For fuld musik 1

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1We Will Rock You
engineer:
Mike Stone (producer and engineer, 1960s–80s)
assistant producer and co-producer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
electric guitar and guitar:
Brian May (Queen guitarist) (from 1977-08 until 1977-09)
foot stomps [footstomps] and handclaps:
John Deacon (from 1977-08 until 1977-09), Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
background vocals:
Brian May (Queen guitarist) (from 1977-08 until 1977-09), Freddie Mercury (from 1977-08 until 1977-09) and Roger Taylor (Queen drummer) (from 1977-08 until 1977-09)
lead vocals:
Freddie Mercury (from 1977-08 until 1977-09)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1977), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1977) and Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1977, in 2001, in 2011)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1977-08 until 1977-09)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 338)
recording of:
We Will Rock You (from 1977-08 until 1977-09)
lyricist and composer:
Brian May (Queen guitarist)
publisher:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. and Sony/ATV
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
Queen3.92:03
2Dancing Queen
engineer:
Michael B. Tretow
producer:
Benny Andersson (ABBA) and Björn Ulvaeus
bass:
Rutger Gunnarsson (from 1976-08-04 until 1976-08-05)
cello:
Hans‐Göran Eketorp (Swedish cellist) (on 1976-09-12) and Åke Olofsson (Swedish cellist) (on 1976-09-12)
clavinet and keyboard:
Benny Andersson (ABBA) (from 1976-08-04 until 1976-08-05)
drums (drum set):
Roger Palm (from 1976-08-04 until 1976-08-05, on 1976-12-03)
viola:
Åke Arvinder (Swedish violist) (on 1976-09-12), Lars Brolin (on 1976-09-12) and Håkan Roos (Swedish violist) (on 1976-09-12)
violin:
Martin Bylund (Swedish violinist) (on 1976-09-12), Anders Dahl (Swedish violinist) (on 1976-09-12), Lars Stegenberg (Swedish violinist) (on 1976-09-12), Gunnar Michols (Swedish violinist) (on 1976-09-12), Claes Nilsson (Swedish violinist) (on 1976-09-12), Bertil Orsin (Swedish violinist) (on 1976-09-12), Sixten Strömvall (Swedish violinist) (on 1976-09-12), Harry Teike (on 1976-09-12) and Krzysztof Zdrzalka (Swedish violinist) (on 1976-09-12)
lead vocals:
Agnetha Fältskog (in 1976-09) and Frida (Swedish singer and member of ABBA) (in 1976-09)
strings arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) and Björn Ulvaeus
phonographic copyright (℗) by:
Polar Music AB (in 1976) and Polar Music International AB (in 1976)
recorded at:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Sweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Sweden (from 1976-08-04 until 1976-08-05) and KMH Studios in Stockholm, Stockholms län (Stockholm county), Sweden (on 1976-12-03)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (number: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (number: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 9), Q50 – December 2005 (number: 37), The Downloader’s Music Source Book (number: 43), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 171) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 286)
recording of:
Dancing Queen (in 1976)
writer:
Stig Anderson (Stikkan), Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (from 1976 to present), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (from 1976 to present) and Universal/Union Songs Musikförlag AB (from 1976 to present)
premiered at:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1976-06-18)
part of:
Mamma Mia! (1999 musical)
ABBA43:51
3I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.454:29
4Far Far Away
producer:
Bryan “Chas” Chandler
phonographic copyright (℗) by:
Jim Lea Music Ltd. (in 1974), Noddy Holder Music Ltd. (in 1974) and Whild John Ltd. (in 1974)
recording of:
Far Far Away
writer:
Jim Lea and Neville Holder
publisher:
Barn Publishing (Slade) Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Slade43:36
5Hot Stuff
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
recording of:
Hot Stuff
writer:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer and Keith Forsey (drummer, producer and songwriter)
publisher:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer33:49
6Upside Down
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980)
recording of:
Upside Down
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3:37
7Funkytown
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1979) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1980)
edit of:
Funkytown by Lipps, Inc.
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 37)
recording of:
Funkytown
lyricist and composer:
Steven Greenberg
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.13:59
8Mamma Lou
recording of:
Mama Loo
lyricist and composer:
Jimmy Bilsbury and Les Humphries
publisher:
Sikorski (German publisher) (in 1973)
Les Humphries Singers3:41
9Striptease
Walkers2:59
10It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:00
11Candle in the Wind
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray (in 1973-05)
drums (drum set):
Nigel Olsson (in 1973-05)
electric guitar:
Davey Johnstone (in 1973-05)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
background vocals:
Davey Johnstone (in 1973-05), Dee Murray (in 1973-05) and Nigel Olsson (in 1973-05)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
music videos:
Candle in the Wind by Elton John (English singer, songwriter, pianist, and composer)
part of:
The Co-Op: Top 10 British Funeral Songs (number: 7) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 348)
recording of:
Candle in the Wind (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
dedicated to:
Marilyn Monroe (US actress, model & singer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal–Songs of PolyGram International, Inc.
Elton John3.653:50
12Missing You
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite54:01
13I’m Not in Love
recording engineer and producer:
10cc
engineer and mixer:
Eric Stewart
bass and guitar:
Graham Gouldman (in 1974)
effects [musical effects], electric piano and lead vocals:
Eric Stewart (in 1974)
Moog:
Kevin (in 1974)
piano:
Lol (in 1974)
synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) and Eric Stewart (in 1974)
background vocals:
Graham Gouldman (in 1974), Kevin (in 1974) and Lol (in 1974)
other vocals [whisper vocals]:
Kathy Redfern (in 1974)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1975), Phonogram, Inc. (in 1975) and Mercury Records Ltd. (not for release label use!) (in 1996)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
music videos:
I’m Not in Love by 10cc
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 319)
recording of:
I’m Not in Love (in 1974)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc3.95:59
14The Logical Song
sound engineer:
Russel Pope
assistant engineer:
Lenise Bent and Jeff Harris (recording engineer)
engineer:
Peter Henderson (English sound engineer)
producer:
Peter Henderson (English sound engineer) and Supertramp
bass guitar:
Dougie Thomson
drums (drum set):
Bob Siebenberg
guitar and keyboard:
Roger Hodgson
keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
woodwind:
John Helliwell
vocals:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
phonographic copyright (℗) by:
A&M Records (in 2010)
recorded at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Crystal Sound in Hollywood, Los Angeles, California, United States
recording of:
The Logical Song
writer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Delicate Music and Rondor Music
Supertramp4.14:09
15Costa del Sol
C.V. Jørgensen4:00
16Sig du ka' li' mig
recording of:
Sig du ka' li' mig (Tøsedrengenes første hit)
lyricist:
Anne Dorte Michelsen (Danish singer and composer)
composer:
Klaus Kjellerup (Danish musician & producer)
Tøsedrengene3:51
17Dancing in the Street
producer:
William Stevenson (Motown songwriter)
baritone saxophone:
Thomas Bowles (on 1964-06-29)
bass guitar:
James Jamerson (on 1964-06-29)
drums (drum set):
Marvin Gaye (on 1964-06-29)
guitar:
Joe Messina (on 1964-06-29), Robert White (US funk/soul guitarist) (on 1964-06-29) and Eddie Willis (on 1964-06-29)
other instruments [tire iron]:
Ivy Jo Hunter (on 1964-06-29)
percussion, tambourine and vibraphone [vibes]:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-06-29)
tenor saxophone:
Henry Cosby (on 1964-06-29)
trombone:
George Bohanon (on 1964-06-29) and Paul Riser (on 1964-06-29)
trumpet:
Russell Conway (trumpet player) (on 1964-06-29) and Herbert Williams (trumpet player) (on 1964-06-29)
background vocals:
Rosalind Ashford (on 1964-06-29), Ivy Jo Hunter (on 1964-06-29), Betty Kelly (on 1964-06-29) and William Stevenson (Motown songwriter) (on 1964-06-29)
lead vocals:
Martha Reeves (on 1964-06-29)
publisher:
EMI Music Publishing (do not use as a release label!)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 130) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 403)
recording of:
Dancing in the Street (on 1964-06-29)
writer:
Marvin Gaye, Ivy Jo Hunter and William Stevenson (Motown songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Martha Reeves & the Vandellas3.552:39
18My Sharona
bass:
Prescott Niles (in 1979-04)
drums (drum set):
Bruce Gary (in 1979-04)
guitar [lead guitar]:
Berton Averre (in 1979-04)
guitar [rhythm guitar] and lead vocals:
Doug Fieger (in The Knack) (in 1979-04)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979)
recording of:
My Sharona (in 1979-04)
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing MGB Australia
The Knack4.14:01
19California Dreamin’
engineer:
Bones Howe
producer:
Lou Adler
guitar:
P.F. Sloan
solo alto flute:
Bud Shank
phonographic copyright (℗) by:
Geffen Records and Dunhill Records (in 1966)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 52), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
recording of:
California Dreamin’ (in 1965)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Mammas & Pappas4.452:39
20Walking on Sunshine
recorded in:
England, United Kingdom
assistant engineer:
Jon Goldberger (engineer)
engineer and mixer:
Scott Litt (producer and engineer)
additional producer:
Scott Litt (producer and engineer)
producer:
Pat Collier and Katrina and the Waves (British-American rock band)
bass guitar:
Vince de la Cruz
drums (drum set) and percussion:
Alex Cooper (drummer, member of "Katrina and the Waves")
guest brass [Rumour Brass Section]:
Ray Beavis, Dick Hanson and John "Irish" Earl
guest organ:
Nick Glennie‐Smith
guitar [lead guitar]:
Kimberley Rew
guitar [rhythm guitar] and lead vocals:
Katrina Leskanich
background vocals:
Alex Cooper (drummer, member of "Katrina and the Waves"), Vince de la Cruz and Kimberley Rew
brass arranger:
Eamon Fitzpatrick
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
recorded at:
Alaska Studios in London (Greater London), England, United Kingdom and Greenhouse Studio (London) in London (Greater London), England, United Kingdom
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1984-12 until 1985-03)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 91) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 378)
recording of:
Walking on Sunshine
lyricist:
Kimberley Rew (in 1983)
composer:
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina & the Waves3.953:53
21Grease Megamix
lead vocals:
Olivia Newton‐John (British‐Australian singer, actress and activist) and John Travolta (American actor and singer)
remixer:
Phil Harding & Ian Curnow (duo)
DJ-mixer:
Ian Curnow and Phil Harding (engineer, producer and remixer)
phonographic copyright (℗) by:
Universal International Music B.V. (company, do not use as label) (in 1990, in 2003)
DJ-mix of and mash-up of:
You’re the One That I Want by John Travolta (American actor and singer) & Olivia Newton‐John (British‐Australian singer, actress and activist), Greased Lightnin’ by John Travolta (American actor and singer) and Summer Nights by John Travolta (American actor and singer), Olivia Newton‐John (British‐Australian singer, actress and activist) & Cast ([theatre], Special Purpose Artist - Do not add releases here, if possible.)
recording of:
The Grease Megamix
writer:
Warren Casey, John Farrar and Jim Jacobs
medley of:
You’re the One That I Want (Grease, 1978 film)
medley of:
Greased Lightnin’ (Grease, 1971 musical)
medley of:
Summer Nights (Grease, 1971 musical)
John Travolta / Olivia Newton John3.554:47
2CD
#TitleArtistRatingLength
1You’re in the Army Now
producer:
Pip Williams (producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1986), Mercury Records Ltd. (UK) (in 1986), Phonogram Ltd. (London) (company name, NOT a label!) (in 1986), Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1986) and Quo Entertainment (in 1986)
produced for:
Handle Artists
cover recording of:
In the Army Now
writer:
Ferdi Bolland and Rob Bolland
publisher:
Beadle Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dayglow Music NV, Dayglow Muziekuitgeverij N.V., Island Music Ltd., Nada Music (Dutch publisher), Nada Music International, Nada Music International CV and The International Music Network
Status Quo2.53:42
2Bad Craziness
D‐A‐D3:19
3Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
creative direction:
Clive Langer and Alan Winstanley (English record producer)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1982) and Phonogram Ltd. (Phonogram Limited) (in 1982)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) and Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:01
4Red Red Wine
producer:
Ray “Pablo” Falconer and UB40
arranger:
UB40
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982) and DEP International (UB40) (in 1983)
cover recording of:
Red Red Wine
lyricist and composer:
Neil Diamond (in 1967)
publisher:
Bang Records (Bert Berns label) (in 1968)
UB403.83:02
5Sui-Sui
Sneakers3:49
6Wouldn’t It Be Good
recording engineer:
Julian Mendelsohn (Australian record producer and engineer) (in 1983)
assistant engineer:
Roger Howorth
producer:
Peter Collins (producer)
mixer:
Julian Mendelsohn (Australian record producer and engineer)
lead vocals:
Nik Kershaw (in 1983)
horn arranger:
Jerry Hey and Nik Kershaw
arranger:
Nik Kershaw
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983) and MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1984)
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 88)
recording of:
Wouldn’t It Be Good (in 1983)
lyricist and composer:
Nik Kershaw
publisher:
Arctic King, Imagem Music GmbH (subsidiary of Dutch music publishers Imagem), Imagem Music UK, Imagem Songs Ltd., Irving Music, Inc., Mamal, Rondor Music, Rondor Music (London) Ltd., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
part of:
Gotcha! (1985 film soundtrack)
Nik Kershaw4.354:27
7Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy
lead vocals:
Morten Harket
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
music videos:
Take On Me (2019 4K remaster of 1985 mix with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), BILLIONS CLUB and The Downloader’s Music Source Book (number: 284)
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.453:47
8Forever Young
additional recording engineer:
Uli Rudolf (from 1984-07 until 1984-08)
recording engineer, programming and mixer:
Wolfgang Loos (from 1984-07 until 1984-08)
assistant programming:
Boris Balin and Thomas Beck (technical assistant, likely German)
producer:
Wolfgang Loos and Colin Pearson (producer and violinist)
additional keyboard:
Wolfgang Loos (from 1984-07 until 1984-08)
bass:
Ken Taylor (from 1984-07 until 1984-08)
drum machine:
Bernhard Lloyd (from 1984-07 until 1984-08)
drums (drum set):
Curt Cress (from 1984-07 until 1984-08)
keyboard:
Bernhard Lloyd (from 1984-07 until 1984-08) and Frank Mertens (German synthpop keyboardist Frank Sorgatz) (from 1984-07 until 1984-08)
background vocals:
Gulfstream (from 1984-07 until 1984-08) and The Rosie Singers (from 1984-07 until 1984-08)
lead vocals:
Marian Gold (from 1984-07 until 1984-08)
arranger:
Alphaville (German synth pop band) and Wolfgang Loos
phonographic copyright (℗) by:
WEA MUSIK GMBH (company, not a label) (from 1984 to present) and wea music (“wea” logo with “music” below; mainly used in Europe and Brazil) (in 1984, in 1994)
recorded at and mixed at:
Studio 54 (Berlin recording studio) in Germany (from 1984-07 until 1984-08)
recording of:
Forever Young (from 1984-07 until 1984-08)
lyricist:
Marian Gold
composer:
Frank Mertens (German synthpop keyboardist Frank Sorgatz), Marian Gold and Bernhard Lloyd
publisher:
Downtown DMP Songs, Fable Music Pty. Ltd. and Rolf Budde Musikverlag (aka Budde Music)
Alphaville4.653:45
9All That She Wants
engineer:
Denniz PoP
producer:
Jonas Berggren, Ulf Ekberg and Denniz PoP
additional vocals:
Jonas Berggren and Ulf Ekberg
vocals:
Jonas Berggren, Malin Berggren and Ulf Ekberg
phonographic copyright (℗) by:
Playground Music Sweden (in 1992), Mega Records (Danish euro house) (in 1993) and Metronome Musik GmbH (marketing & distribution dept. spun off from Metronome Records GmbH — do not use as a release label) (in 1993)
recorded at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Sweden
part of:
The Downloader’s Music Source Book (number: 122)
recording of:
All That She Wants
lyricist and composer:
J. Berggren and Ulf "Buddha" Ekberg
publisher:
Megasong Publishing A/S, PolyGram Songs and Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text)
Ace of Base3.73:24
10Sunshine Reggae
recording of:
Sunshine Reggae
lyricist and composer:
John Guldberg and Tim Stahl
Laid Back3.354:17
11Axel F.
producer:
Harold Faltermeyer
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) and Geffen Records (in 1984)
mixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 70)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer4.153:02
12Elsk mig i nat
Rocazino3:26
13Kom tilbage til mig
Danseorkestret3:58
14Every Little Thing She Does Is Magic
engineer:
Hugh Padgham
co-producer:
Hugh Padgham
producer:
Hugh Padgham and The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
piano:
Jean Roussel
vocals:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
A&M Records (in 1981) and A&M Records, Inc. (in 1997)
recorded at:
Le Studio in Morin‐Heights, Québec, Canada
recording of:
Every Little Thing She Does Is Magic
lyricist and composer:
Sting (singer, songwriter & member of The Police)
The Police4.054:20
15I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott "Abada" Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner45:00
16Under the Boardwalk
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1987)
cover recording of:
Under the Boardwalk
writer:
Arthur Resnick (songwriter, producer) and Kenny Young
publisher:
Alley Music Corp., Intersong (publisher), TM Music Ltd. and Trio Music Company
Bruce Willis2.353:02
17Baby Love
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
baritone saxophone:
Mike Terry (60s US soul arranger/conductor) (on 1964-08-13)
bass:
James Jamerson (on 1964-08-13)
drums (drum set):
Richard "Pistol" Allen (on 1964-08-13)
foot stomps [footstomps]:
Michael Valvano (on 1964-08-13)
guitar:
Eddie Willis (on 1964-08-13)
instruments:
The Funk Brothers (on 1964-08-13)
piano:
Earl Van Dyke (on 1964-08-13)
tenor saxophone:
Henry Cosby (on 1964-08-13)
vibraphone:
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger) (on 1964-08-13)
background vocals:
Florence Ballard (on 1964-08-13) and Mary Wilson (on 1964-08-13)
lead vocals:
Diana Ross (on 1964-08-13)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964) and UMG Recordings (UMG Recordings, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1964)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-08-13)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 324) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 499)
recording of:
Baby Love (on 1964-08-13)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd. and Stone Agate Music Division
The Supremes4.452:36
18Don't Go Breaking My Heart
Søs Fenger & Peter Frödin4:24
19Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
phonographic copyright (℗) by:
Island Records, Inc. (US) (in 1982)
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Famous Chappell
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.553:52
20Black Velvet
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 79)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin', Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4:02
21Dance the Night Away
producer:
Don Cook (US country producer/songwriter) and Raul Malo (The Mavericks lead singer, country music)
phonographic copyright (℗) by:
MCA Records Nashville (a division of MCA Records Inc.) (in 1997)
part of:
Grammy Award: Best Country Performance by a Duo or Group nominees (number: 1999)
recording of:
Dance the Night Away
lyricist and composer:
Raul Malo (The Mavericks lead singer, country music)
publisher:
EMI Blackwood Music Inc. and Rumbalo Music
The Mavericks3.44:22
3CD
#TitleArtistRatingLength
1Let’s Dance
assistant engineer:
Dave Greenberg (US engineer Sonopod/Boomtown)
engineer and mixer:
Bob Clearmountain
producer:
David Bowie (English singer‐songwriter) and Nile Rodgers
assistant mixer:
David Bowie (English singer‐songwriter) and Nile Rodgers
baritone saxophone:
Steve Elson (American saxophonist, clarinetist, flutist & duduk player) (from 1983-01-03 until 1983-01-20)
bass:
Carmine Rojas (from 1983-01-03 until 1983-01-20)
congas, tambourine and wood block:
Sammy Figueroa (from 1983-01-03 until 1983-01-20)
drums (drum set):
Omar Hakim (from 1983-01-03 until 1983-01-20)
guitar:
Nile Rodgers (from 1983-01-03 until 1983-01-20) and Stevie Ray Vaughan (from 1983-01-03 until 1983-01-20)
Hammond organ and keyboard:
Rob Sabino (from 1983-01-03 until 1983-01-20)
tenor saxophone:
Robert Aaron (from 1983-01-03 until 1983-01-20) and Stan Harrison (American saxophonist) (from 1983-01-03 until 1983-01-20)
trumpet:
Mac Gollehon (from 1983-01-03 until 1983-01-20)
background vocals:
Frank Simms (from 1983-01-03 until 1983-01-20), George Simms (from 1983-01-03 until 1983-01-20) and David Spinner (from 1983-01-03 until 1983-01-20)
lead vocals:
David Bowie (English singer‐songwriter) (from 1983-01-03 until 1983-01-20)
horn arranger:
David Bowie (English singer‐songwriter) and Nile Rodgers
phonographic copyright (℗) by:
David Bowie (English singer‐songwriter) (in 1983)
recorded at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1983-01-03 until 1983-01-20)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 156)
recording of:
Let’s Dance (from 1983-01-03 until 1983-01-20)
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
Essex (publisher), Jones Music (publishers associated with David Bowie), Jones Music America, RZO Music Ltd and Watanabe Music Publishing CM division
David Bowie4.457:37
2Step It Up
recording of:
Step It Up
writer:
Rob Birch (Stereo MCs) and Nick Hallam
publisher:
EMI Virgin Songs, Inc. and Virgin Music Ltd.
Stereo MC’s5:00
3Kegle
Sys Bjerre3:21
4Friday I’m in Love
assistant engineer:
Chris Bandy
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Steve Whitfield
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and The Cure
assistant mixer:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple and Mark Warner (UK guitarist for Quantum Jump)
mixer:
Mark Saunders (UK record producer)
bass guitar:
Simon Gallup
bass guitar [6-string bass]:
Perry Bamonte
drums (drum set) and percussion:
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Perry Bamonte and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (in 1992)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
Friday I’m in Love by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 73)
recording of:
Friday I’m in Love
lyricist:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) and Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Fiction Songs Ltd.
The Cure4.553:34
5Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 25) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 340)
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and MCA Music Ltd.
Simple Minds4.254:21
6Kom lad os brokke os
TV-24:38
7Kærligheden kalder
Sanne4:25
8Sowing the Seeds of Love
recording of:
Sowing the Seeds of Love
writer:
Roland Orzabal (UK musician, songwriter and producer) and Curt Smith
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tears for Fears6:18
9More Than WordsExtreme44:00
10Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker (in 1990)
bass guitar:
Francis Buchholz (in 1990)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1990)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs (in 1990)
background vocals:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) and Rudolf Schenker (in 1990)
lead vocals:
Klaus Meine (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1990, in 1991) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music and PRI Music, Inc.
Scorpions3.855:12
11Erase & Rewind
recording of:
Erase/Rewind
lyricist:
Nina Persson
composer:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
The Cardigans3:37
12The Bad Touch
producer:
Jimmy Pop (member of Bloodhound Gang)
mixer:
Raahu
drums (drum set):
Spanky G
guitar:
Lüpüs Thünder
Moog and lead vocals and spoken vocals:
Jimmy Pop (member of Bloodhound Gang)
background vocals:
DJ Q-Ball
music videos:
The Bad Touch by Bloodhound Gang
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
Bloodhound Gang3.754:21
13Vent på mig
recording of:
Vent på mig
lyricist:
Martin Brygmann, Peter Frödin (Danish actor, comedian and singer) and Hella Joof (Danish actress and director)
composer:
Martin Brygmann
Peter Frödin & Jimmy Jørgensen4:08
14Running in the Family
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
recording of:
Running in the Family
writer:
Wally Badarou, Phil Gould and Mark King
Level 4233:57
15Summer Son
recording of:
Summer Son
lyricist and composer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens, Johnny McElhone and Sharleen Spiteri
publisher:
23rd Precinct Music Ltd. and BMG 10 Music Ltd.
Texas4:03
16That Don’t Impress Me MuchShania Twain4:29
17Jukebox
Bent Fabric3:16
18Never Can Say Goodbye
arranger:
City Life (arranger for Gloria Gaynor) and Harold Wheeler
cover recording of:
Never Can Say Goodbye
lyricist and composer:
Clifton Davis (musical theatre actor, singer and songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. and Portable Music Co., Inc.
Gloria Gaynor2:59

Credits

Release group

part of:For fuld musik (Danish Compilation) (number: 1) (order: 4)