Check Your Head (deluxe edition, remastered)

~ Release by Beastie Boys (see all versions of this release, 21 available)

Tracklist

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1Digital Media
#TitleRatingLength
1Jimmy James (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
samples:
I’m Chief Kamanawanalea (We’re the Royal Macadamia Nuts) by The Turtles (late 60s US rock band)
recording of:
Jimmy James
writer:
Adam Horovitz, Mario Caldato Jr., Ed Chalpin (PPX Producer, famous for contract w/ J. Hendrix), Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3.653:14
2Funky Boss (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
bass guitar:
Adam Yauch
clavichord, keyboard [D6] and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
organ:
Mark Ramos Nishita and Mark Nishita (production music composer)
percussion:
James Bradley, Jr.
Wurlitzer electric piano:
Mark Nishita (production music composer)
conductor:
Beastie Boys and Mark Nishita (production music composer)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Funky Boss
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.951:36
3Pass the Mic (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
samples:
Big Take Over by Bad Brains (US hardcore punk band)
music videos:
Pass The Mic by Beastie Boys
recording of:
Pass the Mic
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.954:16
4Gratitude (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
music videos:
Gratitude by Beastie Boys
recording of:
Gratitude
writer:
Adam Horovitz, Tom Cushman, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.652:45
5Lighten Up (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
Batá drum [bata'] and shekere [shakeree]:
Arturo (Ture) Oliva
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
congas [conga] and cuíca [cuica]:
Juanito Vazquez
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Lighten Up
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
3.22:41
6Finger Lickin' Good (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
mridangam [mridunga] and tambura [tamboura]:
Drew Lawrence
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Finger Lickin’ Good
writer:
Adam Horovitz, Mario Caldato Jr., Wendell Fite, Tadone Hill, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
33:40
7So What'cha Want (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
contains samples by:
Big Daddy Kane and Southside Movement
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
music videos:
So What’cha Want by Beastie Boys
part of:
Indie 88: Top 500 Indie Rock Songs (number: 214)
recording of:
So What’cha Want
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
4.43:37
8The Biz Vs. The Nuge (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
guest performer:
Biz Markie
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
The Biz vs. The Nuge
writer:
Marcel Hall and Ted Nugent
publisher:
Brooklyn Dust Music, Magicland Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2.50:33
9Time for Livin' (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Time for Livin’
lyricist:
Sylvester Stewart
composer:
Frontline (composer "Time For Livin'")
publisher:
Brooklyn Dust Music
version of:
Time for Livin'
2.51:49
10Something's Got to Give (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
music videos:
Something's Got to Give by Beastie Boys
recording of:
Something’s Got to Give
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.253:28
11The Blue Nun (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
The Blue Nun
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
10:32
12Stand Together (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Stand Together
writer:
Adam Horovitz, Ron Aspery, Mario Caldato Jr., Colin Hodgkinson, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
42:47
13Pow (remastered 2009)
2:14
14The Maestro (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
vocals:
Nax Setevassac
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
The Maestro
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2.32:52
15Groove Holmes (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
congas [conga] and cuíca [cuica]:
Juanito Vazquez
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Groove Holmes
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
3.652:33
16Live at P.J.'s (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Live at P.J.’s
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
4.53:18
17Mark on the Bus (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Mark on the Bus
lyricist and composer:
Mark Ramos‐Nishita
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
2.51:05
18Professor Booty (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Professor Booty
writer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
3.54:13
19In 3's (remastered 2009)
recording of:
In 3’s
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
2:23
20Namaste (remastered 2009)
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
percussion:
James Bradley, Jr.
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Namaste
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
34:02
2Digital Media
#TitleRatingLength
1Dub the Mic (instrumental)
4:28
2Pass the Mic (Pt. 2, Skills to Pay the Bills)
4:23
3Drunken Praying Mantis Style (instrumental)
2:38
4Netty's Girl
3:22
5The Skills to Pay the Bills (remastered)
3:14
6So What'cha Want (Soul Assassin remix version)
remixer:
Soul Assassin (Stephan Scheltema)
recording of:
So What’cha Want
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
4:06
7So What'cha Want (Butt Naked version)
recording of:
So What’cha Want
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3:27
8Groove Holmes (live vs. The Biz)
vocals:
Biz Markie
live recording of:
Groove Holmes
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
6:10
9So What'cha Want (All the Way live Freestyle version)
recording of:
So What’cha Want
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3:37
10Stand Together (live)
2:30
11Finger Lickin' Good (Government Cheese remix)4:13
12Gratitude (live at Budokan)
recorded at:
日本武道館 (Nippon Budokan) in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan
live recording of:
Gratitude
writer:
Adam Horovitz, Tom Cushman, Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
4:25
13Honky Rink
2:10
14Jimmy James (original original version)
recording of:
Jimmy James
writer:
Adam Horovitz, Mario Caldato Jr., Ed Chalpin (PPX Producer, famous for contract w/ J. Hendrix), Michael Diamond (member of Beastie Boys) and Adam Yauch
publisher:
Brooklyn Dust Music
3:42
15Boomin' Granny
2:16
16Drinkin' Wine (instrumental)
recording of:
Drinkin’ Wine
lyricist and composer:
Adam Horovitz, Mario Caldato Jr., Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
4:42