Dad Rocks

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1No Rain
assistant engineer:
Mr. Jon Plum
engineer:
Rick Parashar
producer and mixer:
Blind Melon and Rick Parashar
acoustic guitar [Gibson J-30]:
Christopher Thorn
bass [1969 Fender Jazz]:
Brad Smith (Blind Melon bassist)
drums (drum set), finger snaps, percussion and shakers:
Glen Graham (Blind Melon percussionist)
electric guitar [Fender Stratocaster, 1962 Reissue]:
Rogers Stevens
background vocals and lead vocals:
Shannon Hoon
recorded at:
London Bridge Studios in Seattle, Washington, United States
music videos:
No Rain by Blind Melon
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 414)
recording of:
No Rain
writer:
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens and Christopher Thorn
publisher:
EMI April Music Inc. and Heavy Melon Music
Blind Melon4.353:37
2The Boys Are Back in Town
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1976)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) and PolyGram Music Publishing (in 1989)
Thin Lizzy4:23
3Every Rose Has Its Thorn (remastered 2003)
Poison4:20
4I Don’t Like MondaysThe Boomtown Rats44:19
5Breakfast at Tiffany’s
engineer, producer and mixer:
David Castell
acoustic guitar and electric guitar:
Toby Pipes, Todd Pipes and Kirk Tatom
bass guitar:
Todd Pipes and Kirk Tatom
drums (drum set) and percussion:
John Kirtland (Drummer, head of Kirtland Records)
keyboard:
Toby Pipes and Todd Pipes
lap steel guitar:
Toby Pipes
organ and piano:
Kirk Tatom
vocals:
Toby Pipes, Todd Pipes and Kirk Tatom
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.) (in 1995)
recording of:
Breakfast at Tiffany’s
lyricist and composer:
Todd Pipes
publisher:
Warner Chappell North America
Deep Blue Something3.74:17
6The Weight (remastered)
The Band4:35
7Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974) and Universal Music (plain logo: “Universal Music”) (in 1974)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.154:45
8Stacy’s Mom
producer:
Chris Collingwood, Mike Denneen and Adam Schlesinger
mixer:
Tom Lord‐Alge
bass and synthesizer:
Adam Schlesinger
drums (drum set), handclaps and tambourine:
Brian Young (US drummer for Fountains of Wayne & Posies)
electric guitar [lead]:
Jody Porter (US guitarist for Fountains of Wayne)
electric guitar [rhythm] and lead vocals:
Chris Collingwood
background vocals:
Jody Porter (US guitarist for Fountains of Wayne) and Adam Schlesinger
recorded at:
Q Division in Somerville, Massachusetts, United States, Stratosphere Sound (NYC) in Chelsea, New York, New York, United States and The Clubhouse in Rhinebeck (town), New York, United States
mixed at:
South Beach Studios in Miami Beach, Florida, United States
part of:
Sean Michaels: The Top 30 Songs of 2003 (number: runner-up), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 401) and Indie 88: Top 500 Indie Rock Songs (number: 496)
recording of:
Stacy’s Mom
writer:
Chris Collingwood and Adam Schlesinger
Fountains of Wayne4.253:19
9Dreams
recording of:
Dreams
lyricist:
Dolores O’Riordan
composer:
Noel Hogan and Dolores O’Riordan
The Cranberries4:31
10Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel43:25
11Southern Nights
phonographic copyright (℗) by:
Liberty Records (not for release label use, but for copyrights and record company credits related to US label Liberty) (in 1977)
cover recording of:
Southern Nights
lyricist and composer:
Allen Toussaint
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Glen Campbell3.852:58
12Bitter Sweet Symphony
recording engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
additional producer and additional mixer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Andrew Loog Oldham, The Verve and Youth (producer/bassist Martin Glover)
lead vocals:
Richard Ashcroft
orchestra:
The Andrew Oldham Orchestra
additional strings arranger:
Wil Malone
samples:
The Last Time by The Andrew Oldham Orchestra
music videos:
Bitter Sweet Symphony by The Verve
part of:
Triple J’s Hottest 100: Twenty Years (2013) (number: 5), NME: Greatest “Indie” Anthems Ever: 2007 (number: 18), Indie 88: Top 500 Indie Rock Songs (number: 22) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 382)
recording of:
Bitter Sweet Symphony
lyricist and composer:
Richard Ashcroft
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”)
is based on:
The Last Time
The Verve4.456:00
13Hit Me With Your Best Shot (remastered)Pat Benatar2:52
14One Way or Another (remastered)
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:35
15Since You Been Gone
recording engineer:
Leigh Mantle (in 1979-04) and Dr. Michael Palmer (engineer) (in 1979-04)
engineer:
Gary Edwards (producer, engineer)
producer:
Roger Glover
bass guitar:
Roger Glover (in 1979-04)
drums (drum set):
Cozy Powell (in 1979-04)
guitar:
Ritchie Blackmore (in 1979-04)
keyboard:
Don Airey (in 1979-04)
lead vocals:
Graham Bonnet (British rock vocalist) (in 1979-04)
phonographic copyright (℗) by:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (in 1979), Polydor Records Inc. (in 1979), PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1979), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1979) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1979)
recorded at:
Château de Pelly in Desingy, Haute-Savoie, Auvergne-Rhône-Alpes, France (in 1979-04) and Maison Rouge Mobile Studio (in 1979-04)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 82)
cover recording of:
Since You Been Gone (in 1979-04)
lyricist and composer:
Russ Ballard
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Complete Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Island Music (Island Music Ltd.), Island Music Ltd., Russell Ballard Ltd, Union Square Music Songs Ltd. and Virgin Music (Publishers) Ltd.
Rainbow3.853:19
16Born to Be Wild (single version)
Steppenwolf3:37
17Fly Away
programming:
Lenny Kravitz, Terry Manning (US recording engineer), Matthew Knobel and Eric Rehl
engineer and mixer:
Terry Manning (US recording engineer)
producer:
Lenny Kravitz
bass, drums (drum set), guitar, background vocals and lead vocals:
Lenny Kravitz
phonographic copyright (℗) by:
Virgin Records America, Inc. (Virgin Records America, Incorporated, for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1998)
recording of:
Fly Away
lyricist and composer:
Lenny Kravitz
publisher:
Miss Bessie Music and Virgin Records America, Inc. (Virgin Records America, Incorporated, for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”)
Lenny Kravitz43:42
18Island in the Sun
assistant recording engineer:
Alan Sanderson
assistant mixer:
Femio Hernandez
recorded at:
Cello Studios in Hollywood, Los Angeles, California, United States (in 2000-12)
mixed at:
South Beach Studios in Miami Beach, Florida, United States (in 2001-01)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 196)
recording of:
Island in the Sun (Weezer)
lyricist and composer:
Rivers Cuomo (US singer, guitarist & songwriter of Weezer)
Weezer4.353:20
19End of the Line
engineer:
Bill Bottrell, Richard Dodd (mastering engineer, producer and engineer), Phil McDonald (engineer and producer) and Don Smith (producer, engineer and mixer)
producer:
Nelson Wilbury (George Harrison, The Beatles) and Otis Wilbury
acoustic guitar:
Bob Dylan (from 1988-05-07 until 1988), Roy Orbison (from 1988-05-07 until 1988) and Tom Petty (from 1988-05-07 until 1988)
bass:
Jeff Lynne (from 1988-05-07 until 1988)
drums (drum set):
Jim Keltner (from 1988-05-07 until 1988)
guitar:
George Harrison (The Beatles) (from 1988-05-07 until 1988) and Jeff Lynne (from 1988-05-07 until 1988)
percussion:
Ray Cooper (percussionist) (from 1988-05-07 until 1988)
background vocals:
Bob Dylan (from 1988-05-07 until 1988), George Harrison (The Beatles) (from 1988-05-07 until 1988), Jeff Lynne (from 1988-05-07 until 1988), Roy Orbison (from 1988-05-07 until 1988) and Tom Petty (from 1988-05-07 until 1988)
lead vocals:
George Harrison (The Beatles) (from 1988-05-07 until 1988), Jeff Lynne (from 1988-05-07 until 1988), Roy Orbison (from 1988-05-07 until 1988) and Tom Petty (from 1988-05-07 until 1988)
phonographic copyright (℗) by:
T. Wilbury Limited (in 2016)
recorded at:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom (in 1988) and Dave Stewart Studios in Los Angeles, California, United States (from 1988-05-07 until 1988)
mixed at:
F.P.S.H.O.T. (Friar Park Studio) in Henley-on-Thames, Oxfordshire, England, United Kingdom
recording of:
End of the Line (from 1988-05-07 until 1988)
lyricist and composer:
Bob Dylan (in 1988-05), George Harrison (The Beatles) (in 1988-05), Jeff Lynne (in 1988-05), Roy Orbison (in 1988-05) and Tom Petty (in 1988-05)
publisher:
“Travelling Wilburys” Music (from 1988 to present) and Special Rider Music (from 1988 to present)
Traveling Wilburys4.153:30
20We’re an American Band (remastered 2002)
Grand Funk Railroad3:27
21Gimme Some Lovin’
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group4.152:56
22The Bad Touch
producer:
Jimmy Pop (member of Bloodhound Gang)
mixer:
Raahu
drums (drum set):
Spanky G
guitar:
Lüpüs Thünder
Moog and lead vocals and spoken vocals:
Jimmy Pop (member of Bloodhound Gang)
background vocals:
DJ Q-Ball
music videos:
The Bad Touch by Bloodhound Gang
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal–Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
Bloodhound Gang3.754:21
23All Star
artist & repertoire support:
Tom Whalley
assistant engineer:
Trevor Adkinson (engineer for Smash Mouth)
engineer, producer and mixer:
Eric Valentine (Eric Dodd, producer and instrumentalist)
additional editor:
Jacquire King
additional keyboard:
Eric Valentine (Eric Dodd, producer and instrumentalist)
bass guitar:
Paul De Lisle
drums (drum set):
Kevin Coleman
electronic instruments:
Mark Camp (Smash Mouth collaborator) and Chris Racine
guitar:
Greg Camp
keyboard:
Michael Klooster
background vocals:
Greg Camp and Paul De Lisle
lead vocals:
Steve Harwell
music videos:
All Star by Smash Mouth (US rock band from San Jose, CA)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 339)
recording of:
All Star
lyricist and composer:
Greg Camp
publisher:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Smash Mouth4.83:20
24Grease (from “Grease”)
engineer and mixer:
Karl Richardson
producer:
Albhy Galuten, Barry Gibb and Karl Richardson
guitar:
Peter Frampton
background vocals:
Barry Gibb
lead vocals:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arranger:
Albhy Galuten and Barry Gibb
phonographic copyright (℗) by:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 11)
recording of:
Grease (Grease, 1978 film)
lyricist and composer:
Barry Gibb
publisher:
Careers–BMG Music Publishing, Inc. and Gibb Brothers Music
part of:
Grease (1978 film)
Frankie Valli4.53:26
25Soak Up the Sun
assistant recording engineer:
Eric Tew
recording engineer:
Trina Shoemaker
drum machine [drum] programming:
Jeff Anthony and Jeff Trott
producer:
Sheryl Crow (American singer-songwriter and musician) and Jeff Trott
assistant mixer:
Steve Sisco
mixer:
Andy Wallace (engineer)
acoustic guitar:
Sheryl Crow (American singer-songwriter and musician) and Jeff Trott
bass guitar [bass], electric guitar and lap steel guitar [lap steel]:
Jeff Trott
drums (drum set):
Jeff Anthony
keyboard [F/X keyboard]:
Sheryl Crow (American singer-songwriter and musician)
background vocals [backing vocals]:
Tim Smith (bassist/guitarist, works with Sheryl Crow)
guest vocals:
Liz Phair
vocals:
Sheryl Crow (American singer-songwriter and musician)
mixed at:
Soundtrack Studios in New York, New York, United States
recording of:
Soak Up the Sun
writer:
Sheryl Crow (American singer-songwriter and musician) and Jeff Trott
publisher:
Ole Media Management LP II (ended), Anthem Entertainment A (work publisher), Anthem Music Publishing II, Reservoir One America, Old Crow Music (Sheryl Crow’s publishing label) (from 2002 to ????), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (from 2002 to ????), Wixen Music Publishing, Inc. (from 2002 to ????) and Cyrillic Soup (from 2002 to present)
Sheryl Crow3.54:52
26Pompeii
programming and producer:
Mark Crew and Dan Smith (member of UK band Bastille)
assistant mixer:
Matty Green (mix engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
bass guitar [bass]:
William Farquarson (bassist, Bastille)
drums (drum set):
Chris “Woody” Wood (drummer, Bastille)
keyboard [keyboards]:
Mark Crew
keyboard [keyboards] and piano:
Dan Smith (member of UK band Bastille)
background vocals [backing vocals]:
Ian Dudfield, Ralph Pelleymounter, Josh Platman and Jon Willoughby
vocals:
Dan Smith (member of UK band Bastille)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 2013)
recorded at:
Unit 24 (Mark Crew's studio) in London (Greater London), England, United Kingdom
music videos:
Pompeii by Bastille (British indie pop band)
part of:
BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 297)
recording of:
Pompeii
lyricist and composer:
Dan Smith (member of UK band Bastille)
publisher:
Bastille Music, Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Bastille3.953:37
27The Passenger
engineer:
Eduard Meyer and Colin Thurston
producer:
Bewlay Bros.
bass guitar:
Tony Sales (from 1977-06-04 until 1977-06-18)
cowbell, drums (drum set), shakers and tambourine:
Hunt Sales (from 1977-06-04 until 1977-06-18)
guitar:
Carlos Alomar (from 1977-06-04 until 1977-06-18) and Ricky Gardiner (from 1977-06-04 until 1977-06-18)
piano:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18)
background vocals:
David Bowie (English singer‐songwriter) (from 1977-06-04 until 1977-06-18), Hunt Sales (from 1977-06-04 until 1977-06-18) and Tony Sales (from 1977-06-04 until 1977-06-18)
lead vocals:
Iggy Pop (from 1977-06-04 until 1977-06-18)
phonographic copyright (℗) by:
Thousand Mile, Inc. (in 1977) and Virgin America (Virgin sublabel for EUROPEAN releases of artists signed by Virgin Records America, Inc.) (in 1990)
recorded at:
Hansa Studio III in Berlin, Germany (from 1977-06-04 until 1977-06-18)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 179)
recording of:
The Passenger (from 1977-06-04 until 1977-06-18)
lyricist:
Iggy Pop
composer:
Ricky Gardiner
publisher:
Ricky Gardiner Songs and Virgin Music (Publishers) Ltd.
Iggy Pop4.64:41
28Everybody’s Changing
programming and engineer:
Andy Green (producer, engineer)
producer:
Andy Green (producer, engineer) and Keane
assistant mixer:
David Treahern and Rob Haggett
mixer:
Mark “Spike” Stent (producer, engineer)
phonographic copyright (℗) by:
Universal Island Records Ltd. (not for release label use! company known by this name from 1999-03-29 to 2014-06-25) (in 2004, in 2024)
recorded at:
Helioscentric Studios in Rye, East Sussex, England, United Kingdom
music videos:
Everybody’s Changing by Keane
recording of:
Everybody’s Changing
writer:
Tom Chaplin, Richard Hughes (Keane member) and Tim Rice‐Oxley
publisher:
BMG Music Publishing Ltd.
Keane3.83:36
29Fooled Around and Fell in Love
phonographic copyright (℗) by:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1975)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 22) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 32)
recording of:
Fooled Around and Fell in Love
lyricist and composer:
Elvin Bishop
Elvin Bishop3.654:38
30Layla
executive producer:
Tom Dowd
producer:
Derek and the Dominos
bass guitar:
Carl Radle (on 1970-09-09)
drums (drum set) and percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1970-09-09)
electronic organ and piano:
Bobby Whitlock (on 1970-09-09)
guitar:
Duane Allman (on 1970-09-09) and Eric Clapton (on 1970-09-09)
lead vocals:
Eric Clapton (on 1970-09-09)
vocals:
Bobby Whitlock (on 1970-09-09)
arranger:
Derek and the Dominos
phonographic copyright (℗) by:
RSO Records Ltd., London (in 1970) and Universal International Music B.V. (company, do not use as label) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-09-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 27) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 224)
recording of:
Layla (on 1970-09-09)
writer:
Eric Clapton and Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Derek and the Dominos4.457:04
31Sunshine of Your Love
recording engineer:
Tom Dowd (from 1967-04 until 1967-05)
producer:
Felix Pappalardi
bass:
Jack Bruce (from 1967-04 until 1967-05)
drums (drum set):
Ginger Baker (from 1967-04 until 1967-05)
guitar:
Eric Clapton (from 1967-04 until 1967-05)
vocals:
Jack Bruce (from 1967-04 until 1967-05) and Eric Clapton (from 1967-04 until 1967-05)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1967), Robert Stigwood Organisation Ltd. (in 1967, in 1969) and Universal International Music B.V. (company, do not use as label) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1967-04 until 1967-05)
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 11), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 44), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 65) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Sunshine of Your Love (from 1967-04 until 1967-05)
writer:
Pete Brown (UK poet & producer, with Cream and Jack Bruce), Jack Bruce and Eric Clapton
publisher:
Casserole Music Corp., Dratleaf Music Ltd., E.C. Music (UK work publisher for Eric Clapton), Nemperor Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell Music, Inc.
Cream4.354:10
32Reelin’ in the Years
assistant engineer:
Tim Weston (in 1972-08)
engineer:
Roger Nichols (US mastering, recording engineer and producer) (in 1972-08)
producer:
Gary Katz (in 1972-08)
drums (drum set):
Jim Hodder (in 1972-08)
electric bass guitar:
Walter Becker (in 1972-08)
electric guitar:
Jeff “Skunk” Baxter (in 1972-08) and Denny Dias (in 1972-08)
piano and lead vocals:
Donald Fagen (in 1972-08)
solo electric guitar:
Elliott Randall (in 1972-08)
background vocals:
Donald Fagen (in 1972-08) and David Palmer (early Steely Dan vocalist) (in 1972-08)
phonographic copyright (℗) by:
ABC Records, Inc (in 1972), ABC/Dunhill Records (Owned by Geffen Records/Universal Music) (in 1972), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1972) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
engineered at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (in 1972-08)
recording of:
Reelin’ In the Years (in 1972-08)
writer:
Walter Becker and Donald Fagen
publisher:
Ampar Music Corp., Anchor Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Minder Music Ltd., Red Giant Music, Inc., Universal/MCA Music Ltd. (not for release label use!) and Wingate Music Corp.
Steely Dan4.654:36
33The Logical Song (remastered 2010)
sound engineer:
Russel Pope
assistant engineer:
Lenise Bent and Jeff Harris (recording engineer)
engineer:
Peter Henderson (English sound engineer)
producer:
Peter Henderson (English sound engineer) and Supertramp
bass guitar:
Dougie Thomson
drums (drum set):
Bob Siebenberg
guitar and keyboard:
Roger Hodgson
keyboard:
Rick Davies (UK keyboardist, member of Supertramp)
woodwind:
John Helliwell
vocals:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
phonographic copyright (℗) by:
A&M Records (in 2010)
recorded at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Crystal Sound in Hollywood, Los Angeles, California, United States
recording of:
The Logical Song
writer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Delicate Music and Rondor Music
Supertramp4.14:11
34Maggie May
producer:
Rod Stewart
acoustic guitar:
Martell Brandy (in 1971-01), Martin Quittenton (guitarist for Steamhammer) (in 1971-01) and Rod Stewart (in 1971-01)
bass:
Andy Pyle (in 1971-01)
bass guitar, guitar and pedal steel guitar:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971-01)
double bass:
Danny Thompson (English double bass player) (in 1971-01)
drums (drum set):
Micky Waller (in 1971-01)
organ:
Ian McLagan (in 1971-01)
piano:
Pete Sears (in 1971-01)
slide guitar:
Sam Mitchell (in 1971-01)
violin:
Dick Powell (Violinist and double-bass player) (in 1971-01)
lead vocals:
Rod Stewart (in 1971-01)
vocals:
Madeline Bell (in 1971-01)
compilation of:
Henry by Rod Stewart and Maggie May (without “Henry” prelude) by Rod Stewart
music videos:
Maggie May by Rod Stewart
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 130) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 141)
recording of:
Maggie May (in 1971-01)
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label's publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
recording of:
Henry (prelude to “Maggie May”)
composer:
Martin Quittenton (guitarist for Steamhammer)
recording of:
Maggie May
publisher:
Rod Stewart
writer:
Mike Peters, Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label's publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell and Warner Chappell Music (publisher as Warner/Chappell Music)
Rod Stewart4.155:45
35Losing My Religion
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass and keyboard:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
electric guitar and mandolin:
Peter Buck (R.E.M. guitarist)
guest acoustic guitar:
Peter Holsapple
vocals:
Mike Mills (R.E.M. bass player) and Michael Stipe
arranger:
Mike Mills (R.E.M. bass player)
phonographic copyright (℗) by:
R.E.M./Athens Ltd. (in 1991) and R.E.M./Athens, Ltd. (in 1991)
music videos:
Losing My Religion (music video) by R.E.M. (American rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 112), Indie 88: Top 500 Indie Rock Songs (number: 115), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 169) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 349)
recording of:
Losing My Religion
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.24:28
36My Sharona
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available) and Universal Music Publishing MGB Australia
The Knack4:52
37Learning to Fly
engineer:
Richard Dodd (mastering engineer, producer and engineer)
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne and Tom Petty
bass, guitar and keyboard and background vocals:
Jeff Lynne (in 1991)
guitar, percussion and background vocals and lead vocals:
Tom Petty (in 1991)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1991) and Geffen Records (in 2014)
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1991)
recording of:
Learning to Fly (in 1991)
writer:
Jeff Lynne and Tom Petty
publisher:
EMI April Music Inc. and Gone Gator Music (ASCAP affiliated)
Tom Petty and the Heartbreakers4.54:02
38Addicted to Love
producer:
Bernard Edwards (American bassist and record producer)
music videos:
Addicted to Love by Robert Palmer (English singer‐songwriter)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 85)
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
Robert Palmer4.756:00
39Bohemian Like You
producer:
David Sardy (American score composer) and Courtney Taylor-Taylor
mixer:
David Sardy (American score composer)
bass and keyboard:
Zia McCabe
drums (drum set) and background vocals:
Brent DeBoer
guest organ:
Erik Gavriluk
guitar:
Peter Holmström and Courtney Taylor-Taylor
slide guitar:
Troy Stewart
vocals:
Courtney Taylor-Taylor
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
music videos:
Bohemian Like You by The Dandy Warhols
part of:
Indie 88: Top 500 Indie Rock Songs (number: 449)
recording of:
Bohemian Like You
lyricist and composer:
Courtney Taylor-Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) and Dandy Warhols Music (BMI)
The Dandy Warhols4.23:31
40All the Small Things
engineer:
Sean O’Dwyer (US producer & engineer)
producer:
Jerry Finn
mixer:
Tom Lord‐Alge
keyboard:
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arranger:
blink‐182
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000)
music videos:
All the Small Things (music video) by blink‐182
part of:
BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (number: 59) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 365)
recording of:
All the Small Things
writer:
Travis Barker (American producer and drummer of blink-182), Tom DeLonge and Mark Hoppus
publisher:
Fun With Goats (ended), Beat Poet Music, EMI April Music Inc., HMNIM Music and Jolly Old Saint Dick
blink‐1824.42:51
41Hey Jealousy
assistant engineer:
James Senter (James "Left Of" Senter, Engineer)
engineer and mixer:
John Hampton (engineer, producer)
producer:
Gin Blossoms and John Hampton (engineer, producer)
acoustic guitar:
Robin Wilson (US, guitars/vocals for Gin Blossoms and Gas Giants)
bass:
Bill Leen
drums (drum set) [drums] and percussion:
Phillip Rhodes (drummer of Gin Blossoms)
guitar:
Doug Hopkins (Gin Blossoms) and Jesse Valenzuela
mandolin:
Jesse Valenzuela
vocals:
Jesse Valenzuela and Robin Wilson (US, guitars/vocals for Gin Blossoms and Gas Giants)
recorded at:
Ardent Studios in Memphis, Tennessee, United States (in 1992)
mixed at:
Ardent Studios in Memphis, Tennessee, United States
music videos:
Hey Jealousy by Gin Blossoms
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 354) and Indie 88: Top 500 Indie Rock Songs (number: 440)
recording of:
Hey Jealousy
writer:
Doug Hopkins (Gin Blossoms)
publisher:
East Jesus Music and WB Music Corp. (1929–2019)
Gin Blossoms43:56
42You Ain’t Seen Nothing YetBachman–Turner Overdrive3:55
43Mr. Brightside
recording engineer:
Jeff Saltzman (music attorney and record producer)
producer:
Jeff Saltzman (music attorney and record producer) and The Killers (American rock band)
mixer:
Mark Needham
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2004) and Island Records (Island Records Ltd., NOT for release label use! A division of UMG Recordings, Inc.) (in 2017)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 4), NME: Greatest “Indie” Anthems Ever: 2007 (number: 33), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 90) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 378)
recording of:
Mr. Brightside
writer:
Brandon Flowers and Dave Keuning
publisher:
The Killers Publishing and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Killers4.33:43
44Summer of ’69
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain (from 1984-03-27 until 1984-09-22)
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1984-09-22)
drums (drum set) [drums]:
Pat (from 1984-03-27 until 1984-09-22)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1984-03-27 until 1984-09-22)
guitar [lead guitar]:
Keith (Canadian guitarist) (from 1984-03-27 until 1984-09-22)
guitar [rhythm guitar] and background vocals [harmony vocal]:
BA (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
percussion:
Jim (from 1984-03-27 until 1984-09-22)
lead vocals:
Bryan Adams (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-22)
phonographic copyright (℗) by:
A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (on 1984-09-22)
part of:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (number: 1), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 3), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 3), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 5), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 8), Huffington Post: 100 Best Canadian Songs Ever (number: 9), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 9), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 10) and The Downloader’s Music Source Book (number: 179)
recording of:
Summer of ’69 (from 1984-03-27 until 1984-09-22)
written in:
Vancouver, British Columbia, Canada (on 1984-01-25)
writer:
Bryan Adams (Canadian singer/songwriter) (on 1984-01-25) and Jim Vallance (on 1984-01-25)
publisher:
Adams Communications Inc. (in 1984), Almo Music Corp. (USA, affiliated with ASCAP) (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
Bryan Adams4.43:38
45Fortunate Son
recording engineer and mixer:
Russ Gary
producer:
John Fogerty
bass guitar:
Stu Cook
drums (drum set):
Doug Clifford
guitar:
John Fogerty and Tom Fogerty
background vocals:
Doug Clifford, Stu Cook and Tom Fogerty
lead vocals:
John Fogerty
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recorded at and mixed at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 99) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 227)
recording of:
Fortunate Son (in 1969-08)
lyricist and composer:
John Fogerty
publisher:
Cody River Music Company, Jondora Music and Prestige Music ltd.
Creedence Clearwater Revival4.452:21
46I Was Made for Lovin’ You
recording engineer and mixer:
Jay Messina
assistant engineer:
Jim Galante and Jon Mathias (engineer)
producer:
Vini Poncia
drums (drum set):
Anton Fig
keyboard and background vocals:
Vini Poncia
lead vocals:
Paul Stanley (KISS frontman)
phonographic copyright (℗) by:
Casablanca Record & FilmWorks, Inc. (not for release label use, for copyrights use only) (in 1979), PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1979) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1979)
produced for:
Mad Vincent Productions
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
I Was Made for Lovin’ You
writer:
Desmond Child, Vini Poncia and Paul Stanley (KISS frontman)
publisher:
Desmobile Inc., Hori Productions America Inc., Universal Music Publishing GmbH (Universal Music Publishing Group Germany), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Polygram International Publishing I (existed only since ca. 1998), Universal–Songs of PolyGram International, Inc., Kiss (publisher for the rock band KISS, formerly KISS Songs Inc.) (in 1979) and Mad Vincent Music (publisher) (in 1979)
sub-publisher:
Taiyō Music and Universal Music Publishing France (not for release label use!)
KISS4.454:28
47Mr. Jones
recorded in:
Los Angeles, California, United States
recording engineer:
Pat McCarthy
additional engineer:
Robert Hart (engineer), Steve Holroyd and Howard Willing
assistant engineer:
Mark Guilbeault and Brant Scott
executive producer:
Gary Gersh
producer:
T‐Bone Burnett (musician, songwriter and producer)
mixer:
Scott Litt (producer and engineer) and Pat McCarthy
accordion, chamberlin and Hammond organ:
Charlie Gillingham
additional drums (drum set) and additional percussion:
Denny Fongheiser
additional guitar:
T‐Bone Burnett (musician, songwriter and producer), Bill Dillon and David Immerglück
additional guitorgan:
Bill Dillon
additional mandocello, additional mandolin, additional pedal steel guitar and additional vocals:
David Immerglück
bass guitar:
Matt Malley
guitar:
David Bryson and Matt Malley
harmonica and lead vocals:
Adam Duritz
piano:
Adam Duritz and Charlie Gillingham
additional background vocals:
Gary Louris, Maria McKee and Mark Olson (US alt. country musician, Jayhawks etc)
vocals:
Steve Bowman, David Bryson, Charlie Gillingham and Matt Malley
additionally recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States, Kiva West Recording Studios in Los Angeles, California, United States, Sunset Sound in Hollywood, Los Angeles, California, United States and The Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
music videos:
Mr. Jones by Counting Crows
part of:
Indie 88: Top 500 Indie Rock Songs (number: 474)
recording of:
Mr. Jones
lyricist:
Adam Duritz
composer:
David Bryson and Adam Duritz
Counting Crows4.154:33
48You Get What You Give
producer:
Gregg Alexander
bass:
John Pierce (US session bassist)
guitar:
Gregg Alexander and Rusty Anderson
membranophone:
Gary Ferguson (Session drummer)
percussion:
Juliet Prater
piano:
Rick Nowels
arranger:
Gregg Alexander
additional vocals arranger:
Richard Podolor
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1998)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 390) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 453)
recording of:
You Get What You Give
writer:
Gregg Alexander and Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. and Grosse Point Harlem
New Radicals4.655:00
49You Never Can Tell (1964 single version)
producer:
Chuck Berry, Leonard Chess, Leonard & Phil Chess (Legendary US production duo), Phil Chess and Willie Dixon
drums (drum set):
Odie Payne (American Chicago blues drummer) (from 1964-01-07 until 1964-01-09)
electric bass guitar:
Louis Satterfield (from 1964-01-07 until 1964-01-09)
guitar:
Chuck Berry (from 1964-01-07 until 1964-01-09)
piano:
Johnnie Johnson (from 1964-01-07 until 1964-01-09)
tenor saxophone:
Rubin Cooper (from 1964-01-07 until 1964-01-09) and George Patterson (from 1964-01-07 until 1964-01-09)
vocals:
Chuck Berry (from 1964-01-07 until 1964-01-09)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States (from 1964-01-07 until 1964-01-09)
recording of:
You Never Can Tell (from 1964-01-07 until 1964-01-09)
lyricist and composer:
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Tristan Music Ltd. and Isalee Music (in 1994)
Chuck Berry4.152:43
50Roxanne
engineer:
Chris Gray (UK engineer) and Nigel Gray (UK producer)
producer:
The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1978), Polydor Records (record company, please use “Polydor” for release label.) (in 1978), A&M Records, Inc. (in 1997) and A&M Records, Ltd. (in 2003)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
music videos:
Roxanne (Music video) by The Police (British rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 388)
recording of:
Roxanne
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Mushroom Music (Mushroom label's publishing company) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.33:09
51Heat of the Moment
engineer and producer:
Mike Stone (producer and engineer, 1960s–80s)
drums (drum set) and percussion:
Carl Palmer
electric bass guitar:
John Wetton
guitar:
Steve Howe
keyboard:
Geoff Downes
vocals:
Geoff Downes, Steve Howe and John Wetton
phonographic copyright (℗) by:
Geffen Records (in 1982), The David Geffen Company (legal rights relating to Geffen Records) (in 1982) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1982)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Heat of the Moment (music video) by Asia (UK progressive rock band)
recording of:
Heat of the Moment
writer:
Geoff Downes and John Wetton
publisher:
Almond Legg Music Corp. (, from 1982 to present), BMG Gold Songs, Crosstown UK (Palan), Island Music Ltd., John Wetton Music Ltd, Kobalt Music Publishing Ltd. (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017), Palan Music Publishing Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music Co., Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music, Inc., Ackee Music Inc. (from 1982 to present), WB Music Corp. (1929–2019) (from 1982 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Fujipacific Music, Inc., Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (until 2017-03-31) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (from 2017-04-01 to present)
Asia4.43:49
52All Right Now
Free5:38
53The Gambler
engineer:
Billy Sherrill (US songwriter/producer/arranger)
producer:
Larry Butler (US country music producer, songwriter & pianist)
lead vocals:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
phonographic copyright (℗) by:
Liberty Records, Inc. (in 1978) and Capitol Records Nashville (in 2006)
recorded at:
Jack Clement Recording Studio in Nashville, Tennessee, United States
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 21)
recording of:
The Gambler
writer and composer:
Don Schlitz
publisher:
Sony/ATV Cross Keys Publishing and Writer's Night Music
cover recording of:
The Gambler
writer and composer:
Don Schlitz
publisher:
Sony/ATV Cross Keys Publishing and Writer's Night Music
Kenny Rogers4.53:30
54American Pie
engineer:
Tom Flye
producer:
Ed Freeman (producer, arranger, musician, and photographer)
electric guitar:
David Spinozza (from 1971-05 until 1971-06)
piano:
Paul Griffin (American pianist, session musician) (from 1971-05 until 1971-06)
vocals:
Don McLean (from 1971-05 until 1971-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1971, in 2000)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1971-05 until 1971-06)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 131)
recording of:
American Pie (from 1971-05 until 1971-06)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd and Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean4.38:33
55Good Old‐Fashioned Lover Boy (remastered 2011)
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
Queen (UK rock group)
bass guitar:
John Deacon (from 1976-07 until 1976-11)
drums (drum set), triangle and wood block:
Roger Taylor (Queen drummer) (from 1976-07 until 1976-11)
guitar:
Brian May (Queen guitarist) (from 1976-07 until 1976-11)
piano and lead vocals:
Freddie Mercury (from 1976-07 until 1976-11)
additional guest vocals:
Mike Stone (producer and engineer, 1960s–80s) (from 1976-07 until 1976-11)
background vocals:
Brian May (Queen guitarist) (from 1976-07 until 1976-11), Freddie Mercury (from 1976-07 until 1976-11) and Roger Taylor (Queen drummer) (from 1976-07 until 1976-11)
phonographic copyright (℗) by:
Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1976), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1976, in 2011) and Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1977)
recorded at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom (from 1976-07 until 1976-11), The Manor in Oxfordshire, England, United Kingdom (from 1976-07 until 1976-11) and Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1976-07 until 1976-11)
recording of:
Good Old‐Fashioned Lover Boy (from 1976-07 until 1976-11)
lyricist and composer:
Freddie Mercury
publisher:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) and Queen Music Ltd.
Queen3.752:53
56I’m Not in Love
recording engineer and producer:
10cc
engineer and mixer:
Eric Stewart
bass and guitar:
Graham Gouldman (in 1974)
effects [musical effects], electric piano and lead vocals:
Eric Stewart (in 1974)
Moog:
Kevin (in 1974)
piano:
Lol (in 1974)
synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) and Eric Stewart (in 1974)
background vocals:
Graham Gouldman (in 1974), Kevin (in 1974) and Lol (in 1974)
other vocals [whisper vocals]:
Kathy Redfern (in 1974)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1975), Phonogram, Inc. (in 1975) and Mercury Records Ltd. (not for release label use!) (in 1996)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
music videos:
I’m Not in Love by 10cc
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 319)
recording of:
I’m Not in Love (in 1974)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc3.96:03
57Hold Back the River
assistant recording engineer:
Sean Badum and James Oleksyk
recording engineer:
Lowell Reynolds
engineer:
Mark Bengtson
producer:
Jacquire King
assistant mixer:
Mark Bengtson
mixer:
Michael Brauer (engineer)
bass:
Eli Beaird
drums (drum set), keyboard and percussion:
Ian Fitchuk
guitar, background vocals and lead vocals:
James Bay (English singer‐songwriter)
recording of:
Hold Back the River
writer:
Iain Archer and James Bay (English singer‐songwriter)
publisher:
Kobalt Music Publishing Australia P/L and Songs of Kobalt Music Publishing
part of:
Matuschkes Lieblinge 2015
James Bay3.83:59
58Crazy on You
engineer:
Mike Flicker and Rolf Hennemann
assistant producer:
Howard Leese
producer:
Mike Flicker
acoustic guitar:
Nancy Wilson (guitarist/singer of “Heart”)
bass guitar:
Steve Fossen
drums (drum set):
Kat Hendrikse
electric guitar:
Roger Fisher (US rock guitarist) and Howard Leese
flute and lead vocals:
Ann Wilson (lead singer of Heart)
synthesizer:
Rob Deans
background vocals:
Geoff Foubert, Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
recorded at and mixed at:
Mushroom Studios in Vancouver, British Columbia, Canada
recording of:
Crazy on You
writer:
Roger Fisher (US rock guitarist), Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
How About Music, Sony/ATV Tunes LLC (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.154:53
59Dedicated to the One I Love (single version)
producer:
Lou Adler
phonographic copyright (℗) by:
Dunhill Records Inc. (in 1967)
produced for:
Dunhill Records USA
cover recording of:
Dedicated to the One I Love
writer:
Ralph Bass and Lowman Pauling
publisher:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
recording of:
Dedicated to the One I Love
writer:
Ralph Bass and Lowman Pauling
publisher:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas4.22:59
60More Than Words
assistant engineer:
Craig Doubet (recording engineer)
engineer:
Bob St. John
producer and mixer:
Michael Wagener
bass guitar:
Pat Badger
drums (drum set) and percussion:
Paul Geary
guitar, keyboard, percussion and piano and background vocals:
Nuno Bettencourt
background vocals and lead vocals:
Gary Cherone
phonographic copyright (℗) by:
A&M Records (in 1990)
recording of:
More Than Words
writer:
Nuno Bettencourt and Gary Cherone
publisher:
Funky Metal Publishing
Extreme3.755:36
61Girls Like You
programming:
Cirkut and Jason Evigan
assistant engineer:
Eric Eylands
engineer:
Eric Eylands, John Hanes (audio engineer, mixer), Noah “Mailbox” Passovoy and Gian Stone
producer:
Cirkut, Jason Evigan and Gian Stone (task: vocals)
mixer:
Serban Ghenea
editor:
Noah “Mailbox” Passovoy
guitar [guitars]:
Jason Evigan and Adam Levine (Maroon 5’s lead vocalist)
keyboard [keys]:
Cirkut and Jason Evigan
additional vocals:
Cirkut, Jason Evigan, Victoria Evigan, Jacob Kasher Hindlin (American songwriter, producer), Noah “Mailbox” Passovoy and Gian Stone
vocals:
Adam Levine (Maroon 5’s lead vocalist)
phonographic copyright (℗) by:
Interscope Records (222 Records) (not an imprint, use only for holding) (in 2017)
recorded at:
Chumba Meadows in Tarzana, Los Angeles, California, United States and Conway Recording Studios in Hollywood, Los Angeles, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
part of:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (number: 1) and Billboard Year-End Hot 100 singles of 2018 (number: 10)
recording of:
Girls Like You
writer:
Belcalis Almanzar (American rapper), Jason Evigan, Gian Michael Stone, Henry Walter, Jorden Thorpe, Adam Levine (Maroon 5’s lead vocalist) and Starrah (US singer, songwriter & rapper)
publisher:
Bad Robot Music, BMG Platinum Songs US, Chimi Songs, Family Stone Music (ASCAP-affiliated), Hipgnosis Side A, KMR Music Royalties II SCSp, Kobalt Songs Music Publishing (USA, ASCAP affiliated), People Over Planes, Prescription Songs, Songs of Influence, Sony/ATV Allegro, Sony/ATV Ballad, Sudgee 2 Music, These Are Songs of Pulse (ASCAP) and Universal Music Corporation (USA, affiliated with ASCAP)
Maroon 543:35

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2021)
stream for free:https://open.spotify.com/album/47m3eAzq8L5cP1rwVKWO08 [info]
Allmusic:https://www.allmusic.com/album/release/mr0005495348 [info]