My Baby Just Cares for Me

~ Release by Nina Simone (see all versions of this release, 5 available)

Tracklist

1▼CD
#TitleRatingLength
1My Baby Just Cares for Me
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
edit of:
My Baby Just Cares for Me (special extended version) by Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
3.853:37
2Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
3.52:51
3I Loves You, Porgy
cover recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
4:10
4I Got It Bad and That Ain’t Good
lead vocals:
Nina Simone (in 1962)
cover recording of:
I Got It Bad (and That Ain’t Good) (in 1962)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
44:09
5Work Song
recorded in:
New York, New York, United States (in 1961)
producer:
Cal Lampley
bass:
Chris White (jazz bassist) (in 1961)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
guitar:
Al Schackman (in 1961)
piano and lead vocals:
Nina Simone (in 1961)
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
lyricist:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
composer:
Nat Adderley
publisher:
Upam Music Co. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
version of:
Work Song (original instrumental)
4.52:36
6Spring Is Here
cover recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
4:22
7Mood Indigo
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
54:03
8Don’t Smoke in Bed
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Philips (publisher; do NOT use as release label) (in 1964)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Don’t Smoke in Bed (in 1957-12)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
43:12
9Love Me or Leave Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Love Me or Leave Me (in 1957-12)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
4.653:24
10Black Is the Color
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone
arrangement of:
Black Is the Colour (of My True Love’s Hair)
3:10
11It Don’t Mean a Thing (If It Ain’t Got Swing)
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:29
12The Gal From Joe’s
cover recording of:
The Gal From Joe’s
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
2:11