The Greatest Hits

~ Release by Norah Jones (see all versions of this release, 2 available)

Tracklist

1Digital Media
#TitleRatingLength
1In the Morning
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
double bass [acoustic bass] and electric bass guitar:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
drums (drum set):
Andrew Borger (from 2003 until 2004)
resonator guitar:
Kevin Breit (from 2003 until 2004)
Wurlitzer electric piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
In the Morning (from 2003 until 2004)
lyricist and composer:
Adam Levy (jazz guitarist)
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Bughouse, Lost Wax Music and Universal Music Corp. (USA, affiliated with ASCAP)
3.654:07
2Don’t Know Why
assistant engineer:
Mark Birkey
engineer:
Jay Newland
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland
mixer:
Arif Mardin and Jay Newland
acoustic guitar and electric guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Don’t Know Why (in 2000-10)
lyricist and composer:
Jesse Harris
publisher:
Beanly Songs, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
3.453:06
3New York City
vocals and performer:
Norah Jones
45:07
4The Long Way Home
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004)
cajón [box]:
Andrew Borger (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
electric guitar:
Adam Levy (jazz guitarist) (from 2003 until 2004)
flute [flutes] and background vocals [backup vocal]:
Daru Oda (from 2003 until 2004)
lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Long Way Home (from 2003 until 2004)
writer:
Kathleen Brennan and Tom Waits
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
Jalma Music
43:13
5I’ll Be Your Baby Tonight
cover recording of:
I’ll Be Your Baby Tonight
lyricist and composer:
Bob Dylan (from 1967-10 until 1967-11)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Dwarf Music (in 1968)
3:17
6Love Me Tender (Princess Diaries 2 OST)
cover recording of:
Love Me Tender
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
2:56
7Tennesee Waltz
cover recording of:
Tennessee Waltz
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
4:23
8Come Away With Me
recording of:
Come Away With Me
lyricist and composer:
Norah Jones
3:06
9Thinking About You
3:20
10Sunrise
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar and banjolin:
Kevin Breit (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
slit drum:
Andrew Borger (from 2003 until 2004)
background vocals [backup vocal]:
Adam Levy (jazz guitarist) (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Sunrise (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.853:20
11Lonestar
assistant engineer:
Dick Kondas
engineer:
Jay Newland
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland
acoustic guitar:
Adam Levy (jazz guitarist)
acoustic guitar and slide guitar:
Tony Scherr
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
organ [Pump organ]:
Rob Burger
lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Lonestar
lyricist and composer:
Lee Alexander (US bassist, songwriter & producer)
3.43:06
12Turn Me On
assistant engineer:
Mark Birkey
engineer:
Jay Newland
additional producer:
Arif Mardin
producer:
Norah Jones and Jay Newland
mixer:
Arif Mardin and Jay Newland
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Dan Rieser
guitar:
Adam Rogers (guitar)
Hammond organ [Hammond B-3]:
Sam Yahel (US jazz keyboardist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Turn Me On
lyricist and composer:
John D. Loudermilk
publisher:
Loudermilk Music, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and Acuff-Rose Publications, Inc. (BMI) (on 1961-08-09)
4.22:34
13More Than This
cover recording of:
More Than This
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
4:10
14I’ve Got to See You Again
assistant engineer:
Dick Kondas
engineer:
Jay Newland
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland
acoustic guitar:
Jesse Harris
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
drums (drum set):
Brian Blade (US jazz drummer, composer, and session musician)
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals:
Norah Jones
violin:
Jenny Scheinman
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
I’ve Got to See You Again
lyricist and composer:
Jesse Harris
3.14:15
15Those Sweet Words
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Kevin Breit (from 2003 until 2004) and Jesse Harris (from 2003 until 2004)
cajón [box]:
Andrew Borger (from 2003 until 2004)
double bass [bass]:
Lee Alexander (US bassist, songwriter & producer) (from 2003 until 2004)
piano and lead vocals [vocals]:
Norah Jones (from 2003 until 2004)
reed organ [pump organ]:
Rob Burger (from 2003 until 2004)
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Those Sweet Words (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Richard Julian
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music, Slow New York Music and Sony/ATV Songs LLC
4.353:22
16Carnival Town
recording engineer and mixer:
Jay Newland
artist & repertoire support:
Chris Cofoni and Eli Wolf
assistant engineer:
Matthew Cullen (US engineer), Dick Kondas, Steve Mazur (Sound Engineer based in Austin, Texas, previously NYC) and Aya Takemura
producer:
Norah Jones and Arif Mardin
creative direction:
Gordon H Jee
acoustic guitar:
Jesse Harris (from 2003 until 2004)
cello:
Jane Scarpantoni (cellist) (from 2003 until 2004)
piano and lead vocals [vocal]:
Norah Jones (from 2003 until 2004)
viola:
David Gold (viola player) (from 2003 until 2004)
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Blue Note Records (this is the record company; for release labels use its imprint “Blue Note”) (in 2004)
recorded at:
Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
recording of:
Carnival Town (from 2003 until 2004)
writer:
Lee Alexander (US bassist, songwriter & producer) and Norah Jones
dedicated to:
Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
publisher:
EMI Blackwood Music Inc., Fumblethumbs Music and Muthajones Music
3.253:12
17Sleepless Nights
4:15
18Cold Cold Heart
assistant engineer:
Dick Kondas
engineer:
Jay Newland
producer:
Arif Mardin
mixer:
Arif Mardin and Jay Newland
bass guitar:
Lee Alexander (US bassist, songwriter & producer)
electric guitar:
Adam Levy (jazz guitarist)
piano and lead vocals:
Norah Jones
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2002)
recorded at:
Allaire Studios in Bearsville, New York, United States and Sorcerer Sound in New York, New York, United States
mixed at:
Sear Sound in New York, New York, United States
cover recording of:
Cold, Cold Heart
lyricist and composer:
Hank Williams (country music legend)
publisher:
Rightsong Music Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing Australia Pty Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1951-02-16)
2.93:38
19The Story
3:55