Romantic Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Available on Apple Music, but not iTunes.

Annotation last modified on 2020-06-28 23:40 UTC.

Tracklist

1Digital Media
#TitleArtistRatingLength
1True (single edit)
producer:
Steve Jolley, Spandau Ballet and Tony Swain (songwriter, producer)
performer:
Spandau Ballet
phonographic copyright (℗) by:
Chrysalis (in 1983) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
music videos:
True by Spandau Ballet
recording of:
True
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd. and Reformation Publishing Inc.
Spandau Ballet3.655:28
2When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene (’60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene (’60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:51
3(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:43
4Crazy Love (single version)
Van Morrison2:36
5Last Request
additional programming:
Matt Benbrook
additional engineer:
Richard Wilkinson (production music)
assistant engineer:
Darren Simpson (engineer)
engineer:
Mark Phythian
producer:
Matt Benbrook (strings) and Ken Nelson (UK record producer)
mixer:
Tom Elmhirst (mixing engineer)
acoustic guitar and background vocals:
Donny Little
bass guitar:
Mike Hunter (UK producer & engineer)
drums (drum set), keyboard and percussion:
Jim Duguid
guitar:
Eddie Harrison, Donny Little and Ken Nelson (UK record producer)
strings:
Matt Benbrook
lead vocals:
Paolo Nutini
recording of:
Last Request
writer:
Matt Benbrook, Jim Duguid and Paolo Nutini
Paolo Nutini3.353:40
6Baby Can I Hold You
engineer and mixer:
Kevin Smith (American DJ, producer and hip hop pioneer based in New York City.)
producer:
David Kershenbaum
bass guitar:
Larry Klein
drums (drum set) and percussion:
Denny Fongheiser
electric sitar and Hammond organ:
Jack Holder
electric violin:
David LaFlamme
guitar [rhythm]:
Tracy Chapman (American singer‐songwriter)
keyboard:
Bob Marlette
vocals:
Tracy Chapman (American singer‐songwriter)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2015)
recorded at and mixed at:
Powertrax Studio in Hollywood, Los Angeles, California, United States
recording of:
Baby Can I Hold You
lyricist and composer:
Tracy Chapman (American singer‐songwriter)
publisher:
EMI Songs Ltd., Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Tracy Chapman43:13
7You’re BeautifulJames Blunt4.153:32
8Love You Lately (2008 version)
recording of:
Love You Lately
composer:
Daniel Powter (Canadian singer-songwriter and pianist)
Daniel Powter3:02
9Everglow
recording of:
Everglow
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
Coldplay3:47
10I’m Yours
assistant recording engineer:
Iain Hill (UK engineer)
recording engineer:
Dyre Gormsen
producer:
Martin Terefe
mixer:
Tony Maserati (engineer / mixer)
bass:
Martin Terefe
drums (drum set):
Kristoffer Sonne
guitar:
Jason Mraz
keyboard:
Nikolaj Torp Larsen
background vocals:
Toca Rivera
vocals:
Jason Mraz
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2008) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2008)
recorded at:
Kensaltown Recording Studios in London (Greater London), England, United Kingdom
mixed at:
Canaan Road Studios in New York, New York, United States
part of:
BILLIONS CLUB
recording of:
I’m Yours
lyricist and composer:
Jason Mraz
publisher:
Goo Eyed Music
Jason Mraz44:02
11I’ll Stand by You
engineer:
Steve Williams (UK recording engineer, aka Syco)
producer:
Ian Stanley
drums (drum set):
Jimmy Copley and J.F.T. Hood
guitar:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and Adam Seymour
vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
phonographic copyright (℗) by:
Warner Music UK Ltd. (Warner Music UK Limited, not for release label use!) (in 1994, in 2000) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
recording of:
I’ll Stand by You
writer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders), Tom Kelly (songwriter) and Billy Steinberg
publisher:
B. Steinbereg Music, Clive Banks Songs, D. Barry Music, EMI Music Publishing Ltd. (PRS‐affiliated), Hynde House of Hits Music and Kobalt Publishing Ltd.
Pretenders3.554:00
12Kiss From a Rose
assistant producer:
Richard Lowe (UK producer/engineer)
producer:
Trevor Horn
assistant mixer:
Tom Elmhirst (mixing engineer)
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
lead vocals:
Seal (English‐born singer and songwriter)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1994), Warner Music Argentina S.A. (in 2009) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2009)
produced for:
Horn Productions
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 308)
recording of:
Kiss From a Rose
lyricist and composer:
Seal (English‐born singer and songwriter) (in 1987)
publisher:
Beethoven Street Music, DTCM Blvd., Perfect Songs (UK publisher, affiliated with BMI) and SPZ Music Incorporated (BMI affiliated)
Seal3.754:48
13(Everything I Do) I Do It for You
cover recording of:
(Everything I Do) I Do It for You
writer:
Bryan Adams (Canadian singer/songwriter) (on 1991-04-10), Michael Kamen (American score composer) (on 1991-04-10) and Robert John “Mutt” Lange (Robert John Lange) (on 1991-04-10)
publisher:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1991)
part of:
The 64th Academy Award for Best Original Song (number: 2)
Brandy44:10
14It Started With a Kiss
producer:
Mickie Most (English record producer)
lead vocals:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982)
music videos:
It Started With a Kiss by Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music and RAK Publishing Ltd.
Hot Chocolate34:02
15Glory of Love
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2)
Peter Cetera4.24:18
16Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek (in 1983)
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:54
17Let’s Stay Together (2015 remaster)
drum machine programming:
Martyn Ware
sampler programming:
Greg Walsh (producer and engineer)
engineer:
Walter Samuel (engineer) and Greg Walsh (producer and engineer)
producer:
Greg Walsh (producer and engineer) and Martyn Ware
guitar:
Ray Russell (guitar, composer, producer)
percussion:
Frank Ricotti (percussionist)
piano and synthesizer:
Nick Plytas
saxophone:
Gary Barnacle
background vocals:
Glenn Gregory and Martyn Ware
lead vocals:
Tina Turner
arranger:
Greg Walsh (producer and engineer) and Martyn Ware
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and CBS Studios (London, 1967 - 1972) in London (Greater London), England, United Kingdom
cover recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Tina Turner45:16
18The Air That I Breathe
mixer:
Mick Hucknall (lead singer of Simply Red) and 屋敷豪太 (Gota Yashiki)
cover recording of:
The Air That I Breathe
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simply Red44:22
19I’m Every Woman
engineer:
James Douglass (engineer)
producer:
Arif Mardin
background vocals:
Will Lee (US jazz/rock bassist) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
background vocals and lead vocals:
Chaka Khan
brass arranger, strings arranger and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 6) (number: 4)
recording of:
I’m Every Woman (in 1978)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan3.34:07
20Loving Days
recording engineer and engineer:
Niall Acott and Alvin Sweeney
programming:
Julian Gallagher (songwriter, producer) and Alvin Sweeney
producer:
Julian Gallagher (songwriter, producer) and Richard “Biff” Stannard
mixer:
Alvin Sweeney
guitar:
Dave Morgan (songwriter)
keyboard:
Julian Gallagher (songwriter, producer), Dave Morgan (songwriter) and Richard “Biff” Stannard
background vocals:
Kylie Minogue and Richard “Biff” Stannard
lead vocals:
Kylie Minogue
orchestra:
The London Session Orchestra
conductor:
Simon Hale
strings arranger:
Simon Hale
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2003)
produced for:
Biffco Productions
recorded at:
Angel Studios in Islington, London (Greater London), England, United Kingdom and Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Ireland
mixed at:
Biffco Studios (Dublin) in Dublin, County Dublin, Leinster, Ireland
recording of:
Loving Days
writer:
Julian Gallagher (songwriter, producer), Kylie Minogue, Dave Morgan (songwriter) and Richard “Biff” Stannard
publisher:
Biffco Music Publishing Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Kylie Minogue4:26
21Angel of MineEternal2.754:18
22All the Man I NeedSister Sledge4:41
23You’re the Inspiration (2006 remaster)
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
instruments arranger:
Jeremy Lubbock
arranger:
Peter Cetera and David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
You’re the Inspiration (in 1984)
writer:
Peter Cetera (in 1984) and David Foster (Canadian music producer, arranger and composer) (in 1984)
publisher:
BMG Music Publishing Ltd., Universal Music Publishing MGB Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1984) and Foster Frees Music Inc. (in 1984)
Chicago3:49
24Make It With You
bass guitar, guitar, strings, background vocals and lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Michael Botts
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) and Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
part of:
Billboard Year‐End Hot 100 singles of 1970 (number: 13)
recording of:
Make It With You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:13
25Nothing’s Gonna Change My Love for You
producer:
Michael Masser
mixer:
Bill Schnee
bass guitar:
Nathan East
drums (drum set):
Carlos Vega
guitar:
Dann Huff and Paul Jackson (jazz bassist)
keyboard:
Robbie Buchanan (Canadian producer)
solo guitar and lead vocals:
George Benson (jazz guitarist/singer)
background vocals:
Richard Marx and Deborah Thomas (soul/disco singer)
arranger:
Robbie Buchanan (Canadian producer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States
recording of:
Nothing’s Gonna Change My Love for You
lyricist:
Gerald Goffin and Michael Masser
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
George Benson4:02
26All the Times
LSG feat. Faith Evans, Coko & Missy Elliott4:51
27All I Do Is Think of You
Troop3:49
28Nobody
performer:
Athena Cage
Keith Sweat feat. Athena Cage4:24
29Come Over
Faith Evans5:36
30Cupid
recording engineer and mixer:
Michael Patterson (engineer)
additional engineer:
Doug A. Wilson (engineer)
producer:
Arnold Hennings and Daron Jones
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1996)
produced for:
Darp, Inc.
recorded at and mixed at:
Daddy’s House Recording Studios in New York, New York, United States and Purple Dragon Recordings in Atlanta, Georgia, United States
music videos:
Cupid by 112
recording of:
Cupid
writer:
Arnold Hennings, Daron Jones, Michael Keith (112), Marvin Scandrick (US R&B artist Marvin Scandrick, of group 112), Quinnes Parker and Courtney Sills
publisher:
Arn Music, Beane Tribe Music, Beane Tribe Publishing, C. Sills Publishing, Da 12 Music, EMI-April Music, Inc., Hitco South, Justin Combs Publishing, Kevin Wales Music and Music of Windswept
1124:12
31Warm on a Cold Night
recording engineer and producer:
HONNE
additional producer:
Richard Wilkinson (production music)
mixer:
Mark “Spike” Stent (producer, engineer)
spoken vocals [voiceover introduction]:
William Coutts
performer:
HONNE
recorded at:
Tokidoki Studios in London (Greater London), England, United Kingdom
mixed at:
Mixsuite UK in London (Greater London), England, United Kingdom
recording of:
Warm on a Cold Night
writer:
William Coutts and HONNE
publisher:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
HONNE4:21
32You Put a Move on My Heart
vocals and performer:
Tamia (Canadian R&B and soul singer)
Tamia6:12
33I Love You Always Forever
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 408)
recording of:
I Love You Always Forever
lyricist and composer:
Donna Lewis
publisher:
donna lewis ltd and Warner/Chappell Music, Inc.
Donna Lewis3.83:59
34Iris
assistant engineer:
Greg Burns (engineer) and Rafa Sardina
engineer:
Allen Sides
producer:
Rob Cavallo and Goo Goo Dolls
mixer:
Jack Joseph-Puig
bass guitar [bass]:
Robby Takac
drums (drum set) [drums] and percussion:
Mike Malinin
guitar:
John Rzeznik
mandolin:
Tim Pierce (US session guitarist)
piano:
Jamie Muhoberac
vocals:
John Rzeznik and Robby Takac
strings [string] arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
music videos:
Iris by Goo Goo Dolls
recording of:
Full Forever
lyricist and composer:
Robby Takac
recording of:
Iris
lyricist and composer:
John Rzeznik
The Goo Goo Dolls4.154:49
35Suzanne
recording of:
Suzanne (English original song by Leonard Cohen) (in 1966)
lyricist:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. and Writers Workshop Ltd.
translated version of:
Suzanne (German lyrics by Thomas Woitkewitsch)
Judy Collins4:26
36All Our Love
recorded in:
New York, New York, United States (in 1972)
engineer:
Gene Paul
producer:
Arif Mardin
bass:
Michael McCarthy (bass) (in 1972) and Mike Patto (Spooky Tooth, Patto, Timebox, Boxer) (in 1972)
drums (drum set), percussion and percussion [drums, percussion]:
Jim Helmer (Drums) (in 1972)
guitar:
John Oates (in 1972) and Jerry Ricks (in 1972)
horn, strings and woodwind:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1972)
keyboard and mandolin:
Daryl Hall (in 1972)
pedal steel guitar:
Bill Keith (in 1972)
vocals:
Daryl Hall (in 1972) and John Oates (in 1972)
arranger:
Daryl Hall & John Oates and Arif Mardin
recording of:
All Our Love (in 1972)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Chappell & Co.
Daryl Hall & John Oates2:43
37The Rose
additional producer:
Bill Gazecki
producer:
Paul A. Rothchild
lead vocals:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Paul A. Rothchild
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recording of:
The Rose (in 1979)
lyricist and composer:
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.53:33
38Arthur’s Theme (Best That You Can Do)
additional engineer:
John Guess, Lee Herschberg, Mark Linett and Richard Mullen
assistant engineer:
Stuart Gitlin and Margaret Gwynne (engineer)
producer:
Michael Omartian
mixer:
Chet Himes
lead vocals:
Christopher Cross (US singer‐songwriter)
conductor:
Michael Omartian
strings arranger:
Michael Omartian
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981, in 1983)
recorded at and mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 19)
recording of:
Arthur’s Theme (Best That You Can Do)
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach, Carole Bayer Sager and Christopher Cross (US singer‐songwriter)
publisher:
Begonia Melodies Inc., New Hidden Valley Music Co., Universal Music–MGB Songs, Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Olive Music LLC, Warner-Barham Music LLC, Warner/Chappell North America, Woolnough Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 54th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 54)
Christopher Cross53:53
39Slow
producer:
Steve Brown (engineer/music producer)
assistant mixer:
Dan Parry (British mix/recording engineer)
mixer:
Tom Elmhirst (mixing engineer)
vocals:
Rumer
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
music videos:
Slow by Rumer
recording of:
Slow
lyricist and composer:
Sarah Joyce
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3.653:34
40The Power of Love
recording engineer:
David Kosten and Mike Spencer (UK producer)
co-producer:
Mike Spencer (UK producer)
producer:
David Kosten
mixer:
Mike Spencer (UK producer)
bass, drums (drum set), guitar, percussion and piano [additional piano]:
Mike Spencer (UK producer)
cello [cellos]:
Augusta Harris (cellist)
keyboard [keyboards]:
David Kosten and Mike Spencer (UK producer)
piano [pianos], background vocals and lead vocals:
Gabrielle Aplin
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2012)
cover recording of:
The Power of Love
writer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and Rubet Music Publishing, Inc.
Gabrielle Aplin3.54:05
41I Say a Little Prayer
recording engineer:
Tom Dowd (on 1968-04-17)
producer:
Jerry Wexler
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (on 1968-04-17)
guitar:
Tommy Cogbill (on 1968-04-17)
piano and lead vocals:
Aretha Franklin (on 1968-04-17)
background vocals:
The Sweet Inspirations (on 1968-04-17)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Warner Music UK Ltd. (Warner Music UK Limited, not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 117)
cover recording of:
I Say a Little Prayer (on 1968-04-17)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) and Windswept Pacific Music Ltd.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:32
42Stand by Me
recorded in:
New York, New York, United States (on 1960-10-27)
producer:
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (on 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (on 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1961) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131) and BILLIONS CLUB
recording of:
Stand by Me (on 1960-10-27)
publisher:
Mike Stoller
writer:
Ben E. King, Jerry Leiber and Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG, Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc. and Unichappell Music
Ben E. King4.652:54

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Rhino UK (company credits only; do NOT use as release label) (in 2019)
stream for free:https://open.spotify.com/album/3Jvwz0jGUyJS4xCaFu8pWr [info]
https://www.deezer.com/album/87167492 [info]
streaming page:https://music.apple.com/gb/album/1451537490 [info]