50th Anniversary :: Edition 50e Anniversaire

~ Release by Les Percussions de Strasbourg (see all versions of this release, 1 available)

Annotation

Tracklist & infos pdf file from official homepage

Annotation last modified on 2016-07-12 04:39 UTC.

Tracklist

1▶CD: Messiaen
2▼CD: Boulez.Amy.Manoury
#TitleArtistRatingLength
1Le marteau sans maître: 1. Avant « L’artisanat furieux »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: I. Avant l'Artisanat furieux. Rapide (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez1:29
2Le marteau sans maître: 2. Commentaire I de « Bourreaux de solitude »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: II. Commentaire I de Bourreaux de solitude. Lent (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:39
3Le marteau sans maître: 3. « L’artisanat furieux »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: III. L'Artisanat furieux. Modéré sans riguer (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez2:04
4Le marteau sans maître: 4. Commentaire II de « Bourreaux de solitude »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: IV. Commentaire II de Bourreaux de solitude. Rapide (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez4:16
5Le marteau sans maître: 5. « Bel édifice et les pressentiments », version première
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: V. Bel édifice et les pressentiments - version première. Assez vif (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:26
6Le marteau sans maître: 6. « Bourreaux de solitude »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: VI. Bourreaux de solitude. Assez lent (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez3:18
7Le marteau sans maître: 7. Après « L’artisanat furieux »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: VII. Après l'Artisanat furieux. Rapide (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez1:04
8Le marteau sans maître: 8. Commentaire III de « Bourreaux de solitude »
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: VIII. Commentaire III de Bourreaux de solitude. Assez lent (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez5:37
9Le marteau sans maître: 9. « Bel édifice et les pressentiments », double
recorded in:
Paris, Île-de-France, France (in 1964)
flute:
Severino Gazzelloni (flutist) (in 1964)
guitar:
Anton Stingl (guitarist and composer) (in 1964)
percussion:
Jean Batigne (in 1964)
vibraphone:
Claude Ricou (in 1964)
viola:
Serge Collot (violist) (in 1964)
xylorimba:
Georges van Gucht (in 1964)
alto vocals:
Jeanne Deroubaix (Belgian mezzo-soprano) (in 1964)
conductor:
Pierre Boulez (composer and conductor) (in 1964)
recording of:
Le marteau sans maître: IX. Bel édifice et les pressentiments - double. Tempo libre de rècit (in 1964)
composer:
Pierre Boulez (composer and conductor) (from 1953 until 1955)
part of:
Le marteau sans maître
Pierre Boulez7:19
10Cycle: Frontispice
engineer:
Gerhard Henjes (sound engineer and producer) (in 1970-07)
producer:
Gilbert Amy (French composer and conductor) and Michel Bernard (engineer / producer)
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1970-07)
recording of:
Cycle: Frontispice (in 1970-07)
composer:
Gilbert Amy (French composer and conductor) (in 1966)
part of:
Cycle
Gilbert Amy3:20
11Cycle: Parenthèse I
engineer:
Gerhard Henjes (sound engineer and producer) (in 1970-07)
producer:
Gilbert Amy (French composer and conductor) and Michel Bernard (engineer / producer)
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1970-07)
recording of:
Cycle: Parenthèse I (in 1970-07)
composer:
Gilbert Amy (French composer and conductor) (in 1966)
part of:
Cycle
Gilbert Amy1:38
12Cycle: Développement Central
engineer:
Gerhard Henjes (sound engineer and producer) (in 1970-07)
producer:
Gilbert Amy (French composer and conductor) and Michel Bernard (engineer / producer)
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1970-07)
recording of:
Cycle: Développement central (in 1970-07)
composer:
Gilbert Amy (French composer and conductor) (in 1966)
part of:
Cycle
Gilbert Amy6:41
11Cycle: Parenthèse II
engineer:
Gerhard Henjes (sound engineer and producer) (in 1970-07)
producer:
Gilbert Amy (French composer and conductor) and Michel Bernard (engineer / producer)
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1970-07)
recording of:
Cycle: Parenthèse II (in 1970-07)
composer:
Gilbert Amy (French composer and conductor) (in 1966)
part of:
Cycle
Gilbert Amy1:17
14Cycle: Antiphonie
engineer:
Gerhard Henjes (sound engineer and producer) (in 1970-07)
producer:
Gilbert Amy (French composer and conductor) and Michel Bernard (engineer / producer)
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1970-07)
recording of:
Cycle: Antiphonie (in 1970-07)
composer:
Gilbert Amy (French composer and conductor) (in 1966)
part of:
Cycle
Gilbert Amy1:51
15Cycle: Variation
engineer:
Gerhard Henjes (sound engineer and producer) (in 1970-07)
producer:
Gilbert Amy (French composer and conductor) and Michel Bernard (engineer / producer)
percussion:
Jean Batigne (in 1970-07), Gabriel Bouchet (in 1970-07), Detlev Kieffer (in 1970-07), Jean-Paul Finkbeiner (in 1970-07), Georges van Gucht (in 1970-07) and Claude Ricou (in 1970-07)
recorded at:
Polydor Studios, Köln in Köln (Cologne), Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1970-07)
recording of:
Cycle: Variation (in 1970-07)
composer:
Gilbert Amy (French composer and conductor) (in 1966)
part of:
Cycle
Gilbert Amy2:20
16Le livre des claviers: Premier quatuor
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (percussionist) (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est (Great East), France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: I. Premier quatuor (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury1:24
17Le livre des claviers: Duo de marimbas
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (percussionist) (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est (Great East), France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: II. Duo de marimbas (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury6:36
18Le livre des claviers: Sextuor de sixens
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (percussionist) (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est (Great East), France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: III. Sextuor de sixens (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury3:24
19Le livre des claviers: Solo de vibraphone
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (percussionist) (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est (Great East), France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: IV. Solo de vibraphone (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury8:14
20Le livre des claviers: Deuxième quatuor
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (percussionist) (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est (Great East), France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: V. Deuxième quatuor (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury2:34
21Le livre des claviers: Sextuor de sixens
miscellaneous support:
Alain Christmann
sound engineer:
Raymond Butin
assistant engineer:
Hans Lauterslager
producer:
Alain de Chambure
editor:
Philippe Malidin
percussion:
Jean-Paul Bernard (from 1992-12-18 until 1992-12-23), Claude Ferrier (from 1992-12-18 until 1992-12-23), Christian Hamouy (from 1992-12-18 until 1992-12-23), Keiko Nakamura (percussionist) (from 1992-12-18 until 1992-12-23), Bernard Lesage (from 1992-12-18 until 1992-12-23) and Olaf Tzschoppe (from 1992-12-18 until 1992-12-23)
recorded at:
Relais Culturel de Wissembourg in Wissembourg, Bas-Rhin, Grand Est (Great East), France (from 1992-12-18 until 1992-12-23)
recording of:
Le Livre des claviers: VI. Sextuor de sixens (from 1992-12-18 until 1992-12-23)
composer:
Philippe Manoury (in 1952)
part of:
Le Livre des claviers
Philippe Manoury6:50
3▶CD: Les formes ouvertes:: Boucourechliev.Haubenstock-Ramati ::
4▶CD: Americana:: Varese.Chavez.Cage.Campion ::
5▶CD: Musiques de l’est:: Stibilj.Silvestrov.Denisov.Kabelac ::
6▶CD: Espace temps:: Serocki.Aperghis.Xenakis ::
7▶CD: Invités:: Schat.Puig.Denisov ::
8▶CD: Asie et autres influences:: Scherchen.Shinohara.Ohana.Louvier.Taïra ::
9▶CD: Dufourt
10▶CD: Monnet
11▶CD: Œuvre collective
12▶CD: Musique et espace:: Grisey ::
13▶CD: Amerique du sud / Musique et film:: Pampin.Matalon ::
14▶CD: Mâche
15▶CD: Transformations et détournements:: Racot.Levinas.D’Adamo.Paris ::