FIP, Vol. 3

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Chansons pour une île déserte
#TitleArtistRatingLength
1Poor Boy
producer:
Joe Boyd (US producer, founder of Hannibal Records)
alto saxophone:
Ray Warleigh
bass:
Dave Pegg
drums (drum set):
Mike Kowalski
piano:
Chris McGregor
background vocals:
Pat Arnold and Doris Troy
lead vocals:
Nick Drake (English singer‐songwriter)
arranger:
Robert Kirby (British arranger and producer)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970)
produced for:
Witchseason Productions
recording of:
Poor Boy
lyricist and composer:
Nick Drake (English singer‐songwriter)
publisher:
Warlock Music Ltd.
Nick Drake36:06
2Summertime
performer:
James Brown (The Godfather of Soul)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
James Brown & Martha High5:25
3Love Theme From Spartacus
Terry Callier4:29
4Soundiata
Boubacar Traoré6:08
5Hung Up on My Baby
recording of:
Hung Up on My Baby
composer:
Isaac Hayes
publisher:
Incense Productions, Inc.
Isaac Hayes6:16
6Starless II
programming and producer:
Stephen Hilton
arranger:
Stephen Hilton
recording of:
Starless II
version of:
Starless
Craig Armstrong4:35
7101
recording of:
101
writer:
Duncan Bellamy, Milo Fitzpatrick, Joe Newman (member of alt-J) and Jack Wyllie
Portico feat. Joe Newman of alt‐J4:46
8La Chanson d’Hélène
Jacky Terrasson & Stéphane Belmondo3:43
9La Chanson d’Hélène
recording of:
La Chanson d’Hélène
lyricist:
Jean‐Loup Dabadie and Sophie Hunger
composer:
Sophie Hunger and Philippe Sarde
part of:
Les choses de la vie
Philippe Sarde, Michel Piccoli & Romy Schneider2:48
10Un homme heureux
recording of:
Un homme heureux
lyricist and composer:
William Sheller (in 1991)
part of:
Victoire de la chanson originale de l’année (number: 1992)
William Sheller3:44
11Happy Time
engineer:
Dick Kunc
producer:
Tim Buckley (1960s~1970s US vocalist, songwriter, guitarist & producer)
12 string guitar:
Tim Buckley (1960s~1970s US vocalist, songwriter, guitarist & producer)
bass:
John Miller (bassist and music contractor/coordinator)
guitar:
Lee Underwood
guitar [lead guitar]:
Steve Khan
membranophone:
Jimmy Madison
vocals:
Tim Buckley (1960s~1970s US vocalist, songwriter, guitarist & producer)
recording of:
Happy Time
lyricist and composer:
Tim Buckley (1960s~1970s US vocalist, songwriter, guitarist & producer)
Tim Buckley3:12
12Trouble’s What You’re In
Fink4:24
2▼CD: Les chansons qui ont fait scandale
#TitleArtistRatingLength
1Strange Fruit
recording of:
Strange Fruit
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday3:07
2Killing an Arab
engineer:
Mike Hedges (UK producer/recording engineer)
producer:
Chris Parry
bass:
Michael Dempsey (on 1978-09-20)
drums (drum set):
Lol Tolhurst (on 1978-09-20)
guitar and lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) (on 1978-09-20)
phonographic copyright (℗) by:
Fiction Records (not for release label use! please use “Fiction” for that instead)
recording of:
Killing an Arab (on 1978-09-20)
lyricist:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Michael Dempsey, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Lol Tolhurst
publisher:
APB Music Co.
The Cure4.252:21
3Le Gorille
assistant sound engineer:
Pierre Fatosme (sound engineer)
sound engineer:
Georges Cailly
acoustic guitar [guitare]:
Georges Brassens (on 1952-03-19)
double bass [contrebasse]:
Pierre Nicolas
vocals:
Georges Brassens (on 1952-03-19)
phonographic copyright (℗) by:
Mercury France ("un label PolyGram" ; "un label Universal Music") (in 1952)
recorded at:
Studio Chopin-Pleyel in Paris, Île-de-France, France
recording of:
Le Gorille (on 1952-03-19)
lyricist and composer:
Georges Brassens
publisher:
Warner Chappell Music France
Georges Brassens53:14
4My Ding‐a‐Ling
recording of:
My Ding‐A‐Ling
lyricist and composer:
Chuck Berry
publisher:
Isalee Music Publishing Company
is based on:
My Ding-A-Ling
version of:
My Tambourine
Chuck Berry3:42
5The Pill (single version)
producer:
Owen Bradley
acoustic guitar:
Ray Edenton (on 1972-12-12)
double bass [bass]:
Bob Moore (U.S. bassist and bandleader) (on 1972-12-12)
drums (drum set) [drums]:
Murrey Harman, Jr. (Session drummer and songwriter) (on 1972-12-12)
electric bass guitar [6-string electric bass guitar]:
Harold Bradley (on 1972-12-12)
electric guitar:
Thomas Grady Martin (country/rockabilly guitarist) (on 1972-12-12)
piano:
Jerry Smith (Nashville keyboardist, songwriter, publisher & producer) (on 1972-12-12)
steel guitar:
Harald Rugg (on 1972-12-12)
vocals:
The Jordanaires (on 1972-12-12) and Loretta Lynn (on 1972-12-12)
recorded at:
Bradley’s Barn in Mt. Juliet, Tennessee, United States (on 1972-12-12)
recording of:
The Pill (on 1972-12-12)
writer:
Lorene Allen, T.D. Bayless, Loretta Lynn and Don McHan
Loretta Lynn4.52:35
6The Look of Love
The Meters3:32
7Love to Love You Baby
producer:
Pete Bellotte (English lyricist and producer)
bass guitar:
Dave King (bass guitarist)
drums (drum set):
Martin Harrison
electric piano and piano:
Michael Thatcher
flute and violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
guitar:
Pete Bellotte (English lyricist and producer) and Nick Woodland
background vocals:
Lucy O'Neale and Gitta Walther
lead vocals:
Donna Summer (soul/disco diva)
horn arranger:
Michael Thatcher
strings arranger:
Franz Deuber and Michael Thatcher
arranger:
Giorgio Moroder
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1975-05)
recording of:
Love to Love You Baby (in 1975)
writer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sweet Summer Night Music, Warner Chappell and WB Music Corp. (1929–2019)
Donna Summer316:48
8Blurred Lines (no rap version)
assistant recording engineer:
Todd Hurt
recording engineer and editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated)
producer:
Pharrell Williams
instruments:
Pharrell Williams
background vocals:
Pharrell Williams
lead vocals:
Robin Thicke
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated)
phonographic copyright (℗) by:
Star Trak, LLC (in 2013)
samples:
Got to Give It Up by Marvin Gaye
edit of:
Blurred Lines by Robin Thicke feat. T.I. (Atlanta US rapper & producer Clifford Harris) & Pharrell Williams
recording of:
Blurred Lines
writer:
Marvin Gaye, T.I. (Atlanta US rapper & producer Clifford Harris), Robin Thicke and Pharrell Williams
publisher:
Deyjah’s Daddy Muzik (ended), EMI April Music, Inc., I Like ’em Thicke Music and More Water From Nazareth
Robin Thicke feat. Pharrell Williams1.653:50
9Closer
hi-hat [special hi-hat] programming:
Flood (British producer Mark Ellis)
programming:
Trent Reznor
producer:
Flood (British producer Mark Ellis) and Trent Reznor
mixer:
Alan Moulder (producer and engineer)
electric bass guitar, electric guitar, keyboard, synthesizer, background vocals and lead vocals:
Trent Reznor
arranger:
Trent Reznor
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1994, in 2004) and TVT (copyright holder, no releases here please) (in 1994)
samples:
Nightclubbing by Iggy Pop (drums (drum set))
part of:
Indie 88: Top 500 Indie Rock Songs (number: 111) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 270)
recording of:
Closer (Nine Inch Nails)
lyricist and composer:
Trent Reznor
publisher:
Arlovol Music, Leaving Hope Music Inc. and TVT Music, Inc.
Nine Inch Nails4.356:13
10Smack My Bitch Up
producer:
Liam Howlett
vocals:
Shahin Badar
phonographic copyright (℗) by:
XL-Recordings (in 1997)
samples:
Give the Drummer Some by Ultramagnetic MC’s
recording of:
Smack My Bitch Up
writer:
Cedric Miller, Liam Howlett, Maurice Smith, Trevor Randolph and Keith Matthew Thornton
publisher:
Beats G Music, EMI Virgin Music Ltd. (do not use this as a release label!) and Next Plateau Music Inc.
The Prodigy44:46
11Stress
recording engineer and producer:
Justice (French electro house, Gaspard Augé & Xavier de Rosnay)
performer:
Justice (French electro house, Gaspard Augé & Xavier de Rosnay)
samples:
Jocko Homo by DEVO (new wave/rock band) and Night on Disco Mountain by David Shire (American score composer)
recording of:
Stress
composer:
Gaspard Augé and Xavier de Rosnay
publisher:
Because Éditions and Headbangers Publishing
Justice4.054:59
12Lighten Up
miscellaneous support:
Mark Ramos Nishita (task: master carpender)
engineer:
Mario Caldato Jr.
producer:
Beastie Boys and Mario Caldato Jr.
bass:
MCA
Batá drum [bata'] and shekere [shakeree]:
Arturo (Ture) Oliva
clavichord, keyboard [D6], organ and Wurlitzer electric piano [wurlitzer]:
Mark Ramos Nishita
congas [conga] and cuíca [cuica]:
Juanito Vazquez
drums (drum set) [drums]:
Mike D (member of Beastie Boys)
guitar:
Adrock
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1992)
recorded at and mixed at:
G-Son Studios in Atwater Village, Los Angeles, California, United States
engineered at:
PCP Labs
recording of:
Lighten Up
writer:
Adam Horovitz, Michael Diamond (member of Beastie Boys), Mark Ramos‐Nishita and Adam Yauch
publisher:
Brooklyn Dust Music
Beastie Boys3.22:42
13Aux armes et cætera (album version)
assistant recording engineer and assistant mixer:
Philip Ziadie (Engineer)
recording engineer and mixer:
Geoffrey Chung
producer:
Philippe Lerichomme
vocals:
Serge Gainsbourg (in 1979-01)
recording of:
Aux armes et cætera (in 1979-01)
lyricist:
Claude Joseph Rouget de Lisle (composer)
composer:
Serge Gainsbourg
publisher:
Melody Nelson Publishing
version of:
La Marseillaise (national anthem of France)
Serge Gainsbourg53:05
14Fuck tha Police (remastered 2006)
N.W.A5:44
3▼CD: Duos de légende
#TitleArtistRatingLength
1Oh, What a Good Thing We Had
recording of:
Oh, What a Good Thing We Had
writer:
June Carter Cash (American Country singer and songwriter) and Johnny Cash (country music legend)
Johnny Cash & June Carter2:42
2Breaking Up Is Hard to Do
Alton Ellis & Hortense Ellis3:21
3Plenty
recording engineer:
Chris Bell (technical)
producer:
Erykah Badu
assistant mixer:
Andrew Felluss
mixer:
Tom Soares
bass:
Bray Lon Lacy
keyboard [keyboards]:
Shaun Martin
membranophone:
Geno Iglehart
Rhodes piano [Rhodes]:
Geno "Junebugg" Young
guest vocals:
Erykah Badu
vocals:
Guru (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
Guru’s Jazzmatazz & Erykah Badu24:37
4Far Away
vocals:
Astrud Gilberto
recording of:
Far Away
writer:
Astrud Gilberto and Hal Shaper
Astrud Gilberto & Chet Baker4:22
5Night Train (album version)
bass trombone:
Tony Studd (on 1966-09-23)
double bass [bass]:
Richard Davis (American jazz bassist) (on 1966-09-23)
drums (drum set):
Grady Tate (on 1966-09-23)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (on 1966-09-23)
guitar:
Wes Montgomery (on 1966-09-23)
Hammond organ:
Jimmy Smith (US jazz organist) (on 1966-09-23)
reeds:
Bob Ashton (on 1966-09-23), Danny Bank (reeds) (on 1966-09-23), Jerry Dodgion (on 1966-09-23), Jerome Richardson (on 1966-09-23) and Phil Woods (US jazz woodwind player) (on 1966-09-23)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1966-09-23), Quentin Jackson (on 1966-09-23) and Melba Liston (US jazz trombonist) (on 1966-09-23)
trumpet:
Jimmy Maxwell (Trumpet) (on 1966-09-23), Joe Newman (US jazz trumpeter) (on 1966-09-23) and Ernie Royal (on 1966-09-23)
conductor:
Oliver Nelson (saxophone, arranger, composer) (on 1966-09-23)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1966-09-23)
recording of:
Night Train (Jimmy Forrest’s original instrumental version) (on 1966-09-23)
composer:
Jimmy Forrest
is based on:
Happy Go Lucky Local
Jimmy Smith & Wes Montgomery6:47
6Banana Split for My Baby
producer:
Voyle Gilmore
tenor saxophone:
Sam Butera (on 1956-09-13)
trumpet:
Louis Prima (on 1956-09-13)
vocals:
Louis Prima (on 1956-09-13)
orchestra:
The Witnesses (on 1956-09-13)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-09-13)
recording of:
Banana Split for My Baby (on 1956-09-13)
writer:
Stan Irwin and Louis Prima
Louis Prima & Keely Smith2:29
7Ño Mercedes
engineer:
Jon Fausty
producer:
Jerry Masucci
recorded at:
Good Vibrations Sound Studios in New York, New York, United States
recording of:
No Mercedes
lyricist and composer:
Tite Curet Alonso (Puerto Rican salsa composer)
Celia Cruz & Johnny Pacheco4:15
8Doralice
recording engineer:
Phil Ramone
producer:
Creed Taylor
bass guitar:
Tommy Williams (jazz bassist) (from 1963-03-18 until 1963-03-19)
drums (drum set):
Milton Banana (from 1963-03-18 until 1963-03-19)
guitar:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
piano:
Antônio Carlos Jobim (from 1963-03-18 until 1963-03-19)
tenor saxophone:
Stan Getz (from 1963-03-18 until 1963-03-19)
vocals:
João Gilberto (Brazilian bossa nova guitarist, singer, and composer) (from 1963-03-18 until 1963-03-19)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (from 1963-03-18 until 1963-03-19)
cover recording of:
Doralice (from 1963-03-18 until 1963-03-19)
writer:
Antonio de Almeida (French conductor) and Dorival Caymmi (the father)
Stan Getz & João Gilberto feat. Antônio Carlos Jobim2:43
9Take Ten
recording engineer:
Ray Hall (engineer)
producer:
George Avakian (US 1940-90s record producer)
alto saxophone:
Paul Desmond (on 1963-06-25)
bass and double bass [bass]:
Eugene Wright (bass) (on 1963-06-25)
drums (drum set):
Connie Kay (on 1963-06-25)
guitar:
Jim Hall (US jazz guitarist, composer & arranger) (on 1963-06-25)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1963-06-25)
live recording of:
Take Ten (on 1963-06-25)
composer:
Paul Desmond
publisher:
Desmond Music Company (Paul Desmond)
Paul Desmond3:07
10Tell It Like It Is
Otis Redding & Carla Thomas3:12
11Cet enfant que je t’avais fait
recording engineer:
René Ameline
producer:
Pierre Barouh
vocals:
Brigitte Fontaine and Jacques Higelin
arranger:
Jean-Claude Vannier
recording of:
Cet enfant que je t’avais fait
lyricist:
Brigitte Fontaine
composer:
Jacques Higelin
publisher:
Saravah Éditions Musicales SOC, Sur la grande roue and コアポート
Brigitte Fontaine & Jacques Higelin4.54:25
12Funkier tha a Mosquito’s Tweeter
Ike & Tina Turner2:33
13Dance of the Dream Man (B.O.F “Twin Peaks”)
recording engineer and mixer:
Art Polhemus
co-producer:
Angelo Badalamenti (American score composer) and David Lynch (filmmaker)
producer:
Angelo Badalamenti (American score composer) and David Lynch (filmmaker)
clarinet and flute:
Eddie Daniels and Al Regni
drums (drum set):
Grady Tate
electric guitar:
Vinnie Bell and Eddie Dixon
piano:
Angelo Badalamenti (American score composer)
synthesizer:
Angelo Badalamenti (American score composer) and Kinny Landrum
tenor saxophone:
Al Regni
arranger and orchestrator:
Angelo Badalamenti (American score composer)
recorded at and mixed at:
Excalibur Sound Productions in New York, New York, United States
recording of:
Dance of the Dream Man (Twin Peaks)
orchestrator and composer:
Angelo Badalamenti (American score composer)
part of:
Twin Peaks (original soundtrack of the TV series)
Angelo Badalamenti3.653:38
14Deep Shit (Part 1 & 2)
Kruder & Dorfmeister6:16
15Aftermath (version 1)
vocals:
Martina Topley‐Bird
recording of:
Aftermath
writer:
Howard Bernstein, Adrian Thaws and Tricky (UK trip hop producer Adrian Thaws)
publisher:
Songs of PolyGram International, Inc.
Tricky5:00
16Where the Wild Roses Grow
recording engineer:
Tony Cohen and Victor van Vugt
producer:
Nick Cave & the Bad Seeds, Tony Cohen and Victor van Vugt
mixer:
Gregg Jackman
acoustic guitar and guitar:
Mick Harvey
bass:
Martyn P. Casey
bell:
Jim Sclavunos
cello:
Helen Mountfort
drums (drum set):
Thomas Wydler
guitar:
Blixa Bargeld
piano:
Nick Cave (Australian singer‐songwriter, musician and score composer)
viola:
Kerran Coulter
violin:
Jen Anderson and Sue Simpson
background vocals:
Mick Harvey and Conway Savage
lead vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer) and Kylie Minogue
strings arranger:
Nick Cave (Australian singer‐songwriter, musician and score composer) and Mick Harvey
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1996)
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
music videos:
Where the Wild Roses Grow by Nick Cave (Australian singer‐songwriter, musician and score composer) & Kylie Minogue
recording of:
Where the Wild Roses Grow
lyricist and composer:
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mute Song (international)
Nick Cave & the Bad Seeds & Kylie Minogue4.453:55
4▼CD: Sex & FIP
#TitleArtistRatingLength
1Get Up (I Feel Like a) Sex Machine (Parts 1 & 2)
producer:
James Brown (The Godfather of Soul)
bass guitar:
Bootsy Collins (US funk musician & songwriter)
drums (drum set):
John Starks
guitar:
Catfish Collins
organ:
Bobby Byrd (founder of the Famous Flames, James Brown's vocal group)
piano:
James Brown (The Godfather of Soul)
tenor saxophone:
Robert McCollough
trumpet:
Clayton Gunnells and Darryl Hassan Jamison
lead vocals:
James Brown (The Godfather of Soul) (on 1970-04-25)
vocals:
Bobby Byrd (founder of the Famous Flames, James Brown's vocal group)
performer:
The J.B.’s
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1970)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 196) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 326)
recording of:
Get Up (I Feel Like Being Like a) Sex Machine (on 1970-04-25)
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown's vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown45:15
2Jungle Fever
recording of:
Jungle Fever
writer:
Bill Ador
Chakachas44:21
3Strip‐Tease Moral
Sophie Daumier2:52
4Lee
recording of:
Lee
Sporto Kantes2:54
5Strip‐Tease (B.O.F “Strip‐Tease”)
vocals:
Nico (Christa Päffgen, German singer, fashion model, actress)
conductor:
Alain Goraguer
arranger:
Alain Goraguer
recording of:
Strip-tease (in 1963)
lyricist:
Serge Gainsbourg
composer:
Serge Gainsbourg and Alain Goraguer
Nico2:12
6Roche
producer:
Guy‐Manuel de Homem‐Christo
recording of:
Roche
composer:
Sébastien Tellier
Sébastien Tellier35:00
7I Want to Be Evil
recording of:
I Want to Be Evil (on 1953-03-12)
writer:
Lester Judson and Raymond Taylor (member of the Deuces of Rhythm)
Eartha Kitt33:29
8Fais‐moi mal Johnny
piano:
Alain Goraguer (from 1956-10-11 until 1956-10-12)
additional spoken vocals:
Boris Vian (from 1956-10-11 until 1956-10-12)
background vocals and choir vocals:
Les Fontana (French session back-vocal group) (from 1956-10-11 until 1956-10-12)
vocals:
Magali Noël (from 1956-10-11 until 1956-10-12)
orchestra:
Alain Goraguer et son orchestre (from 1956-10-11 until 1956-10-12)
conductor:
Alain Goraguer (from 1956-10-11 until 1956-10-12)
recording of:
Fais-moi mal, Johnny (from 1956-10-11 until 1956-10-12)
lyricist:
Boris Vian (from 1956-01 until 1956-10)
composer:
Alain Goraguer (from 1956-01 until 1956-10)
Magali Noël & Boris Vian42:21
900 (Infinity Symbol)
vocals:
Irene Papas
recording of:
∞
lyricist:
Costas Ferris
composer:
Vangelis (Greek composer of electronic, new age and classical)
Aphrodite’s Child & Irene Papas5:15
10Canon
Michel Colombier3:45
11I Wanna Be Your Dog
producer:
John Cale (The Velvet Underground founder)
bass guitar:
Dave Alexander (bassist for The Stooges)
drums (drum set):
Scott Asheton
electric guitar:
Ron Asheton
lead vocals:
Iggy Stooge
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 37), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 314) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 438)
recording of:
I Wanna Be Your Dog
writer:
Dave Alexander (bassist for The Stooges), Ron Asheton, Scott Asheton and Iggy Pop
publisher:
Productions et Éditions Cinématographiques Françaises, Stooge Staffel Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
The Stooges3.553:08
12Onda
Cassiano7:41
13Yum Yum (Gimme Some)
The Fatback Band53:19
14Sexe (live au Casino de Paris)
Line Renaud3:29
15Elfin
Jun Miyake3:06
16Make It Wit Chu (album version)
additional recording engineer:
John Silas Cranfield (engineer)
recording engineer:
Alain Johannes
producer:
Chris Goss (US record producer and musician) and Josh Homme
assistant mixer:
Justin Smith (mix/recording engineer)
mixer:
Joe Barresi (recording engineer, mixer, producer) and Alain Johannes
mixed at:
Bay 7 Studios in Valley Village, Los Angeles, California, United States
recording of:
I Wanna Make It Wit Chu
writer:
Joey Castillo and Troy Van Leeuwen
composer:
Josh Homme, Alain Johannes and Mickey Melchiondo
Queens of the Stone Age4.254:50
17Pure Pleasure Seeker
engineer and mixer:
Mark Brydon and Matt Sime
producer:
Moloko (English‐Irish electronic music duo)
lead vocals:
Róisín Murphy
phonographic copyright (℗) by:
The Echo Label Ltd. (in 2000)
edit of:
Pure Pleasure Seeker (Todd Edwards Pure Pleasure disco vocal) by Moloko (English‐Irish electronic music duo)
recording of:
Pure Pleasure Seeker
writer:
Mark Brydon and Róisín Murphy
publisher:
Chrysalis Music Publishing
Moloko3:23
18Please Do It Again
Julie London2:18
5▼CD: Les Faces B
#TitleArtistRatingLength
1Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar [lead guitar]:
Danny Cedrone (on 1954-04-12)
electric guitar [rhythm guitar] and lead vocals:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. 'Billy' Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
phonographic copyright (℗) by:
Sonet Music AB (in 1954) and MCA Records Inc. (1967–2003; name as in imprint during 1972–1990) (in 1955)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1962-08-31)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
cover recording of:
Rock Around the Clock (Bill Haley’s version)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets4.22:09
2Be Bop a Lula
Gene Vincent2:34
3Miss Ann
recording of:
Miss Ann
writer:
Enotris Johnson (in 1955-11) and Richard Wayne Penniman (in 1955-11)
Little Richard2:16
4Why
Lloyd Price2:09
5The Letter
producer:
Dan Penn (songwriter, soul singer)
phonographic copyright (℗) by:
Arista Records (not an imprint, use “Arista” for release labels) (in 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1967) and Atoll Music (in 1968)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 364)
recording of:
The Letter (in 1967)
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, EMI Music (do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:52
6Melting Pot
recording of:
Melting Pot
writer:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) and Booker T. Jones
Booker T & the M.G.’s3:51
7Dear God (remastered 2001)
mastering:
Ian Cooper (UK mastering engineer)
engineer and producer:
Todd Rundgren
guest vocals:
Jasmine Veillette
lead vocals:
Andy Partridge
strings arranger:
Dave Gregory (XTC)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 62)
recording of:
Dear God
lyricist and composer:
Andy Partridge
XTC4.353:36
8Un soir un chien
bass, guitar and membranophone:
Fred Chichin
cello and violin family:
Tony Visconti
cello, congas, piano and violin family and lead vocals:
Catherine Ringer
mixed at:
Good Earth Studios in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Un soir un chien
lyricist:
Catherine Ringer
composer:
Fred Chichin
publisher:
Six
Les Rita Mitsouko5:41
9It Was So Nice While It Lasted
Benny Latimore2:38
10Sixteen Tons
cover recording of:
Sixteen Tons
lyricist and composer:
Merle Travis
publisher:
American Music, Inc. and Campbell Connelly & Co. Ltd.
Stevie Wonder52:39
11Love O’Love
Nina Simone5:04
12Soul Makossa
Manu Dibango6:25
13Dreams of Downey
Ed Burkey2:22
14Love Is a Swingin’ Thing
The Shirelles2:09
15The Days of Pearly Spencer
David McWilliams2:33
16Les jours sont bien trop longs
Taxi Girl4:02

Credits

Release group

part of:Coffret FIP (number: 3) (order: 3)