Jah Won’t Pay the Bills

~ Release by Sublime (see all versions of this release, 6 available)

Annotation

A very rare collector's item, released only on tape. Most of the songs are available on the first Sublime album 40 Oz. to Freedom.

Annotation last modified on 2009-03-03 02:13 UTC.

Tracklist

1▼Cassette
#TitleRatingLength
A1D.J.s
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
D.J.s
lyricist and composer:
Bradley Nowell
is based on:
A Message to You, Rudy
is based on:
Corner Stone
is based on:
Na Touch Da Just
is based on:
Ride Natty Ride
3:23
A2Badfish
recording engineer, engineer, producer and mixer:
Elephant Levitation (in 1991)
acoustic guitar and electric guitar:
Brad Nowell (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass] and organ:
Eric Wilson (Sublime) (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
Badfish
lyricist and composer:
Bradley Nowell
is based on:
All the Fun That We Missed
is based on:
Nite Klub
33:09
A3Lets Go Get Stoned
samples:
Contract on the World Love Jam by Public Enemy (US rap group), Just Don’t Bite It by N.W.A (US hip hop group), Let’s Go Get Stoned by Ray Charles (soul musician, singer and songwriter), Rebel Without a Pause by Public Enemy (US rap group) and The New Style by Beastie Boys
recording of:
Let’s Go Get Stoned
lyricist and composer:
Bradley Nowell
is based on:
#1 Hit Song
3:45
A4Newsong
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums]:
Floyd I (in 1991)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1991)
electric guitar:
Brad Nowell (in 1991)
vocals:
Brad Nowell (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
New Song (Sublime)
composer:
Sublime (ska punk)
is based on:
Can't Do Nuttin' for Ya Man
is based on:
The Nigga Ya Love to Hate
33:19
A5Had a DAT
recording engineer, producer and mixer:
Elephant Levitation (in 1990)
drums (drum set) [drums]:
Floyd I (in 1990)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1990)
electric guitar:
Brad Nowell (in 1990)
vocals:
Brad Nowell (in 1990)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1990)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1990)
compilation of:
[samples before Had a DAT] by Sublime (ska punk)
recording of:
Had a DAT
writer:
Sublime (ska punk)
3:43
B1Don’t Push
recording engineer:
Gary Greeth (in 1988)
engineer and mixer:
Steve McNeil (engineer) (in 1988)
producer:
Bradley Nowell (in 1988)
drums (drum set) [drums]:
Floyd I (in 1988)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1988)
electric guitar:
Brad Nowell (in 1988)
vocals:
Brad Nowell (in 1988)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1988)
recording of:
Don’t Push (in 1988)
composer:
Sublime (ska punk)
is based on:
Buffalo Soldier
is based on:
Comfortably Numb
is based on:
Could You Be Loved
is based on:
Lick a Shot
is based on:
She’s Crafty
is based on:
Up All Night (Boomtown Rats)
is based on:
Wake the Town (Tenor Saw)
is based on:
We Rule the Dancehall
3:54
B2Ball and Chain
recording engineer:
Gary Greeth (in 1989)
mixer:
Steve McNeil (engineer) (in 1989)
drums (drum set):
Bud Gaugh (in 1989)
electric bass guitar:
Eric Wilson (Sublime) (in 1989)
electric guitar and lead vocals:
Bradley Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Ball and Chain (Sublime) (in 1989)
lyricist and composer:
Bradley Nowell
3:35
B3Slow Ride
recording engineer:
Gary Greeth (in 1989)
engineer and mixer:
Steve McNeil (engineer) (in 1989)
producer:
Sublime (ska punk)
drums (drum set) [drums]:
Floyd I (in 1989)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1989)
electric guitar:
Brad Nowell (in 1989)
vocals:
Brad Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Slow Ride (in 1989)
writer:
Sublime (ska punk)
4:13
B4Date Rape
recording engineer:
Gary Greeth (in 1989)
mixer:
Steve McNeil (engineer) (in 1989)
drums (drum set):
Bud Gaugh (in 1989)
electric bass guitar:
Eric Wilson (Sublime) (in 1989)
electric guitar and lead vocals:
Bradley Nowell (in 1989)
recorded at and mixed at:
Mambo Recording in Long Beach, California, United States (in 1989)
recording of:
Date Rape (in 1989)
lyricist and composer:
Bradley Nowell
is based on:
Mandingo
4:01
B5Live at E’s
recording engineer, producer and mixer:
Elephant Levitation (in 1991)
drums (drum set) [drums] and percussion:
Ras M.G. (in 1991)
electric bass guitar [bass]:
Eric Wilson (Sublime) (in 1991)
electric guitar [lead guitar]:
Elephant Levitation (in 1991)
vocals:
Brad Nowell (in 1991) and Ras M.G. (in 1991)
recorded at and mixed at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
produced at:
California State University, Dominguez Hills in Carson, California, United States (in 1991)
recording of:
Live at E’s
33:15