Harris, Paul Murphy and Heidi Nitchie
- guest violin:
- Denise Berginson-Smith , Patti Gouvas, Lonnie Ottzen , Sandy Salzinger , Sou-Chun Su and Jody Taylor
- vocals:
- Michael Stipe
- conductor:
- George Hanson
- orchestrator:
- John Paul Jones
- phonographic copyright (℗) by:
- R.E.M./Athens, Ltd. (in 1992) and R.E.M./Athens L.L.C. (in 2017)
- additionally recorded at:
- Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios in New Orleans, Louisiana, United States
- recorded at:
- Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
- mixed at:
- Bad Animals Studio in Seattle, Washington, United States
- part of:
- Indie 88: Top 500 Indie Rock Songs (number: 203)
- recording of:
- Everybody Hurts
- writer:
- Bill Berry , Mike Mills , Peter Buck and Michael Stipe
- publisher:
- Night Garden Music and Warner–Tamerlane Publishing Corp.
| R.E.M. | 4.6 | 5:19 |
| 35 | More Than Words | Extreme | 3.75 | 5:33 |
| 36 | Endless Love (from “The Endless Love” Soundtrack) | Lionel Richie & Diana Ross | | 5:21 |
| 37 | Send Me on My Way | Rusted Root | 3.5 | 4:22 |
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