L'Oiseau-Lyre: Medieval and Renaissance

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Limited edition compilation of L'Oiseau-Lyre medieval and renaissance releases.

Annotation last modified on 2018-05-13 17:22 UTC.

Tracklist

1▶CD: Music for Holy Week
2▶CD: Ce Diabolic Chant - Ballades, Rondeaus, and Virelais of the late fourteenth century
3▼CD: Carmina Burana, Vol. 1
#TitleArtistRatingLength
1In Gedeonis area (CB 37)
baritone vocals [ensemble]:
Michael George (operatic bass) (in 1986-01) and Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo tenor vocals [tenor]:
Andrew King (operatic tenor) (in 1986-01)
soprano vocals [ensemble]:
Tessa Bonner (soprano) (in 1986-01), Catherine Bott (soprano) (in 1986-01) and Sally Dunkley (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
In Gedeonis area (in 1986-01)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 37)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]4:27
2Homo, quo vigeas vide! (CB 22)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Homo quo vigeas (in 1986-01)
part of:
Carmina Moralia et Divina and Carmina Burana (number: 22)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
recording of:
Homo quo vigeas
part of:
Carmina Moralia et Divina and Carmina Burana (number: 22)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:43
3Ecce torpet probitas (CB 3)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Ecce torpet probitas (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 3), Carmina Moralia and Cambridge University Library MS Ff.I.17(1)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]7:15
4Nomen a solemnibus (CB 52)
baritone vocals [ensemble]:
Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Nomen a solemnibus (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Gulatorum et Potatorum, Carmina Moralia et Divina and Carmina Burana (number: 52)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]4:35
5Planctus ante nescia (CB 14)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Planctus ante nescia (in 1986-01)
writer:
Godefroy de Breteuil (carmina burana. c.1130-c.1194, sub-prior to Abbey of Saint-Victor, Paris)
part of:
Carmina Burana (number: 14)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]10:44
6Michi confer, venditor (CB 16)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Michi confer venditor (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 16*)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]2:48
7Olim sudor Herculis (CB 63)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
soprano vocals [ensemble]:
Tessa Bonner (soprano) (in 1986-01), Catherine Bott (soprano) (in 1986-01) and Sally Dunkley (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Olim sudor Herculis (in 1986-01)
lyricist and composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 63)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]9:35
8Procurans odium (CB 12)
baritone vocals [ensemble]:
Michael George (operatic bass) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Procurans odium (in 1986-01)
part of:
Carmina Amoris Infelicis, Carmina Burana (number: 12) and Carmina Moralia et Divina
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]1:54
9Dulce solum (CB 119)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Dulce solum (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 119)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]5:27
10Axe Phebus aureo (CB 71)
solo soprano vocals [soprano]:
Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Axe Phebus aureo (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Amoris Infelicis and Carmina Burana (number: 71)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:23
11Alte clamat Epicurus (CB 211)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Alte clamat Epicurus (Carmina Burana) (in 1986-01)
part of:
Carmina Gulatorum et Potatorum and Carmina Burana (number: 211)
parody version of:
Nu alrest lebe ich mir werde (Palästinalied) (Nu alrest lebe ich mir werde)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]6:05
12Exiit diluculo (CB 90)
solo soprano vocals [soprano]:
Tessa Bonner (soprano) (in 1986-01) and Catherine Bott (soprano) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Exiit diluculo (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Veris et Amoris and Carmina Burana (number: 90)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]1:55
13Hiemali tempore (CB 203)
baritone vocals [ensemble]:
Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Hiemali tempore (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 203)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:47
14Tempus est iocundum (CB 179)
baritone vocals [ensemble]:
Allan Parkes (baritone) (in 1986-01)
bass vocals [ensemble]:
Simon Grant (bass-baritone) (in 1986-01)
solo baritone vocals [baritone]:
Michael George (operatic bass) (in 1986-01)
soprano vocals [ensemble]:
Tessa Bonner (soprano) (in 1986-01), Catherine Bott (soprano) (in 1986-01) and Sally Dunkley (soprano) (in 1986-01)
tenor vocals [ensemble]:
Andrew King (operatic tenor) (in 1986-01)
conductor:
Philip Pickett (musician) (in 1986-01)
performer:
New London Consort (in 1986-01)
phonographic copyright (℗) by:
The Decca Record Company, London (The Decca Record Company Limited, for copyrights use only!) (in 1987)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1986-01)
recording of:
Tempus est iocundum (in 1986-01)
composer:
[anonymous] (special purpose artist)
part of:
Carmina Burana (number: 179)
part of:
Carmina Burana (original manuscript of poetry, ca. 1230)
[anonymous]3:14
4▶CD: Llibre Vermell of Montserrat - Pilgrim Songs and Dances
5▶CD: The Feast of Fools
6▶CD: The Pilgrimage to Santiago - Navarre and Castille
7▶CD: The Pilgrimage to Santiago - León and Galicia
8▶CD: 2 Polyphonic Lais
9▶CD: Knightly Passions: The Songs of Oswald von Wolkenstein
10▶CD: Ockeghem - Complete Secular Music I
11▶CD: Ockeghem - Complete Secular Music II
12▶CD: Perugia - Secular Works
13▶CD: Sweet is the Song - Music of the Troubadours and Trouvères
14▶CD: Dufay - Secular Works
15▶CD: Missa di dadi; Missa "Faisant regretz"
16▶CD: Complete Three-Part Secular Music
17▶CD: Chansons, Frottole & Lieder
18▶CD: Frottole
19▶CD: La Chansonnier Cordiforme I
20▶CD: La Chansonnier Cordiforme II
21▶CD: La Chansonnier Cordiforme III
22▶CD: Mi Verry Joy - Songs of Fifteenth-century Englishmen
23▶CD: Le Lagrime di San Pietro à 7
24▶CD: Pavans and Galliards, 1599
25▶CD: Dansereye, 1551
26▶CD: A Musicall Banquet 1610
27▶CD: Quinto libro dei madrigali
28▶CD: Ayres and Madrigals
29▶CD: First & Second Sets of Madrigals
30▶CD: Symphoniae Sacrae II, 1615
31▶CD: Funeral Teares; Consort Music
32▶CD: Orlando Gibbons - Madrigals & Motets (1612)
33▶CD: Music from the Time of Elizabeth I
34▶CD: Psalmes, Sonets & songs of sadnes and pietie (1588 - Selected pieces)
35▶CD: Consort Music (1588)
36▶CD: My Ladye Nevells Booke (1591 - Selected Pieces)
37▶CD: The Cozens Lute Book
38▶CD: The Fitzwilliam Virginal Book I (Selected Pieces)
39▶CD: The Fitzwilliam Virginal Book II (Selected Pieces)
40▶CD: Keyboard Music I
41▶CD: Keyboard Music II
42▶CD: Quarto libro dei madrigali
43▶CD: Amorous Dialogues
44▶CD: Setts for Violins & Division Viols
45▶CD: The XII Wonders of the World, 1611; Character Songs
46▶CD: First Booke of Songs, 1597
47▶CD: Lachrimae, 1604
48▶CD: Dances from Terpsichore, 1612
49▶CD: The Sylvan and Oceanic Delights of Posilipo
50▶CD: Consort Music

Credits

Release

part of:Florilegium (L'Oiseau-Lyre) (order: 81)
Discogs:https://www.discogs.com/release/9333727 [info]
ASIN:CA: B01GIUU9EM [info]