101 Jukebox Classics

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Instant Karma (We All Shine On)
engineer:
Phil McDonald (engineer and producer)
producer:
Phil Spector
acoustic guitar:
George Harrison (The Beatles)
bass and electric piano:
Klaus Voormann
chimes and handclaps:
Mal Evans
drums (drum set):
Alan White (Yes drummer)
organ:
Billy Preston
piano:
George Harrison (The Beatles), John Lennon (The Beatles) and Alan White (Yes drummer)
background vocals:
Mal Evans, Allen Klein and Yoko Ono (Japanese‐American musician and artist)
lead vocals:
John Lennon (The Beatles)
publisher:
Chappell Music (UK) (in 1970)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1970-01-27)
music videos:
Instant Karma ("cue card" version) by John Lennon (The Beatles) and Instant Karma ("knitting" version) by John Lennon (The Beatles)
recording of:
Instant Karma! (We All Shine On)
lyricist and composer:
John Lennon (The Beatles)
publisher:
EMI Blackwood Music (Canada) Ltd. and Lenono Music
John Lennon & The Plastic Ono Band4.753:20
2Power to the People
recording of:
Power to the People
lyricist and composer:
John Lennon (The Beatles)
publisher:
Lenono Music and Chappell Music (UK) (in 1971)
John Lennon & The Plastic Ono Band3:17
3Live and Let Die
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (US drummer) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (US drummer) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI United Partnership Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
part of:
The 46th Academy Award for Best Original Song (number: 2) and James Bond themes
Paul McCartney & Wings4.13:08
4The Back Seat of My Car
assistant recording engineer:
Ted Brosnan (from 1970-10-22 until 1971-04) and Dixon Van Winkle (from 1970-10-22 until 1971-04)
recording engineer:
Tim Geelan (from 1970-10-22 until 1971-04), Jim Guercio (from 1970-10-22 until 1971-04), Phil Ramone (from 1970-10-22 until 1971-04) and Armin Steiner (from 1970-10-22 until 1971-04)
producer:
Linda McCartney (from 1970-10-22 until 1971-04) and Paul McCartney (The Beatles) (from 1970-10-22 until 1971-04)
mixer:
Eirik Wangberg (from 1971-03 until 1971-04)
bass guitar, piano and lead vocals:
Paul McCartney (The Beatles) (from 1970-10-22 until 1971-04)
double bass:
Ron Carter (US jazz double-bassist) (from 1970-10-22 until 1971-04)
drums (drum set):
Denny Seiwell (US drummer) (from 1970-10-22 until 1971-04)
electric guitar:
Paul McCartney (The Beatles) (from 1970-10-22 until 1971-04) and Hugh McCracken (from 1970-10-22 until 1971-04)
horn:
Mel Davis (US jazz trumpeter) (from 1970-10-22 until 1971-04), Ray Crisara (from 1970-10-22 until 1971-04), Marvin Stamm (from 1970-10-22 until 1971-04) and Snooky Young (from 1970-10-22 until 1971-04)
violin:
David Nadien (from 1970-10-22 until 1971-04)
background vocals:
Linda McCartney (from 1970-10-22 until 1971-04) and Paul McCartney (The Beatles) (from 1970-10-22 until 1971-04)
orchestra:
The New York Philharmonic Orchestra (New York Philharmonic) (from 1970-10-22 until 1971-04)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1971, in 2012) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 2012)
additionally recorded at:
A&R Studios (second location, 799 7th Avenue) in Midtown Manhattan, New York, New York, United States (on 1971-01-11) and Sunset Sound Recorders Studio in Hollywood, Los Angeles, California, United States (from 1971-03 until 1971-04)
recorded at:
CBS Recording Studios (New York City, encompassing studios at 7th Ave, and 52nd & 30th St) in New York, New York, United States (on 1970-10-22)
mixed at:
Sunset Sound in Hollywood, Los Angeles, California, United States (from 1971-03 until 1971-04)
recording of:
The Back Seat of My Car (from 1970-10-22 until 1971-04)
lyricist and composer:
Paul McCartney (The Beatles)
publisher:
Northern Songs Ltd. and Sony/ATV Tunes LLC (ASCAP)
Paul & Linda McCartney3.254:28
5Meet Me on the Corner
producer:
Bob Johnston (US record producer and early rockebilly singer)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2004)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1971)
recording of:
Meet Me on the Corner
lyricist and composer:
Rod Clements
publisher:
Hazy Music
Lindisfarne2:39
6Fog on the Tyne
producer:
Bob Johnston (US record producer and early rockebilly singer)
bass and fiddle:
Rod Clements
drums (drum set) and percussion:
Ray Laidlaw
guitar:
Rod Clements, Alan Hull and Si Cowe
harmonica:
Ray Jackson
vocals:
Alan Hull, Ray Jackson and Si Cowe
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1971)
recording of:
Fog on the Tyne
lyricist and composer:
Alan Hull
publisher:
Charisma Music (generic publishing entity, relating to Charisma Music Publishing Co. Ltd. or Charisma Music Publishing USA, Inc.) and Hazy Music
Lindisfarne53:24
7She’s Not There
producer:
Ken Jones (British conductor & composer Kenneth Evan Jones)
recorded at:
Decca Studios: Studio 2 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1964-06-12)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 37), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 213) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 291)
recording of:
She’s Not There (on 1964-06-12)
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
The Zombies4.152:22
8Time of the Season
engineer:
Geoff Emerick (British recording engineer) and Peter Vince (engineer, producer)
producer:
Rod Argent and Chris White (UK bassist for The Zombies)
bass guitar:
Chris White (UK bassist for The Zombies) (in 1967-08)
drums (drum set):
Hugh Grundy (in 1967-08)
guitar:
Paul Atkinson (in 1967-08)
mellotron, organ and piano:
Rod Argent (in 1967-08)
background vocals:
Rod Argent (in 1967-08) and Chris White (UK bassist for The Zombies) (in 1967-08)
vocals:
Colin Blunstone (in 1967-08)
phonographic copyright (℗) by:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (in 1968)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1967-08)
engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 349)
recording of:
Time of the Season (in 1967-08)
lyricist and composer:
Rod Argent
publisher:
Melodie der Welt J. Michel KG Musikverlag, Verulam Music Co. Ltd. and Mainstay Music, Inc. (in 1968)
The Zombies4.53:32
9Hurdy Gurdy Man
recorded in:
London (Greater London), England, United Kingdom (in 1968)
producer:
Mickie Most (English record producer)
acoustic guitar and tambura:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
bass:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (in 1968)
drums (drum set):
Clem Cattini (in 1968)
electric guitar:
Allan Holdsworth (in 1968) and Jimmy Page (in 1968)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968)
arranger:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1968)
recording of:
Hurdy Gurdy Man (in 1968)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd.
Donovan53:12
10Season of the Witch
producer:
Mickie Most (English record producer)
acoustic guitar and electric guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966-05)
bass:
Bobby Ray (60s/70s US folk artist/bassist) (in 1966-05)
drums (drum set):
"Fast" Eddy Hoh (in 1966-05)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1966-05)
recorded at:
Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, United States (in 1966-05)
recording of:
Season of the Witch (in 1966-05)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
Donovan4:55
11California Girls
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
12 string guitar:
Jerry Cole (on 1965-04-06) and Carl Wilson (Beach Boys) (on 1965-04-06)
baritone saxophone:
Jay Migliori (on 1965-04-06)
bass guitar:
Carol Kaye (on 1965-04-06)
bass saxophone:
Jack Nimitz (American saxophonist and clarinet player) (on 1965-04-06)
double bass [upright bass]:
Lyle Ritz (on 1965-04-06)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1965-04-06)
guitar:
Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1965-04-06)
organ:
Al De Lory (on 1965-04-06)
piano:
Leon Russell (on 1965-04-06)
tambourine:
Billy Strange (on 1965-04-06)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1965-04-06)
trumpet:
Roy Caton (trumpet player) (on 1965-04-06)
vibraphone:
Frank Capp (on 1965-04-06)
lead vocals:
Mike Love (Beach Boys) (on 1965-04-06)
vocals:
Al Jardine (on 1965-04-06), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (on 1965-04-06), Carl Wilson (Beach Boys) (on 1965-04-06) and Dennis Wilson (Beach Boys) (on 1965-04-06)
arranger:
Brian Wilson (Beach Boys co‐founder)
phonographic copyright (℗) by:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1965)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (on 1965-04-06)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
California Girls (on 1965-04-06)
lyricist and composer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
The Beach Boys4.252:34
12Don’t Worry Baby
engineer:
Chuck Britz
producer:
Brian Wilson (Beach Boys co‐founder)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (on 1964-02-20)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 176)
recording of:
Don’t Worry Baby (on 1964-02-20)
writer:
Roger Christian (US radio personality and lyricist) and Brian Wilson (Beach Boys co‐founder)
publisher:
Essex Music International, Irving Music, Inc., Sea of Tunes, Universal Music Careers, Universal Music Publishing Group Japan (work publisher – do NOT use as a release label), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
The Beach Boys4.12:48
13Long Cool Woman (in a Black Dress)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (from 1971-07-16 until 1971-07-30)
writer:
Allan Clarke (of The Hollies), Roger Cook (US‐based British singer, songwriter and producer) and Roger Greenaway
The Hollies4.23:15
14King Midas in Reverse
producer:
Ron Richards
acoustic guitar:
Graham Nash
vocals:
Graham Nash
phonographic copyright (℗) by:
The Hollies Ltd. (in 1967, in 2003)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1967-08-03 until 1967-08-04)
recording of:
King Midas in Reverse (from 1967-08-03 until 1967-08-04)
lyricist and composer:
Graham Nash
writer:
Allan Clarke (of The Hollies) and Tony Hicks
The Hollies43:02
1510538 Overture
engineer:
Peter Olliff and Roger Wake (engineer)
producer:
Bob Irwin, Jeff Lynne and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
bass:
Jeff Lynne (from 1970-07-12 until 1971-06) and Rick Price (the Move and Electric Light Orchestra bassist) (from 1970-07-12 until 1971-06)
cello:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
drums (drum set):
Bev Bevan (English rock drummer) (from 1970-07-12 until 1971-06)
French horn:
Bill Hunt (UK keyboards, horn player) (from 1970-07-12 until 1971-06)
guitar:
Jeff Lynne (from 1970-07-12 until 1971-06) and Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
violin:
Steve Woolam (from 1970-07-12 until 1971-06)
lead vocals:
Jeff Lynne (from 1970-07-12 until 1971-06)
vocals:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (from 1970-07-12 until 1971-06)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971, in 2001) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (from 1971 until 1972)
recorded at:
Philips Studios in London (Greater London), England, United Kingdom (from 1970-07-12 until 1971-06)
recording of:
10538 Overture (from 1970-07-12 until 1971-06)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra55:28
16Roll Over Beethoven
engineer:
Denny Bridges and John Middleton (engineer)
producer:
Jeff Lynne
bass:
Michael d’Albuquerque (on 1972-09-08)
cello:
Mike Edwards (English Cellist that was a member of ELO) (on 1972-09-08) and Colin Walker (English Cellist that was a member of ELO) (on 1972-09-08)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (on 1972-09-08)
guitar, harmonium and Moog:
Jeff Lynne (on 1972-09-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
piano:
Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
violin:
Wilfred Gibson (UK violinist) (on 1972-09-08)
background vocals:
Michael d’Albuquerque (on 1972-09-08) and Richard Tandy (keyboardist for Electric Light Orchestra) (on 1972-09-08)
lead vocals:
Jeff Lynne (on 1972-09-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-09-08)
cover recording of:
Roll Over Beethoven (on 1972-09-08)
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Electric Light Orchestra4.354:32
17Rag Mama Rag
engineer:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) and Joe Zagarino
co-producer:
John Simon (US producer, arranger, composer, songwriter and musician)
producer:
The Band (Canadian-American rock band)
mixer:
Tony May (engineer) and Joe Zagarino
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1969)
recording of:
Rag Mama Rag
lyricist and composer:
Robbie Robertson
publisher:
Canaan Music Inc and Warner Chappell North America Ltd.
The Band43:02
18The Night They Drove Old Dixie Down
engineer:
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) and Joe Zagarino
co-producer:
John Simon (US producer, arranger, composer, songwriter and musician)
producer:
The Band (Canadian-American rock band)
mixer:
Tony May (engineer) and Joe Zagarino
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1969)
recording of:
The Night They Drove Old Dixie Down
lyricist and composer:
Robbie Robertson
publisher:
Canaan Music Inc, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
The Band4.43:31
19Life Is a Long Song
executive producer:
Terry Ellis (UK producer & band manager)
remixer:
Robin Black (engineer)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
Life Is a Long Song (on 1971-05-17)
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull3.853:17
20Witches Promise
executive producer:
Terry Ellis (UK producer & band manager)
producer:
Ian Anderson (of Jethro Tull) and Terry Ellis (UK producer & band manager)
acoustic guitar and flute:
Ian Anderson (of Jethro Tull) (in 1970)
bass guitar:
Glenn Cornick (in 1970)
drums (drum set):
Clive Bunker (in 1970)
electric guitar:
Martin Barre (in 1970)
keyboard:
John Evan (in 1970)
vocals:
Ian Anderson (of Jethro Tull) (in 1970)
remixer:
Robin Black (engineer)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1970)
remixed at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The Witch’s Promise (on 1969-12-19)
lyricist and composer:
Ian Anderson (of Jethro Tull)
Jethro Tull3.53:50
21In My Own Time
recording of:
In My Own Time
lyricist:
Roger Chapman
composer:
Charlie Whitney (UK rock guitarist and composer)
Family23:33
22Burlesque
recording of:
Burlesque
writer:
Roger Chapman and John Whitney (composer and conductor)
Family4.54:03
3▶CD
4▶CD
5▶CD

Credits

Release

ASIN:UK: B000QCQUJM [info]